{"id":25,"date":"2023-02-10T04:59:26","date_gmt":"2023-02-10T04:59:26","guid":{"rendered":"https:\/\/yashnabodlibrary.uz\/?page_id=25"},"modified":"2026-03-31T09:50:40","modified_gmt":"2026-03-31T09:50:40","slug":"bibliografiya","status":"publish","type":"page","link":"https:\/\/yashnabodlibrary.uz\/?page_id=25","title":{"rendered":"Bibliografiya"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"423\" height=\"443\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-30.png\" alt=\"\" class=\"wp-image-108\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-30.png 423w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-30-286x300.png 286w\" sizes=\"(max-width: 423px) 100vw, 423px\" \/><\/figure><\/div>\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/takhkarm.zn.uz\/files\/2021\/05\/image.png\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>Diqqat yangi adabiyotlar!<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Axborot byulleteni<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>28. Biologik fanlar.<\/strong><\/p>\n\n\n\n<p><strong>28.<\/strong><\/p>\n\n\n\n<p><strong>A 98<\/strong><\/p>\n\n\n\n<p><strong>7Ahmedov, N<\/strong>. Odam anatomiyasi [Matn] : Atlas \/ N. Ahmedov : [ Mas\u2019ul muharrir : T. Soatov]. J.II. \u2013 Toshkent :\u201cO\u2019zbekiston milliy ensiklopediyasi\u201d&nbsp; \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 256 b.&nbsp;&nbsp;&nbsp; -ISBN 978-9943-07-642-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu kitobda tomirlar sistemasi, qon tomirlar sistemasi, yurak haqida ma\u2019lumotlar berilgan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>40. Qishloq xo<code>jaligi va o<\/code>rmon xo`jaligi fanlari<\/strong><\/p>\n\n\n\n<p><strong>40\u044f2<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;<strong>\u0401 53<\/strong><\/p>\n\n\n\n<p>\u0401\u0448 \u0434\u0435\u04b3\u049b\u043e\u043d \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438 [\u041c\u0430\u0442\u043d] : \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f \/ \u0421. \u0425\u043e\u043b\u043d\u0430\u0437\u0430\u0440\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : &nbsp;\u201cO\u2019zbekiston milliy ensiklopediyasi\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2019. \u2013 392 \u0431.&nbsp;&nbsp;&nbsp; -ISBN 978-9943-07-697-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u042d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0434\u0430 \u049b\u0438\u0448\u043b\u043e\u049b \u0445\u045e\u0436\u0430\u043b\u0438\u0433\u0438\u043d\u0438 \u044e\u0440\u0438\u0442\u0438\u0448\u043d\u0438\u043d\u0433 \u0438\u043b\u043c\u0438\u0439 \u0432\u0430 \u0430\u043c\u0430\u043b\u0438\u0439 \u0430\u0441\u043e\u0441\u043b\u0430\u0440\u0438, \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d\u0434\u0430 \u045e\u0441\u0442\u0438\u0440\u0438\u043b\u0430\u0434\u0438\u0433\u0430\u043d \u0436\u0430\u043c\u0438 \u044d\u043a\u0438\u043d \u0442\u0443\u0440\u043b\u0430\u0440\u0438, \u0431\u043e\u049b\u0438\u043b\u0430\u0434\u0438\u0433\u0430\u043d \u0447\u043e\u0440\u0432\u0430 \u0437\u043e\u0442\u043b\u0430\u0440\u0438, \u0430\u0433\u0440\u043e\u043d\u043e\u043c\u0438\u044f, \u0433\u0435\u043d\u0435\u0442\u0438\u043a\u0430 \u0432\u0430 \u0441\u0435\u043b\u0435\u043a\u0446\u0438\u044f, \u045e\u0441\u0438\u043c\u043b\u0438\u043a\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a, \u0442\u0443\u043f\u0440\u043e\u049b\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a, \u049b\u0438\u0448\u043b\u043e\u049b \u0445\u045e\u0436\u0430\u043b\u0438\u0433\u0438 \u0442\u0435\u0445\u043d\u0438\u043a\u0430\u0441\u0438 \u0432\u0430 \u0431\u043e\u0448\u049b\u0430 \u0441\u043e\u04b3\u0430\u043b\u0430\u0440\u0433\u0430 \u0434\u043e\u0438\u0440 300 \u0433\u0430 \u044f\u049b\u0438\u043d \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \u0431\u0435\u0440\u0438\u043b\u0433\u0430\u043d.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>42. Maxsus o`simlikshunoslik<\/strong><\/p>\n\n\n\n<p><strong>42.16(5\u040e)<\/strong><\/p>\n\n\n\n<p><strong>\u040e 31<\/strong><\/p>\n\n\n\n<p><strong>\u041d\u0435\u044a\u043c\u0430\u0442\u043e\u0432, \u04b2.&nbsp;<\/strong>\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043f\u0430\u0445\u0442\u0430\u0447\u0438\u043b\u0438\u0433\u0438\u043d\u0438\u043d\u0433 \u044e\u0442\u0443\u049b\u043b\u0430\u0440\u0438 [\u041c\u0430\u0442\u043d] : \u043f\u0430\u0445\u0442\u0430\u0447\u0438\u043b\u0438\u043a \u04b3\u0430\u049b\u0438\u0434\u0430 \/ \u04b2. \u041d\u0435\u044a\u043c\u0430\u0442\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0438\u043b\u043b\u0438\u0439 &nbsp;\u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2015. \u2013 288 \u0431.&nbsp;&nbsp; -ISBN 978-9943-07-385-2.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;\u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430 \u0445\u0443\u0441\u0443\u0441\u0430\u043d, \u0443\u0440\u0443\u0493\u043b\u0438\u043a \u043f\u0430\u0445\u0442\u0430 \u0435\u0442\u0438\u0448\u0442\u0438\u0440\u0438\u0448 \u0432\u0430 \u0442\u043e\u043b\u0430 \u0441\u043e\u0442\u0438\u0448, \u045e\u0437\u0431\u0435\u043a \u043f\u0430\u0445\u0442\u0430 \u0442\u043e\u043b\u0430\u0441\u0438\u043d\u0438\u043d\u0433 \u0436\u0430\u04b3\u043e\u043d \u0431\u043e\u0437\u043e\u0440\u0438\u0434\u0430\u0433\u0438 \u043d\u0443\u0444\u0443\u0437\u0438, \u0441\u0435\u043b\u0435\u043a\u0446\u0438\u044f \u0432\u0430 \u0443\u0440\u0443\u0493\u0447\u0438\u043b\u0438\u043a \u0441\u043e\u04b3\u0430\u0441\u0438\u0434\u0430 \u049b\u045e\u043b\u0433\u0430 \u043a\u0438\u0440\u0438\u0442\u0438\u043b\u0430\u0451\u0442\u0433\u0430\u043d \u043c\u0443\u0432\u0430\u0444\u0444\u0430\u049b\u0438\u044f\u0442\u043b\u0430\u0440 \u0431\u0438\u043b\u0430\u043d \u0431\u0438\u0440 \u049b\u0430\u0442\u043e\u0440\u0434\u0430 \u0440\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u043c\u0438\u0437\u043d\u0438\u043d\u0433 14 \u0442\u0430 \u043c\u0430\u044a\u043c\u0443\u0440\u0438\u0439 \u0445\u0443\u0434\u0443\u0434\u0438\u0439 \u0431\u0438\u0440\u043b\u0438\u0433\u0438\u0434\u0430 \u0441\u043e\u04b3\u0430 \u0440\u0438\u0432\u043e\u0436\u0438\u0433\u0430 \u043c\u0443\u043d\u043e\u0441\u0438\u0431 \u04b3\u0438\u0441\u0441\u0430 \u049b\u045e\u0448\u0438\u0431 \u043a\u0435\u043b\u0430\u0451\u0442\u0433\u0430\u043d \u043f\u0430\u0445\u0442\u0430\u043a\u043e\u0440\u043b\u0430\u0440 \u0444\u0430\u043e\u043b\u0438\u044f\u0442\u0438 \u04b3\u0430\u043c \u0430\u0442\u0440\u043e\u0444\u043b\u0438\u0447\u0430 \u0451\u0440\u0438\u0442\u0438\u043b\u0433\u0430\u043d.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>74. Xalq ta`limi. Pedagogika. Pedagogika fani<\/strong><\/p>\n\n\n\n<p><strong>74.00\u044f2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041f 29&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u043a\u0430&nbsp;<\/strong>[\u041c\u0430\u0442\u043d] : \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f.III \u0436\u0438\u043b\u0434 \/ \u0442\u0443\u0437\u0443\u0432\u0447\u0438\u043b\u0430\u0440: \/ \u0436\u0430\u043c\u043e\u0430. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u201c\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0438\u043b\u043b\u0438\u0439 \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2017. \u2013 424 \u0431.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; -ISBN 978-9943-07-572-6.<\/p>\n\n\n\n<p><strong>74. 2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041c 91<\/strong><\/p>\n\n\n\n<p><strong>\u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430, \u042e.&nbsp;<\/strong>\u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 4. [\u0422\u0435\u043a\u0441\u0442] : \u042e. \u042e. \u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u0427\u0443\u043b\u043f\u0430\u043d\u0430, 2018. \u2013 208 \u0441. ISBN 978-9943-5086-4-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0435 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b, \u043f\u043e\u0434\u043e\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u0432 \u0434\u0430\u043d\u043d\u043e\u0439 \u043a\u043d\u0438\u0433\u0435, \u043f\u043e\u043c\u043e\u0433\u0443\u0442 \u0444\u043e\u0440\u043c\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044e \u0443 \u043c\u043b\u0430\u0434\u0448\u0438\u0445 \u0448\u043a\u043e\u043b\u044c\u043d\u0438\u043a\u043e\u0432 \u0443\u043c\u0435\u043d\u0438\u0439 \u0438 \u043d\u0430\u0432\u044b\u043a\u043e\u0432 \u0447\u0442\u0435\u043d\u0438\u044f, \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044e \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043e\u0432 \u0438 \u043a\u0440\u0443\u0433\u043e\u0437\u043e\u0440\u0430, \u043d\u0440\u0430\u0432\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043a\u0430\u0447\u0435\u0441\u0442\u0432, \u043f\u043e\u0437\u043d\u043e\u043a\u043e\u043c\u044f\u0442 \u0438\u0445 \u0441 \u0443\u0441\u0442\u043d\u044b\u043c \u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u043c, \u043e\u0431\u043e\u0433\u0430\u0442\u044f\u0442 \u0438\u0445 \u0437\u043d\u0430\u043d\u0438\u044f \u043e \u043d\u0430\u0448\u0435\u0439 \u0420\u043e\u0434\u0438\u043d\u0435, \u0441\u0435\u043c\u044c\u0435 \u043f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043d\u043e\u0435 \u043f\u043e\u0441\u043b\u0435 \u0443\u0440\u043e\u043a\u043e\u0432.<\/p>\n\n\n\n<p><strong>74. 2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041c 91<\/strong><\/p>\n\n\n\n<p><strong>\u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430, \u042e.&nbsp;<\/strong>\u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 3. [\u0422\u0435\u043a\u0441\u0442] : \u042e. \u042e. \u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u0427\u0443\u043b\u043f\u0430\u043d\u0430, 2018. \u2013 192 \u0441. ISBN 978-9943-5086-3-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0435 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b, \u043f\u043e\u0434\u043e\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u0432 \u0434\u0430\u043d\u043d\u043e\u0439 \u043a\u043d\u0438\u0433\u0435, \u043f\u043e\u043c\u043e\u0433\u0443\u0442 \u0444\u043e\u0440\u043c\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044e \u0443 \u043c\u043b\u0430\u0434\u0448\u0438\u0445 \u0448\u043a\u043e\u043b\u044c\u043d\u0438\u043a\u043e\u0432 \u0443\u043c\u0435\u043d\u0438\u0439 \u0438 \u043d\u0430\u0432\u044b\u043a\u043e\u0432 \u0447\u0442\u0435\u043d\u0438\u044f, \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044e \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043e\u0432 \u0438 \u043a\u0440\u0443\u0433\u043e\u0437\u043e\u0440\u0430, \u043d\u0440\u0430\u0432\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043a\u0430\u0447\u0435\u0441\u0442\u0432, \u043f\u043e\u0437\u043d\u043e\u043a\u043e\u043c\u044f\u0442 \u0438\u0445 \u0441 \u0443\u0441\u0442\u043d\u044b\u043c \u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u043c, \u043e\u0431\u043e\u0433\u0430\u0442\u044f\u0442 \u0438\u0445 \u0437\u043d\u0430\u043d\u0438\u044f \u043e \u043d\u0430\u0448\u0435\u0439 \u0420\u043e\u0434\u0438\u043d\u0435, \u0441\u0435\u043c\u044c\u0435 \u043f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043d\u043e\u0435 \u043f\u043e\u0441\u043b\u0435 \u0443\u0440\u043e\u043a\u043e\u0432.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>82. Folklor. Folklorshunoslik.<\/strong><\/p>\n\n\n\n<p><strong>82.3(3)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>D 11<\/strong><\/p>\n\n\n\n<p><strong>Roald, D.&nbsp;<\/strong>Charli va shokolad fabrikasi [Matn] : ingliz ertak-qissasi \/ tarjimon K. Nosirova. Toshkent :Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -160 b. ISBN 978-9943-05-725-8<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Roald Dalning mazkur ertak-qissasi kambag\u2019al oila farzandi bo\u2019lgan kichkintoy Charli Baketning mashhur va g\u2019ayrioddiy qandolatchi janob Vonkaning shokolad fabrikasida boshidan kechirgan sarguzashtlari haqida.<\/p>\n\n\n\n<p><strong>82.3(5O\u2019)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>O 52<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Oltin beshik<\/strong>&nbsp;[Matn]: so\u2019z boshi M. Mahmudov; rassomlar : A. Mahkamov, A. G\u2019ulomov. \u2013 11- nashri. \u2013 Toshkent :- Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -224 b.: rangli rasm \u2013 (O\u2019zbek xalq ertaklari.)&nbsp;&nbsp; ISBN 978-9943-05-782-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbek xalq ertaklari dunyo badiiy durdonalari sirasiga kiradi. Ularning barchasi bir joyga jamlansa, bir necha o\u2019nlab kitoblar paydo&nbsp; bo\u2019lishi, shubhasiz.Ushu to\u2019plamga xalqimizning eng sara ertaklari kiritildi.<\/p>\n\n\n\n<p><strong>82.(5O\u2019)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Ya 73<\/strong><\/p>\n\n\n\n<p><strong>Yarimta no\u2019xat [Matn] :<\/strong>&nbsp;o\u2019zbek xalq ertaklari. \u2013 Toshkent: Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -160 b. ISBN 978-9943-05-596-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbek xalqining og\u2019zaki ijodini bitmas tuganmas tubsiz ummonga Mengzas mumkin. Bu ummonga sho\u2019ng\u2019ir ekansiz,uchqur xayollar sizni qadim-qadimzamonlarga, devlaru parilar yashaydigan maskanlarga yetaklaydi.<\/p>\n\n\n\n<p><strong>82.3(5O\u2019)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>S 97<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Susambil&nbsp;<\/strong>[Matn] : o\u2019zbek xalq ertaklari \/ \u2013 Toshkent : \u201cO\u2019zbekiston milliy ensiklopediyasi\u2019 Davlat ilmiy nashriyoti, 2018. \u2013 144 b. ISBN 978-9943-07-658-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Susambil degan mamlakat bor ekan. U joyda o\u2019tning quyug\u2019I, suvning tinig\u2019I mo\u2019l ekan. Unda birov bilan birovning ishi hamyo\u2019q, azob-uqubat, g\u2019am yo\u2019q, ovqat bisyor, qorning doim to\u2019yib yuradi.<\/p>\n\n\n\n<p><strong>82.3(5O\u2019)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>B 83<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Bola-podshohdir [Matn]:<\/strong>&nbsp;O\u2019zbek xalq ertaklari \/ \u2013 Toshkent :&nbsp; \u201cO\u2019zbekiston\u201d milliy ensiklopediyasi\u201d Davlat ilmiy nashriyoti, 2019.\u2013 208 b. \u2013 ISBN 978-9943-07-705-8<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Ushbu to\u2019plamda o\u2019zbek xalqining baxshilari, ertakchilari tomonidan aytilib,ular og\u2019zidan yozib olingan tng sara ertaklar jamlangan.<\/p>\n\n\n\n<p><strong>82.3(4Ger)&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>E 83&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Vangeliy, Spirido\u2019n&nbsp;<\/strong>Yettiyulduz&nbsp; [Matn] : olmon xalq ertaklari \/ tarjimonlar : X. Rahimov va&nbsp; Sh. Salimova \u2013 Toshkent :&nbsp; Cho\u2019lpon&nbsp;&nbsp; nomidagi NMIU, 2019. \u2013 192 b. &nbsp;ISBN 978-9943-05-898-9<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>83. Adabiyotshunoslik<\/strong><\/p>\n\n\n\n<p><strong>83.3(5O\u2019)8&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>O 80<\/strong><\/p>\n\n\n\n<p><strong>Osim, M.&nbsp;<\/strong>Sehrli so\u2019z [Matn] : hikoyalar \/ M. Osim.\u2013 Toshkent :Cho\u2019lpon nomidagi NMIU, 2019. \u2013 80 b.&nbsp;&nbsp; ISBN 978-9943-05-945-0<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plamda taniqli yozuvchi Mirkarim Osimning buyuk mutafakkir Alisher Navoiy haqidagi hikoyalari jamlangan. Hikoyalarda ulug\u2019 shoir olijanob inson, sadsoqatli do\u2019st, yosh ijodkorlarga mehribon ustoz sifatida gavdalangan.<\/p>\n\n\n\n<p><strong>83.3(5\u040e)6-8&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u0410 50<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0410\u043b\u0438\u043c\u0431\u0435\u043a\u043e\u0432, \u0410<\/strong><strong>,&nbsp;&nbsp;<\/strong>\u042e\u043b\u0434\u0443\u0437\u043d\u0438\u043d\u0433 \u0431\u0435\u0448 \u049b\u0438\u0440\u0440\u0430\u0441\u0438&nbsp; [\u041c\u0430\u0442\u043d] : \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f \/ \u0410. \u0410\u043b\u0438\u043c\u0431\u0435\u043a\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0427\u045e\u043b\u043f\u043e\u043d \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u041d\u041c\u0418\u0423, 2017. \u2013 328 \u0431. ISBN 978-9943-05-912-2<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0445\u0430\u043b\u049b \u0451\u0437\u0443\u0432\u0447\u0438\u0441\u0438, \u0414\u0430\u0432\u043b\u0430\u0442 \u043c\u0443\u043a\u043e\u0444\u043e\u0442\u0438 &nbsp;\u0441\u043e\u0432\u0440\u0438\u043d\u0434\u043e\u0440\u0438&nbsp; &nbsp;\u041c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u0410\u043b\u0438 \u04b3\u0430\u0451\u0442\u0438 \u0432\u0430 \u0438\u0436\u043e\u0434\u0438\u0433\u0430 \u0431\u0430\u0493\u0438\u0448\u043b\u0430\u043d\u0433\u0430\u043d.<\/p>\n\n\n\n<p><strong>83.3 (5U)6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Y 18&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>XX asr O\u2019zbek hikoyai antologiyasi&nbsp;<\/strong>\/ Tahrir hay\u2019ati: A. Oripov va boshq.;&nbsp; Tuzuvchi va nashrga tayyorlovchilar: B. Karimov, H. Abdiyev. \u2013 Toshkent : \u201cO\u2019zbekiston milliy ensiklopediyasi\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2016. \u2013 624 \u0431.&nbsp;&nbsp;&nbsp; -ISBN 978-9943-07-467-5<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Ushbu hikoyalar XX asr o\u2019zbek hikoyasi xazinasidan saralab olindi. Eng muhimi ushbu antologiya muxlislar uchun o\u2019ziga xos sovg\u2019a bo\u2019libgina qolmay,undan oily o\u2019quv yurtlarida qo\u2019shimcha o\u2019quv qo\u2019llanma sifatida ham foydalanish mumkin.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>84. Badiiy adabiyotlar (asarlar)<\/strong><\/p>\n\n\n\n<p><strong>84(5O\u2019)6&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>T 93<\/strong><\/p>\n\n\n\n<p><strong>To\u2019xtabayev, X.&nbsp;<\/strong>Sir ochildi [Matn]: qissa va hikoyalar \/ ikkinchi nashr. X. To\u2019xtabayev. \u2013 Toshkent: Cho\u2019lponnomidagiNMIU, 2019. \u2013 184 b. ISBN 978-9943-5380-7-8<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plam bolalarga mehnatsevarlik, mardlik, faollik, to\u2019grilik, mehribonlik kabi ko\u2019plab insoniy fazilatlarnising dirishga xizmat qiladigan qissa vahikoyalarnio\u2019zidajamlagan.<\/p>\n\n\n\n<p><strong>84(5O\u2019)7&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>T 98<\/strong><\/p>\n\n\n\n<p><strong>To\u2019xtabayev, X.&nbsp;<\/strong>Tagob qishloq ertaklari&nbsp; [Matn] \/ Bolaligimdan lavhalar: roman \/&nbsp; X. To\u2019xtabayev&nbsp; \/ to\u2019rtinchichi nashri. \u2013 Toshkent: Cho\u2019lpon nomidagi NMIU, 2019. \u2013 244 b. ISBN 978-9943-05-909-2<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur roman sevimli adib X. To\u2019xtabayevning yangi asari bo\u2019lib, uni \u201cJannati odamlar\u201d romanining uzviy davomi deyish mumkin.<\/p>\n\n\n\n<p><strong>84(5O\u2019)<\/strong><strong>6<\/strong><\/p>\n\n\n\n<p><strong>O 14<\/strong><\/p>\n\n\n\n<p><strong>Obidjon, A.&nbsp;<\/strong>Mo\u2019ttivoy&nbsp; [Matn] : hangomalar &nbsp;\/ A. Obidjon \/ \u2013 Toshkent: &nbsp;Cho\u2019lpon nomidagi NMIU, 2019. \u2013 272 b. ISBN 978-9943-5088-6-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adibning ichakuzdi hangomalariga yo\u2019grilgan Mo\u2019ttivoy haqidagi asari \u201cYoshlik\u201d jurnalida bosilishi bilanoq katta shov-shuvga sabab bo\u2019ldi.<\/p>\n\n\n\n<p><strong>84(5O\u2019)6&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>T 93<\/strong><\/p>\n\n\n\n<p><strong>To\u2019xtabayev, X.&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Donishmandbobo ertaklari&nbsp; [Matn] : ertaklar &nbsp;\/ birinchi qism\/ X. To\u2019xtabaye&nbsp; \/ ikkinchichi nashri. \u2013 Toshkent: Cho\u2019lpon nomidagi NMIU, 2019. \u2013 92 b. &nbsp;ISBN 978-9943-5380-6-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu kitobda tarihiy rivoyatlar,qissa va hikoyalar bugungi zamon tiliga moslab, ertakshaklida taqdim etilgan.<\/p>\n\n\n\n<p><strong>84(5O\u2019)6<\/strong><strong>-44&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>T 9<\/strong><strong>8<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>To\u2019xtabayev, X.&nbsp;<\/strong>Uch sayyohning safari [Matn] : qissa, ertak va rivoyatlar &nbsp;\/&nbsp; &nbsp;X. To\u2019xtabaye&nbsp; \/ beshinchi nashri. \u2013 Toshkent:&nbsp;&nbsp; Cho\u2019lpon nomidagi NMIU, 2019. \u2013 148 b. ISBN 978-9943-05-863-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Tuman patent va soliq bo\u2019limining bolalarni sevib, ardoqlab ham ma\u2019naviy ham moddiy yordam berib kelayotgan bolaparvar xodimlarga bagishlanadi.<\/p>\n\n\n\n<p><strong>84(5 O\u2019)&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>M 22&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Malik, E.&nbsp;<\/strong>Champootli ilon [Matn]: qissalar \/ E. Malik. \u2013 Toshkent : Cho\u2019lpon nomidagi &nbsp;NMIU, 2019. \u2013 204 b. &nbsp;ISBN 978-9943-05-5383-1-3<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bu kitob, nafaqat ajoyib va garoyib ilonlar vafodor itlar jin va parilar haqida balki urushda bedarak ketib sotqin degan nom olgan bobosining qutlug\u2019 nomini tiklagan nevaralar haqidagi qissalardan iborat.<\/p>\n\n\n\n<p><strong>84(5O\u2019)6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>O 14<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>Obidov, A.&nbsp;<\/strong>Nozikoy va Maymoq [Matn]: ertak-qissa \/ A. Obidov \u2013 Toshkent : Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -160 b. ISBN 978-9943-5383-8-2<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ezgulik va yaxshilik inson qalbini xoh keksa,xohyosh bola bo\u2019lsin nurlantirad<\/p>\n\n\n\n<p><strong>84(4Mol)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>V 21<\/strong>&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Vangeliy, S.&nbsp;<\/strong>Gugutsening sarguzashtlari [Matn] : ertaklar to\u2019plami\/ S. Vangeliy &nbsp;Tarjimon N. Mirzayeva. Toshkent :Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -160 b. ISBN 978-9943-05-768-5<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Siz moldavan yozuvchisi Spiridon Vangeliyning bu asarini o\u2019qib, Gugutsening sarguzashtlari bilan tanishasiz. Asar qahramoni bilan birga sayohat qilib, turli &nbsp;voqealarning guvohi bo\u2019lasiz.<\/p>\n\n\n\n<p><strong>84(4Vel)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;C 37<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Svift, J.&nbsp;<\/strong>Gulliverning sayohatlari [Matn] :\/ Svift ; Tarjimon V. Ro\u2019zimatov. \u2013 Toshkent :Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -128 b. ISBN 978-9943-05-773-9<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ingliz yozuvchisi Jonatan Sviftning&nbsp; \u201cGulliverning sayohatlari\u201d asari jahon bolalar adabiyotining durdonalaridan hisoblanadi. Bu nodir asar juda ko\u2019p tillar qatori o\u2019zbek tiliga ham tarjima qilinib, chop etilgan.Muallif Gulliverning liliputlar va darozlar mamlakatida boshidan kechirgan g\u2019royib sarguzashtlarini tasvirlab, o\u2019quvchilarga zavq bag\u2019ishlaydi.<\/p>\n\n\n\n<p><strong>84(5\u049a\u043e\u0437<\/strong>)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u049a 54<\/strong><\/p>\n\n\n\n<p>\u049a\u043e\u0437\u043e\u049b\u043d\u0438\u043d\u0433 \u049b\u0438\u0440\u049b \u043e\u049b\u0438\u043d\u0438\u0434\u0430\u043d \u049b\u0438\u0440\u049b\u045e\u043b\u0430\u043d [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/&nbsp; \u0410. \u0410\u043b\u0438\u043c\u0431\u0435\u043a\u043e\u0432.&nbsp; \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0438\u043b\u043b\u0438\u0439 \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 128 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u0442\u045e\u043f\u043b\u0430\u043c\u0434\u0430 \u049b\u0430\u0440\u0434\u043e\u0448 \u049b\u043e\u0437\u043e\u049b \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u043d\u0438\u043d\u0433 \u0442\u0443\u0440\u043b\u0438 \u0430\u0432\u043b\u043e\u0434\u043b\u0430\u0440\u0438\u0433\u0430 \u043c\u0430\u043d\u0441\u0443\u0431 \u049b\u0438\u0440\u049b \u0430\u0442\u043e\u049b\u043b\u0438 \u0448\u043e\u0438\u0440\u043d\u0438\u043d\u0433 \u044d\u043d\u0433 \u0441\u0430\u0440\u0430 \u0448\u0435\u044a\u0440\u043b\u0430\u0440\u0438\u0434\u0430\u043d \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440 \u0431\u0435\u0440\u0438\u043b\u043c\u043e\u049b\u0434\u0430.<\/p>\n\n\n\n<p><strong>84(2\u0420\u043e\u0441-\u0420\u043e\u0441)&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u0422 64&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u0422\u043e\u043b\u0441\u0442\u043e\u0439, \u041b\u0435\u0432<\/strong>\u0410\u0432\u043b\u0438\u0451 \u0421\u0435\u0440\u0433\u0438\u0439 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u041b. \u0422\u043e\u043b\u0441\u0442\u043e\u0439. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cO\u2019zbekiston milliy ensiklopediyasi\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 12\u0431. -ISBN 978-9943-07-689-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0401\u0437\u0443\u0432\u0447\u0438 \u0442\u0430\u0441\u0430\u0432\u0432\u0443\u0440\u0438\u0434\u0430\u0433\u0438 \u0447\u0438\u043d \u0438\u043d\u0441\u043e\u043d \u043e\u0431\u0440\u0430\u0437\u0438- \u0410\u0432\u043b\u0438\u0451 \u0421\u0435\u0440\u0433\u0438\u0439\u043d\u0438\u043d\u0433 \u0431\u043e\u0442\u0438\u043d\u0438\u0439 \u0432\u0430 \u0437\u043e\u04b3\u0438\u0440\u0438\u0439 \u043e\u043b\u0430\u043c\u0438, \u0443 \u0431\u0443\u0442\u0443\u043d \u0443\u043c\u0440\u0438 \u0434\u0430\u0432\u043e\u043c\u0438\u0434\u0430&nbsp; \u043a\u043e\u043c\u0438\u043b\u043b\u0438\u043a\u043a\u0430 \u0438\u043d\u0442\u0438\u043b\u0430\u0434\u0438. \u0410\u0441\u0430\u0440\u0434\u0430 \u0431\u043e\u0448 \u049b\u0430\u0445\u0440\u0430\u043c\u043e\u043d \u043c\u0438\u0441\u043e\u043b\u0438\u0434\u0430 \u0438\u043d\u0441\u043e\u043d\u0438\u0439 \u043a\u0435\u0447\u0438\u043d\u043c\u0430\u043b\u0430\u0440 \u043e\u0440\u0442\u0438\u049b\u0447\u0430 \u0431\u045e\u0451\u049b\u043b\u0430\u0440\u0441\u0438\u0437 \u0442\u0430\u043b\u049b\u0438\u043d \u044d\u0442\u0438\u043b\u0430\u0434\u0438. \u0412\u043e\u049b\u0435\u0430\u043b\u0430\u0440 \u0437\u0430\u043c\u0438\u0440\u0438\u0434\u0430 \u0438\u043d\u0441\u043e\u043d\u043d\u0438\u043d\u0433 \u0440\u0443\u04b3\u0438\u0439 &nbsp;\u0438\u0437\u0442\u0438\u0440\u043e\u0431\u0433\u0430 \u0447\u045e\u043a\u043a\u0430\u043d \u04b3\u0430\u0451\u0442 \u0439\u045e\u043b\u0438\u043d\u0438 \u049b\u0430\u0439\u0442\u0430 \u043d\u0430\u0437\u0430\u0440\u0434\u0430\u043d \u045e\u0442\u043a\u0430\u0437\u0430\u0434\u0438.<\/p>\n\n\n\n<p><strong>84(2\u0420\u043e\u0441-\u0414\u043e\u0433)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u04b2 24<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u04b2\u0430\u043c\u0437\u0430\u0442\u043e\u0432, \u0420.<\/strong>\u041c\u0435\u043d\u0438\u043d\u0433 \u0414\u045e\u0493\u0438\u0441\u0442\u043e\u043d\u0438\u043c [\u041c\u0430\u0442\u043d] : \u0431\u0430\u0434\u0438\u0430 \/ \u0420. \u04b2\u0430\u043c\u0437\u0430\u0442\u043e\u0432; \u0410. \u041c\u045e\u043c\u0438\u043d. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u201c\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0438\u043b\u043b\u0438\u0439 \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 368 \u0431. ISBN 978-9943-07-688-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430 \u0422\u0438\u043b, \u043c\u0438\u043b\u043b\u0430\u0442, \u0445\u0430\u043b\u049b, \u049b\u0430\u0434\u0440\u0438\u044f\u0442, \u0412\u0430\u0442\u0430\u043d \u043c\u0435\u04b3\u0440\u0438, \u0434\u0430\u0432\u0440 \u0440\u0443\u04b3\u0438, \u0441\u0435\u0432\u0433\u0438 \u0441\u0435\u04b3\u0440\u0438, \u04b3\u0430\u049b\u0438\u049b\u0430\u0442 \u0432\u0430 \u0451\u043b\u0493\u043e\u043d, \u044f\u0445\u0448\u0438\u043b\u0438\u043a \u0432\u0430 \u0451\u043c\u043e\u043d\u043b\u0438\u043a, \u0442\u0438\u043d\u0447\u043b\u0438\u043a \u0432\u0430 \u0443\u0440\u0443\u0448 \u043c\u0430\u0432\u0437\u0443\u043b\u0430\u0440\u0438 \u04b3\u0430\u0441\u0441\u043e\u0441\u0430\u043d\u0430 \u0451\u0440\u0438\u0442\u0438\u043b\u0433\u0430\u043d.<\/p>\n\n\n\n<p><strong>84(5\u040e)6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041c 22<\/strong><\/p>\n\n\n\n<p><strong>\u041c\u0430\u043b\u0438\u043a, \u0422.<\/strong>\u0428\u0430\u0439\u0442\u0430\u043d\u0430\u0442 [\u041c\u0430\u0442\u043d]: \u0440\u043e\u043c\u0430\u043d \/ \u0422. \u041c\u0430\u043b\u0438\u043a (4-\u043a\u0438\u0442\u043e\u0431: \u041e\u049b\u049b\u0443\u0448 \u049b\u045e\u0448\u0438\u0493\u0438) \u043c\u0430\u0441\u044a\u0443\u043b&nbsp; \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0418. \u0421\u043e\u043b\u0438\u04b3\u043e\u0432\u0430 \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cO\u2019zbekiston milliy ensiklopediyasi\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 528 \u0431.ISBN 978-9943-07-639-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430 \u0436\u0438\u043d\u043e\u044f\u0442\u0447\u0438\u043b\u0438\u043a \u043e\u043b\u0430\u043c\u0438\u043d\u0438\u043d\u0433 \u0441\u0438\u0440-\u0430\u0441\u0440\u043e\u0440\u043b\u0430\u0440\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437 \u044e\u0440\u0438\u0442\u0438\u043b\u0430\u0434\u0438. \u0410\u0441\u0430\u0440 \u0434\u0435\u0442\u0435\u043a\u0442\u0438\u0432 \u0436\u0430\u043d\u0440\u0433\u0430 \u0438\u0445\u043b\u043e\u0441\u043c\u0430\u043d\u0434 \u043a\u0438\u0442\u043e\u0431\u0445\u043e\u043d\u043b\u0430\u0440 \u0443\u0447\u0443\u043d \u043c\u0443\u043d\u043e\u0441\u0438\u0431 \u0442\u0443\u04b3\u0444\u0430\u0434\u0438\u0440.<\/p>\n\n\n\n<p><strong>84(5\u040e)6-44&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u041d 79<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u041d\u043e\u0440\u049b\u043e\u0431\u0438\u043b\u043e\u0432, \u041d.<\/strong>\u0427\u0435\u0442\u0434\u0430\u0433\u0438 \u043e\u0434\u0430\u043c [\u041c\u0430\u0442\u043d] : \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u041d. \u041d\u043e\u0440\u049b\u043e\u0431\u0438\u043b\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u0427\u045e\u043b\u043f\u043e\u043d \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u041d\u041c\u0418\u0423, 2019. \u2013 184 \u0431. ISBN 978-9943-05-862-0<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430\u043d \u045e\u0440\u0438\u043d \u043e\u043b\u0433\u0430\u043d \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438\u0434\u0430 \u041d. \u041d\u043e\u0440\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0438\u043d\u0441\u043e\u043d\u043d\u0438\u043d\u0433 \u0438\u0447\u043a\u0438 \u043a\u0435\u0447\u0438\u043d\u043c\u0430\u043b\u0430\u0440\u0438, \u0442\u0443\u0439\u0493\u0443\u043b\u0430\u0440\u0438\u043d\u0438 \u0448\u0443\u043d\u0434\u0430\u0439 \u0440\u0430\u043d\u0433-\u0431\u0430\u0440\u0430\u043d\u0433 \u0431\u045e\u0451\u049b\u043b\u0430\u0440 \u0431\u0438\u043b\u0430\u043d \u043e\u0447\u0438\u0431 \u0431\u0435\u0440\u0433\u0430\u043d\u043a\u0438, \u045e\u0442-\u045e\u043b\u0430\u043d\u043b\u0430\u0440, \u04b3\u0430\u0439\u0432\u043e\u043d\u043b\u0430\u0440 \u04b3\u0430\u0442\u0442\u043e \u0433\u0430\u0440\u043c\u0441\u0435\u043b \u0448\u0430\u043c\u043e\u043b\u043b\u0430\u0440 \u0431\u0438\u043b\u0430\u043d \u0441\u0438\u0437\u043d\u0438 \u043e\u0448\u043d\u043e \u049b\u0438\u043b\u0438\u0431 \u049b\u045e\u044f\u0434\u0438\u043a\u0438 \u043c\u0438\u0440\u0438\u049b\u0438\u0431 \u045e\u049b\u0438\u0448 \u0432\u0430 \u0437\u0430\u0432\u049b \u043e\u043b\u0438\u0448\u0434\u0430\u043d \u0431\u043e\u0448\u049b\u0430 \u0447\u043e\u0440\u0430\u043d\u0433\u0438\u0437 \u049b\u043e\u043b\u043c\u0430\u0439\u0434\u0438.<\/p>\n\n\n\n<p><strong>84(5\u040e)6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u0425 87<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0425\u0443\u0434\u043e\u0439\u0448\u0443\u043a\u0443\u0440, \u0417.&nbsp;<\/strong>\u0422\u0443\u0437\u043e\u049b [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440 \u0432\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u0417. \u0425\u0443\u0434\u043e\u0439\u0448\u0443\u043a\u0443\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u0427\u045e\u043b\u043f\u043e\u043d \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u041d\u041c\u0418\u0423, 2019. \u2013 240 \u0431.&nbsp; ISBN 978-9943-5383-5-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u0441\u0442\u0438\u049b\u043b\u043e\u043b \u0439\u0438\u043b\u043b\u0430\u0440\u0438\u0434\u0430 \u0431\u043e\u0439 \u0442\u0430\u0440\u0438\u0445\u0438\u043c\u0438\u0437, \u043c\u0438\u043b\u043b\u0438\u0439 \u0443\u0440\u0444-\u043e\u0434\u0430\u0442\u043b\u0430\u0440\u0438\u043c\u0438\u0437 \u04b3\u0430\u043c\u0434\u0430 \u049b\u0430\u0434\u0440\u0438\u044f\u0442\u043b\u0430\u0440\u0438\u043c\u0438\u0437\u043d\u0438 \u045e\u0440\u0433\u0430\u043d\u0438\u0448 \u0432\u0430 \u0443\u043b\u0430\u0440\u043d\u0438 \u043a\u0435\u043b\u0433\u0443\u0441\u0438 \u0430\u0432\u043b\u043e\u0434\u043b\u0430\u0440\u0433\u0430 \u0431\u043e\u0440 \u0431\u045e\u0439\u0438 \u0431\u0438\u043b\u0430\u043d \u0435\u0442\u043a\u0430\u0437\u0438\u0448 \u04b3\u0430\u0440\u0430\u043a\u0442\u043b\u0430\u0440\u0438 \u0431\u043e\u0448\u043b\u0430\u043d\u0434\u0438. \u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430\u043d \u045e\u0440\u0438\u043d \u043e\u043b\u0433\u0430\u043d \u201c\u0422\u0443\u0437\u043e\u049b\u201d \u0432\u0430 \u201c\u041e\u049b \u045e\u0442\u043e\u0432\u043d\u0438\u043d\u0433 \u043c\u0443\u043d\u0433\u043b\u0438 \u045e\u043b\u0430\u043d\u0438\u201d \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440\u0438 \u04b3\u0430\u043c\u0434\u0430 \u201c\u041a\u0430\u0439\u0432\u043e\u043d\u0438 \u043c\u043e\u043c\u043e\u043c \u0447\u045e\u043f\u0447\u0430\u043a\u043b\u0430\u0440\u0438\u201d \u0442\u0443\u0440\u043a\u0443\u043c\u0438\u0434\u0430\u0433\u0438 \u0432\u0430 \u0431\u043e\u0448\u049b\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \u0448\u0443 \u044d\u0437\u0433\u0443 \u0441\u0430\u044a\u0439- \u04b3\u0430\u0440\u0430\u043a\u0430\u0442\u043b\u0430\u0440\u0433\u0430 \u0443\u0439\u0493\u0443\u043d\u043b\u0438\u0433\u0438 \u0431\u0438\u043b\u0430\u043d \u0430\u04b3\u0430\u043c\u0438\u044f\u0442\u043b\u0438\u0434\u0438\u0440.<\/p>\n\n\n\n<p><strong>84(5\u040e)6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>\u0412 89<\/strong><\/p>\n\n\n\n<p><strong>\u0412\u043e\u04b3\u0438\u0434\u043e\u0432, \u042d.&nbsp;<\/strong>\u0421\u0435\u0432\u0433\u0438 \u0448\u0443\u043d\u0434\u0430\u0439 \u043d\u0430\u0432\u0431\u0430\u04b3\u043e\u0440\u043a\u0438 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u042d. \u0412\u043e\u04b3\u0438\u0434\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u201cO\u2019zbekiston milliy ensiklopediyasi\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 144 \u0431. -ISBN 978-9943-07-645-7<\/p>\n\n\n\n<p>\u0423\u0448\u0431\u0443 \u0441\u0430\u0439\u043b\u0430\u043d\u043c\u0430\u0434\u0430 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u049a\u0430\u0445\u0440\u0430\u043c\u043e\u043d\u0438, \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0445\u0430\u043b\u049b \u0448\u043e\u0438\u0440\u0438 \u042d\u0440\u043a\u0438\u043d \u0412\u043e\u04b3\u0438\u0434\u043e\u0432 \u049b\u0430\u043b\u0430\u043c\u0438\u0433\u0430 \u043c\u0430\u043d\u0441\u0443\u0431 \u0438\u043d\u0441\u043e\u043d \u049b\u0430\u043b\u0431\u0438\u043d\u0438\u043d\u0433 \u044d\u043d\u0433 \u0438\u043d\u0436\u0430 \u0442\u0443\u0439\u0493\u0443\u0441\u0438 \u2013 \u043c\u0443\u04b3\u0430\u0431\u0431\u0430\u0442 \u0442\u0430\u0440\u0430\u043d\u043d\u0443\u043c\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430\u0433\u0438 \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \u0436\u0430\u043c\u043b\u0430\u043d\u0433\u0430\u043d<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>87. Falsafa. Falsafa fanlar<\/strong><\/p>\n\n\n\n<p><strong>87.7&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>F 60<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Fitrat, A.&nbsp;<\/strong>Oila yoki oila boshqarish tartiblari&nbsp; \/ A. Fitrat ; tarjimon va izohlar muallifi Sh. Vohidov; mas\u2019ul muharrir H. Boltabayev. \u2013 Toshkent :Cho\u2019lpon&nbsp; nomidagi NMIU, 2019. -144b. &nbsp;ISBN 978-9943-05-591-9<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ularda komil inson shaxsini shakllantirish bilan bo\u2019gliq muammolar va ularning yechimi aks ettiriladi.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>92. Ensiklopedik lug\u2019atlar. Ma\u2019lumotnomalar<\/strong><\/p>\n\n\n\n<p><strong>92 ya70&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>B 94&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Bu juda qiziq&nbsp;<\/strong>[Matn] : Bolalar ensiklopediyasi. (\u201cMening birinchi ensiklopediyam\u201d urkumidan). Tuzuvchi I. Jovliyev \u2013 Toshkent: O\u2019zbekiston milliy&nbsp; ensiklopediyasi\u2019 Davlat ilmiy nashriyoti, 2019. \u2013 96 b. &nbsp;ISBN 978-9943-07-692-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitobda o\u2019zingizga-vujudingizga tayanmog\u2019ingiz lozimligi aytiladi.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u0410\u0445\u0431\u043e\u0440\u043e\u0442-\u043a\u0443\u0442\u0443\u0431\u0445\u043e\u043d\u0430 \u043c\u0430\u0440\u043a\u0430\u0437\u0438\u0433\u0430 \u0444\u043e\u043d\u0434\u0438\u0433\u0430 2021 \u0439\u0438\u043b\u0434\u0430 \u043a\u0435\u043b\u0438\u0431 \u0442\u0443\u0448\u0433\u0430\u043d \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u043b\u0430\u0440<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; E 45<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Elbek o\u2019gli, Niyatillo.<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ko\u2019nglimdagilar [Matn] : she\u2019rlar \/ N. Elbek o\u2019gli. \u2013 Toshkent: \u00abAdabiyot\u201d nashriyoti, 2020. -64 b.&nbsp; \u2013 ISBN 978-9943-6779-9-9<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitobda Niyatilla Elbek o\u2019glining samimiy ko\u2019ngil chiziqlariga, vijdon shakliga ko\u2019zingiz tushadi. Kitobda o\u2019quvchilarni bepoyon kengliklardan olib o\u2019tib shahar tomon yetaklaydi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A 37<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Aziz, Nurmuhammad.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Zarif qissalar [Matn] : she\u2019rlar \/ N. Aziz. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. -96 b.&nbsp; \u2013 ISBN 978-9943-6779-5-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitobda jamlangan she\u2019rlarni o\u2019qir ekansiz, Nurmuhammad singari iste\u2019dodli ijodkorlar borligidan quvonasiz. Uning she\u2019rlarida go\u2019zallikka oshiq ko\u2019ngil, ezgulik va adolat tuyg\u2019ulari chinakam sayqallanganini ko\u2019rasiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A&nbsp;<\/strong><strong>49<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ali, Bek.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Men axir senman [Matn] : she\u2019rlar \/ B. Ali. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. -64 b.&nbsp; \u2013 ISBN 978-9943-6473-3-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur to\u2019plamdan joy olgan she\u2019rlari inson qalb kechinmalari mohir musavvirining chizgan mo\u2019jizaviy suratlaridir. Yosh ijodkor hayotni, insonlarni, borliqni yorug\u2019 tuygularda ifodalaydi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>N 52<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ne\u2019mat, Nurulloh.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Tong xumori [Matn] : she\u2019rlar \/ N. Ne\u2019mat. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. -32 b.&nbsp; \u2013 ISBN 978-9943-6781-0-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Mazkur to\u2019plamda joy olgan she\u2019rlarni o\u2019qib. Nurulloh singari iste\u2019dodli ijodkorlar borligidan quvonmasligingiz dargumon Uning she\u2019rlarida vodiyning samimiy nafasi ufurib turadi..<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;<\/strong><strong>N 52<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ne\u2019matullayev, Feruz.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Kabisa [Matn] : she\u2019rlar \/ F. Ne\u2019matullayev. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 48 b.&nbsp; \u2013 ISBN 978-9943-6779-1-3<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ko\u2019plab is\u2019tedodli tengdoshlari ichida ajralib turgan, o\u2019z so\u2019zini aytishga intilayotgan yosh shoir Feruz Ne\u2019matullayevning yangicha nigohi, botin ifodasi, yoniq bir ovozi ta\u2019bi nozik she\u2019rxonni-da befarq qoldirmaydi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G 87<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; G\u2019ochchiyeva, Rohilabonu.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Olasoyning olmasi [Matn] : hikoyalar \/ R. G\u2019ochchiyeva. \u2013 Toshkent: \u00abAdabiyot\u201d nashriyoti, 2020. \u2013 48 b.&nbsp; \u2013 ISBN 978-9943-6780-9-5<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;To\u2019plamdan joy olgan hikoyalar xalqonaligi, milliy koloritga boyligi &nbsp;&nbsp;&nbsp; &nbsp;bilan ajralib turadi. Muallif qir-adirlar qo\u2019ynida yashaydigan odamlarning o\u2019y-xayollarini, ko\u2019ngil kechinmalarini, samimiy ifodalaydi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 821.512.&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;E 74<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ergashaliyev, Shahzod.<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ufqqa tutash yo\u2019l [Matn] : hikoyalar \/ Sh. Ergashaliyev. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 48 b.&nbsp; \u2013 ISBN 978-9943-6780-7-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitobchadan o\u2019rin olgan hikoyalarda insonni faqatgina go\u2019zal &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; fazilatlar ulug\u2019lab turishi ifodalangan. Muallif o\u2019zi ko\u2019rgan-bilgan voqea-&nbsp;&nbsp;&nbsp; hodisalarni o\u2019quvchining ko\u2019z o\u2019ngida jonlantiradi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;<\/strong><strong>N 79<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Norchayeva<\/strong><strong>,&nbsp;<\/strong><strong>Madina<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Kaftdagi yo\u2019l [Matn] : she\u2019rlar \/ Sh. Ergashaliyev. \u2013 Toshkent: \u00abAdabiyot\u201d nashriyoti, 2020. \u2013 48 b. &nbsp;&nbsp;&nbsp;\u2013 ISBN 978-9943-6780-7-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitobchadan o\u2019rin olgan hikoyalarda insonni faqatgina go\u2019zal fazilatlar ulug\u2019lab turishi ifodalangan. Muallif o\u2019zi ko\u2019rgan-bilgan voqea-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; hodisalarni o\u2019quvchining ko\u2019z o\u2019ngida jonlantiradi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>M 84<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Muzaffar<\/strong><strong>,&nbsp;<\/strong><strong>Mirzohid<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Fosh [Matn] : she\u2019rlar \/ M. Muzaffar. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 40 b. &nbsp;&nbsp;&nbsp;&nbsp;\u2013 ISBN 978-9943-6472-5-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Mirzohidning hammamiz ko\u2019rib turgan dunyo ichida o\u2019zigagina tegishli ichkin dunyosi bor. Uning teran nigohidan borliqdagi hech bir narsa chetda qolmaydi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>U 84<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Umirzoqo\u2019va<\/strong><strong>,&nbsp;<\/strong><strong>Mahliyo<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Tuyg\u2019ular alangasi [Matn] : she\u2019rlar \/ M. Umirzoqova. \u2013 Toshkent: &nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cAdabiyot\u201d nashriyoti, 2020. \u2013 48b.&nbsp; \u2013 ISBN 978-9943-6472-7-5<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu kitobda Mahliyoxonning samimiy ko\u2019ngil egasi ekanligiga, vijdoni tozaligiga guvoh bo\u2019lasiz.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>T 91<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tursunov, Akmal.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Burgutqoya&nbsp; [Matn] : she\u2019rlar \/ A. Tursunov. \u2013 Toshkent : \u201cAdabiyot\u201d &nbsp;&nbsp; nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013 ISBN 978-9943-6472-9-9<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kitobda yosh ijodkor A. Tursunovning olamga hayrat va o\u2019zgacha, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;shoirgagina xos zehniyat bilan qarab, o\u2019z kechinmalarini jilovlab o\u2019tirmay &nbsp; bitganlari, yurak tubidan to\u2019kilgan satrlarini o\u2019qiymiz.<\/p>\n\n\n\n<p>.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A 45<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Abdurashid<\/strong><strong>,&nbsp;<\/strong><strong>Xurshid<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>O\u2019sha men edim\u2026 [Matn] : she\u2019rlar \/ X. Abdurashid. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 72 b.&nbsp; \u2013 ISBN 978-9943-6472-3-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yoshlar orasida o\u2019z ovoziga ega is\u2019tedodli ijodkorlar yetishib chiqayotgani so\u2019z ixlosmandlarini quvontiradi. Uning an\u2019anaviy yo\u2019lda yozilgan she\u2019rlaridan ham, tuyg\u2019ular misralar qolipidan toshib chiqqan yangicha bitiklarda ham betinim &nbsp;izlanish borligi ayon ko\u2019rinib turadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;F 14<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yahyoxon, Fayz.<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Baxtimizning zar tumorlari [Matn] : she\u2019rlar \/ F. Yahyoxon. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 56 b.&nbsp; \u2013 ISBN 978-9943-6472-8-2<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yahyoxonning she\u2019rlarida ona yurt sog\u2019inchi, bolaligi kechgan damlarni, yaqin kishilarini qo\u2019msash kechinmalari yetakchilik qiladi.Hatto dala-dashda mung\u2019ayib turgan cho\u2019ponning g\u2019aribgina kulbasining qadr-qimmati ham egasi uchunqarshilikdan kam emasligini anglashdir.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Q 97<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Qo\u2019chqorov, Islom.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Seni izlayman [Matn] : she\u2019rlar \/ I. Qo\u2019chqorov. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013 ISBN 978-9943-6779-6-8<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yahyoxonning she\u2019rlarida ona yurt sog\u2019inchi, bolaligi kechgan damlarni, yaqin kishilarini qo\u2019msash kechinmalari yetakchilik qiladi.Hatto dala-dashda mung\u2019ayib turgan cho\u2019ponning g\u2019aribgina kulbasining qadr-qimmati ham egasi uchunqarshilikdan kam emasligini anglashdir.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>N 79<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><strong>Norqul<\/strong><strong>ov,&nbsp;<\/strong><strong>Aziz<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Posangi [Matn] : hikoyalar \/ A. Norqulov. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 56 b.&nbsp; \u2013 ISBN 978-9943-6780-6-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Ijod ko\u2019ngil mulki.Uning hikoyalarida sodda, to\u2019pori, jaydari insonlarning turmushini, o\u2019zbekona hayot manzaralarini tasvirlaydi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>B 88<\/strong>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Anvar<\/strong><strong>,&nbsp;<\/strong><strong>Botir<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Ulg\u2019ayish [Matn] : g\u2019azallar \/ A. Botir. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 56 b.&nbsp; \u2013 ISBN 978-9943-6473-0-5<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anvar Botirning g\u2019azallari \u201cEndi aruzda hech yozmay qo\u2019yadimi\u201d, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; degan tashvishdan bizni xalos etadi. Quvonarlisi shundaki, uning g\u2019azallarini o\u2019qiyotib zamonaviy she\u2019riyatdan ko\u2019ra ko\u2019proq mumtoz nazm bo\u2019stonida yurgandek taassurotga ega bo\u2019lasiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>S 21<\/strong>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Sayid<\/strong><strong>,&nbsp;<\/strong><strong>Jaloliddin<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Cho\u2019qqi [Matn] : she\u2019rlar \/ J. Sayid. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 76 b.&nbsp; \u2013 ISBN 978-9943-6781-1-8<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur to\u2019plamda she\u2019r va shoirlok yo\u2019llarini fe\u2019liga xos ravishda &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sokinlik bilan bosib o\u2019tayotgan ijodkorning ortiqcha shovqindan xoli xayolot&nbsp;tegirmoniga kuzatuv, hayrat, hatto falsafiy qarashlari suv quygan mardonavor,&nbsp;dadil she\u2019rlarini o\u2019qiysiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Sh 14<\/strong>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Shavkat<\/strong><strong>,&nbsp;<\/strong><strong>Shahriyor<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;<\/strong>Ruhim qushlari [Matn] : she\u2019rlar \/ Sh. Savkat. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013ISBN 978-9943-6779-2-0<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu mo\u2019jaz to\u2019plam yosh shoir Shahriyor Shavkatning ovozli &nbsp;&nbsp;&nbsp;&nbsp; she\u2019rlarini o\u2019ziga jamlangan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019 80<\/strong>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;O\u2019rmonova, Yulduz.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;<\/strong>Uyg\u2019oq yulduzlar [Matn] : she\u2019rlar \/ Y. O\u2019rmonova. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u2013 ISBN 978-9943-6473-2-9<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yulduzning she\u2019rlari o\u2019quvchini g\u2019oya yulduzlarning sirli olamiga yetaklaydi, yonadi-kuyadi, kishiga samimiy, mehrga limmo-lim tuyg\u2019ular va ziyoga to\u2019la nur ulashadi, ammo baribir dildagi inja sir-asrorlarini ochib &nbsp;&nbsp;&nbsp;&nbsp; tashlayvermay sirli sandiqda saqlab qolaveradi va shunisi bilan ayollarga xos hayo pardasi ortidan turib kishini o\u2019z jozibasiga maftun etadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Z 74<\/strong>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zokirov, Abdurauf.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<\/strong>Ona zamin [Matn] : she\u2019rlar \/ A. Zokirov. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u2013 ISBN 978-9943-6779-4-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plamda jamlangan sherlarini o\u2019qib, Abdurauf singari iste\u2019dodli ijodkorlar borligidan quvonmasligingiz dargumon. Uning sherlarida Surxon vohasining nafasi ufirib turadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A 45<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><strong>Allabergenov<\/strong><strong>,&nbsp;<\/strong><strong>Anvar<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<\/strong>Gullayotgan chechaklar [Matn] : Adabiy-tanqidiy maqolalar \/ A. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Allabergenov. \u2013 Toshkent : \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 88 b. ISBN 978-9943-6779-4-4<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anvar Allabergenov qoraqalpoq zaminida tug\u2019ilib voyaga yetgan &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bo\u2019lishiga qaramay, qoraqalpoq adabiyoti bilan birga o\u2019zbek adabiyotini ham chuqur o\u2019rganib, katta jur\u2019at bilan tahlil qilayotganining o\u2019ziyoq ibratli va tahsinga sazovor.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; H 31<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hasanov, Farrux.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<\/strong>Ichkari [Matn] : she\u2019rlar \/ F. Hasanov. \u2013 Toshkent : \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 68 b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;\u2013 ISBN 978- 9943-6780-4-0<\/p>\n\n\n\n<p>&nbsp;&nbsp; Ushbu kitobda yosh ijodkor Farrux Hasanovning samimiy ko\u2019ngil &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; kechinmalariga guvoh bo\u2019lasiz. \u201cIchkari\u201d nomi ostida chop etilgan birinchi kitob, o`quvchisini adoqsiz kengliklardan o\u2019tib, xayoliy mo\u2019jizalar tomon yetaklaydi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><strong>M 98<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Muxammadiyarov<\/strong><strong>,&nbsp;<\/strong><strong>Aydos<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Manzilsiz xat[Matn] : she\u2019rlar \/ A. Muxammadiyarov. \u2013 Toshkent : \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013ISBN 978- 9943-6779-3-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;A 49<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ali<\/strong><strong>,&nbsp;<\/strong><strong>Bek<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Men axir Senman [Matn] : she\u2019rlar \/ B. Ali. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013ISBN 978- 9943-6473-3-6<\/p>\n\n\n\n<p>&nbsp; Shoir Bek Alining mazkur to\u2019plamdan joy olgan she\u2019rlari inson qalb kechinmalari mohir musavvirining chizgan mo\u2019jizaviy suratlaridir. Uning she\u2019rlari Vatanga, ona tuproqqa, yurt tonglari va tunlariga, daryolari-yu &nbsp;&nbsp;&nbsp;&nbsp; irmoqlariga, yomg\u2019irlar-u qorlarga jon rishtalari ila bog\u2019liqdir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>S 21<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Solijonov<\/strong><strong>,&nbsp;<\/strong><strong>Asror<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Sevgirang nigoh [Matn] : she\u2019rlar \/ A. Solijonov. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 80 b.&nbsp; \u2013ISBN 978- 9943-6473-5-0<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plam farg\u2019onalik shoir Asror Solijonovning yillar davomida oq qog\u2019ozga tushirgan tuygulari tajassumidir. Asrorning she\u2019rlarini o\u2019qir &nbsp;&nbsp; ekansiz, yangi gulzor va undagi anvoyi gullar iforini tuyasiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>N 79<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Norov<\/strong><strong>,&nbsp;<\/strong><strong>Azizbek<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Eynshteyn jumbog\u2019I&nbsp; [Matn] : she\u2019rlar \/ A. Norov. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 72 b.&nbsp; \u2013ISBN 978- 9943-6780-5-7<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Aziz Norovning hikoyalarini o\u2019qir ekansiz, unda voqeabozlikdan &nbsp;&nbsp; &nbsp;yiroq voqealik, qismatning o\u2019yinlari oldida inson qalbining evrilishlari, turfa taqdirlar g\u2019oyatda sinchkovlik va mahorat bilan qalamga olinganiga, yosh yozuvchining hayotni teran nigohlar ila kuzatishiga guvoh bo\u2019lasiz.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; K 64<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Komilov, Orifjon.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Xayol raqsi [Matn] : she\u2019rlar \/ O. Komilov. \u2013 Toshkent: &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 96 b.&nbsp; \u2013ISBN 978- 9943-6780-3-3<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu kitobda Orifjon Komilovning samimiy qalb yoziqlariga, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vijdon pokizaligining insoniylik sharti ekaniga zimdan ishora qiluvchi &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; satrlarga guvoh bo\u2019lasiz. Kitob o\u2019quvchiga tarix va bugunning uyg\u2019un &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; haqiqatlarini bir-bir bayon etadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; H 25<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hamroyev, Bobur.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Shiroqning qaytishi [Matn] : Pyesalar va ssenariylar \/ B. Hamroyev. \u2013 Toshkent : \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 148 b.&nbsp; \u2013ISBN 978- 9943-6473-9-8<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Qo\u2019lingizdagi kitobchada yosh, iqtidorli ijodkor Boburbek &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hamroyevning saralangan asarlari joy olgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; H&nbsp;<\/strong><strong>40<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ha<\/strong><strong>qmurod<\/strong><strong>,&nbsp;<\/strong><strong>Ravshan<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Yangi rivoyat [Matn] : &nbsp;she\u2019rlar \/ R. Haqmurod. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013ISBN 978- 9943-6780-0-2<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitob o\u2019quvchiga tarix va bugunning uyg\u2019un haqiqatlarini bir-bir bayon etadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A 90<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ahmedova<\/strong><strong>,&nbsp;<\/strong><strong>Raxshona<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Orzu va dengiz [Matn] : &nbsp;hikoyalar \/ R. Axmedova. \u2013 Toshkent: \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 118 b.&nbsp; \u2013ISBN 978- 9943-6473-8-1<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plamdagi hikoyalarni o\u2019qir ekansiz, unda avvalo ayol qalbi rang-barang hissiyotlari bilan bo\u2019y ko\u2019rsatib turadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>821.512.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<\/strong><strong>S 52<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Siddiq<\/strong><strong>,&nbsp;<\/strong><strong>Muhammad<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong>Yohu [Matn] : &nbsp;she\u2019rlar \/ M. Siddiq. \u2013 Toshkent : \u201cAdabiyot\u201d nashriyoti, 2020. \u2013 64 b.&nbsp; \u2013ISBN 978- 9943-6779-0-6<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu to\u2019plamdagi hali yosh bo\u2019lishiga qaramasdan o\u2019zining keskin &nbsp;&nbsp;&nbsp;&nbsp; hayotiy&nbsp; xulosalari,chuqur hissiy kechinmalarini she\u2019riy satrlarga mohirona tuza olgan Muxammad Siddiqning she\u2019rlari jamlangan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Axborot-bibliografiya xizmati<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"570\" height=\"402\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-54.png\" alt=\"\" class=\"wp-image-139\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-54.png 570w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-54-300x212.png 300w\" sizes=\"(max-width: 570px) 100vw, 570px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>\u201cKitob haqida xitob\u201d mavzusida<\/strong><br><strong>tematik-badiiy kecha stsenariysi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2021<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cKitob va kitobxonlik\u201d mavzusida bilimdonlar<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>bellashuvini tashkil qilishga tavsiyalar<\/strong><\/p>\n\n\n\n<p><br>Kitob-axborotlarni, g\u2019oya, obraz va bilimlarni saqlash hamda tarqatish, ijtimoiy-siyosiy, ilmiy, estetik qarashlarni shakllantirish vositasi.<\/p>\n\n\n\n<ul>\n<li>\u201cKitob o\u2019qishni bilasizmi?\u201d nomli kitobning muallifi kim?<\/li>\n<\/ul>\n\n\n\n<p>\u201cKitob o\u2019qishni bilasizmi? Nomli kitobni Safo Matjon yozgan.<\/p>\n\n\n\n<ul>\n<li>Yoshlarni kitob o\u2019qishni unutib qo\u2019yishiga sabab nima?<\/li>\n<\/ul>\n\n\n\n<p>Hozirgi texnika asrida, haqiqatdan ham, ayrim yoshlar kitob o\u2019qishni unutib qo\u2019yishgan. Balki bunga sabab kattalarning, ota-onalarning yoshlarga kitob o\u2019qishning tub mohiyatini zamonaviy usullar bilan ko\u2019rsatib bera olmayotganliklaridir. Targ\u2019ibotetarli bo\u2019lsa, yoshlarning badiiy adabiyotga, umuman, kitobga bo\u2019lgan munosabat o\u2019zgarar. Unga kitob o\u2019qishning naqadar zavqli mashg\u2019ulot ekanligini tushuntirib berish kerak, xolos.<\/p>\n\n\n\n<ul>\n<li>Kitob haqidagi o\u2019zbek xalq maqollaridan namunalar keltiring.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; Kitob- aql qayrog\u2019i.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; Kitob ko\u2019rmagan kalla \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Giyoh unmagan dala.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitobsiz aql- qanotsiz qush.<\/p>\n\n\n\n<ul>\n<li>Ushbu keltirilgan ibratli bitikning&nbsp; mullifini toping.<\/li>\n<\/ul>\n\n\n\n<p>\u201cEy aziz! Kishi uchun kitobdan azizroq va yoqimliroq suhbatdosh yo\u2019qdir. Kitob fasohat, balog\u2019atda, latofatda tengi yo\u2019q, munofiqlikdan holi hamrohdir. Yolg\u2019izlikda va g\u2019amli ayyomlarda munis ulfatdir. Unda na nifoq bor-u, na gina. U shunday hamdamki,&nbsp; so\u2019zlarida yolg\u2019on va xato bo\u2019lmaydi.Suhbatidan esa kishiga malollik etmaydi. U o\u2019z do\u2019stinining dilini og\u2019ritmaydi. Yuragini esa siqmaydi. U shunday rafiqdirki, kishi orqasidan g\u2019iybat qilib yurmaydi. Uning suhbatidan senga shunday fayzli foydalar etadiki, &nbsp;bunday foydani odamlardan topa olmaysan. Aksincha, &nbsp;aksar odamlar suhbatidan kishiga zarar etadi. Kitobdek do\u2019st ichida barcha ilmu hilm mujassamdirki, &nbsp;u kishilarni o\u2019tmishdan va kelajakdan ogoh qilib turadi. Shuning uchun ham: \u201cKitob aql qal\u2019asidir\u201d deganlar.<\/p>\n\n\n\n<p>Yuqorida keltirilgan ibratli bitik: alloma Muhammad Jabalrudiyning qalamiga mansubdir.<\/p>\n\n\n\n<ul>\n<li>&nbsp;Ushbu keltirilgan fikrlar qaysi faylasufning qalamiga mansub?<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; \u201cKitoblar bilan bizning munosabatimiz odamlar bilan munosabatimizga o\u2019xshaydi. Juda ko\u2019plar bilan tanishamiz-u faqat ba\u2019zilarinigina o\u2019zimizga do\u2019st bilib bir umrlik samimiy yo\u2019ldosh qilib tanlaymiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yuqorida keltirilgan fikrlar nemis faylasufi Lyudvig Feyerbaxning qalamiga mansub.<\/p>\n\n\n\n<ul>\n<li>Ingliz dramaturglaridan qaysi biri ushbu fikrlarni bildirgan?<\/li>\n<\/ul>\n\n\n\n<p>\u201cKitob menga toju taxtdan ortiqroq\u201d.<\/p>\n\n\n\n<p>Yuqorida keltirilgan fikr ingliz dramaturgi Vilyam Shekspirning qalamiga mansub?<\/p>\n\n\n\n<ul>\n<li>O\u2019rta asr sharq olimi Yoqut vatandoshimiz Al-Beruniyning qaysi kitobiga yuqori baho bergan?<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp; O\u2019rta asar sharq olimi Yoqut: \u201cBeruniyning \u201cMa\u2019sud qonuni\u201d kitobi matematika va astronomiya sohasida ungacha yozilgan jamiki kitoblarning borini bosib ketadi\u201d degan.<\/p>\n\n\n\n<ul>\n<li>&nbsp;Ushbu keltirilgan jumla kimning qalamiga mansub?<\/li>\n<\/ul>\n\n\n\n<p>\u201cYangi toifadagi asar yangi toifadagi kitobxonni yaratadi\u201d.<\/p>\n\n\n\n<p>&nbsp;Keltirilgan jumla A. Lunacharskiyning qalamiga mansubdir.<\/p>\n\n\n\n<ol>\n<li>Respublikamizda mutolaa, kitobxonlik va boshqa mavzularda qanday ommaviy tadbirlar o\u2019tkaziladi?<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; Respublikamizda \u201cMutolaa bayrami\u201d, \u201cYil kitobxoni\u201d va boshqa tadbirlar, tanlovlar o\u2019tkaziladi.<\/p>\n\n\n\n<ol>\n<li>&nbsp;Nosir Muhammadning kitob haqida aytilgan bitiklaridan misol keltiring.<\/li>\n<\/ol>\n\n\n\n<p>\u201cKitoblar ajdodlarning o\u2019z avlodlariga qoldirgan vasiyatnomasidir.\u201ddegan bitigi bor.<\/p>\n\n\n\n<ol>\n<li>Ushbu keltirilgan parcha qaysi yozuvchining qalamiga mansub?<\/li>\n<\/ol>\n\n\n\n<p>\u201cHar kim bir narsa yozar ekan, oldin vijdonini tarozu qilsinda, qalam yuritsin\u2026\u201d<\/p>\n\n\n\n<p>&nbsp; Yuqorida keltirilgan parcha yozuvchi Abdulla Qodiriyning qalamiga mansub.<\/p>\n\n\n\n<p>Bellashuv yakunini hakamlar ma\u2019lum ball qo\u2019yish bilan yakunlaydilar. Hakamlar hay\u2019atiga adabiyotshunoslar, shoir va yozuvchilar, jurnalistlar va boshqalar taklif etiladi. Sovg\u2019a tariqasida kitoblar, gullar va esdaliklar topshirish mumkin.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c<strong>Kitob haqida xitob\u201d mavzusida tematik-badiiy kecha stsenariysi<\/strong><\/p>\n\n\n\n<p>Tadbirni AKM va kutubxonalarda o\u2019tkazish mumkin. Buning uchun sahna sharoiti ham e\u2019tiborga olinadi.Tadbirda adabiyotlar ko\u2019rgazmasi tashkil qilish va obzor o\u2019tkazilishi maqsadga muvofiq. Stsenariydagi olib boruvchilar va ishtirokchilar so\u2019zi namuna sifatida berilmoqda. Tadbirni Xalqaro kitob va mualliflik huquqlarini himoya qilish kuni (23 aprel), kitobga bag\u2019ishlangan kunlarda yoki bayramlarda o\u2019tkazish mumkin. Tadbirga o\u2019quv yurtlari o\u2019quvchilarini, kitobxonlarni taklif etish mumkin.<\/p>\n\n\n\n<p>Badiiy kechani 2 nafar boshlovchi yigit va qiz olib boradi.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp;Assalomu alaykum, davra &nbsp;ishtirokchilari, kechamizga xush kelibsiz.<\/p>\n\n\n\n<p><strong>2-boshlovchi<\/strong>: Assalomu alaykum, davra&nbsp; ishtirokchilari, kechamizga xush kelibsiz.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp;Atoqli o\u2019zbek yozuvchisi Oybek shunday degan edi: \u201cKitoblar inson tafakkurining javohirlarini yig\u2019ib, avlodlarga meros qilib qoldiradi\u201d yoki Deni Didroning mashhur naqlini eslaylik: \u201cOdamlar kitob o\u2019qishdan to\u2019xtasalar, fikrlashdan ham to\u2019xtaydilar\u2026.\u201d Xo\u2019sh, bugungi kunda kitob tanlash, o\u2019qish va mutolaa qanday?<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong>&nbsp;Bizning kutubxonamiz shu munosabat bilan \u201cKitob haqida xitob\u201d mavzusida kecha tayyorlagan.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shunda ochiladi asta kitobing,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Varaqlar kuylaydi ovozing bo\u2019lib.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unda bor yuraging, mehring, xitobing,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qushdek qanot qoqar parvozing bo\u2019lib.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2-boshlovchi:<\/strong>&nbsp;Deydilar-ki, kitob-oftob,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ming oftobga bergusiz kitob.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kun nuridan ko\u2019z bo\u2019lar ravshan,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitob dilga berar obu tob.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp; E\u2019zozaxon, bugungi kechamizga adabiyotshunos\u2026\u2026..ni taklif etamiz. KEling, hozir ularni davraga taklif etsakda, ular bizlarga kitobning inson tafakkurini rivojlanishida o\u2019rni, kitob o\u2019qish intellektual salohiyatni yuksaltirish, har doim mutolaa bilan shug\u2019ullanish haqidagi mulohazalari bilan o\u2019rtoqlashsalar. Marhamat!<\/p>\n\n\n\n<p>&nbsp;&nbsp; Adabiyotshunosning chiqishi.<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong>&nbsp;Sermazmun fikrlaringiz uchun tashakkur.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>O\u2019rta asrlarda xorijiy mamlakat zodagon oilalarida ota-ona merosidan mahrum etilarkan. Shunga o\u2019xshash odat hozir ham ba\u2019zi mamlakatlarda bor. Masalan, Meksikada politsiya xodimlari har oyda loaqal bitta kitob mutolaa qilmasa, ishdan bo\u2019shatiladi. Bizningcha, bu munosabatlardan ko\u2019zlangan asosiy maqsad \u2013odamlarni muntazam mutolaa bilan shug\u2019ullanishga da\u2019vat etish, kitobga mehr uyg\u2019otishdir.<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong>&nbsp;Binobarin, kitobsiz yuksak ma\u2019naviyat va ma\u2019rifatni, ertangi kunni, ayniqsa, millat kelajagini tasavvur etib bo\u2019lmaydi.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp;E\u2019zozaxon, bugungi kechamiz kitob mavzusida ekan, yoshlarning kitob tanlash va mutolaa haqidagi fikrlari bilan tanishsak, yaxshi bo\u2019lardi.<\/p>\n\n\n\n<p>&nbsp; Shu payt sahnadan bir yigit o\u2019tib ketayotgan bo\u2019ladi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1-boshlovchi:<\/strong>&nbsp;Og\u2019ayni, to\u2019xtang, sizga savolim bor.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yigit to\u2019xtaydi va boshlovchi bilan salomlashadi.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp;Aytingchi, kitob siz uchun nima, kitob mutolaa qilib turasizmi?<\/p>\n\n\n\n<p>Yigit bir zum xayol surib qoladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yigit: Kitobmi? Maktabda juda ko\u2019p kitob o\u2019qiganman (Yigit qo\u2019l harakati bilan kitobdan to\u2019yganlikni ifodalovchi harakatni ko\u2019rsatadi). Lekin hozir kitob mutolaa qilmayman. Sabab, savdo bilan shug\u2019ullanaman. Vaqt yo\u2019q. Pul topish asosiy o\u2019rinda turadi. Kitobning boshqa foydali tomonlari ham bor.<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong>&nbsp;Masalan, qanday?<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yigit: Kimgadir sovg\u2019a qilish, bir joydan boshqa joyga borib narxi ustiga pul qo\u2019zyib sotish, ya\u2019ni daromadni ko\u2019paytirish. Xullas, foydali jihatlari bisyor. Boshqa savollar yo\u2019qmi? Men ketdim, xayr.<\/p>\n\n\n\n<p>Yigit shosha-pisha ketib qoladi.<\/p>\n\n\n\n<p><strong>2-boshlovchi:&nbsp;<\/strong>Tovba qildim, bu yigit uchun kitob-daromad topish, pul to\u2019plash ekanda.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1-boshlovchi<\/strong>Keling, endi huv anavi kelayotgan qizni to\u2019xtatib savolga tutamiz.<\/p>\n\n\n\n<p>Sahnada qo\u2019lida kitob bilan bir qiz o\u2019tib ketayotgan bo\u2019ladi. Boshlovchilar uni to\u2019xtatib salomlashadilar.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong>&nbsp;Siz, albatta, kitob mutolaa qilasiz, to\u2019g\u2019rimi?<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qiz: Ha, mutolaa qilaman.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2-boshlovchi:<\/strong>&nbsp;Kitobni nima maqsadda o\u2019qiysiz?<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qiz: Nima maqsadda bo\u2019lardi? Ko\u2019proq axborot va ma\u2019lumotlar olish, ruhiy dunyomni boyitish, tafakkurimni charxlash, ma\u2019naviy qadriyatlarimiz va boy meroslarimizdan bahramand bo\u2019lish uchun. Yozuvchi Yo. Shukurov aytganlaridek: \u201c Kitob-ajoyibotlar, javohirlar dengizi bo\u2019lsa, kitobxon uni o\u2019rganuvchidir. Binobarin, dono kitobxon dengiz tubiga chuqurroq kirib, o\u2019z istiqbolini bezaydigan javohirlarni terib olsa, nodon kitobxon dengiz ustidagi po\u2019kak singari suzib yuradi\u201d. Men o\u2019z istiqbolim uchun o\u2019sha javohirlarni terib olishni istayman.<\/p>\n\n\n\n<p>2-boshlovchi: Ammo ba\u2019zilar kitob boshqa, hayot boshqa, deydilar.<\/p>\n\n\n\n<p>Qiz: Menimcha, kitobiy bilim va hayotiy bilim \u2013 bu bir-birini uzviy to\u2019ldiruvchi, inson uchun eng zarur narsalar. Aqlli odam intellektual salohiyatini kengaytirish uchun har ikkisiga etarlli e\u2019tibor beradi. Va ikkovini egallamay turib, bittasining o\u2019zini o\u2019zlashtirolmasligini biladi. (qiz sahnadan chiqib ketadi).<\/p>\n\n\n\n<p>2-boshlovchi: Ko\u2019rdingizmi, shunday kitobsevarlar ham bor.<\/p>\n\n\n\n<p>1-boshlovchi: Kelinglar, azizlar, endigi so\u2019z navbatini jurnalist \u2026\u2026..ga bersak. Ularning hozirgi kunda yoshlar qanday adabiyotlarni qiziqish bilan tanlalayotgani va mutolaa qilayotgani haqidagi ma\u2019lumotlari bilan tanishsak.<\/p>\n\n\n\n<p>Jurnalistning chiqishi.<\/p>\n\n\n\n<p>2-boshlovchi: Endigi navbatni san\u2019atkorlarimizga beramiz. Marhamat.<\/p>\n\n\n\n<p>Qo\u2019shiq ijro etiladi.<\/p>\n\n\n\n<p>1-boshlovchi: Rahmat, ijodlaringizga baraka tilaymiz.<\/p>\n\n\n\n<p>2-boshlovchi: Mana, bugungi kechamiz ham poyoniga etib qoldi. Kechamizni yakunlar ekanmiz, barchangizga kitob bilan doimo oshno bo\u2019lishingizni tilab qolamiz.<\/p>\n\n\n\n<p>1-boshlovchi: Keyingi tadbirlarda uchrashguncha xayr.<\/p>\n\n\n\n<p>2-boshlovchi: Xayr, sog\u2019-omon bo\u2019linglar.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Adabiyotlar<\/strong><\/p>\n\n\n\n<p>Jumaniyozov R. Targ\u2019ibot ta\u2019sirchan bo\u2019lmasa niyatning amalga oshishi mushkul. An\u2019ana<\/p>\n\n\n\n<p>G\u2019 R. Jumaniyozov&nbsp; G\u2019G\u2019 Yangi O\u2019zbekiston, 2021 yil.9 yanv. \u2013 B. 5.<\/p>\n\n\n\n<p>Umarova A. Mutolaa-ehtiyoj farzandi G\u2019G\u2019 Hayot va qonun. \u2013 2005.- \u21162. \u2013 B. 71-73.<\/p>\n\n\n\n<p>Sultonova B. Uyingizdagi kutubxona eng katta boylikdir G\u2019G\u2019 O\u2019zbekiston adabiyoti va<\/p>\n\n\n\n<p>san\u2019ati. -2010. -5 fevr.<\/p>\n\n\n\n<p>Ahmedov A Kitobxon xalq \u2013 baxtiyor xalq bo\u2019ladi G\u2019 A. Ahmedov G\u2019G\u2019 Yangi<\/p>\n\n\n\n<p>O\u2019zbekiston. \u2013 2020. \u2013 26 dek, 252 \u2013 son. \u2013 B .6<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Uslubiy qullanmalar<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"723\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-87.png\" alt=\"\" class=\"wp-image-176\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-87.png 723w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-87-212x300.png 212w\" sizes=\"(max-width: 723px) 100vw, 723px\" \/><\/figure><\/div>\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-88.png\" alt=\"\" class=\"wp-image-177\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-88.png 1024w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-88-300x212.png 300w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-88-768x543.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-89.png\" alt=\"\" class=\"wp-image-178\" width=\"869\" height=\"614\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-89.png 1024w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-89-300x212.png 300w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-89-768x543.png 768w\" sizes=\"(max-width: 869px) 100vw, 869px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Ushbu axborot-byulletenda 2021 yil dekabr oyida Yashnobod tuman AKMga kelib tushgan yangi adabiyotlar ro`yxatini taqdim etadi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-90.png\" alt=\"\" class=\"wp-image-179\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-90.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-90-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-91.png\" alt=\"\" class=\"wp-image-180\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-91.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-91-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-92.png\" alt=\"\" class=\"wp-image-181\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-92.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-92-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-93.png\" alt=\"\" class=\"wp-image-182\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-93.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-93-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-94.png\" alt=\"\" class=\"wp-image-183\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-94.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-94-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-95.png\" alt=\"\" class=\"wp-image-184\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-95.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-95-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-96.png\" alt=\"\" class=\"wp-image-185\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-96.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-96-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-97.png\" alt=\"\" class=\"wp-image-186\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-97.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-97-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-98.png\" alt=\"\" class=\"wp-image-187\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-98.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-98-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-99.png\" alt=\"\" class=\"wp-image-188\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-99.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-99-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-100.png\" alt=\"\" class=\"wp-image-189\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-100.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-100-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-101.png\" alt=\"\" class=\"wp-image-190\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-101.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-101-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-102.png\" alt=\"\" class=\"wp-image-191\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-102.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-102-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-103.png\" alt=\"\" class=\"wp-image-192\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-103.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-103-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-104.png\" alt=\"\" class=\"wp-image-193\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-104.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-104-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-105.png\" alt=\"\" class=\"wp-image-194\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-105.png 724w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-105-212x300.png 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c<\/strong><strong>Nazm osmonining yorqin yulduzi\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;(O\u2019zbekiston xalq shoiri BAROT BOYQOBILOV tavalludining<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;85 yilligiga bag\u2019ishlanadi)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">(1937. 14.03. \u2013 2006 y. )<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"571\" height=\"359\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-106.png\" alt=\"\" class=\"wp-image-195\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-106.png 571w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-106-300x189.png 300w\" sizes=\"(max-width: 571px) 100vw, 571px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;&nbsp; ESLATMA<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"382\" height=\"322\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-107.png\" alt=\"\" class=\"wp-image-196\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-107.png 382w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-107-300x253.png 300w\" sizes=\"(max-width: 382px) 100vw, 382px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp; Toshkent 2022<\/p>\n\n\n\n<p>\u201cNazm osmonining yorqin yulduzi\u201d (O\u2019zbekiston xalq shoiri Barot Boyqobilov tavalludining 85 yilligiga bag\u2019ishlanadi) [Matn] : Eslatma G\u2019 Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2022. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu eslatma O\u2019zbekiston xalq shoiri B. Boyqobilov tavalludining 85 yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.O\u2019zbek adabiyotining eng ulkan vakillaridan biri Barot Boyqobilov \u2013 publitsistik tafakkur shoiri. Uning doston va she\u2019rlarida otalarimizning shonli yo\u2019li porloq kelajak sari dadil odim tashlayotgan zamondoshlarimiz jasorati kuylanadi. Shu bilan birga, bu yo\u2019lda to\u2019siq bo\u2019lishga urinayotgan ayrim nobop kimsalar ayovsiz fosh etiladi.<\/p>\n\n\n\n<p>Eslatma B. Boyqobilov shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kirish<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Boyqobilov Barot Tillaevich (1937.14.3, Urgut tumani Kenagas qishlog\u2019i \u2014 2006) \u2014 O\u2019zbekiston xalq shoiri (1997). SamDU filologiya fakultetini tamomlagan (1962). O\u2019zbekiston davlat badiiy adabiyot nashriyoti (1962\u201463), yoshlar gazetasi (1963\u201468), bolalar adabiyoti nashriyoti (1968\u201474)da muharrir, bo\u2019lim mudiri, bosh muharrir o\u2019rinbosari, \u00abMuloqot\u00bb jurnali bosh muharriri (1991 yildan) bo\u2019lib ishlagan.<\/p>\n\n\n\n<p>Barot Boyqobilovning \u00abSamarqand satrlari\u00bb (1962), \u00abVisol\u00bb (1965), \u00abSeni izlayman\u00bb (1968), \u00abSamarqand ushshog\u2019i\u00bb (1969), \u00abAfrosiyob\u00bb (1970), \u00abKim sokin yashaydi O\u2019zbekistonda\u00bb (1990) va boshqa she\u2019riy to\u2019plamlari, bir nechta dostonlari nashr etilgan. Uning \u00abKun va tun\u00bb (1968) she\u2019riy qissasida Boburning badiiy obrazi o\u2019zbek adabiyotida ilk bor namoyon bo\u2019ldi. Keyinchalik Barot Boyqobilov Alisher Navoiy hayoti va ijodiga bag\u2019ishlangan \u00abShukuxli karvon\u00bb (1981), \u00abNotinch Xuroson\u00bb (1985), \u00abSokin Xurson\u00bb (1992) va \u00abQonli Xuroson\u00bb (1992) dostonlarini, \u00abHayrat ul-Ahror\u00bb (1997) she\u2019riy romanini e\u2019lon qildi. So\u2019ng ular asosida besh dostondan iborat \u00abYangi xamsa\u00bbni (1998) va \u00abO\u2019zbeknoma\u00bb (1999) she\u2019riy romanini yaratdi.<\/p>\n\n\n\n<p>Barot Boyqobilov o\u2019zbek she\u2019riyatida sonet janrining ravnaq topishiga katta hissa qo\u2019shdi. B. Petrarka, V. Shekspir, P. Neruda, R. Hamzatov sonetlarini, o\u2019zbek tiliga tarjima qilgan. Alisher Navoiy nomidagi O\u2019zbekiston Respublikasi Davlat mukofoti laureati (1994).<\/p>\n\n\n\n<p>B. Boyqobilov mehnatkash shoir. Mehnat uni she\u2019riyatning ichiga tobora chuqur olib kirmoqda.<\/p>\n\n\n\n<p>B. B. buni yurakdan his qilib turibdi. U xalq taqdiriga yo\u2019ldosh bo\u2019lishni istaydi. Mana shu hissiyotdan uning she\u2019ri rangdorlik va ohangdorlik kasb etadi. Ona diyorni, bunyodkor xalqni, partiya dahosini, yangi barkamol insonni ulug\u2019lagan shoirona so\u2019zning qadri doimo balanddir.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"411\" height=\"333\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-108.png\" alt=\"\" class=\"wp-image-197\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-108.png 411w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-108-300x243.png 300w\" sizes=\"(max-width: 411px) 100vw, 411px\" \/><\/figure><\/div>\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"312\" height=\"364\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-109.png\" alt=\"\" class=\"wp-image-198\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-109.png 312w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-109-257x300.png 257w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><\/figure><\/div>\n\n\n<p>&nbsp; Talantli shoir, Navoiyning chinakam muxlisi Barot Boyqobilov adabiyotimizda ko\u2019pdan buyon Navoiy mavzuida qalam tebratib kelmoqda. Uning Navoiy hayotining Samarqand davriga bag\u2019ishlangan \u00abShukuhli karvon\u00bb nomli she\u2019riy romani kitobxonlar tomonidan iliq kutub olingani hammaga ma\u2019lum. Bundan ilhomlangan shoir navbatdagi asarida Navoiyning bolaligini yoritishga ahd qilgan. Asar \u201cNotinch Xuroson\u201d deb atalgan. Navoiyning bolaligi ko\u2019pdan buyon shoir va adiblarimizning diqqatini o\u2019ziga tortib kelmoqda. Ulug\u2019 Vatan urushidan sal oldin S.Ayniy \u201cNavoiyning bolaligi\u201d nomi bilan bir turkum hikoyalar yozgani ma\u2019lum. Rus adibasi Lidiya Bat \u201cHayot bo\u2019stoni\u201d, Mirkarim Osim \u201cZulmat ichra nur\u201d qissalarini Navoiyning bolalik yillari tasviridan boshlashgan. Barot Boyqobilov bu mavzuni she\u2019riy roman doirasida yoritishni o\u2019z oldiga maqsad qilib qo\u2019ygan. B.Boyqobilov Alisherning ilk bor shoirona xayollar bilan bog\u2019da kezib yurishini tasvirlar ekan, unga Husayn (Boyqaro) duch keladi va istehzo bilan uning bog\u2019da nima qilib yurganini so\u2019raydi.<\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher so\u2019ylaydi: \u201cAjabsen, oshna,<\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sayroqi qushlarni qilgum tomosha\u201d.<\/p>\n\n\n\n<p>&nbsp;Romanda Navoiy bolaligi katta hayot fonida yoritilgan. Navoiyning otasi G\u2019iyosiddin Bahodir thukmdorlar bilan aloqali amaldor. Uni podshog\u2019 Shohruhdan, barcha shahzodalardan tortib barcha amaldorlar taniydi. U chin ko\u2019ngildan Ulug\u2019bekni sevadi. Chunki Ulug\u2019bek podshohgina emas, katta olim ham. Shuning uchun uning boshida, uning ilmiy faoliyati ustida qora bulutlar paydo bo\u2019lgan paytda ich-ichidan unga achinadi, reaktsion ruhoniylar bilan birlashib otasining boshiga turli kulfatlar solayotgan Abdullatifni la\u2019natlaydi. Barot Boyqobilov romaniga Sharq she\u2019riyatining masnaviy shaklini tanlagan. Ma\u2019lumki, Sharq xalqlari adabiyotlarida masnaviyda yuzlab dostonlar bitilgan, bu sohada katta tajriba mavjud. Xususan, Navoiyning o\u2019zi she\u2019rning bu shaklini nihoyatda yoqtirgan kengligida ko\u2019rgan. B. Boyqobilov bu shaklni ancha puxta egallagan desak hato bo\u2019lmas.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; B.Boyqobilov mehnatkash shoir. Mehnat uni she\u2019riyatning ichiga tobora chuqur olib kirmoqda. B. Boyqobilov buni yurakdan his qilib turibdi. U xalq taqdiriga yo\u2019ldosh bo\u2019lishni istaydi. Mana shu hissiyotdan uning she\u2019ri rangdorlik va ohangdorlik kasb etadi. Ona diyorni, bunyodkor xalqni,yangi barkamol insonni ulug\u2019lagan shoirona so\u2019zning qadri doimo balanddir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shoir Barot Boyqobilov ulug\u2019 ustozlar xotirasiga she\u2019riy kitoblar yaratib ezgu bir ish qilgan. Ulug\u2019 Alisher Navoiy aytganlaridek, istaymizki, \u201culus ko\u2019ngli oni qabul aylasin\u201d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Foydalanilgan adabiyotlar<\/strong><\/p>\n\n\n\n<ol>\n<li>\u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0411. \u0417\u0430\u043c\u043e\u043d \u0437\u0430\u0439\u043b\u0438 [M\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u0411\u0430\u0440\u043e\u0442 \u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1987. \u2013 256 \u0431.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>\u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0411. \u041d\u043e\u0442\u0438\u043d\u0447 \u0425\u0443\u0440\u043e\u0441\u043e\u043d [M\u0430\u0442\u043d] : \u0442\u0430\u0440\u0438\u0445\u0438\u0439-\u0448\u0435\u044a\u0440\u0438\u0439 \u0440\u043e\u043c\u0430\u043d \/ \u0421\u045e\u0437 \u0431\u043e\u0448\u0438 \u0410. \u04b2\u0430\u0439\u0442\u043c\u0435\u0442\u043e\u0432\u043d\u0438\u043a\u0438. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1985. \u2013 312 \u0431.<\/li>\n\n\n\n<li>\u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0411. \u0421\u043e\u043d\u0435\u0442\u043b\u0430\u0440 [Ma\u0442\u043d] : \u0441\u043e\u043d\u0435\u0442 \/ \u0421\u045e\u0437 \u0431\u043e\u0448\u0438 \u0418. \u0492\u0430\u0444\u0443\u0440\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1982. \u2013 456 \u0431.<\/li>\n\n\n\n<li>\u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0411. \u0428\u0443\u043a\u0443\u04b3\u043b\u0438 \u043a\u0430\u0440\u0432\u043e\u043d [Ma\u0442\u043d] : \u0448\u0435\u044a\u0440\u0438\u0439 \u0440\u043e\u043c\u0430\u043d \u0432\u0430 \u049b\u0438\u0441\u0441\u0430 \/ \u0420\u0430\u0441\u0441\u043e\u043c \u049a. \u0411\u0430\u0448\u0430\u0440\u043e\u0432 . \u2013 To\u0448\u043a\u0435\u043d\u0442 : A\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1981. \u2013 344 \u0431.<\/li>\n\n\n\n<li>\u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432 \u0411. \u040e\u0437\u0431\u0435\u043a\u043d\u043e\u043c\u0430 [Ma\u0442\u043d] : \u0442\u0430\u0440\u0438\u0445\u0438\u0439-\u0444\u0430\u043b\u0441\u0430\u0444\u0438\u0439 \u0432\u0430 \u043c\u0430\u044a\u043d\u0430\u0432\u0438\u0439-\u043c\u0430\u044a\u0440\u0438\u0444\u0438\u0439 \u0434\u043e\u0441\u0442\u043e\u043d \/ \u0411\u0430\u0440\u043e\u0442 \u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0428\u0430\u0440\u049b, 1999. -846 \u0431.: \u0438\u043b.; 27 \u0441\u043c.<\/li>\n\n\n\n<li>\u0411\u0430\u0439\u043a\u0430\u0431\u0443\u043b\u043e\u0432 \u0411. T\u0440\u0435\u0432\u043e\u0436\u043d\u049b\u0439 \u0425\u0443\u0440\u043e\u0441\u043e\u043d [Te\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \u0432 \u0441\u0442\u0438\u0445\u0430\u0445 \/ \u0410\u0432\u0442\u043e\u0440\u0438\u0437.\u043f\u0435\u0440. \u0441. \u0443\u0437\u0431. \u0420\u0435\u0433\u0438\u0441\u0442\u0430\u043d\u0430. \u2013 Ta\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1985. \u2013 288 \u0441.<\/li>\n\n\n\n<li>\u0411\u0430\u0439\u043a\u0430\u0431\u0443\u043b\u043e\u0432 \u0411. \u041b\u0443\u0447\u0435\u0437\u0430\u0440\u043d\u044b\u0439 \u043a\u0430\u0440\u0430\u0432\u0430\u043d. \u0414\u0435\u043d\u044c \u0438 \u043d\u043e\u0447\u044c [T\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \u0432 \u0441\u0442\u0438\u0445\u0430\u0445 \/ \u0410\u0432\u0442\u043e\u0440\u0438\u0437.\u043f\u0435\u0440. \u0441 .\u0443\u0437\u0431. \u0413. \u0420\u0435\u0433\u0438\u0441\u0442\u0430\u043d \u0438 \u0410. \u041a\u0430\u043d\u043e\u043a\u0438\u043d. \u2013 Ta\u0448\u043a\u0435\u043d\u0442 : \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1984. \u2013 352 \u0441.<\/li>\n\n\n\n<li><a href=\"https:\/\/arboblar.uz\/\">https:\/\/arboblar.uz<\/a>\/ erkin, murojaat sanasi : 14.03.22.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markaz<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cERK KUYChISIGA EHTIROM\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>USMON NOSIR<\/strong><strong><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>(1912-1944)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;tavalludining 110 yilligiga bag\u2019ishlanadi<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-110.png\" alt=\"\" class=\"wp-image-199\" width=\"345\" height=\"345\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-110.png 345w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-110-300x300.png 300w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-110-150x150.png 150w\" sizes=\"(max-width: 345px) 100vw, 345px\" \/><\/figure><\/div>\n\n\n<p>                                                                              <strong>ESLATMA<\/strong><\/p>\n\n\n\n<p>                                                                               Toshkent 2022<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cErk kuychisiga ehtirom\u201d<\/strong>&nbsp;(O\u2019zbek she\u2019riyatining yorqin va so\u2019nmas yulduzi Usmon Nosirtavalludining 110 yilligiga bag\u2019ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2022. \u2013 5 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma&nbsp; o\u2019zbek she\u2019riyatining yorqin va so\u2019nmas yulduzi Usmon Nosirtavalludining 110 yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Usmon Nosir shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning uning she\u2019riyatidan namunalar, &nbsp;vaqtli matbuot nashrlaridagi maqolalar, shoir haqida chop etilgan kitoblar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Kirish<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Prezidentimizning 2022-yil 10 fevralda qabul qilingan Usmon Nosir tavalludining 110 yilligini mamlakat miqyosida keng ko\u2019lamda nishonlash haqidagi qarori otashin shoirning xotirasini abadiylashtirishda muhim dasturamal bo\u2019ldi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur hujjat asosida ishchi guruh tomonidan ijodkorning hayoti va faoliyatini, xususan, uning qatag\u2019on davrida kechgan yillarini o\u2019rganish, hozirgi kunga qadar noma\u2019lum bo\u2019lib kelayotgan qo\u2019lyozma asarlarining taqdiri haqida ma\u2019lumotlar to\u2019plash ishlari olib borilmoqda.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitoblarini qayta nashr etish, shoir hayoti va ijodiy faoliyati haqida hujjatli film suratga olish, spektakllar sahnalashtirish ko\u2019zda tutilgan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"405\" height=\"303\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-113.png\" alt=\"\" class=\"wp-image-202\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-113.png 405w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-113-300x224.png 300w\" sizes=\"(max-width: 405px) 100vw, 405px\" \/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"586\" height=\"209\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-114.png\" alt=\"\" class=\"wp-image-203\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-114.png 586w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-114-300x107.png 300w\" sizes=\"(max-width: 586px) 100vw, 586px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Usmon Nosir hayoti va ijodi<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Usmon Nosir 1912 yil 13 noyabrda Namanganda tug\u2019ildi. Ammo uning keyingi hayoti shoirlar va fozillar shahri sifatida mashhur bo\u2019lgan Qo\u2019qonda kechdi. Usmonning go\u2019zallikka, shehriyatga, ona xalqining ruhiy madaniyatiga muhabbati shu qadar tabiiy va otashin ediki,u hali internatda ta\u2019lim-tarbiya olayotgan kezlaridayoq she\u2019r yoza boshladi, hali navqiron yoshidayoq Qo\u2019qon ahli o\u2019rtasida shuhrat topdi. Shuning uchun ham Usmon o\u2019rta maktabni tugatib, pedagogik kurslarda qisqa muddat ishlaganidan so\u2019ng Kinematografiya institutida tahsil olish uchun Moskvaga yuborildi.<\/p>\n\n\n\n<p>Ammo u kasalligi tufayli bir yildan keyin quyoshli yurtiga qaytib, 1932 yilda Samarqanddagi Pedagogika akademiyasiga o\u2019qishga kirdi. Uning \u201cQuyosh bilan suhbat\u201d, \u201cSafarbar satrlar\u201d deb nomlangan dastlabki to\u2019plamlari shu yili nashr etilib, Usmon Nosirni iste\u2019dodli shoir sifatida mashhur etdi. Usmon Nosir 1935 yilda Toshkentga ko\u2019chib kelib, rang-barang voqea va hodisalarga boy adabiy hayotda faol ishtirok eta boshladi. U shu yillarda o\u2019zining eng sara she\u2019rlarini yaratish bilan birga, Pushkin va Lermontov she\u2019riyatining shohona namunalari \u2013 \u201cBog\u2019chasaroy fontani\u201d va \u201cIblis\u201d dostonlarini tarjima qildi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Usmon Nosir o\u2019z iste\u2019dodini dramaturgiya sohasida ham sinab ko\u2019rgan. Bizga uning \u201cAtlas\u201d dramasidan tashqari, \u201cZafar\u201d, \u201cDushman\u201d, \u201cSo\u2019nggi kun\u201d dramalari va \u201cGo\u2019ro\u2019g\u2019li\u201d operasi librettosini yozgani ham ma\u2019lum. Shoir 1937 yilda tuhmatga uchrab, qatag\u2019on qilindi. \u201cUsmon Nosir ulug\u2019 va abadiy she\u2019riyatning diydasidan oqib ulgurmagan shabnamdir, \u2013 deb yozgan edi A.Oripov, \u2013 u hali qahqahaga aylanmay lablarimizda manguga qotib qolgan nim tabassumdir\u201d.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cYuRAK\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yurak, sensan mening sozim,<\/p>\n\n\n\n<p class=\"has-text-align-center\">Tilimni nayga jo\u2019r etding.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ko\u2019zimga oyni berkitding,<\/p>\n\n\n\n<p class=\"has-text-align-center\">Yurak, sensan ishqibozim.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Senga tor keldi bu ko\u2019krak,<\/p>\n\n\n\n<p class=\"has-text-align-center\">Sevinching toshdi qirg\u2019oqdan.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Tilim charchar, ajabgohi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Seni tarjima qilmoqdan.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Erkin Vohidov shoir haqida quyidagilarni qayd etadi: \u201cUsmon Nosirni ko\u2019rganlar uning mard va o\u2019ktam yigit bo\u2019lganini, shu bilan birga, nozik ruhiyat egasi ekanini ta\u2019kidlaydi. Haqiqatan ham Usmon Nosir hayoti ayanchli kechdi, fojiali yakun topdi. Chunki u yurak shoiri edi. Shu yurak bilan yurt taqdiri uchun qayg\u2019urgan, Vataniga sodiqlikni hayoti va ijodiga shior qilib olgan edi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shoir ijodi bilan tanishar ekansiz, avvalo, yurakning bedor urishi eshitiladi, so\u2019ng she\u2019rning ko\u2019z ilg\u2019amas torlaridan taralayotgan ruhiyat ohanglari, nolalari endi sizning yuragingizni bedor qiladi.Sho\u2019ro hukumatining kundasi oldida turgan shoir dorilomon zamonlar kelib, yana e\u2019zozlanishini bilgan va ana shu ishonch unga mislsiz yovuzlik va tengsiz kuchga qarshi kurashda madad bergan.<\/p>\n\n\n\n<p>1937 yilning 13 iyulida hibsga olinganidan to so\u2019nggi nafasiga qadar Usmon Nosir oyning yorug\u2019 kunlarini ko\u2019rmadi. Oyning qorong\u2019i 15 kuni esa uning uchun etti yildan ortiq davom etdi. Stalincha qirg\u2019in yillarida minglab kishilar \u201cXalq dushmani\u201d sifatida o\u2019lim lagerlarida inson zoti chidash mumkin bo\u2019lmagan azoblarga duchor bo\u2019ldilar. Lekin ular orasida Usmon Nosirchalik do\u2019zax qiynoqlarini boshdan kechirgan jabrdiyda kam topilsa kerak. \u201cUsmon Nosirning so\u2019nggi kunlari\u201d kitobida bunday yoziladi:<\/p>\n\n\n\n<p>&nbsp;\u201c1944 yil, 9 mart, payshanba o\u2019zbek she\u2019riyatining yoqut yulduzlaridan biri Usmon Nosirning so\u2019nggi kuni. Stalincha istibdodga asoslangan tuzum uni shu kuni ajdaho singari, nihoyat, yamlab-yutib yubordi!<\/p>\n\n\n\n<p>Shoir jasadi qariyib &nbsp;bir hafta davomida o\u2019likxonada yotdi. Suslova qishlog\u2019idagi mahbuslar qabristoni hali karaxt uyquda, qalin qor ostidagi tuproq esa toshdan ham qattiq edi. Buning ustiga, murdalarni lager aravasida qabristonga tashuvchi mahbuslar, odatga ko\u2019ra, bir necha kun aravaning to\u2019lishini kutar edilar.<\/p>\n\n\n\n<p>Xullas, 15 mart, chorshanba kuni olis va sovuq rus tuprog\u2019i Usmon Nosirning muzlab qolgan jasadini o\u2019z bag\u2019riga oldi.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"469\" height=\"263\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-112.png\" alt=\"\" class=\"wp-image-201\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-112.png 469w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-112-300x168.png 300w\" sizes=\"(max-width: 469px) 100vw, 469px\" \/><\/figure><\/div>\n\n\n<p>Mana, nihoyat, bu dunyoga sig\u2019magan baxtsiz shoir 32 yoshida qora er ostiga kirdi. Bu dunyoga bulbul bo\u2019lib kelgan, ammo qalb tori, she\u2019riy iste\u2019dodi tori endigina tarang tortila boshlagan, o\u2019z yurtining, xalqining peshonasida mustaqillik oftobi nurlarini ko\u2019rishni orzu qilgan shoir \u2013 qor zulmning, qora tuhmat va qora hasadning qurboni bo\u2019lgan shoir shu zaylda olamdan o\u2019tdi.<\/p>\n\n\n\n<p>O\u2019Zbekiston Prezidentining \u201cOtashin shoir, tarjimon va dramaturg Usmon Nosir tavalludining 110 yilligini keng nishonlash to\u2019g\u2019risida\u201dgi qarori talantli shoirimizning xalqimiz qalbida mangu barhayot ekanini yana bir karra isbot etdi.<\/p>\n\n\n\n<p>Usmon Nosirning o\u2019zi \u201cBog\u2019im\u201d she\u2019rida ishonch bilan yozgandi:<\/p>\n\n\n\n<p class=\"has-text-align-center\">Bargdek uzilib ketsam,<\/p>\n\n\n\n<p class=\"has-text-align-center\">Unutmas meni bog\u2019im.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"373\" height=\"330\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-111.png\" alt=\"\" class=\"wp-image-200\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-111.png 373w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-111-300x265.png 300w\" sizes=\"(max-width: 373px) 100vw, 373px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>\u201cTarixga nazar\u201d<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Uzoq izlanishlardan keyin tadqiqotchi olimlar tomonidan Usmon Nosirning tug\u2019ilgan joyi, ya\u2019ni onasi Xolambibi kelin bo\u2019lib tushgan mulla Mamatxo\u2019janing xonadoni Namangandagi hozirgi Amir Temur nomidagi mahalla, Jiydakapa ko\u2019chasi, 60-uy manzilida joylashgan 22-maktab yonida ekani aniqlandi, -deydi Usmon Nosir hayoti va ijodini arxivlardan o\u2019rganib, ilmiy tadqiqotlar olib borgan, shu asosda ikkita kitob chop etgan jurnalist Rahimjon Irisov. Arxivlardan topilgan manbalarga ko\u2019ra, o\u2019tgan asrning boshlarida bu joy \u201cChuqurkuchinskiy daha, ulitsa Chukurkuchinskaya\u201ddeb qayd etilgani ma\u2019lum bo\u2019ldi. Keyinchalik u bolshevilar tomonidan Kuybishev ko\u2019chasi (hozirgi Jiydakapa) deb nomlangan.Xuddi&nbsp; ana shu joyda istiqomat qilgan taqvador Mamatxo\u2019ja eshon masjid imomi mulla Adham Oxunning to\u2019ng\u2019ich qizi \u2013 Xolambibiga uylangan. To\u2019ydan keyin 1912 yilning 13 noyabrida Usmon dunyoga keladi. Lekin oradan ikki yil o\u2019tar-o\u2019tmas mulla Mamatxo\u2019ja og\u2019ir dardga chalinib vafot etadi. Shundan keyin Xolambibining inilari \u2013 Abdurahmon va Abduqayum ularni o\u2019z uylariga ko\u2019chirib ketishadi. Shu tariqa Xolambibi Nosir hoji Masodiqovga turmushga chiqqunga qadar \u201cTanhogo\u2019r buva\u201d ziyoratgohi yonidagi ota hovlisida yashaydi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019tgan asrning 40-50 yillarida Usmon Nosir tug\u2019ilgan xonadon o\u2019rnida sobiq Engels jamoa xo\u2019jaligining idorasi va klubi qurilgan, uning ro\u2019parasidagi katta maydonda Lenin haykali bo\u2019lgan. Klubda Namangan shahridagi 2-bolalar kutubxonasi joylashgan. Keyinchalik ushbu joydan Andijon-Namangan viloyatlaroro qatnaydigan avtobuslarning to\u2019xtash manzili sifatida foydalanib kelingan. Viloyatda tuzilgan ishchi guruhi tomonidan otashin shoir haykalini ana shu maydonga o\u2019rnatish taklifi berilgan va qo\u2019shimcha tarzda viloyat markazidan yana bir xudud tavsiya etilgan. Shaharda Usmon NosirDavlatimiz rahbarining sa\u2019y-harakati bilan mamlakatimizda inson qadrini ulug\u2019lash, Vatan ozodligi uchun kurashgan qatag\u2019on qurbonlarining nomini abadiylashtirish, ularning ruhi-poklariga izzat-ikrom ko\u2019rsatish yo\u2019lida juda ko\u2019p xayrli ishlar amalga oshirilyapti. Vatan sha\u2019ni, yurt ozodligini o\u2019z she\u2019rlarida &nbsp;baralla kuylagan shoir xotirasi yuksak hurmat ehtiromga loyiq.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Foydalanilgan adabiyotlar<\/strong><\/p>\n\n\n\n<ol>\n<li>\u0416\u0430\u043c\u043e\u043b\u043e\u0432\u0430, \u0401. \u0427\u0430\u049b\u043c\u043e\u049b\u0434\u0435\u043a \u0443\u043c\u0440 \u043c\u045e\u044a\u0436\u0438\u0437\u0430\u043b\u0430\u0440\u0438 (\u0423\u0441\u043c\u043e\u043d \u041d\u043e\u0441\u0438\u0440 \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 110 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u0433\u0430 ) \/ \u0401. \u0416\u0430\u043c\u043e\u043b\u043e\u0432\u0430 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0417\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. &#8212; 2022. &#8212; 14 \u0438\u044e\u043b\u044c. &#8212; \u0411. 6.<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/li>\n\n\n\n<li>\u041e\u0441\u0442\u043e\u043d\u043e\u0432, \u041d. \u042d\u0440\u043a \u043a\u0443\u0439\u0447\u0438\u0441\u0438\u0433\u0430 \u044d\u04b3\u0442\u0438\u0440\u043e\u043c. \u0423 \u0442\u0443\u0493\u0438\u043b\u0433\u0430\u043d \u0433\u045e\u0448\u0430\u0433\u0430 \u044d\u044a\u0442\u0438\u0431\u043e\u0440\u0434\u0430\u043d \u0431\u043e\u0448\u043b\u0430\u043d\u0441\u0438\u043d. (\u0423\u0441\u043c\u043e\u043d \u041d\u043e\u0441\u0438\u0440 \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 110 \u0439\u0438\u043b\u043b\u0438\u0433\u0438) \/ \u041d. \u041e\u0441\u0442\u043e\u043d\u043e\u0432 \/\/ \u0425\u0430\u043b\u049b \u0441\u045e\u0437\u0438. &#8212; 2022. &#8212; 16 \u0438\u044e\u043b\u044c. &#8212; \u0411.4.<strong>&nbsp;&nbsp;<\/strong><\/li>\n\n\n\n<li>&nbsp;\u0418\u0441\u0430\u0436\u043e\u043d\u043e\u0432\u0430, \u0414. \u0421\u0430\u04b3\u043d\u0430\u0433\u0430 \u043c\u0443\u0437\u043b\u0430\u0442\u0433\u0438\u0447\u0434\u0430\u043d \u0447\u0438\u049b\u049b\u0430\u043d &#171;\u0423\u0441\u043c\u043e\u043d \u041d\u043e\u0441\u0438\u0440&#187; \/ \u0414. \u0418\u0441\u0430\u0436\u043e\u043d\u043e\u0432\u0430 \/\/ \u0414\u0430\u0440\u0430\u043a\u0447\u0438. &#8212; 2022. -14 \u0438\u044e\u043b\u044c. -\u0411. 38. <\/li>\n\n\n\n<li>Usmon Nosir (1912-1944) \u2013&nbsp;<a href=\"http:\/\/www.ziyouz.uz\/\">WWW.ziyouz.uz<\/a>&nbsp;\/ erkin.&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n\n\n\n<li>Toshkent : Entsiklopediya &nbsp;\/ Bosh tahrir hay\u2019ati : A. Akromov, B. Sh. Alimov, M. N. Aminov va boshq. \u2013 Toshkent : \u201cO\u2019zbekiston Milliy Entsiklopediyasi\u201d Davlat ilmiy nashriyoti, 2008. \u2013 784 b. : rangli surat xarita.<\/li>\n\n\n\n<li>Usmon Nosir. 583 b.<\/li>\n<\/ol>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cYodimizda, yonimizda\u2026\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">(O\u2019zbekistonda xizmat ko\u2019rsatgan madaniyat xodimi, shoir <strong>Azim Suyun<\/strong> (1948-2020)<\/p>\n\n\n\n<p class=\"has-text-align-center\">tavalludining <strong>75 yilligiga<\/strong> bag\u2019ishlanadi)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"256\" height=\"304\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-120.png\" alt=\"\" class=\"wp-image-214\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-120.png 256w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-120-253x300.png 253w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>ESLATMA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2023<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cYodimizda, yonimizda\u2026\u201d ( O\u2019zbekistonda xizmat ko\u2019rsatgan madaniyat xodimi, shoir <strong>Azim Suyun<\/strong> (1948-2020) tavalludining <strong>75 yilligiga<\/strong> bag\u2019ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2023. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu eslatma O\u2019zbekistonda xizmat ko\u2019rsatgan madaniyat xodimi, shoir <strong>Azim Suyun<\/strong> (1948-2020) tavalludining <strong>75<\/strong> yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma \u0410zim Suyun shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;1948-yil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Samarqand\">Samarqand<\/a>&nbsp;viloyatiga qarashli Nakurt qishlog\u02bbida tug\u02bbilgan. Oliy ma\u02bclumotli. 1977-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent_universiteti\">Toshkent universiteti<\/a>&nbsp;(hozirgi O\u02bbzMU)ning jurnalistika fakultetini bitirgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Respublikasi_Oliy_Majlisi\">O\u02bbzbekiston Respublikasi Oliy Majlisi<\/a>&nbsp;deputati. Azim Suyun harbiy xizmat burchini o\u02bbtab qaytgach, poytaxt qurilishlarida mehnat qildi. Keyinchalik \u201eToshkent universiteti\u201c gazetasida adabiy xodim,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBafur_G%CA%BBulom_nomidagi_adabiyot_va_san%CA%BCat_nashriyoti\">G\u02bbafur G\u02bbulom nomidagi adabiyot va san\u02bcat nashriyotida<\/a>&nbsp;muharrir bo\u02bblib ishladi. O\u02bbzbekiston Matbuot Davlat qo\u02bbmitasida adabiy maslahatchi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_yozuvchilar_uyushmasi\">O\u02bbzbekiston yozuvchilar uyushmasida<\/a>&nbsp;mas\u2019ul kotib,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xalq_so%CA%BBzi\">\u201eXalq so\u02bbzi\u201c<\/a>&nbsp;gazetasida bo\u02bblim muharriri, 1993\u20132002-yillarda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_ovozi\">\u201eO\u02bbzbekiston ovozi\u201c<\/a>&nbsp;va \u201eGolos Uzbekistana\u201c gazetalarining Bosh muharriri, \u201eGuliston\u201c jurnalining Bosh muharriri vazifalarida xizmat qildi. Azim Suyun butunjahon shoirlar kongressi a\u02bczosi.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"345\" height=\"225\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-121.png\" alt=\"\" class=\"wp-image-216\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-121.png 345w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-121-300x196.png 300w\" sizes=\"(max-width: 345px) 100vw, 345px\" \/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"280\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-122.png\" alt=\"\" class=\"wp-image-217\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-123.png\" alt=\"\" class=\"wp-image-218\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Ijodi<\/strong><\/p>\n\n\n\n<p>Azim Suyun she\u02bcrlari, she\u02bcriy turkumlari va kitoblari&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turk_tili\">turk<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ingliz_tili\">ingliz<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arab_tili\">arab<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Rus_tili\">rus<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qozoq_tili\">qozoq<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tojik_tili\">tojik<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qirg%CA%BBiz_tili\">qirg\u02bbiz<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turkman_tili\">turkman<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qoraqalpoq_tili\">qoraqalpoq<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tuva_tili\">tuva<\/a>&nbsp;va boshqa tillarda chop etilgan. Azim Suyunning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sarbadorlar\">\u201eSarbadorlar\u201c<\/a>&nbsp;tragediyasi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Zamin_taqdiri&amp;action=edit&amp;redlink=1\">\u201eZamin taqdiri\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston\">\u201eO\u02bbzbekiston\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bir_tomchi_suv_dengizga_aylangan_kecha_va_yoki_imorat&amp;action=edit&amp;redlink=1\">\u201eBir tomchi suv dengizga aylangan kecha va yoki imorat\u201c<\/a>&nbsp;kabi dostonlari mashhur. Azim Suyun keng qamrovli dramaturg, haqso\u02bbz publitsist sifatida ham tanilgan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>To\u02bbplamlari<\/strong><strong><\/strong><\/p>\n\n\n\n<p>Azim Suyunning o\u02bbzbek tilida nashr etilgan to\u02bbplamlari:<\/p>\n\n\n\n<ul>\n<li><strong>\u201eMening osmonim\u201c&nbsp;\u2014 1978-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eZarb\u201c&nbsp;\u2014 1979-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eZamin taqdiri\u201c&nbsp;\u2014 1981-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eXayolot\u201c&nbsp;\u2014 1984-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eZiyo yo\u02bbli\u201c&nbsp;\u2014 1986-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eJavzo\u201c&nbsp;\u2014 1987-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eOlis tonglar\u201c&nbsp;\u2014 1989-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eKuyganim-suyganim\u201c&nbsp;\u2014 1992-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eSarbadorlar\u201c&nbsp;\u2014 1994-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eQora ko\u02bbzing sening\u201c&nbsp;\u2014 1994-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eSaylanma\u201c&nbsp;\u2014 1997-yil.<\/strong><\/li>\n\n\n\n<li><strong>\u201eO\u02bbzlik\u201c&nbsp;\u2014 1999-yil.<\/strong><\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-124.png\" alt=\"\" class=\"wp-image-219\" width=\"177\" height=\"284\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"260\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-126.png\" alt=\"\" class=\"wp-image-221\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"167\" height=\"265\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-127.png\" alt=\"\" class=\"wp-image-222\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"351\" height=\"144\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-128.png\" alt=\"\" class=\"wp-image-223\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-128.png 351w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-128-300x123.png 300w\" sizes=\"(max-width: 351px) 100vw, 351px\" \/><\/figure><\/div>\n\n\n<p>Taniqli shoir Azim Suyun 2020-yil 9- martda 72 yoshida vafot etdi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u0424\u043e\u0439\u0434\u0430\u043b\u0430\u043d\u0438\u043b\u0433\u0430\u043d \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u043b\u0430\u0440<\/strong><\/p>\n\n\n\n<p><strong>1. \u0421\u0443\u044e\u043d \u0410\u0445\u0437\u0438\u043c \u2013 \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u2013 Arboblar.uz\/<\/strong><\/p>\n\n\n\n<p><strong>2.&nbsp; \u0410\u0437\u0438\u043c \u0421\u0443\u044e\u043d \u2013 Vikipediya<\/strong><\/p>\n\n\n\n<p><strong>3. \u0410\u0437\u0438\u043c \u0421\u0443\u044e\u043d. \u040e\u0437\u043b\u0438\u043a [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440, \u0441\u0443\u04b3\u0431\u0430\u0442\u043b\u0430\u0440, \u0448\u0435\u044a\u0440\u043b\u0430\u0440. \u04b2\u0438\u043a\u043e\u044f\u043b\u0430\u0440, \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440. \u2013&nbsp;&nbsp; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0428\u0430\u0440\u049b\u201d, 1999. &#8212; 448 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>4<\/strong>.<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ibrohim_G%CA%BBofurov\"><strong>Ibrohim G\u02bbofurov<\/strong><\/a><strong>. \u201eJimjit bulut ichidan chaqin\u201c, \u201eO\u02bbzlik\u201c (to\u02bbplam), T\u043e\u0448\u043a\u0435\u043d\u0442 : 1999,&nbsp;<\/strong><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sharq\"><strong>\u201eSharq\u201c<\/strong><\/a><strong>&nbsp;NMAK, (3\u20137-betlar)<\/strong><\/p>\n\n\n\n<p><strong>5.<\/strong><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Umarali_Normatov\"><strong>Umarali Normatov<\/strong><\/a><strong>. \u201eSo\u02bbz tuzalsa \u2013 el tuzalar\u201c,&nbsp;<\/strong><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xalq_so%CA%BBzi\"><strong>\u201eXalq so\u02bbzi\u201c<\/strong><\/a><strong>&nbsp;\u2014 1992-yil.<\/strong><\/p>\n\n\n\n<p><strong>6.<\/strong><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abdulla_Oripov\"><strong>Abdulla Oripov<\/strong><\/a><strong>. \u201eBitik \u2013 mustaqil janr\u201c, \u201eTafakkur\u201c jurnali, 2002-yil, 3-son.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c<\/strong><strong>Buyuk olim dahosiga ehtirom<\/strong><strong>\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Buyuk o\u2019zbek mutafakkir olimi Abu Rayhon Muhammad Ibn Ahmad Beruniy &nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>(4.09. 973-1048 y) tavalludining 1050 yilligi<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"278\" height=\"301\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-138.png\" alt=\"\" class=\"wp-image-239\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent 2023<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cBuyuk olim dahosiga ehtirom\u201d<\/strong> (Buyuk o\u2019zbek mutafakkir olimi Abu Rayhon Muhammad Ibn Ahmad Beruniy (4.09. 973-1048 y) tavalludining 1050 yilligiga bag\u2019ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2023. \u2013 9 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu eslatma buyuk o\u2019zbek mutafakkir olimi Abu Rayhon Muhammad Ibn Ahmad Beruniy (4.09. 973-1048 y) tavalludining 1050 yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Abu Rayhon Beruniy&nbsp; shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Abu Rayhon Beruniy<\/strong><\/p>\n\n\n\n<p><strong>Abu Rayhon Muhammad ibn Ahmad Al-Beruniy<\/strong>&nbsp;(<a href=\"https:\/\/uz.wikipedia.org\/wiki\/4-sentabr\">4-sentabr<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/973\">973<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kat\">Kat<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazm<\/a>, \u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/13-dekabr\">13-dekabr<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1048\">1048<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazna\">G\u2019azna<\/a>) \u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Islom_oltin_davri\">Islom oltin davrining<\/a>&nbsp;zabardast&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazmlik<\/a>&nbsp;qomusiy allomalaridan biri.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Prezidentimiz SH. Mirziyoevning 2022 yil 25 avgustdagi \u201cBuyuk mutafakkir va qomusiy olim Abu Rayhon Beruniy tavalludining 1050 yilligini xalqaro miqyosda keng nishonlash to\u2019g\u2019risida\u201dgi qarori ijrosi yuzasidanjoylarda ma\u2019naviy-ma\u2019rifiy tadbirlar tashkil etilmoqda. Shu sababli xalqimiz tomonidanbuyuk qomusiy olim Abu Rayhon Beruniyni ilmiy-ma\u2019rifiy merosini yanada chuqur o\u2019rganishga doir faoliyat avj oldi.<\/p>\n\n\n\n<p>Al-Beruniy nomi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fors_tili\">forscha<\/a>&nbsp;\u201ebirun\u201c (\u201cchet\u201d degan ma\u02bcnoni anglatadi) so\u02bbzidan olingan bo\u02bblib, u&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Afrig%CA%BBiylar\">Afrig\u02bbiy<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazmshoh\">Xorazmshohlar<\/a>&nbsp;poytaxti&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Kat<\/a>&nbsp;shahrining chekka tumanida tug\u02bbilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Al-Beruniy hayotining dastlabki 25 yilini&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazmda<\/a>&nbsp;o\u02bbtkazdi, u yerda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Islom\">islom<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fiqh\">fiqh<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ilohiyot\">ilohiyot<\/a>, grammatika,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matematika\">riyoziyot<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Astronomiya\">falakiyot<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tibbiyot\">tibbiyot<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Falsafa\">falsafa<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fizika\">fizika<\/a>&nbsp;va boshqa ilmlar bilan ham shug\u02bbullandi. Beruniy ona tili bo\u02bblgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazmiy_tili\">xorazmiy tilidan<\/a>&nbsp;tashqari&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fors_tili\">fors<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arab_tili\">arab<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yunon_tili\">yunon<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ivrit\">ibroniy<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Suryoniy_tili\">suryoniy<\/a>&nbsp;tillarini bilgan va 50 yoshida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sanskrit\">sanskrit tilini<\/a>&nbsp;o\u02bbrgandi. Iroqiylarning oxirgi vakili&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abu_Nasr_Mansur\">Abu Nasr Mansur ibn Iroq<\/a>&nbsp;Beruniyning ustozi edi. Al-Beruniy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Astronomiya\">falakiyot<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matematika\">riyoziyot<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Geodeziya\">geodeziya<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Geografiya\">jug\u02bbrofiya<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mineralogiya\">mineralogiya<\/a>&nbsp;va tabiiy fanlarni yaxshi bilgan. Shuningdek, tarixchi, xronolog va tilshunos sifatida ham ajralib turardi. U o\u02bbz davrining deyarli barcha fanlarini mukammal o\u02bbrgangani sabab qomusiy alloma deb nomlanadi va ko\u02bbplab ilm sohalarida tinimsiz izlanishlari uchun mo\u02bbl-ko\u02bbl mukofotlangan.&nbsp;Shoh xonadoni va jamiyatdagi boshqa qudratli unsurlar Al-Beruniyning tadqiqotlarini moliyalashtiradi. O\u02bbziga xos ta\u02bcsirga ega bo\u02bblgan Al-Beruniyning o\u02bbzi ham falsafani o\u02bbrganish davomida, boshqa xalqlarning olimlaridan, xususan, yunon olimlaridan ham ilhom olgan.<\/p>\n\n\n\n<p>Beruniy Iroqiylar xonadoniga mansub edi va o\u02bbsha paytda Xorazmdagi hukmron&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Afrig%CA%BBiylar\">Afrig\u02bbiylarga<\/a>&nbsp;xayrixoh edi, 995-yil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Katni<\/a>, Xorazmning ikkinchi poytaxti, Gurganj (Urganch)ning amiri Ma\u02bcmun ibn Muhammad bosib oladi va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Afrig%CA%BBiylar\">Afrig\u02bbiylar<\/a>&nbsp;sulolasini taxtdan ag\u02bbdardi va natijada Beruniy vatanini tashlab&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Buxoro\">Buxoroga<\/a>&nbsp;ketdi. U yerda u&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abu_Ali_ibn_Sino\">Ibn Sino<\/a>&nbsp;bilan yozishmalar olib borgan va bu ikki olim o\u02bbrtasida fikr almashilgan.<\/p>\n\n\n\n<p>U o\u02bbzining \u201eGeodeziya\u201c asarida 990-yil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Kat<\/a>&nbsp;shahrining geografik kengligini aniqlaganini yozadi. Ma\u02bclumki, geografik kenglikni aniqlash uchun geografiya, matematika va astronomiyadan yetarlicha bilimga ega bo\u02bblish lozim.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ray\">Ray<\/a>&nbsp;shahriga (hozirgi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tehron\">Tehron<\/a>&nbsp;yaqinida) keladi. U&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ray\">Rayda<\/a>&nbsp;mashhur olim&nbsp;\u2014 matematik va astronom al-Xo\u02bbjandiy, tabib va faylasuf&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Roziy\">ar-Roziylar<\/a>&nbsp;bilan tanishadi. Beruniy Rayda o\u02bbzining \u201eAl-Faxriy sekstanti\u201c risolasini yozadi. 997-yil Beruniy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Katga<\/a>&nbsp;qaytdi. Bu davrda Xorazmda o\u02bbzgarishlar bo\u02bblib, Ma\u02bcmun vafot etib, uning o\u02bbrniga Ali ibn Ma\u02bcmun taxtga chiqqan edi. 997-yilda mashhur tabib Abu Ali Ibn Sinoham Urganjga keladi.<\/p>\n\n\n\n<p>998-yil Beruniy Jurjonga keldi. U Jurjonda 1004-yilgacha yashaydi. O\u02bbzining o\u02bbn beshga yaqin asarini shu yerda yaratdi. Jumladan, olimning \u201eQadimgi xalqlardan qolgan yodgorliklar\u201c asari 1000-yil atrofida shu yerda yozilgan. 1004-yilning bahorida Beruniy Xorazmga qaytdi. Bu vaqtda Xorazmning poytaxti Urganj edi. Urganjda u Oy tutilishini kuzatdi. Saroyda al-Masihiy, tabib al-Hammar, Ibn Iroq va boshqalar ishlar edilar.<\/p>\n\n\n\n<p>Urganjda Beruniy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matematika\">matematika<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Astronomiya\">astronomiya<\/a>&nbsp;bilan bir qatorda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fizika\">fizika<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mineralogiya\">mineralogiyaning<\/a>&nbsp;ba\u02bczi masalalari bilan shug\u02bbullandi. Minerallarni aniqlash, ularni tizimga solishda solishtirma og\u02bbirliklardan foydalanish g\u02bboyasi ham mana shu yerda tug\u02bbildi.<\/p>\n\n\n\n<p>1017-yil yozida turkiy podsho&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mahmud_G%CA%BBaznaviy\">Mahmud G\u02bbaznaviyning<\/a>&nbsp;buyrug\u02bbiga ko\u02bbra Beruniy asir sifatida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazna\">G\u02bbaznaga<\/a>&nbsp;olib ketildi. U yerda og\u02bbir sharoitda yashadi. 1019-yildan keyin ilmiy ish bilan shug\u02bbullanish sharoitiga erishdi. 1022\u20141024-yillarda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mahmud_G%CA%BBaznaviy\">Mahmud<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hindiston\">Hindistonga<\/a>&nbsp;qilgan yurushida Beruniyni o\u02bbzi bilan olib ketdi. Safarda ham Beruniy ilm bilan shug\u02bbullandi. U&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Panjob\">Panjobdagi<\/a>&nbsp;Nandna qal\u02bcasi yonida yer shari&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Meridian\">meridianini<\/a>&nbsp;bir gradusining uzunligini o\u02bblchadi va u 110,895&nbsp;km. ekanini aniqladi. Bu ma\u02bclumot hozirgi zamon o\u02bblchashlari natijasi&nbsp;\u2014 111,1&nbsp;km bilan taqqoslansa, Beruniy o\u02bblchashlarining aniqligi qay darajada ekani ko\u02bbrinadi. U umrining ko\u02bbp qismini hozirgi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Afg%CA%BBoniston\">Afg\u02bbonistonning<\/a>&nbsp;janubiy-sharqiy qismidagi o\u02bbsha paytdagi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBaznaviylar\">G\u02bbaznaviylar<\/a>&nbsp;davlati poytaxti&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazna\">G\u02bbazna<\/a>&nbsp;shahrida o\u02bbtkazdi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hindiston_yarim_oroli\">Hindiston yarimoroliga<\/a>&nbsp;sayohat qilganda, Hindistonda amalda bo\u02bblgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hinduiylik\">hinduiylik<\/a>&nbsp;dinini o\u02bbrganib chiqqandan so\u02bbng 1030-yilda \u201cTarix al-Hind\u201d (Hindiston tarixi) nomli hind madaniyati haqida risola yozdi. U o\u02bbz davri uchun hayratlanarli darajada xolis yozuvchi edi. Turli xalqlarning urf-odatlari va e\u02bctiqodlari, uning ilmiy ob&#8217;ektivligi 11-asr boshlarida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hindiston\">Hindistonni<\/a>&nbsp;ajoyib tasvirlagani uchun unga al-Ustad (\u201eUstoz\u201c) unvonini berdi.<\/p>\n\n\n\n<p>1030-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mahmud_G%CA%BBaznaviy\">Mahmud G\u02bbaznaviy<\/a>&nbsp;vafot etdi va uning o\u02bbrniga o\u02bbg\u02bbli Mas\u02bcud taxtga chiqdi. Mas\u02bcud Beruniyga ko\u02bbp iltifotlar ko\u02bbrsatdi. Shu sababli, Beruniy o\u02bbzining shoh asarini Mas\u02bcudga bag\u02bbishlab \u201eQonuni Mas\u02bcudiy\u201c deb atadi. Bu asar asosan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Astronomiya\">astronomiyaga<\/a>&nbsp;oid bo\u02bblsa ham Beruniyning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matematika\">matematikaga<\/a>&nbsp;oid, ya\u02bcni&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Trigonometriya\">trigonometriya<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sferik_trigonometriya\">sferik trigonometriyada<\/a>&nbsp;qilgan anchagina kashfiyotlari shu asarda bayon etilgan. Beruniyning matematikaga va fanning boshqa sohalariga qo\u02bbshgan hissasini yozib qoldirgan 100 dan ortiq asaridan ham ko\u02bbrish mumkin. Ulardan eng yiriklari&nbsp;\u2014 \u201eHindiston\u201c, \u201eYodgorliklar\u201c, \u201eQonuni Mas\u02bcudiy\u201c, \u201eGeodeziya\u201c, \u201eMineralogiya\u201c va \u201eAstronomiya\u201c. Qolganlarini quyidagicha taqsimlash mumkin: matematikaga doirlari&nbsp;\u2014 22 ta; astronomik asboblar haqida&nbsp;\u2014 10 ta; astrologiklari&nbsp;\u2014 21 ta; turli fanlar (fizika, mineralogiya, adabiyot, tarix va boshqalar)&nbsp;\u2014 38 ta; turli tillardan tarjima asarlar&nbsp;\u2014 21 ta. Beruniyning bu asarlaridan atigi 30 ga yaqini bizning kunlargacha yetib kelgan. Beruniy yoshligidayoq ko\u02bbp vaqtini turli kuzatishlar bilan o\u02bbtkazgan. U bolaliastronomik asbob yasagan. Xorazmning turli joylari koordinatalarini aniqlash bilan shug\u02bbullangan va 995\u2014996-yillarda Kat shahrida diametri 15 ziro\u02bb (Ziro\u02bb&nbsp;\u2014 qadimgi o\u02bblchov birligi, 49 santimetr chamasida) bo\u02bblgan doira va boshqa asboblar bilan astronomik o\u02bblchash ishlarini olib borgan. Beruniyning 152 asari ma\u02bclum bo\u02bblib, bizgacha uning faqat 30 tasi yetib kelgan. Jami asarlarining 70 tasi astronomiyaga, 20 tasi matematikaga, 12 tasi geografiya va geodeziyaga, 4 tasi mineralogiyaga, 1 tasi fizikaga, 1 tasi dorishunoslikka, 15 tasi tarix va etnografiyaga, 4 tasi falsafaga, 18 tasi adabiyotga bag\u02bbishlangan.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Beruniy jahon astronomiya va geografiya fani olimi<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Beruniyning boy ilmiy merosi hali to\u02bbla o\u02bbrganilmagan. Beruniy yirik olim&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abu_Nasr_Mansur\">Abu Nosir ibn Iroqdan<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Evklid\">Evklid<\/a>&nbsp;geometriyasi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ptolemey_Klavdiy\">Ptolemeyning<\/a>&nbsp;astronomik ta\u02bclimotlari bo\u02bbyicha dars olgan. 995-yilgacha u astronomiya, geografiya, geodeziya amaliy masalalarini hal etish bilan birga Yer va osmon globusini yasadi hamda astronomiyaga oid bir necha kitoblar yozdi. Olimning ana shunday asarlaridan biri \u201eGeodeziya\u201c 1025-yilda yozib tugatilgan. Bu asar \u201eshaharlar orasidagi masofalarni aniqlash uchun joylarning chegaralarini belgilash\u201cga doirdir. Kitobning 4-bobi oxirida Beruniy Yer aylanasining kattaligini o\u02bblchash haqida fikr yuritgan. Qadimdan insonlar Yerning shakli va kattaligini bilishga qiziqqanlar va turli xalqlar Yer shaklini turlicha tasavvur qilishgan.<\/p>\n\n\n\n<p>Miloddan avval o\u02bbtgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Pifagor\">Pifagor<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arastu\">Arastu<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arximed\">Arximed<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Eratosfen\">Eratosfen<\/a>&nbsp;kabi buyuk olimlar Yer dumaloq va shar shaklida degan fikrni aytganlar. Jumladan, miloddan avvalgi 250-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Iskandariya\">iskandariyalik<\/a>&nbsp;olim Eratosfen Yer shar shaklida deb, uning o\u02bblchamlarini quyidagicha aniqlagan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Iskandariya\">Iskandariya<\/a>&nbsp;bilan Sienya (hozirgi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Asvon\">Asvon<\/a>) shaharlari orasidagi masofani karvonlarning yurish muddati bilan o\u02bblchaydi, keyin bu qiymatni ikki shahar kengligining ayirmasiga bo\u02bbladi va Yer radiusini 6840 kilometr deb chiqaradi. Bu gradus meridian yoyining uzunligi esa 119,444 bo\u02bbladi yoki meridian yoyining uzunligi 70 121 ga tengligini aniqlab, bu yoy meridian aylanasi uzunligining 1050 qismi ekanligini hisoblagan. Yer meridian aylanasining uzunligi 39500 kilometrga yaqin bo\u02bblsa kerak, degan fikrga kelgan. Eratosfendan so\u02bbng&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Misr\">Misr<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xitoy\">Xitoy<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yunoniston\">yunon<\/a>&nbsp;olimlaridan bir qanchasi Eratosfen o\u02bblchagan usul bilan Yerning kattaligini aniqlaganlar. O\u02bbrta asrlarda Yerning hajmini aniqlashda yurtimizdan yetishib chiqqan olimlarning xizmatlari katta bo\u02bblgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Al-Xorazmiy\">Muso Muhammad al-Xorazmiy<\/a>&nbsp;bir gradus meridian yoyning uzunligi 111,8 kilometrga tengligini isbotlab bergan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"194\" height=\"260\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-139.png\" alt=\"\" class=\"wp-image-240\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"194\" height=\"259\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-140.png\" alt=\"\" class=\"wp-image-241\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-141.png\" alt=\"\" class=\"wp-image-242\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Beruniy hikmatlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Tenglik hukm surgan joyda sotqinlik, aldamchi ehtiroslar, g\u2019am-g\u2019ussa bo\u2019lmaydi.<\/li>\n<\/ol>\n\n\n\n<p>Daryolarning doimo dengizga quyilishi uning suviga ta\u2019sir ko\u2019rsatmaganmidek, amal va lazzat \u2013 haqiqiy ilm oluvchiga ta\u2019sir ko\u2019rsata olmasligi kerak.<\/p>\n\n\n\n<p>Har bir yangi narsada lazzat bor.<\/p>\n\n\n\n<p>Bugunning chorasini ko\u2019rib, ertaga ehtiyoji qolmagan kishi aqllidir.<\/p>\n\n\n\n<p>Asalarilar ham o\u2019z jinsidan bo\u2019laturib ishlamay, uyadagi asalni bekorga eb yotadiganlarini o\u2019ldirib tashlaydilar.<\/p>\n\n\n\n<p>Minnat qilish berilgan ehsonni yo\u2019qqa chiqaradi.<\/p>\n\n\n\n<p>Ikkala da\u2019vogar rozi bo\u2019lishibdi-yu, qozi rozi bo\u2019lmabdi.<\/p>\n\n\n\n<p>Har bir kun uchun haq va haqiqat hozir narsa.<\/p>\n\n\n\n<p>Tenglik hukm surgan joyda sotqin, aldamchi ehtiroslar, g\u2019am-g\u2019ussa bo\u2019lmaydi.<\/p>\n\n\n\n<p>Ulug\u2019 hodisalar har vaqt yuz beravermaydi.<\/p>\n\n\n\n<p>Buzuq niyatli va yomon axloqli kishilar o\u2019rtaga kirib olishi bilan ish to\u2019g\u2019ri bo\u2019lmaydi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Fors tilida yozilgan \u201eKitob al-Tafhim\u201cda Beruniy tomonidan keltirilgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Oy_(tabiiy_yo%CA%BBldosh)\">Oyning<\/a>&nbsp;turli xil fazalari<br><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Bag%CA%BBdod\">Bag\u02bbdodda<\/a>&nbsp;tashkil topgan \u201eDonishmandlik uyi\u201c nomli o\u02bbsha davrning fanlar akademiyasida O\u02bbrta Osiyolik olimlardan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Al-Xorazmiy\">Xorazmiy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ahmad_al-Farg%CA%BBoniy\">Farg\u02bboniy<\/a>, Habash Xasib, Marvaridiy kabi olimlar turli sohalarda ish olib borganlar. Beruniy ham shu \u201eDonishmandlik uyi\u201cning a\u02bczosi bo\u02bblib, u yerda 7 yil ishlagan. Uning yozishicha, xalifa Ma\u02bcmun buyrug\u02bbiga binoan \u201eDonishmandlik uyi\u201cning olimlari ikki guruhga bo\u02bblinib,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Iroq\">Iroqning<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mosul\">Mosul<\/a>&nbsp;shahri g\u02bbarbidagi Sanjar sahrosida gradus o\u02bblchash usuli asosida Yer kattaligini aniqlashga kirishishgan, bunda Xolid al-Marvaridiy bir guruhga, Abu ibn Iso as Asturlobiy ikkinchi guruhga rahbarlik qilgan. Har qaysi guruh o\u02bbzi o\u02bblchab topgan natijalar bo\u02bbyicha bir gradus meridian yoyning uzunligini hisoblagan. Birinchi guruhdagilarning hisoblashicha, bir gradus meridian yoyning uzunligi 111,815 kilometrga teng chiqqan, ikkinchi guruh topgan qiymat 1315 metr kam bo\u02bblgan. Beruniy natijalar o\u02bbrtasidagi bu tafovutning sababi ikki xil o\u02bblchashda, deydi va o\u02bbzi bu natijalarni tekshirib ko\u02bbrishga qiziqib, gradus o\u02bblchash ishlarini olib bormoqchi bo\u02bbladi. Buning uchun u Dehiston dashtini (<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kaspiy_dengizi\">Kaspiy dengizining<\/a>&nbsp;janubi-sharqiy qismi) tanlagan, lekin yordamchisi va yetarli mablag\u02bbi yo\u02bbqligi uchun bu ishni amalga oshira olmagan. Yer o\u02bblchamini gradus o\u02bblchovi usuli bilan aniqlash uchun ma\u02bclum kenglikda tekis joy kerak bo\u02bbladi va bu yerda bir necha o\u02bbn kilometr aniq o\u02bblchanishi lozim. Bu ish ko\u02bbp vaqt, katta mablag\u02bb va puxta tayyorgarlik talab qilardi. Bu haqda Beruniy: \u201eYer aylanasi uzunligini sahroni kezib yurmasdan quyidagicha aniqlash mumkin. Buning uchun dengiz sohilidagi yoki tekis joyda qad ko\u02bbtarib turgan baland toqqa ko\u02bbtarilib quyosh chiqishi yoki botishi oldidan quyosh gardishining yarmi ufq orasida bo\u02bblgan vaqtda doirali armillyar asbob bilan uning pasayish burchagi o\u02bblchanadi\u201c deydi. Ufq pasayishini o\u02bblchash usulini chizma va formulalar yordamida tushuntiradi. Bunda, tog\u02bb tepasida quyosh chiqishi yoki botishiga qarab ko\u02bbrish nurining tog\u02bb tepasidan o\u02bbtgan gorizontal chiziq bilan hosil qilgan burchak o\u02bblchanadi.<\/p>\n\n\n\n<p>Abu Rayhon Beruniy Yerning kattaligini o\u02bblchashda yangi usul qo\u02bbllab, bir gradus meridian yoyning uzunligi 111,16 kilometr ekanligini hisoblab chiqargan. Beruniy Yerning radusini o\u02bbsha davr uchun aniq o\u02bblchab bergan. U Yerning meridian aylanasining uzunligini 40183 kilometr ekanligini hisoblab chiqargan. Sulton Mahmud G\u02bbaznaviy Hindistonga qilgan safarining birida Beruniyni ham birga olib ketadi, yo\u02bblda sharqiy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Pokiston\">Pokistonning<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mo%CA%BBlton\">Mo\u02bblton<\/a>&nbsp;shahrida vaqtincha istiqomat qilishga to\u02bbg\u02bbri keladi. U o\u02bbzga yurtda bo\u02bblishiga qaramay, fursatdan foydalangan holda Mo\u02bbltondan 400 kilometr g\u02bbarbdagi Nandna qo\u02bbrg\u02bbonida Yer kurrasi o\u02bblchamini aniqlashga kirishadi, avval shu joyning geografik kengligini o\u02bblchab 320001 ga teng ekanligini aniqlaydi. So\u02bbngra ufqning pasayish burchagini o\u02bblchaydi. Bu haqda olimning o\u02bbzi quyidagicha yozadi:&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hindiston\">\u201eHindiston<\/a>&nbsp;yeridagi Nandna qo\u02bbrg\u02bbonida istiqomat qilishimga to\u02bbg\u02bbri keldi. Qo\u02bbrg\u02bbonning g\u02bbarb tomonida baland tog\u02bb, janubiy tomonida esa keng sahroni ko\u02bbrdim va shu on (ufq pasayishini o\u02bblchash usulini) sinab ko\u02bbrishga kirishdim. Tog\u02bb tepasidan turib yerning lojuvard rangdagi osmon bilan tutashganini yaqqol ko\u02bbrdim. Qarash chizig\u02bbi vertikalga perpendikulyar bo\u02bblgan chiziqdan 00 341 pasaydi. Perpendikulyar bo\u02bblgan tog\u02bb balandligini o\u02bblchadim, u shu yerda qo\u02bbllanadigan o\u02bblchovda 652,055 cho\u02bbzim (gaz)ga teng keldi\u201c.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Beruniyning &#171;Al asar al-baqiya&#187; asaridan, 16 asr qulyozmasi<\/strong><\/p>\n\n\n\n<p>Beruniy o\u02bblchab topgan qiymatlar bo\u02bbyicha o\u02bbziga xos usul bilan Yer kurrasi radiusining uzunligi 12803337,036 gazga teng ekanligini hisoblab chiqardi. Agar bir gaz 0,4933 metr ekanligini e\u02bctiborga olsak, Yer kurrasi radiusi uzunligi, Beruniy hisobicha, 6315,886 kilometr bo\u02bbladi. Bu raqam hozirgi vaqt\u00acda olingan qiymatdan juda kam farq qiladi, ya\u02bcni xatolik radius uzunligining 0,9 foizini tashkil etadi. So\u02bbngra Beruniy shu 320 001 kenglikdagi bir gradus meridian yoyning uzunligi 223550,329 gaz yoki 110,277 kilometr ekanini hisoblab chiqadi. Bu raqamni hozirgi davrda aniqlangan bir gradus yoyning qiymati 110,885 kilometr bilan taqqoslasak, bundan ming yil ilgari Beruniy bir gradus yoy uzunligini hisoblashda atigi 618 metr xato qilganligi ma\u02bclum bo\u02bbladi. Yer aylanasining uzunligini aniqlash, Beruniy aytganidek, sahrolarni kezib 10 yoy uzunligini aniqlashga nisbatan aniq va qulay. Shu bois, u trigonometrik usullardan foydalanib, tog\u02bb balandligini o\u02bblchashda avvalgi astronomlardan ham aniqroq natijaga erishgan. Yer aylanasining uzunligini topish haqida Beruniy bunday deydi: \u201eYer aylanasining uzunligini topish uchun hamma hollarda ham shu topilgan topilmani, ya\u02bcni radiusni ikkilantirib 22 ga ko\u02bbpaytir, hosil bo\u02bblgan ko\u02bbpaytmani 7 ga bo\u02bbl, shunda sen o\u02bblchagan birliklarda Yer aylanasining uzunligi kelib chiqadi\u201c.<\/p>\n\n\n\n<p>Beruniy aytgan amallarni bajarganda lq2pR ni aylana uzunligini hisoblash mumkin. Bunda 22G\u20197q3,14\u2026 ni ifodalaydi. Shunday qilib, Beruniy shaxsan o\u02bbzi bir qancha shaharlarning geografik kengliklarini hisobladi. Masalan,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazna\">G\u02bbaznaning<\/a>&nbsp;kengligi 330 351, Kandaniki 330 551, Dumpurniki 340 201. Uning hisoblashiga ko\u02bbra,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Buxoro\">Buxoro<\/a>&nbsp;shahrining kengligi 390 201 deb topilgan. Hozirgi kunda bu qiymat 390 461 dir. Demak, bu Beruniy hisobidan faqat 00 261ga farq qiladi. Xullas, buyuk bobomiz Abu Rayhon Beruniyning ilmiy va madaniy merosini o\u02bbrganish, uni o\u02bbquvchi va talabalarga yetkazish azaliy qadriyatlarimiz sirasiga kiradi. Abu Rayhon Muhammad ibn Ahmad Beruniy o\u02bbrta asrlarning buyuk qomusiy olimlaridan edi. Uning buyukligi o\u02bbsha davrning deyarli barcha fanlariga qo\u02bbshgan betakror ilmiy merosida namoyon bo\u02bbladi. Beruniyning olimlilik salohiyatiga mashhur sharqshunos olim I.Yu.Krachkovskiy \u201euning qiziqqon ilm sohalaridan ko\u02bbra qiziqmagan sohalarini sanab o\u02bbtish osondir\u201c deb baho bergan edi. G\u02bbarb tadqiqodchilaridan M.Meyerxoff esa \u201eBeruniy musulmon fanini namoyish etuvchi qomusiy olimlarning eng mashhuri bo\u02bblishi kerak\u201c degan fikrni bildiradi. &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"225\" height=\"225\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-142.png\" alt=\"\" class=\"wp-image-243\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-142.png 225w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-142-150x150.png 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Beruniy etnograf va antropolog<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Al-Beruniy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hindiston_yarim_oroli\">Hindiston yarim orolidagi<\/a>&nbsp;xalqlar, urf-odatlar va dinlar to\u02bbg\u02bbrisida ilmiy asar yozgan. Olim Akbar S. Ahmadning so\u02bbzlariga ko\u02bbra, zamonaviy antropologlar singari, u ham ma\u02bclum bir guruh odamlar bilan keng ishtirokchilarni kuzatishda qatnashgan, ularning tillarini o\u02bbrgangan va ularning asosiy matnlarini o\u02bbrgangan, o\u02bbz xulosalarini madaniy taqqoslashlar yordamida xolislik va betaraflik bilan taqdim etgan. Axbar S. Ahmad Al-Beruniyni birinchi antropolog deb hisoblash mumkin, degan xulosaga kelgan.<\/p>\n\n\n\n<p>Beruniy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazmda<\/a>&nbsp;1000-yilga yaqin yozilgan \u201eQadimiy xalqlardan qolgan yodgorliklar\u201c asarida Xorazmning turkiy aholisi foydalangan yillarning turkiy nomlarini beradi. Xuddi shu asarida u oy nomlarini turkchada beradi: ulug\u02bb-oy, kichik-oy, birinchi-oy, ikkinchi-oy, uchinchi-oy, to\u02bbrtinchi-oy, beshinchi-oy, oltinchi-oy, yetinchi-oy, sakkizinchi-oy, to\u02bbqqizinchi-oy, o\u02bbninchi-oy.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Ba\u02bczi asarlarining yaratilish tarixi<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Beruniy tibbiyotga bag\u02bbishlangan \u201eSaydana\u201c asarida mingdan ortiq dorivor moddalar nomini 30 tilda yozib chiqqan. Xorazmdagi siyosiy vaziyatni o\u02bbzgarishi natijasida Beruniy 998-yili Jo\u02bbrjon shahriga ketishga majbur bo\u02bbladi. U bu davrga qadar&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Kat<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ray\">Ray<\/a>&nbsp;shaharlarida o\u02bbzining dastlabki ilmiy izlanishlarini boshlab yuborgan edi. Jurjonda kechgan yillar (998\u20141004-yillar) Beruniy uchun yirik izlanishlar va ijodiy kamolot davri bo\u02bbldi. O\u02bbzining ilk astronomik tajribalarni 16 yoshida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Beruniy_(shahar)\">Kat<\/a>&nbsp;shahrida boshlagan alloma, Jo\u02bbrjonda nafaqat astronomiya va boshqa tabiiy fanlar bilan shug\u02bbullandi, balki tarix va din tarixi bilan ham qiziqdi. Olimning muhim asarlaridan biri&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qadimgi_xalqlardan_qolgan_yodgorliklar\">\u201eQadimgi xalqlardan qolgan yodgorliklar\u201c<\/a>&nbsp;uning Jurjon saroyida xizmat qilgan davrida yaratiladi. 1000-yili tugallagan bu asar muallifning ko\u02bbp qirrali olim ekanini namoyish etdi va unga katta shuhrat keltirdi. Umuman, Beruniy Jo\u02bbrjonda 10 dan ortiq asrlarini bitishga muyassar bo\u02bbldi. Xorazmning yangi hukmdori Abu Abbos Ma\u02bcmun ibn Ma\u02bcmun Beruniyni o\u02bbz saroyida katta izzat-hurmat bilan qabul qiladi. Ma\u02bcmun rahnamoligida vujudga kelgan ilmiy markazda faoliyat ko\u02bbrsatish bilan birga siyosiy jarayonlarda ham Xorazmshohning yaqin maslahatchisiga aylanadi. Xorazmning Mahmud G\u02bbaznaviy tomonidan bosib olinishi Beruniy hayotini xavf ostiga qo\u02bbydi. U Xorazmshoh saroyidagi aksariyat olimlar, jumladan, ustozi Abu Nasr ibn Iroq, Abul-Xayr Hammar va boshqalar bilan birga G\u02bbazna shahriga olib ketiladi. Ma\u02bclumki, Xorazm ilmiy mazkazidagi olimlardan faqat Ibn Sino va Abu Sahl Masihiylar Mahmud G\u02bbaznaviy zulmidan havotirlanib, G\u02bbaznaga emas, Jo\u02bbrjonga qarab yo\u02bbl olgan edilar. Beruniyning 1017\u20141048-yillarda G\u02bbaznada kechirgan hayoti moddiy va siyosiy jihatdan mashaqqatli bo\u02bblishiga qaramasdan, uning ilmiy faoliyati uchun mahsuldor davr bo\u02bbldi. U Mahmud G\u02bbaznaviy saroyida kechgan dastlabki yillarda astronomiya va geodeziya masalalariga katta e\u02bctibor berdi.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"195\" height=\"259\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-143.png\" alt=\"\" class=\"wp-image-244\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"300\" height=\"168\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-144.png\" alt=\"\" class=\"wp-image-245\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Yerning aylana uzunligini o\u02bblchash<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Muallifning ilmiy adabiyotlarda qisqacha \u201eGeodeziya\u201c deb yuritiladigan \u201eTurar joylar orasidagi masofani tekshirish uchun joylarning oxirgi chegaralarni aniqlash\u201c nomli astronomiya va geografiyaga bag\u02bbishlangan asari 1025-yilda yozib tugatildi. Beruniyning \u201eMunajjimlik san\u02bcatidan boshlang\u02bbich tushunchalar\u201c asari ham 1029-yilda G\u02bbaznada yoziladi. Oradan bir yil o\u02bbtgandan so\u02bbng u o\u02bbzining \u201eHindiston\u201c nomi bilan tanilgan \u201eHindlarning aqlga sig\u02bbadigan va sig\u02bbmaydigan ta\u02bclimotlarini aniqlash\u201c kitobini yakunlaydi. Bunda Beruniy hozirgi Amerika qit\u02bcasini mavjudligini&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xristofor_Kolumb\">Kolumbdan<\/a>&nbsp;bir necha asr avval ilmiy asoslab bergan. Bu shoh asarning vujudga kelishiga Mahmud G\u02bbaznavining Hindistonga yurishlari sabab bo\u02bbldi. Saroyning eng nufuzli astrologlaridan sanalgan Beruniy Mahmud G\u02bbaznaviy bilan Hindistonda bir muddat istiqomat qiladi va u yerda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sanskrit\">sanskrit tilini<\/a>&nbsp;mukammal egallashga muvoffaq bo\u02bbladi. U bu til yordamida hindlarning tarixi, urf-odati madaniyati va fani bilan yaqindan tanishadi va natijada yuqoridagi asarni taklif etadi. 1030-yili Mahmud G\u02bbaznaviy vafot etib taxtga uning o\u02bbg\u02bbli Mas\u02bcudning o\u02bbtirishi Beruniyning ahvolini ancha yaxshilaydi. Olim o\u02bbzining astronomiyaga oid eng yirik asarini mazkur hukumdorga bag\u02bbishlab \u201eMas\u02bcud qonuni\u201c deb ataydi. o\u02bbrta asrning mashhur olimlaridan Yoqut Al-Xamaviyning yozishiga ko\u02bbra, Sulton Mas\u02bcud bu asar uchun Beruniyga bir filga ortilgan katta miqdordagi kumush tangalar hadiya etadi. Yoqut Al-Xamaviyning fikricha \u201eMas\u02bcud qonuni\u201c kitobi matematika va astronomiya bo\u02bbyicha ungacha yozilgan barcha kitoblarning izini o\u02bbchirib yuborgan.<\/p>\n\n\n\n<p>Olim Sulton Mas\u02bcudning o\u02bbg\u02bbli Mavdudning hukumronlik yillarida (1041\u20141049) o\u02bbzining \u201eMineralogiya\u201c va \u201eFarmakognoziya\u201c deb atalgan ikki asarini yozadi. Ularning har biri mazkur sohalardagi betakror asarlardan bo\u02bblib, jahon madaniyatiing noyob durdonalaridan hisoblanadi. Abu Rayxon Beruniy 1048-yili G\u02bbaznada vafot etadi. Olim yozib qoldirgan 150 ga yaqin asarlari bilan astronomiya, astrologiya, matematika, geodeziya, geologiya, mineralogiya, geografiya, arifmetika, tabobat, farmokognoziya, tarix, filologiya va boshqa fanlarning rivojiga noyob xissa qo\u02bbsha oldi. Beruniyning betakror ijodi uning vatani O\u02bbzbekistonda alohida e\u02bctibor qozongan.<\/p>\n\n\n\n<p>Qarilik chog\u2019ida ko\u2019z nuridan ayriladi, lekin hayotining so\u2019nggi daqiqalarigacha hayot \u201cmexanizmi\u201d tetik ruhdadir, degan. Erga 1048 yil &nbsp;11 dekabrida G&#8217;azna shahrida qo\u2019yilgan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"372\" height=\"207\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-145.png\" alt=\"\" class=\"wp-image-246\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-145.png 372w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/02\/image-145-300x167.png 300w\" sizes=\"(max-width: 372px) 100vw, 372px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>XOTIRA<\/strong><\/p>\n\n\n\n<ul>\n<li>2009 yil iyun oyida Eron hukumati tomonidan Venadagi Birlashgan Millatlar Tashkilotining bo\u2019limiga hozirda Vena xalqaro markazi Memorial maydonidan joy olgan Fors olimlari pavilonini tortiq etadi. Fors olimlari paviloni o\u2019z ichiga to\u2019rt mashhur olimlarni olgan: Avitsenna, Beruniy, Zokiriy Roziy (Reyz hamda Umar Xayyom).<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Al Beruniyning ona shahri 1957 yil uning sharafiga Beruniy nomini olgan.<\/li>\n\n\n\n<li>1973 yil akademik I.M.Mo\u2019minov tomonidan O\u2019zbekistonda Abu Rayhon Beruniy tavalludining 1000 yilligi munosabati bilan tadbirlar o\u2019tkazilgan.<\/li>\n\n\n\n<li>Toshkentdagi Sharqshunoslik ilmiy-tekshirish instituti Abu Rayhon Beruniy nomini olgan.<\/li>\n\n\n\n<li>Toshkentdagi Beruniy metro stantsiyasi.<\/li>\n\n\n\n<li>Toshkent hamda Xorazmdagi Beruniy haykallari.<\/li>\n\n\n\n<li>Toshkent texnika universitetiga ham Beruniy nomi berilgan.<\/li>\n\n\n\n<li>Al Beruniy oy vulqoni hamda asteroid 9936 Al Beruniy ham olim sharafiga nomlangan.<\/li>\n\n\n\n<li>&nbsp;Taniqli olim S.P.Tolstov o\u2019zining \u201cQadimiy Xorazm sivilizatsiyasi izidan\u201d nomli monografiyasini xorazmlik Abu Rayhon al Beruniyga bag\u2019ishlagan.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\"><strong>ADABIYOTLAR&nbsp;&nbsp;&nbsp;&nbsp; RO\u2019YXATI<\/strong><\/p>\n\n\n\n<ul>\n<li>\u0421\u0430\u0438\u0434\u043e\u0432, A. A\u0431\u0443 \u0420\u0430\u0439\u0445\u0430\u043d \u0411\u0435\u0440\u0443\u043d\u0438 \u2013 \u0432\u0435\u043b\u0438\u043a\u0438\u0439 \u0443\u0447\u0451\u043d\u044b\u0439 &#8212; \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u0441\u0442 \u044d\u043f\u043e\u0445\u0438 \u043f\u0435\u0440\u0432\u043e\u0433\u043e \u0420\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430 : [o \u043f\u0440\u0430\u0437\u0434\u043d\u043e\u0432\u0430\u043d\u0438\u0438 \u0432 2022-2023 \u0433\u043e\u0434\u0430\u0445 \u0432 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u043c  \u043c\u0430\u0441\u0448\u0442\u0430\u0431\u0435 1050-\u043b\u0435\u0442\u0438\u0435 \u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u0430\u043d\u0430 \u0411\u0435\u0440\u0443\u043d\u0438] \/ \u0410. \u0421\u0430\u0438\u0434\u043e\u0432 \/\/ \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e. \u2013 2022. \u2013 17 \u043d\u043e\u044f\u0431.<\/li>\n\n\n\n<li>\u0411\u0443\u044e\u043a \u043c\u0443\u0442\u0430\u0444\u0430\u043a\u043a\u0438\u0440 \u0432\u0430 \u049b\u043e\u043c\u0443\u0441\u0438\u0439 \u043e\u043b\u0438\u043c \u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u0411\u0435\u0440\u0443\u043d\u0438\u0439 \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 1050 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u043d\u0438 \u0445\u0430\u043b\u049b\u0430\u0440\u043e \u043c\u0438\u049b\u0451\u0441\u0434\u0430 \u043a\u0435\u043d\u0433 \u043d\u0438\u0448\u043e\u043d\u043b\u0430\u0448 \u0442\u045e\u0493\u0440\u0438\u0441\u0438\u0434\u0430 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0441\u0438 \u041f\u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0442\u0438\u043d\u0438\u043d\u0433 2022 \u0439\u0438\u043b 25 \u0430\u0432\u0433\u0443\u0441\u0442\u0434\u0430\u0433\u0438 \u049a\u0430\u0440\u043e\u0440\u0438 \/\/ \u0425\u0430\u043b\u049b \u0441\u045e\u0437\u0438. &#8212; 2022. &#8212; 26 \u0430\u0432\u0433.<\/li>\n\n\n\n<li>Ma\u0434\u0440\u0430\u0445\u0438\u043c\u043e\u0432\u0430, M. \u0410\u0441\u0440\u043b\u0430\u0440 \u049b\u0430\u044a\u0440\u0438\u0434\u0430\u043d \u043d\u0443\u0440 \u0441\u043e\u0447\u0433\u0430\u043d \u0434\u0430\u04b3\u043e : [\u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u0411\u0435\u0440\u0443\u043d\u0438\u0439 \u0430\u0441\u0430\u0440\u043b\u0430\u0440\u0438\u0434\u0430 \u0438\u043b\u0433\u0430\u0440\u0438 \u0441\u0443\u0440\u0438\u043b\u0433\u0430\u043d \u0438\u043b\u043c\u0438\u0439 \u0493\u043e\u044f\u043b\u0430\u0440 \u04b3\u043e\u0437\u0438\u0440\u0433\u0438 \u043a\u0443\u043d\u0434\u0430 \u04b3\u0430\u043c \u043e\u043b\u0438\u043c\u043b\u0430\u0440 \u0443\u0447\u0443\u043d \u045e\u0437\u0438\u0433\u0430 \u0445\u043e\u0441 \u0431\u0438\u0440 \u043c\u0430\u0451\u049b \u0432\u0430\u0437\u0438\u0444\u0430\u0441\u0438\u043d\u0438 \u045e\u0442\u0430\u0451\u0442\u0433\u0430\u043d\u043b\u0438\u0433\u0438 \u0442\u045e\u0493\u0440\u0438\u0441\u0438\u0434\u0430] \/ M. Ma\u0434\u0440\u0430\u0445\u0438\u043c\u043e\u0432\u0430 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. &#8212; 2022. \u2013 3 \u0434\u0435\u043a.&nbsp;&nbsp;<\/li>\n\n\n\n<li>A\u0431\u0443 \u0420\u0430\u0439\u0445\u0430\u043d \u0411\u0435\u0440\u0443\u043d\u0438. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f. &#8212; Ta\u0448\u043a\u0435\u043d\u0442, A\u041d \u0423\u0437 \u0421\u0421\u0420. &#8212; 1957, &#8212; 87-89 \u0441.<\/li>\n\n\n\n<li>\u0411\u0443\u044e\u043a \u044e\u0440\u0442 \u0430\u043b\u043b\u043e\u043c\u0430\u043b\u0430\u0440\u0438 [M\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/ \u0422\u0443\u0437\u0443\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u0423. \u0423\u0432\u0430\u0442\u043e\u0432 ; \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0445\u0430\u043b\u049b\u0430\u0440\u043e \u0438\u0441\u043b\u043e\u043c \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0441\u0438, \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0443\u0441\u0443\u043b\u043c\u043e\u043d\u043b\u0430\u0440\u0438 \u0438\u0434\u043e\u0440\u0430\u0441\u0438, \u0418\u043c\u043e\u043c \u0422\u0435\u0440\u043c\u0438\u0437\u0438\u0439 \u0445\u0430\u043b\u049b\u0430\u0440\u043e \u0438\u043b\u043c\u0438\u0439-\u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442 \u043c\u0430\u0440\u043a\u0430\u0437\u0438. \u0423\u0447\u0438\u043d\u0447\u0438 \u043d\u0430\u0448\u0440\u0438. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201cO\u2019zbekiston\u201d \u041dM\u0418\u0423, 2020. \u2013 424 \u0431.<\/li>\n\n\n\n<li>&nbsp;M\u0443\u0445\u0430\u043c\u043c\u0430\u0434\u0438\u0435\u0432\u0430, \u0411. \u0418\u043b\u043a \u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441 \u0434\u0430\u0432\u0440\u0438\u043d\u0438\u043d\u0433 \u0451\u0440\u049b\u0438\u043d \u043d\u0430\u043c\u043e\u0451\u043d\u0434\u0430\u0441\u0438 : [\u0431\u0443\u044e\u043a \u043c\u0443\u0442\u0430\u0444\u0430\u043a\u043a\u0438\u0440 \u0432\u0430 \u049b\u043e\u043c\u0443\u0441\u0438\u0439 \u043e\u043b\u0438\u043c \u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u04b3\u0430\u0451\u0442\u0438 \u0432\u0430 \u0444\u0430\u043e\u043b\u0438\u044f\u0442\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430] \/ \u0411. M\u0443\u0445\u0430\u043c\u043c\u0430\u0434\u0438\u0435\u0432\u0430 \/\/ Ma\u0434\u0430\u043d\u0438\u044f\u0442. \u2013 2022. \u2013 1\u0441\u0435\u043d\u0442.<\/li>\n\n\n\n<li>\u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432, \u042f. \u0411\u0443\u044e\u043a \u0445\u0430\u043b\u049b\u043d\u0438\u043d\u0433 \u0431\u0443\u044e\u043a \u043e\u043b\u0438\u043c\u0438 : [\u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u0411\u0435\u0440\u0443\u043d\u0438\u0439 \u0438\u043b\u043c\u0438\u0439 \u043c\u0435\u0440\u043e\u0441\u0438 \u0445\u0443\u0441\u0443\u0441\u0438\u0434\u0430\u0433\u0438 \u043c\u0430\u043d\u0431\u0430\u043b\u0430\u0440 \u04b3\u0430\u049b\u0438\u0434\u0430] \/ \u042f. \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2022. \u2013 30 \u0441\u0435\u043d\u0442. \u2013 \u0411. 6.<\/li>\n\n\n\n<li>Ma\u2019naviyat yulduzlari [Matn] : to&#8217;plam \/ muharrir F. Hasanov. \u2013 Toshkent : O\u2019zbekiston milliy ensiklopediyasi, 2011, 368 b.<\/li>\n\n\n\n<li>\u0424\u0451\u0434\u043e\u0440\u043e\u0432, M. A\u0431\u0443 \u0420\u0430\u0439\u0445\u0430\u043d [\u0422\u0435\u043a\u0441\u0442] :  \u043d\u043e\u0432\u0435\u0435\u043b\u043b\u044b \u043e \u0411\u0435\u0440\u0443\u043d\u0438 \/ \u041c. \u0424\u0451\u0434\u043e\u0440\u043e\u0432. &#8212; T\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u201c\u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f\u201d, 1974. \u2013 174 \u0441.<\/li>\n\n\n\n<li>\u049a\u0430\u044e\u043c\u043e\u0432, A. A\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u0411\u0435\u0440\u0443\u043d\u0438\u0439, A\u0431\u0443 \u0410\u043b\u0438 \u0418\u0431\u043d \u0421\u0438\u043d\u043e [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0410. \u049a\u0430\u044e\u043c\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f\u201d, 1987. \u2013 240 \u0431.<\/li>\n\n\n\n<li>\u0411\u0443\u044e\u043a \u0441\u0438\u0439\u043c\u043e\u043b\u0430\u0440, \u0430\u043b\u043b\u043e\u043c\u0430\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/ \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u041c. \u0425\u0430\u0439\u0440\u0443\u043b\u043b\u0430\u0435\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : A. \u049a\u043e\u0434\u0438\u0440\u0438\u0439 \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0445\u0430\u043b\u049b \u043c\u0435\u0440\u043e\u0441\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1995. \u2013 104 \u0431.<\/li>\n\n\n\n<li>A\u0431\u0434\u0443\u04b3\u0430\u043b\u0438\u043c\u043e\u0432, \u0411. \u0411\u0435\u0440\u0443\u043d\u0438\u0439 \u0434\u0430\u04b3\u043e\u0441\u0438\u0433\u0430 \u044e\u043a\u0441\u0430\u043a \u044d\u04b3\u0442\u0438\u0440\u043e\u043c :[\u041f\u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0442\u0438\u043c\u0438\u0437\u043d\u0438\u043d\u0433 \u201c\u0411\u0443\u044e\u043a \u043c\u0443\u0442\u0430\u0444\u0430\u043a\u043a\u0438\u0440 \u0432\u0430 \u049b\u043e\u043c\u0443\u0441\u0438\u0439 \u043e\u043b\u0438\u043c \u0410\u0431\u0443 \u0420\u0430\u0439\u0445\u043e\u043d \u0411\u0435\u0440\u0443\u043d\u0438\u0439 \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 1050 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u043d\u0438 \u0445\u0430\u043b\u049b\u0430\u0440\u043e \u043c\u0438\u049b\u0451\u0441\u0434\u0430 \u043a\u0435\u043d\u0433 \u043d\u0438\u0448\u043e\u043d\u043b\u0430\u0448 \u0442\u045e\u0493\u0440\u0438\u0441\u0438\u0434\u0430&#187;\u0433\u0438 \u0442\u0430\u0440\u0438\u0445\u0438\u0439 \u049b\u0430\u0440\u043e\u0440\u0438 \u0445\u0443\u0441\u0443\u0441\u0438\u0434\u0430] \/ \u0411. A\u0431\u0434\u0443\u04b3\u0430\u043b\u0438\u043c\u043e\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2022. \u2013 1 \u0441\u0435\u043d\u0442. \u2013 \u0411. 6.<\/li>\n\n\n\n<li>\u0411\u0435\u043a\u043e\u0432\u0430, \u041d. \u0411\u0443\u044e\u043a\u043b\u0430\u0440 \u04b3\u0430\u0451\u0442\u0438 &#8212; \u0438\u0431\u0440\u0430\u0442 \u043c\u0430\u043a\u0442\u0430\u0431\u0438 : [\u0438\u043b\u043a \u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441 \u0434\u0430\u0432\u0440\u0438 \u0451\u0440\u049b\u0438\u043d \u043d\u0430\u043c\u043e\u0451\u043d\u0434\u0430\u0441\u0438\u043d\u0438\u043d\u0433 \u0438\u043b\u043c\u0438\u0439-\u043c\u0430\u044a\u0440\u0438\u0444\u0438\u0439 \u043c\u0435\u0440\u043e\u0441\u0438\u043d\u0438 \u044f\u043d\u0430\u0434\u0430 \u0447\u0443\u049b\u0443\u0440 \u045e\u0440\u0433\u0430\u043d\u0438\u0448, \u0442\u0430\u0440\u0493\u0438\u0431 \u049b\u0438\u043b\u0438\u0448 \u04b3\u0430\u049b\u0438\u0434\u0430] \/ \u041d. \u0411\u0435\u043a\u043e\u0432\u0430 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2022. \u2013 16 \u0441\u0435\u043d\u0442. \u2013 \u0411. 6.<\/li>\n\n\n\n<li><\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cIkki dil farzandi\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">(O\u2019zbekistonda xizmat ko\u2019rsatgan san\u2019at arbobi, shoir,dramaturg,pedagog &nbsp;<strong>Maqsud Shayxzoda<\/strong> (1908-1967)<\/p>\n\n\n\n<p class=\"has-text-align-center\">tavalludining <strong>115 yilligiga<\/strong> bag\u2019ishlanadi)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"335\" height=\"308\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-29.png\" alt=\"\" class=\"wp-image-797\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-29.png 335w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-29-300x276.png 300w\" sizes=\"(max-width: 335px) 100vw, 335px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Bibliografik sharh<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2023<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<strong>Maqsud Maqsumbek o\u02bbg\u02bbli Shayxzoda (Maqsud Shayxzoda)<\/strong>&nbsp;(<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1908\">1908<\/a>.25.10 (7.11),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ozarbayjon_Respublikasi\">Ozarbayjon Respublikasi<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ganja_viloyati&amp;action=edit&amp;redlink=1\">Ganja viloyati<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Oqtosh\">Oqtosh sh<\/a>.&nbsp;\u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1967\">1967<\/a>.19.2,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a>)&nbsp;\u2014 shoir, dramaturg, adabiyotshunos, tarjimon, pedagog.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston\">O\u02bbzbekistonda<\/a>&nbsp;xizmat ko\u02bbrsatgan san\u02bcat arbobi (1964).&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Boku\">Bokudagi<\/a>&nbsp;doril-mualliminni tugatgan (1925). Dastlab&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Darband\">Darbanddagi<\/a>&nbsp;l-bosqich ozarbayjon maktabida,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bo%CA%BBynoq&amp;action=edit&amp;redlink=1\">Bo\u02bbynoqdagi<\/a>&nbsp;ta\u02bclim va tarbiya texnikumida o\u02bbqituvchi bo\u02bblib ishlagan. 1927-yilda aksilinqilobiy tashkilot a\u02bczosi sifatida hibsga olinib, 1928-yil fevralda Toshkentga surgun qilingan. Sh. O\u02bbrta Osiyo universitetining Sharq ftida qisqa muddat o\u02bbqigani (1928)dan keyin \u201eSharq haqiqati\u201c (1929\u201432), \u02bb\u02bbQizil O\u02bbzbekiston\u02bc\u2019, \u02bb\u02bbYosh leninchi\u2019\u2019 gaz.lari (1932), \u201eGuliston\u201c jur. (1933\u201434) tahririyatlarida xizmat qilgan. 1933-yil Bokudagi ped. institutining barcha kurslari uchun imtihon topshirib, Fan qo\u02bbmitasi qoshidagi aspiranturaga o\u02bbqishga kirgan (1934). Ayni paytda Til va adabiyot institutida ilmiy xodim bo\u02bblib ishlagan (1935\u201438). 1938-yildan umrining oxiriga qadar dastlab kechki, so\u02bbngra kunduzgi ped. Intlarida o\u02bbzbek adabiyoti tarixidan ma\u02bcruza o\u02bbqigan.<\/p>\n\n\n\n<p>Dastlabki she\u02bcriy to\u02bbplami&nbsp;\u2014 \u201eLoyiq soqchi\u201c (1933). Shundan keyin shahrining \u201eO\u02bbn she\u02bcr\u201c (1932), \u201eUndoshlarim\u201c (1933), \u201eUchinchi kitob\u201c (1934), \u201eJumhuriyat\u201c (1935), \u201eO\u02bbn ikki\u201c, \u201eYangi devon\u201c (1937), \u201eSaylov qo\u02bbshiqlari\u201c (1938), \u201eKurash nechun?\u201c (1942), \u201eJang va qo\u02bbshiq\u201c, \u201eKo\u02bbngil deydiki\u2026\u201c (1943), \u201eO\u02bbn besh yilning daftari\u201c (1947), \u201eYurt she\u02bcrlari\u201c (1948), \u201eZamon torlari\u201c, \u201eOlqishlarim\u201c (1949), \u201eYillar va yo\u02bbllar\u201c (1961), \u201eShe\u02bcrlar\u201c (1964) va boshqa she\u02bcriy to\u02bbplamlari nashr etilgan. shahrining dastlabki ijodida va qisman 50y.lardagi ayrim she\u02bcrlarida ozarbayjon she\u02bcriyatiga xos ohanglar, minbar she\u02bcriyat belgilari ustuvorlik qilgan. Ammo Sh. o\u02bbzbek mumtoz va zamonaviy she\u02bcriyatining tili va uslubini egallagani sayin uning she\u02bcrlarida o\u02bbzbekona musiqiy ravonlik kuchaya bordi. Sh. voqelikka faol munosabatda bo\u02bblishga intilib, xalq va mamlakat hayotida ro\u02bby bergan muhim voqealarni tasvirlashga, mehnat va kurash qahramonlari obrazini yaratishga alohida e\u02bctibor berdi. U shu maqsadda doston janriga qo\u02bbl urib, \u201eO\u02bbrtoq mulk\u201c (1933), \u201eChirog\u02bb\u201c, \u201eO\u02bbrtoq\u201c, \u201eMeros\u201c, \u201eTuproq va haq\u201c (1936), \u201eOvchi qissasi\u201c, \u201eIskandar Zulqarnayn\u201c (1940), \u201eO\u02bbn birlar\u201c, \u201eJenya\u201c, \u201eOqsoqol\u201c (1943), \u201eAxmadjonning hikmatlari\u201c, \u201eUchinchi o\u02bbg\u02bbil\u201c (1944), \u201eNurmat otaning tushi\u201c (1947) singari liroepik asarlar yozdi. Shoirning 30\u201440y.lardagi she\u02bcriyatiga ham, keyingi ijodiga ham xos muhim fazilatlardan biri syujetlilikdir. Sh. lirik syujet yaratishga moyil shoir sifatida xalq afsonalari va tarixiy o\u02bbtmish sahifalariga, shuningdek, zamondoshlari hayotiga murojaat etib, o\u02bbz she\u02bcrlariga balladaga xos poetik belgilar va turli poetik tafsillarni olib kirgan, so\u02bbzning she\u02bcriy qurilmadagi mavqeini oshirish choralarini ko\u02bbrgan. Shu bilan birga Sh. krfiyaning yangi badiiy imkoniyatlarini kashf etib, o\u02bbzbek she\u02bcriyatiga yangi vazn va shakl ko\u02bbrinishlarini olib kirgan. Shoir ijodiga xos bu tamoyil uning, ayniqsa, \u201eToshkentnoma\u201c (1958) lirik dostonida yorqin ifodasini topgan.<\/p>\n\n\n\n<p>Shayxzoda Ikkinchi jahon urushi yillarida yozgan \u201eJaloliddin Manguberdi\u201c (1944) tragediyasida o\u02bbz yurtining ozodligi va mustaqilligi uchun mugul istilochilariga karshi kurashgan so\u02bbnggi Xorazm shohining jangovar jasoratini tarixan aniq va haqqoniy tasvirlagan. \u201eMirzo Ulug\u02bbbek\u201c (1961) tragediyasida Sh. bosh qahramon obrazini Amir Temur va temuriylar davrida o\u02bbzbek xalqi hayotida ro\u02bby bergan Uyg\u02bbonishning yorqin timsoli sifatida aks ettirgan. Shekspirona uslubda yozilgan bu asarda Sh. Ulug\u02bbbek hayotining sunggi 2 yilini tasvirlash orqali uning jahon fani tarixidan munosib o\u02bbrin egallagan mashhur olim, adolatparvar va haqiqatparvar davlat arbobi va ayni paytda saltanatning mutaassib kuchlari oldida ojiz bir inson bo\u02bblganini ham haqqoniy ko\u02bbrsatgan. Shekspirona ko\u02bblam va harorat bilan yozilgan \u201eMirzo Ulug\u02bbbek\u201c tragediyasining maydonga kelishi o\u02bbzbek dramaturgiyasi va teatri tarixida katta voqea bo\u02bbldi. Sh. ssenariysi asosida rejissor L. Fayziyev tomonidan yaratilgan \u201eUlug\u02bbbek yulduzi\u201c (1964) filmi esa keng xalq ommasiga ulug\u02bb o\u02bbzbek olimi va uning fojiali takdiri bilan yaqindan tanishish imkonini berdi.<\/p>\n\n\n\n<p>Shayxzoda she\u02bcriy ijodida, asosan, zamonaviy mavzularda kalam tebratdi, dramaturgiyasida esa, tarixiy utmishga teran nazar tashlab, undagi zamonaviy muammolarni yoritishga yordam beruvchi siymolar va voqealarga yangi badiiy hayot bag\u02bbishladi. U umrining sunggi yillarida Beruniy to\u02bbg\u02bbrisida sunggi sahna asarini yozdi.<\/p>\n\n\n\n<p>Shayxzoda, badiiy ijodning barcha tur va janrlarida asarlar yozibgina krlmay, adabiyotshunos va tanqidchi sifatida ham samarali ijod qilgan. 1941-yildayoq \u201eGenial shoir\u201c monografiyasini e\u02bclon qilgan Sh. umrining sunggi kunlariga qadar Navoiy hayoti va ijodi bilan muttasil shug\u02bbullanib keldi. U Navoiyning 500 yilligi munosabati bilan yozgan \u201eNavoiyning lirik qahramoni haqida\u201c (1948) maqolasidan keyin \u201eNavoiy lirikasining ba\u02bczi bir poetik usullari haqida\u201c (1959), \u201eUstodning san\u02bcatxonasida\u201c (3 qismli maqola, 1965\u201466), \u201eG\u02bbazal mulkining sultoni\u201c (1966), \u201eTazkirachilik tarixidan\u201c (1968) singari yirik ilmiy tadqiqotlar yaratib, navoiyshunoslik fanini yangi taraqqiyot bosqichiga olib chiqdi. Sh. adabiyotshunos va tanqidchi sifatida ham samarali qalam tebratib, o\u02bbzbek xalq og\u02bbzaki ijodining Fozil shoir singari namoyandalari, \u201eAlpomish\u201c, \u201eShirin bilan Shakar\u201c kabi asarlari, o\u02bbzbek mumtoz va zamonaviy adabiyotining Bobur, Muqimiy, Furqat, Oybek, G\u02bbafur G\u02bbulom, Hamid Olimjon, jahon adabiyotining Nizomiy Ganjaviy, Sh. Rustaveli, A.S. Pushkin, N.A. Nekrasov, A.N. Ostrovskiy, T.G. Shevchenko, A.P. Chexov singari namoyandalariga bag\u02bbishlangan asarlar yezdi. Pedagog olim va shoir sifatida esa talaygina shoir, adabiyotshunos va tankidchilar avlodining yetishib chiqishiga munosib hissa qo\u02bbshdi.<\/p>\n\n\n\n<p>Shayxzoda adabiy bilim doirasining kengayishi, ijodining mumtoz jahon yozuvchilari badiiy tajribasi bilan boyishida tarjima muxim rol o\u02bbynadi. U Sh. Rustavelining \u201eYo\u02bblbars terisini yopingan paxlavon\u201c (hamkorlikda) eposi, U. Shekspirning sonetlari, A.S. Pushkinning she\u02bcrlari, \u201eMis chavandoz\u201c dostoni, \u201eMotsart va Salyeri\u201c tragediyasi, M.Yu. Lermontovning she\u02bcrlari va \u201eKavkaz asiri\u201c dostonini, shuningdek, Nizomiy, Fuzuliy, Mirza Fatali Oxundov, Ezop, Esxil, Gyote, Bayron, Mayakovskiy, Nozim Hikmat va boshqa yozuvchilarning ayrim asarlarini o\u02bbzbek tiliga katta mahorat bilan tarjima qildi.<\/p>\n\n\n\n<p>Shayxzoda 1952-yilda ENKVD xodimlari tomonidan hibsga olinib, 25 yillik qamoq jazosiga hukm qilingan va 1954-yilda ozod etilgan.<\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Adabiyotlar ro\u2019txati<\/strong><\/p>\n\n\n\n<p>1.\u0428\u0430\u0439\u0445\u0437\u043e\u0434\u0430, \u041c\u0430\u049b\u0441\u0443\u0434.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041c\u0438\u0440\u0437\u043e \u0423\u043b\u0443\u0493\u0431\u0435\u043a [\u041c\u0430\u0442\u043d] : \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u044f \/ \u041c. \u0428\u0430\u0439\u0445\u0437\u043e\u0434\u0430. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438, 1994. \u2013 224&nbsp; \u0431.<\/p>\n\n\n\n<p>2.Maqsud Shayxzoda [Matn] : nasr va nazm \/ to\u2019plovchi va nashrga tayyorlovchi Ma\u2019mura Zohidova. \u2013 Toshkent : O\u2019zbekiston nashriyoti, 2022. \u2013 376 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu adabiyotning eng sara namunalaridan iborat \u201cTurkiy adabiyot durdonalari\u201d deb nomlangan 100 jildlik kitoblar ichdan Maqsud Shayxzoda&nbsp; hayoti va ijodi, uning adabiy faoliyati yoritilgan.<\/p>\n\n\n\n<p>3.\u041c\u0430\u049b\u0441\u0443\u0434 \u0428\u0430\u0439\u0445\u0437\u043e\u0434\u0430 \u0437\u0430\u043c\u043e\u043d\u0434\u043e\u0448\u043b\u0430\u0440\u0438 \u0445\u043e\u0442\u0438\u0440\u0430\u0441\u0438\u0434\u0430 \/ \u0422\u045e\u043f\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u041c. \u0417\u043e\u043a\u0438\u0440\u043e\u0432 \u0432\u0430 \u041e\u0442\u0430\u0451\u0440 \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1983. \u2013 200 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u0442\u045e\u043f\u043b\u0430\u043c \u045e\u0437\u0431\u0435\u043a \u0432\u0430 \u043e\u0437\u0430\u0440\u0431\u0430\u0439\u0436\u043e\u043d \u0445\u0430\u043b\u049b\u0438\u043d\u0438\u043d\u0433 \u0444\u0430\u0440\u0437\u0430\u043d\u0434\u0438, \u04b3\u0430\u0441\u0441\u043e\u0441 \u0448\u043e\u0438\u0440\u0438, \u043e\u043b\u0438\u043c\u0438 \u0432\u0430 \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438 \u041c\u0430\u049b\u0441\u0443\u0434 \u0428\u0430\u0439\u0445\u0437\u043e\u0434\u0430 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0451\u0437\u0438\u043b\u0433\u0430\u043d \u0434\u0438\u043b \u0441\u045e\u0437\u043b\u0430\u0440\u0438\u0434\u0430\u043d \u0434\u0430\u0441\u0442\u0430\u043b\u0430\u043d\u0434\u0438. \u0423\u043d\u0434\u0430\u0433\u0438 \u0445\u043e\u0442\u0438\u0440\u0430\u043b\u0430\u0440\u0434\u0430 \u045e\u0437\u0438\u0433\u0430 \u045e\u0442\u0430 \u0442\u0430\u043b\u0430\u0431\u0447\u0430\u043d, \u045e\u0437\u0433\u0430\u043b\u0430\u0440\u0433\u0430 \u043c\u0435\u04b3\u0440\u0438\u0431\u043e\u043d, \u04b3\u0430\u043c\u043a\u0430\u0441\u0431 \u0434\u045e\u0441\u0442\u043b\u0430\u0440\u0438, \u0448\u043e\u0433\u0438\u0440\u0434\u043b\u0430\u0440\u0438 \u044e\u0442\u0443\u0493\u0438\u0434\u0430\u043d \u0431\u0438\u0440 \u0434\u0443\u043d\u0451 \u049b\u0443\u0432\u043e\u043d\u0447 \u0442\u0443\u044e\u0432\u0447\u0438 \u0441\u0430\u043d\u044a\u0430\u0442\u043a\u043e\u0440\u043d\u0438\u043d\u0433 \u049b\u0443\u0432\u043e\u043d\u0447\u043b\u0438 \u0432\u0430 \u0442\u0430\u0448\u0432\u0438\u0448\u043b\u0438 \u043e\u043d\u043b\u0430\u0440\u0438, \u0438\u0436\u043e\u0434\u043a\u043e\u0440 \u049b\u0438\u0451\u0444\u0430\u0441\u0438 \u0433\u0430\u0432\u0434\u0430\u043b\u0430\u043d\u0430\u0434\u0438.<\/p>\n\n\n\n<p>3.\u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435, \u041c\u0430\u043a\u0441\u0443\u0434.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u042e\u0436\u043d\u044b\u0435 \u043d\u043e\u0447\u0438 [\u0422\u0435\u043a\u0441\u0442] : \u0421\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f, \u0431\u0430\u043b\u043b\u0430\u0434\u044b, \u043f\u043e\u044d\u043c\u044b, \u0434\u0440\u0430\u043c\u0430 \/ \u041c. \u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435 ; \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. \/ (\u0421\u043e\u0441\u0442 : \u0420\u0430\u0441\u0438\u043c \u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435). \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u0437\u0434-\u0432\u043e \u043b\u0438\u0442. \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1991. \u2013 448 \u0441.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412 \u043a\u043d\u0438\u0433\u0443 \u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0430 \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0439 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u041c\u0430\u043a\u0441\u0443\u0434\u0430 \u0428\u0435\u0439\u0445\u0437\u043e\u0434\u0435 (1908-1967) \u0432\u043e\u0448\u043b\u043e \u043b\u0443\u0447\u0448\u0435\u0435 \u0438\u0437 \u0435\u0433\u043e \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f: \u0441\u0442\u0438\u0445\u0438, \u043f\u043e\u044d\u043c\u044b, \u0431\u0430\u043b\u043b\u0430\u0434\u044b, \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u044f \u201c\u041c\u0438\u0440\u0437\u0430 \u0423\u043b\u0443\u0433\u0431\u0435\u043a\u201d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0443\u0434\u0443\u0447\u0438 \u0441\u044b\u043d\u043e\u043c \u0441\u0432\u043e\u0435\u0439 \u044d\u043f\u043e\u0445\u0438, \u041c\u0430\u043a\u0441\u0443\u0434 \u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435 \u043e\u0442\u0440\u0430\u0436\u0430\u043b \u0438 \u0432\u043e\u0441\u043f\u0435\u0432\u0430\u043b \u0432 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f\u0445 \u0442\u0435 \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u043d\u0435 \u044f\u0432\u043b\u044f\u044e\u0442\u0441\u044f \u043d\u044b\u043d\u0435 \u0441\u0442\u043e\u043b\u044c \u043e\u0434\u043d\u043e\u0437\u043d\u0430\u0447\u043d\u044b\u043c\u0438, \u043a\u0430\u043a \u043f\u0440\u0435\u0436\u0434\u0435, \u0438 \u0442\u0440\u0435\u0431\u0443\u044e\u0442 \u043e\u0442 \u0447\u0438\u0442\u0430\u0442\u0435\u043b\u044f \u0431\u043e\u043b\u0435\u0435 \u0437\u0434\u0440\u0430\u0432\u043e\u0433\u043e \u0438 \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u0434\u0445\u043e\u0434\u0430.<\/p>\n\n\n\n<p>4.\u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435, \u041c\u0430\u043a\u0441\u0443\u0434.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f [\u0422\u0435\u043a\u0441\u0442] : \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \/&nbsp; \u0412 2-\u0445 \u0442.&nbsp; \u041f\u0435\u0440. \u0441 \u0443\u0437\u0431.(\u0421\u043e\u0441\u0442. \u041c. \u0417\u0430\u043a\u0438\u0440\u043e\u0432) \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 :&nbsp; \u0418\u0437\u0434. \u041b\u0438\u0442. \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1978.<\/p>\n\n\n\n<p>&#8212; \u0422. 2. \u041f\u043e\u044d\u043c\u044b. \u0418\u0441\u0442. \u0422\u0440\u0430\u0433\u0435\u0434\u0438\u044f \u201c\u041c\u0438\u0440\u0437\u0430 \u0423\u043b\u0443\u0433\u0431\u0435\u043a\u201d. 280 \u0441.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412 \u043f\u043e\u044d\u0437\u0438\u0438 \u041c\u0430\u043a\u0441\u0443\u0434\u0430 \u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435 \u0438\u0434\u0435\u0442 \u0433\u043e\u0440\u044f\u0447\u0430\u044f \u043f\u0435\u0440\u0435\u043a\u043b\u0438\u0447\u043a\u0430 \u0431\u044b\u043b\u043e\u0433\u043e \u0441 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0438\u043c, \u044d\u0442\u043e \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u044f\u0435\u0442 \u0435\u0433\u043e \u0441\u043b\u043e\u0432\u0430\u0440\u044c, \u0435\u0433\u043e \u043e\u0431\u0440\u0430\u0437\u044b, \u0435\u0433\u043e \u0442\u0435\u043c\u044b. \u0412\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u0442\u043e\u043c \u0438\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0445 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u041c. \u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435 \u0432\u043a\u043b\u044e\u0447\u0435\u043d\u044b \u043f\u043e\u044d\u043c\u044b \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u044f \u201c\u041c\u0438\u0440\u0437\u0430 \u0423\u043b\u0443\u0433\u0431\u0435\u043a\u201d.<\/p>\n\n\n\n<p>&nbsp;\u041f\u043e\u0441\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u0435 \u0418\u0431\u0440\u0430\u0433\u0438\u043c\u0430 \u0413\u0430\u0444\u0443\u0440\u043e\u0432\u0430.<\/p>\n\n\n\n<p>5.\u0428\u0435\u0439\u0445\u0437\u0430\u0434\u0435, \u041c\u0430\u043a\u0441\u0443\u0434.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f [\u0422\u0435\u043a\u0441\u0442] : \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \/&nbsp; \u0412 2-\u0445 \u0442.&nbsp; \u041f\u0435\u0440. \u0441 \u0443\u0437\u0431.(\u0421\u043e\u0441\u0442. \u041c. \u0417\u0430\u043a\u0438\u0440\u043e\u0432) \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u0437\u0434. \u041b\u0438\u0442. \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1978. \u0421.<\/p>\n\n\n\n<p>&#8212; \u0422. 1. \u0421\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f,\u0421\u0442\u0438\u0445\u0438 \u0440\u0430\u0437\u043d\u044b\u0445 \u043b\u0435\u0442. \u0411\u0430\u043b\u043b\u0430\u0434\u044b. 318 \u0441.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\">\u201c<strong>Mening kimligimni el bilsa bo\u2019ldi\u201d<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Omon Matjon<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;(1943-2020) tavalludining 80 yilligiga bag\u00edshlanadi<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"277\" height=\"324\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-30.png\" alt=\"\" class=\"wp-image-800\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-30.png 277w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/07\/image-30-256x300.png 256w\" sizes=\"(max-width: 277px) 100vw, 277px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>E s l a t m a<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Toshkent- 2023<\/p>\n\n\n\n<p><strong>&nbsp;01<\/strong><\/p>\n\n\n\n<p><strong>M<\/strong><strong> <\/strong><strong>12&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201c<\/strong>Mening kimligimni el bilsa bo\u2019ldi\u201d Omon Matjon [Matn] : eslatma \/<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tuzuvchi M. Kavlasheva ; Yashnobod tuman axborot-kutubxona<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;markazi Axborot-bibliografiya xizmati. \u2013 &nbsp;Toshkent, 2023. \u2013 2 b.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;Hayoti va ijodi<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yangi o\u2019zbek she\u2019riyatining buyuk darg\u2019alaridan biri Omon Matjon (1943-2020) dir. Omon Matjon 1943 yil 14- fevral kuni Xorazm viloyatining Gurlan tumanida tug\u2019ilgan. Uning otasi Matjon Jumaniyozov (1905-1975) shu tumanda pochta bo\u2019limining boshlig\u2019I bo\u2019lgan. Onasi Xotira Ermatova(1916-1946) qisqa umr ko\u2019rib, o\u2019ttiz yoshga to\u2019lganida to\u2019rt farzandni dunyoga keltirib, vafot etadi. Omon Matjon uch yasharligida onasidan yetim qoladi. Shoirni o\u2019gay onasi O\u2019rozbika opa tarbiyalagan. Omon Matjon ilk qo\u2019liga qalam olib, adabiyotga muhabbat qo\u2019yishida ikkita opasi Gulsara va Oyimjonlarning ham xizmatlari katta bo\u2019lgan. Gulsaraopasiga ergashib Omon olti yoshida Gurlan tumanidagi Orjangidze nomli o\u2019rta maktabga boradi va 1-sinfga o\u2019qishga qabul qilinadi. Opasining dastxati juda chiroyli edi.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;Omon Matjon maktab ustozlaridan tashqari, opasi bilan ham o;qish va yozish mashg\u2019ulotlari bilan shug\u2019ullanadi. Gulsara bohi qattiq shamollab, shu dard bilan gullagan o\u2019n olti yoshida olamdan ko\u2019z yumadi. Qizining bevaqt o\u2019limidan chuqur qayg\u2019uga tushgan ota &#8212; Matjon akaning bir kunda qop-qora sochlari oppoq bo\u2019lib oqarib ketadi. Omon akaning ikkinchi opasi Oyimjon esa turmushga chiqib, yigirma olti yoshida bevaqt vafot etadi. Omon Matjonning opalaridan tashqari akasi Zarif ham bor edi. Matjon akaning ikkinchiayolidan tug\u2019ilgan farzandlari: Sobir, Hamro, Qadam ismli o\u2019g\u2019illari ham bor. Yosh Omon qalbida adabiyotga, so\u2019z san\u2019atiga mehr-u muhabbatning uyg\u2019onishida ikki opasi, akasi&nbsp; Zarif og\u2019aning ham hissasi katta. Aibatta, shoir shaxsiyatining shakllanishida, uning badiiy tafakkuri, poetik nigohining kamol topishida juda ko\u2019p omillar, ustozlar mehnati, oilaviy muhit&nbsp; bilan birgalikda shaxsiy mutolaa ( gazeta-jurnallar, badiiy adabiyot mutolaasi) ham katta ahamiyatga molik. O\u2019quvchilik yillaridayoq Yangibozor tumani gazetalarida Omonning ilk she\u2019rlari chop etiladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Omon Matjon 60-yillardan boshlab matbuotda o\u2018z she\u2019rlari bilan ko\u2018rina boshlaydi. U adabiyot oldidagi xizmatlari uchun Hamza nomidagi Respublika Davlat mukofotiga sazovor bo\u2018lgan. Omon Matjon O\u2018zbekiston xalq shoiridir (1993). Hozirgi kunda shoir faol ijod qilmoqda.<\/p>\n\n\n\n<p>Omon Matjon 1943 yili Xorazm viloyatining Gurlan tumanida tavallud topgan. O\u2018rta maktabni tugatgach, Samarqand Davlat universitetida tahsil oladi. 1969-2002 yillar mobaynida G\u2018afur G\u2018ulom nomli Adabiyot va san\u2019at nashriyotida muharrir, bo\u2018lim boshlig\u2018i, so\u2018ngra \u201cYoshlik\u201d jurnalida bosh muharrir, \u201cCho\u2018lpon\u201d nashriyotida direktor bo\u2018lib ishlaydi. Hozirgi kunda \u201cGulxan\u201d jurnalining bosh muharriri bo\u2018lib ishlamoqda.<\/p>\n\n\n\n<p>Shoirning eng yaxshi she\u2019rlari \u201cOchiq derazalar\u201d (1970), \u201cKarvon qo\u2018ng\u2018irog\u2018I\u201d (1973), \u201cYonayotgan daraxt\u201d (1977), \u201cYarador chaqmoq\u201d (1979), \u201cHaqqush qichqirig\u2018I\u201d, \u201cSeni yaxshi ko\u2018raman\u201d (1983), \u201cGaplashadigan vaqtlar\u201d (1986) kabi to\u2018plamlaridan o\u2018rin oldi.<\/p>\n\n\n\n<p>&nbsp;Bu to\u2018plamlardagi \u201cAmu\u201d, \u201cOybek\u201d, \u201cShu\u2019lalardan hayratlanish\u201d, \u201cOna degan so\u2018z\u201d, \u201cTurnalar\u201d, \u201cMezon\u201d, \u201cChorlov\u201d, \u201cO\u2018n uchinchi eshik\u201d, \u201cUmrimiz haqida\u201d kabi she\u2019rlari hozirgi o\u2018zbek she\u2019riyatining eng yaxshi namunalaridan bo\u2018lib, ularda inson qalbining turfa jilolari rang-barang tashbehlarda, jozibali obrazlarda ifodalangan.<\/p>\n\n\n\n<p>Omon Matjon ijodida uning \u201cCho\u2018ldagilar\u201d doston xronikasi, ayniqsa, \u201cGaplashadigan vaqtlar\u201d nomli she\u2019riy qissasi alohida o\u2018rinni egallaydi. Ular o\u2018zining yangicha shakli, ohangi bilan kitobxon e\u2019tiborini tortadi.<\/p>\n\n\n\n<p>2000 yilda G\u2018afur G\u2018ulom nomidagi Adabiyot va san\u2019at nashriyoti Avestoning 2700 yilligiga bag\u2018ishlangan \u00abArdaxiva\u00bb asarini chop etdi.<\/p>\n\n\n\n<p>2002 yilda islom dunyosining buyuk namoyandasi Xo\u2018ja Ahror Valiy hayoti, taqdiridan hikoya qiluvchi \u201cXaloskor ruh\u201d asari \u201cSharq yulduzi\u201d (2002, 3-son) jurnalida chop etildi.<\/p>\n\n\n\n<p>Omon Matjon tarjimon sifatida qardosh va chet el adabiyotlaridan ko\u2018plab asarlarni ona tiliga mahorat bilan ag\u2018dargan. Xususan, uning A.Shiller, Sh.Bodler kabi jahon klassiklari ijodidan qilgan tarjimalari e\u2019tiborga loyiq.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Omon Matjon &nbsp;asarlari :<\/strong><\/p>\n\n\n\n<p>1.\u041c\u0430\u0442\u0436\u043e\u043d, \u041e\u043c\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u04b2\u0430\u049b\u049b\u0443\u0448 \u049b\u0438\u0447\u049b\u0438\u0440\u0438\u0493\u0438 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u0434\u043e\u0441\u0442\u043e\u043d \/ \u041e. \u041c\u0430\u0442\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1979. \u2013 133 \u0431.<\/p>\n\n\n\n<p>2.\u041c\u0430\u0442\u0436\u043e\u043d, \u041e\u043c\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u041c\u0438\u043d\u0433 \u0431\u0438\u0440 \u0451\u0493\u0434\u0443 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u0434\u043e\u0441\u0442\u043e\u043d\u043b\u0430\u0440 \/ \u041e. \u041c\u0430\u0442\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1989. \u2013 176 \u0431.<\/p>\n\n\n\n<p>3.\u041c\u0430\u0442\u0436\u043e\u043d, \u041e\u043c\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0421\u0435\u043d\u0438 \u044f\u0445\u0448\u0438 \u043a\u045e\u0440\u0430\u043c\u0430\u043d [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u041e. \u041c\u0430\u0442\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1981. \u2013 344 \u0431.<\/p>\n\n\n\n<p>4.\u041c\u0430\u0442\u0436\u043e\u043d, \u041e\u043c\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u040e\u0440\u0442\u0430\u043c\u0438\u0437\u0434\u0430 \u0431\u0438\u0440\u0433\u0438\u043d\u0430 \u043e\u043b\u043c\u0430 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u0434\u043e\u0441\u0442\u043e\u043d \/ \u041e. \u041c\u0430\u0442\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1990. \u2013 96 \u0431.<\/p>\n\n\n\n<p>5.M\u0430\u0442\u0436\u043e\u043d, \u041e\u043c\u043e\u043d<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u042d\u0440\u043a\u0438\u043d \u04b3\u0430\u0432\u043e\u043b\u0430\u0440\u0434\u0430 [\u041c\u0430\u0442\u043d] : \u0431\u0438\u0442\u0438\u043a\u043b\u0430\u0440, \u0434\u0440\u0430\u043c\u0430\u0442\u0438\u043a \u0434\u043e\u0441\u0442\u043e\u043d, \u0448\u0435\u044a\u0440\u0438\u0439 \u049b\u0438\u0441\u0441\u0430, \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u041e. \u041c\u0430\u0442\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492\u0430\u0444\u0443\u0440 \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0430\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1997. \u2013 360 \u0431.<\/p>\n\n\n\n<p>6. Omon Matjon [Matn] : nazm \/ to\u2019plovchi va nashrga tayyorlovchilar : Marhabo Qo\u2019chqorova, Diyor Matjonov. \u2013 Toshkent : \u201cO\u2019zbekiston nashriyoti\u201d, 2022. \u2013 312 b.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c<\/strong><strong>IBRATLI SIYMOLAR\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Shoir, siyosat va ma\u2019rifat arbobi <strong>Munavvar qori Abdurashidxon o\u2018g\u2018li (1878-1931) tavalludining 140 yilligiga bag\u2019ishlangan<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"200\" height=\"250\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/09\/image-4.png\" alt=\"\" class=\"wp-image-905\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent 2023<\/p>\n\n\n\n<h1 class=\"has-text-align-center\">Munavvar qori Abdurashidxonov (1878-1931)<\/h1>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2018rta Osiyo jadidchilik harakatining yo\u2018lboshchisi, XX asr o\u2018zbek milliy matbuoti va yangi usuldagi milliy maktab asoschisi, yangi milliy teatr tashkilotchilaridan biri, adib, shoir, murabbiy, muharrir, ma\u2019rifatparvar, jamoat arbobi Munavvar qori Abdurashidxon o\u2018g\u2018li 1878 yilda Toshkent shahrining Shayx Xovand Tohur dahasi Darxon mahallasida mudarris oilasida tug\u2018ildi. Otasi Abdurashidxon Sotiboldixon o\u2018g\u2018li mudarris, onasi Xosiyat otin Xonxo\u2018ja Shorahimxo\u2018ja mudarris qizi otinoyi bo\u2018lgan.&nbsp; U oilada uchinchi o\u2018g\u2018il bo\u2018lib, katta akalari A\u2019zamxon (1872\u20141919) va Muslimxon (1875\u20141954) muallim bo\u2018lishgan. Otasidan yosh yetim qolgani tufayli dastlabki ta\u2019lim-tarbiyani onasidan olgan. So\u2018ng o\u2018z davrining mashhur o\u2018qituvchisi Usmon domladan ilmi qiroat va tajvidni o\u2018rganib, hofizi Qur\u2019on bo\u2018lgan. 1885\u201490 yillarda Buxorodagi Mirarab madrasasida tahsil olgan, ammo tahsilni oxiriga yetkazmay, Toshkentga qaytib, Darxon masjidida imomlik vazifasini bajaradi.<\/p>\n\n\n\n<p><strong>Munavvar qori<\/strong> XIX asrning oxiridan boshlab jadidchilik harakatlarida faol ishtirok eta boshladi. 1901 yilda o\u2018z hovlisida, keyinchalik Toshkentning turli dahalarida jadid maktablarini ochadi.<\/p>\n\n\n\n<p>1904 yildan ijtimoiy-siyosiy, madaniy hayotga aralasha boshlagan. 1906 yildan \u201cO\u2018rta Osiyoning umrguzorligi, taraqqiy\u201d, \u201cTaraqqiy\u201d gazetalarida adabiy xodim. Shu yili noshir va muharrir sifatida \u201cXurshid\u201d gazetani tashkil etgan. \u201cShuhrat\u201d (1907), \u201cTujjor\u201d (1907), \u201cOsiyo\u201d (1908) gazetalarini g\u2018oyaviy boshqargan va adabiy xodim vazifasini bajargan. So\u2018ng \u201cSadoyi Turkiston\u201d (1914\u201415) gazetasida mas\u2019ul muharrir muovini, \u201cAl-isloh\u201d jurnali (1915\u201417)da muharrir, \u201cNajot\u201d va \u201cKengash\u201d (1917) gazetalarida mas\u2019ul muharrir.<\/p>\n\n\n\n<p>U 1909 yili Toshkentda \u201cJamiyati xayriya\u201d uyushmasini tuzadi va \u201cTuron\u201d nomli jamiyatni ochadi. Munavvar qori 1906-yilda dastlabki o\u2018zbek matbuoti namunalaridan biri \u201cXurshid\u201d gazetasini nashr etdi. Keyinchalik \u201cNajot\u201d, \u201cKengash\u201d gazetalarida bosh muharrir, \u201cSadoyi Turkiston\u201dda esa bo\u2018lim muharriri bo\u2018lib xizmat qiladi.<\/p>\n\n\n\n<p>Sho\u2018ro davrida u o\u2018zining ochiq ma\u2019rifiy ishlarini va yashirin siyosiy harakatlarini davom ettirdi. 1918 yilning aprelida Turkiston xalq dorilfununining asoschisi va rektori etib saylanadi. Uning sa\u2019y-harakati bilan 1918 yil 2 iyunda dorilmuallimin ish boshlaydi. U 1918 yilda \u201cTurk o\u2018chog\u2018i\u201d ilmiy-ma\u2019rifiy jamiyatini tashkil qiladi.<\/p>\n\n\n\n<p>Munavvar qori 20-yillarda o\u2018zbek yurtining mustaqilligi uchun kurash vazifasini o\u2018z oldiga qo\u2018ygan \u201cMilliy ittihod\u201d va \u201cMilliy istiqlol\u201d yashirin tashkilotlariga rahbarlik qilgan.<\/p>\n\n\n\n<p>Munavvar qori turli jamiyat va uyushmalar tashkilotchisi. U \u201cJamiyati Imdodiya\u201d (1909), \u201cTuron\u201d (1913), \u201cTurkiston kutubxonasi\u201d (1914), \u201cUmid\u201d (1914), \u201cMaktab\u201d (1914), \u201cKo\u2018mak\u201d (1921) jamiyat, tashkilot, shirkat va uyushmalarida muassis, muovin, rais, a\u2019zo. Sho\u2018rolar hukumati davrida Xalq dorilfununi sho\u2018rosining raisi, Turkiston Maorif xalq komissarligi turk sho\u2018basining ish yurituvchisi (1918), Toshkent shahar maorif noziri, Sharq xalqlari s\u2019ezdi (1920, Boku) delegati va hay\u2019ati a\u2019zosi. BXSR Maorif nozirligi vaqf bo\u2018limi boshlig\u2018i (1920\u201421), Toshkent shahar ijtimoiy tarbiya bo\u2018limi mudiri (1921), Akademmarkaz raisi (1922), Navoiy nomidagi maktab, Narimonov nomidagi pedagogika texnikumi, ayollar pedagogika institutida muallim (1923 \u2014 25), Samarqand shahar muzeyida ilmiy xodim, O\u2018zbekiston osori-atiqalarni saqlash qo\u2018mitasining Toshkent-Farg\u2018ona bo\u2018limida mas\u2019ul kotib (1927-28).<\/p>\n\n\n\n<p>Munavvar qori bir qancha darslik muallifidir. Uning \u201cAdibi avval\u201d (1907), \u201cAdib us-soniy\u201d (1907), \u201cUsuli hisob\u201d, \u201cTarixi qavm turk\u201d, \u201cTajvid\u201d (1911), \u201cHavoyiji diniya\u201d, \u201cTarixi anbiyo\u201d, \u201cTarixi islomiya\u201d (1912), \u201cEr yuzi\u201d (1916\u201417), 4 qismdan iborat \u201cO\u2018zbekcha til saboqligi\u201d (Shorasul Zunnun va Qayum Ramazon bilan birga, 1925\u201426, 4-qismi musodara qilingan) darsliklari bir necha marta chop etilgan. 1914 yilda taraqqiyparvar o\u2018zbek shoirlarining she\u2019rlarini jamlab, \u201cSabzavor\u201d nomi bilan nashr etgan.<\/p>\n\n\n\n<p>Munavvar qori ijtimoiy-pedagogik faoliyat bilan birga badiiy ijod bilan ham shug\u2018ullangan. Uning ixcham hikoyalari, talaygina she\u2019rlari o\u2018sha davrdagi matbuot va o\u2018zi tuzgan hamda yozgan darsliklarga kiritilgan. Shuningdek, u o\u2018tkir publitsist adib sifatida tanilgan. Maqolalarida inson va jamiyat, din va<\/p>\n\n\n\n<p>dindorlik, axloq, mustamlakachilik va xurriyat, ziyolilik, uyushma, tashkilot, davlat idorasi masalalariga alohida e\u2019tibor qaratgan.<\/p>\n\n\n\n<p>Munavvar qori o\u2018z faoliyati davomida pedagogik, matbuotchilik, muharrirlik, adiblik bilan cheklanmay, jiddiy siyosiy faoliyat ham olib borgan, shu sababli mustamlaka hukumati tomonidan bir necha bor hibs qilingan.<\/p>\n\n\n\n<p>Evropa savdo-sanoat, ilm-fanini o\u2018rganishga chaqirgan, ma\u2019naviy qoloqlikni qoralagan. U vijdon erkinligini inkor etmagan dunyoviy demokratik davlat tarafdori bo\u2018lgan. Shu sababli Qo\u2018qon shahrida tashkil topgan Turkiston muxtoriyatini (1917) qo\u2018llab-quvvatlagan. Umr bo\u2018yi o\u2018z vatanini mustaqil ko\u2018rishni istagan.<\/p>\n\n\n\n<p>20-yillarning o\u2018rtalarida milliy ziyolilarni ta\u2019qib qilish kuchayishi natijasida Munavvar qori hamma lavozimlardan chetlashtiriladi. Biroq hatto qatag\u2018on ham Munavvar qori Abdurashidxon o\u2018g\u2018lini istiqlol g\u2018oyalaridan qaytara olmadi.<\/p>\n\n\n\n<p>U 1929 yil 6 noyabrda qamoqqa olinib, Moskva shahridagi Butirka qamoqxonasida qatl qilingan va Vagankova qabristoniga dafn etilgan. 1991 yilda rasman reablitatsiya qilingan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Foydalanilgan adabiyotlar<\/strong><strong><\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Xolboyev, Sotimxon. Jadidlar. Munavvar qori Abdurashidxonov [Matn] : risola \/ S. Xolboyev. \u2013 Toshkent : Yoshlar nashriyot uyi, 2022. -152 b.<\/li>\n\n\n\n<li>Ma\u044a\u043d\u0432\u0438\u044f\u0442 \u044e\u043b\u0434\u0443\u0437\u043b\u0430\u0440\u0438 &nbsp;[\u041c\u0430\u0442\u043d] : \u0430\u043b\u043b\u043e\u043c\u0430\u043b\u0430\u0440, \u0430\u0434\u0438\u0431\u043b\u0430\u0440 \/\/ \u0422\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 : \u041c. \u0425\u0430\u0439\u0440\u0443\u043b\u043b\u0430\u0435\u0432. \u2013 \u0422\u045e\u043b\u0434\u0438\u0440\u0438\u043b\u0433\u0430\u043d \u049b\u0430\u0439\u0442\u0430 \u043d\u0430\u0448\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410. \u049a\u043e\u0434\u0438\u0440\u0438\u0439 \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0445\u0430\u043b\u049b \u043c\u0435\u0440\u043e\u0441\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2001. \u2013 408 \u0431.<\/li>\n\n\n\n<li>\u0422\u043e\u0448\u043a\u0435\u043d\u0442 [\u041c\u0430\u0442\u043d] : \u042d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f \/ \u0411\u043e\u0448 \u0442\u0430\u04b3\u0440\u0438\u0440 \u04b3\u0430\u0439\u044a\u0430\u0442\u0438 : \u0410. \u0410\u043a\u0440\u043e\u043c\u043e\u0432, \u0411. \u0428. \u0410\u043b\u0438\u043c\u043e\u0432, \u041c. \u041d. \u0410\u043c\u0438\u043d\u043e\u0432 \u0432\u0430 \u0431\u043e\u0448\u049b. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u043c\u0438\u043b\u043b\u0438\u0439 \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f\u0441\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2008. \u2013 784 \u0431.<\/li>\n<\/ol>\n\n\n\n<p>\u041c\u0443\u043d\u0430\u0432\u0432\u0430\u0440 \u049b\u043e\u0440\u0438 \u0410\u0431\u0434\u0443\u0440\u0430\u0448\u0438\u0434\u0445\u043e\u043d\u043e\u0432, 2008.- 366 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u0410\u0431\u0434\u0443\u0440\u0430\u0448\u0438\u0434\u0445\u043e\u043d\u043e\u0432, \u041c.\u0425\u0438\u0442\u043e\u0431\u043d\u043e\u043c\u0430 [\u041c\u0430\u0442\u043d] : \u043c\u0430\u044a\u0440\u0438\u0444\u0438\u0439 \/ \u041c. \u0410\u0431\u0434\u0443\u0440\u0430\u0448\u0438\u0434\u0445\u043e\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442, 2022.<\/li>\n\n\n\n<li>\u041a\u0430\u0440\u0438\u043c\u043e\u0432, \u0418\u0441\u043b\u043e\u043c. \u042e\u043a\u0441\u0430\u043a \u043c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442 \u2013 \u0435\u043d\u0433\u0438\u043b\u043c\u0430\u0441 \u043a\u0443\u0447 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0418. \u041a\u0430\u0440\u0438\u043c\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2008. \u2013 176 \u0431.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c<\/strong><strong>IBRATLI SIYMOLAR\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Shoir, yozuvchi, dramaturg, tarjimon, tanqidchi va jamoat arbobi<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Cho\u2019lpon(Abdulhamid Sulaymon o\u2019g\u2019li Yunusov 1898-1938) tavalludining 125 yilligiga bag\u2019ishlangan<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"200\" height=\"250\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/09\/image-5.png\" alt=\"\" class=\"wp-image-908\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>ESLATMA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent 2023<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2018zbek adabiyotining yorqin namoyandalaridan biri Abdulhamid Sulaymon o\u2018g\u2018li Cho\u2018lpon 1897 yilda Andijonning Qatorterak mahallasida savdogar oilasida dunyoga kelgan. Otasi Sulaymonqul Mulla Muhammad Yunus o\u2018g\u2018li (1874 \u2014 1929) dastlab dehqonchilik, so\u2018ngra bazzozlik bilan shug\u2018ullangan. Taniqli jurnalist va yozuvchi Mo\u2018minjon Muhammadjonov \u201cTurmush urinishlari\u201d kitobida qayd etishicha, Cho\u2018lponning otasi Sulaymonqul o\u2018z davrining yetuk ziyolisi, ma\u2019rifatparvar kishisi bo\u2018lgan.&nbsp; U \u201cRasvo\u201d taxallusi bilan she\u2019rlar ham yozgan, devon yaratgan.<\/p>\n\n\n\n<p>Cho\u2018lpon avval eski maktabda, so\u2018ngra madrasalar va rus-tuzem maktabida tahsil olib, arab, fors va rus tillarini mukammal o\u2018zlashtiradi. Mutolaa yo\u2018li bilan esa turk, nemis va ingliz tillarini o\u2018rganadi. Sharq va G\u2018arb ijtimoiy-siyosiy qarashlaridan oziqlanadi. Firdavsiy, Sa\u2019diy, Hofiz, Umar Hayyom, Alisher Navoiy kabi buyuk so\u2018z san\u2019atkorlari ijodini mehr bilan o\u2018rganadi.<\/p>\n\n\n\n<p>Cho\u2018lpon dunyoqarashi va ijodining shakllanishiga asr boshlaridagi demokratik inqiloblar hamda jadidchilik harakati katta ta\u2019sir ko\u2018rsatgan.<\/p>\n\n\n\n<p>Cho\u2018lponning ijodi 1913\u20141914 yillardan boshlangan bo\u2018lib, u avval \u201cQalandar\u201d, \u201cMirzaqalandar\u201d, \u201cAndijonlik\u201d va nihoyat \u201cCho\u2018lpon\u201d (Tong yulduzi) taxallusi bilan ijod qildi. U ham shoir, ham nosir, ham dramaturg sifatida o\u2018z xalqi adabiyoti ravnaqiga salmoqli hissa qo\u2018shadi. Cho\u2018lponning dastlabki asarlari \u201cSadoi Turkiston\u201d, \u201cSadoi Farg\u2018ona\u201d kabi mahalliy gazetalarda, shuningdek, Orenburgda chiqadigan \u201cSho\u2018ro\u201d jurnalida nashr etiladi. Cho\u2018lponning \u201cIshtirokiyun\u201d, \u201cQizil Bayroq\u201d, \u201cTurkiston\u201d, \u201cBuxoro axbori\u201d kabi gazetalardagi faoliyati ham uning ijodiy shakllanishida maktab bo\u2018lib xizmat etadi.<\/p>\n\n\n\n<p>Cho\u2018lpon ocherknavis va publitsist sifatida ham barakali ijod qildi. Bu borada ayniqsa, uning \u201cAdabiyot nadir?\u201d, \u201cMuhtaram yozuvchilarimizga\u201d kabi maqolalari adabiyotning maqsad va vazifalarini anglashda muhim rol o\u2018ynadi. U 1914\u20141917 yillarda yaratgan \u201cQurboni jaholat\u201d, \u201cDo\u2018xtir Muhammadiyor\u201d singari hikoyalari, \u201cVatanimiz Turkistonda temir yo\u2018llar\u201d singari maqolalarida madaniyat va ma\u2019rifat targ\u2018ibotchisi sifatida maydonga chiqdi. U Oktyabr to\u2018ntarishidan keyingi 1920\u20141924 yillarda hayotda sodir bo\u2018layotgan xush va noxush o\u2018zgarishlarni qalamga oldi. \u201cYo\u2018lda bir kunduz\u201d, \u201cYo\u2018lda bir kecha\u201d, \u201cSharq poyezdi keldi\u201d, \u201cSharq uyg\u2018ongan\u201d, \u201cQuturgan mustamlakachilar\u201d, \u201cYo\u2018l esdaligi\u201d singari o\u2018nlab ocherklari va publitsistik maqolalarida chorizm mustamlakachilari va mahalliy hokim sinf yetkazgan jabru jafolar yetmaganidek, fuqarolar urushi davrida ro\u2018y bergan fojealarni qoraladi. Cho\u2018lpon 1922 \u2014 1926 yillarda o\u2018zining \u201cUyg\u2018onish\u201d, (1922), \u201cBuloqlar\u201d (1923), \u201cTong sirlari\u201d (1926), \u201cSoz\u201d (1935) kabi to\u2018rtta she\u2019riy to\u2018plamini nashr ettirdi. 30-yillarga kelib, \u201cJo\u2018r\u201d kabi she\u2019riy to\u2018plamini tayyorladi. Ammo \u201cSoz\u201di chop etiladi-yu, \u201cJo\u2018r\u201d to\u2018plami qatag\u2018onlik tuzog\u2018iga ilinib, qolib ketadi. Shoirning to\u2018plamlari orasida \u201cBuloqlar\u201d (1923) alohida ajralib turadi. To\u2018plam besh bo\u2018limdan iborat bo\u2018lib, ular \u201cSharq uchun\u201d, \u201cSezgilar\u201d, \u201cSevgi\u201d, \u201cQora yo\u2018llar\u201d va \u201cQor qo\u2018ynida\u201d deb nomlanadi. Shoirning o\u2018zi qayd etishicha, mazkur she\u2019riy guldasta \u201cjahon fotihlari changalida ezilib yotqon Sharq o\u2018lkalariga\u201d bag\u2018ishlangan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"280\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/09\/image-6.png\" alt=\"\" class=\"wp-image-910\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"288\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/09\/image-7.png\" alt=\"\" class=\"wp-image-911\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>Hurmatli Foydalanuvchilar!<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yashnobod tuman axborot-kutubxona markazining 2023-yil&nbsp; 4-chorak davomida kutubxona fondiga kelib tushgan adabiyotlar axborotnomasini taqdim etamiz. Axborotnoma o\u2019zbek<\/strong><strong>, jahon <\/strong><strong>va ilmiy-ommabop adabiyotidan iboratdir. Adabiyotlar lotin alifbosi, kirill va rus alifbosi tartibida joylashtirilgan.<\/strong><\/p>\n\n\n\n<p><strong>UO\u2019K 821.512<\/strong><\/p>\n\n\n\n<p><strong>D-37<\/strong><\/p>\n\n\n\n<p>Demir, Ramazon.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u201cYelkangga ishq qo\u2019nsa\u2026\u201d [Matn] : risola&nbsp; \/ R. Demir ; turk. tarj. Xos Niyat. \u2013&nbsp; T\u043eshkent : &nbsp;&nbsp;<\/p>\n\n\n\n<p>\u201cFaktor books\u201d, 2023. \u2013 240 b. \u2013 ISBN 978-9943-8769-3-4.<\/p>\n\n\n\n<p><strong>UO\u2019K 821.111<\/strong><\/p>\n\n\n\n<p><strong>D-67<\/strong><\/p>\n\n\n\n<p>Doyl, A. Konan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Boskom vodiysining siri [Matn] : detektiv \/ A. K. Doyl. \u2013 T\u043eshkent : \u201cDavr Press\u201d NMU,<\/p>\n\n\n\n<p>2019. \u2013 160 b. \u2013 ISBN 978-9943-5535-8-3.<\/p>\n\n\n\n<p><strong>UO\u2019K 821.111&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>D-67<\/strong><\/p>\n\n\n\n<p>Doyl,&nbsp; A. Konan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Sherlok Xolms o\u2019lim to\u2019shagida [Matn] : detektiv&nbsp; \/ A. K. Doyl. \u2013&nbsp; T\u043eshkent : \u201cDavr Press\u201d<\/p>\n\n\n\n<p>NMU, 2019. \u2013 176 b. \u2013 ISBN 978-9943-5554-5-7.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>UO\u2019K 821.512<\/strong><\/p>\n\n\n\n<p><strong>Q-35<\/strong><\/p>\n\n\n\n<p>Qahhor, Abdulla.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adabiyot muallimi [Matn] : hikoyalar \/ A. Qahhor. \u2013 Toshkent : Yoshlar matbuoti, 2023. \u2013<\/p>\n\n\n\n<p>128 b. \u2013 ISBN 978-9943-27-996-4.<\/p>\n\n\n\n<p><strong>UO\u2019K 821.512<\/strong><\/p>\n\n\n\n<p><strong>H &#8212;<\/strong><strong>71<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>Hoshimov, O\u2019tkir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Sirli yulduz [Matn] : qissa va hikoyalar \/ O\u2019. Hoshimov. \u2013 T\u043eshkent : \u201cNurli dunyo\u201d<\/p>\n\n\n\n<p>nashriyot uyi, 2022. \u2013 160 b. \u2013 ISBN 978-9943-8879-9-2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>\u0423\u040e\u041a 331.<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>\u0411-25<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0430\u043a\u043a\u0435, \u0414\u0435\u043d\u043d\u0438\u0441 .<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u049a\u0443\u0432\u043e\u043d\u0447 \u0431\u0430\u0445\u0448 \u044d\u0442\u0430\u0434\u0438\u0433\u0430\u043d \u0438\u0448 [M\u0430\u0442\u043d] : \u043a\u0435\u043b\u0430\u0436\u0430\u043a \u0431\u0438\u0437\u043d\u0435\u0441 \u043c\u043e\u0434\u0435\u043b\u0438 \/ &nbsp;\u0414. \u0411\u0430\u043a\u043a\u0435 ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u0413. &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u0418\u0431\u0440\u0430\u0433\u0438\u043c\u043e\u0432\u0430. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cZUKKO KITOBXON\u201d \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0443\u0439\u0438, 2021. \u2013 &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 288 \u0431. \u2013 ISBN 978-9943-7591-3-8.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u0423\u040e\u041a 33<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>\u0414-14<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0430\u0432\u043b\u0430\u0442\u043e\u0432, \u0421\u0430\u0438\u0434\u043c\u0443\u0440\u043e\u0434.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u041c\u0435\u043d \u0432\u0430 \u043f\u0443\u043b [\u041c\u0430\u0442\u043d] \/ \u0421. \u0414\u0430\u0432\u043b\u0430\u0442\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201cMATRIX\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2022. \u2013 228 \u0431. \u2013 &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ISBN 978-9943-7178-0-0.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u040e\u041a 811.111<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414-15<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0430\u0434\u0430\u0431\u043e\u0435\u0432\u0430, \u0422\u045e\u0445\u0442\u0430\u0445\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u043d\u0433\u043b\u0438\u0437 \u0442\u0438\u043b\u0438\u043d\u0438\u043d\u0433 \u043e\u043b\u0442\u0438\u043d \u049b\u043e\u0438\u0434\u0430\u043b\u0430\u0440\u0438 [Ma\u0442\u043d] : \u0434\u0430\u0440\u0441\u043b\u0438\u043a \/ \u0422. \u0414\u0430\u0434\u0430\u0431\u043e\u0435\u0432\u0430 ; \u0442\u0430\u049b\u0440\u0438\u0437\u0447\u0438\u043b\u0430\u0440 \u0410\u043b\u0438\u049b\u0443\u043b\u043e\u0432. &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0425. \u0432\u0430 \u0431\u043e\u0448\u049b. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d, 2021. \u2013 416 \u0431. \u2013 ISBN 978-9943-20-704-2.<\/p>\n\n\n\n<p><strong>\u0423\u040eK 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u0414-37<\/strong><\/p>\n\n\n\n<p>\u0414\u0435\u043c\u0438\u0440\u0442\u043e\u0448, \u0428\u043e\u0434\u0438\u044f.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u0430\u0439\u0442\u0438\u0448 [M\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u0428. \u0414\u0435\u043c\u0438\u0440\u0442\u043e\u0448 ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u0417\u0443\u043c\u0440\u0430\u0434 \u0424\u043e\u0437\u0438\u043b\u0436\u043e\u043d \u049b\u0438\u0437\u0438. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cAzon kitoblari\u201d, 2023. \u2013 168 \u0431. \u2013 ISBN 978-9943-9283-0-5.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u0416-74<\/strong><\/p>\n\n\n\n<p>\u0416\u0430\u0432\u043b\u0438\u0435\u0432, \u0416\u0430\u0432\u043b\u043e\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u045e\u0440\u049b\u043c\u0430 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d&nbsp; \/ \u0416. \u0416\u0430\u0432\u043b\u0438\u0435\u0432. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cOfset-print\u201d \u041c\u0427\u0416, \u201cNihol\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438 2020. \u2013 368 \u0431. \u2013 ISBN 978-9943-23-177-1.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 330.1<\/strong><\/p>\n\n\n\n<p><strong>\u041a-80<\/strong><\/p>\n\n\n\n<p>\u041a\u0438\u043c, \u0427. \u0420\u0435\u043d\u0435 \u041c\u0430\u0431\u043e\u0440\u0438.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u201c\u041c\u043e\u0432\u0438\u0439 \u043e\u043a\u0435\u0430\u043d \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u044f\u0441\u0438\u201d [Ma\u0442\u043d] : \u0431\u0438\u0437\u043d\u0435\u0441 \u0432\u0430 \u0442\u0430\u0434\u0431\u0438\u0440\u043a\u043e\u0440\u043b\u0438\u043a\u043a\u0430 \u0434\u043e\u0438\u0440 \u0438\u043b\u043c\u0438\u0439-\u043e\u043c\u043c\u0430\u0431\u043e\u043f \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0427. \u041a\u0438\u043c ; \u0438\u043d\u0433\u043b\u0438\u0437 \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u0410\u043b\u0438\u0448\u0435\u0440 \u0420\u0430\u0432\u0448\u0430\u043d\u043e\u0432 \u0432\u0430 \u042d\u0440\u0433\u0430\u0448\u0431\u043e\u0439 \u041c\u0430\u0442\u0451\u049b\u0443\u0431\u043e\u0432 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cIlm-ziyo-zakovat\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2021. \u2013 384 \u0431. \u2013 ISBN 978-9943-6656-4-4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0423\u040e<\/strong><strong>K <\/strong><strong>004.7<\/strong><\/p>\n\n\n\n<p><strong>\u041a-24<\/strong><\/p>\n\n\n\n<p>\u041a\u043b\u0430\u0440\u043a, \u0414\u0443\u043d\u043a\u0430\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Alibaba. \u0416\u0435\u043a \u041c\u0430 \u0431\u0443\u043d\u0451\u0434 \u044d\u0442\u0433\u0430\u043d \u043c\u0430\u0441\u043a\u0430\u043d&nbsp; [Ma\u0442\u043d] : \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0414. \u041a\u043b\u0430\u0440\u043a. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cQamar media\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2022. \u2013 400 b. \u2013 ISBN 978-9943-7905-0-6.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0423\u040eK 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u041c-55<\/strong><\/p>\n\n\n\n<p>\u041c\u0438\u0440\u043c\u0443\u04b3\u0441\u0438\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0435\u043c\u0443\u0440 \u041c\u0430\u043b\u0438\u043a [\u041c\u0430\u0442\u043d] : \u0442\u0430\u0440\u0438\u0445\u0438\u0439 \u0440\u043e\u043c\u0430\u043d \/ \u041c\u0438\u0440\u043c\u0443\u04b3\u0441\u0438\u043d. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cHilol media\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 480 \u0431. \u2013 ISBN 978-9943-5207-8-3.<\/p>\n\n\n\n<p>&nbsp;<strong>\u0423\u040eK 173<\/strong><\/p>\n\n\n\n<p><strong>\u041d-18<\/strong><\/p>\n\n\n\n<p>\u041d\u0430\u0437\u0430\u0440\u043e\u0432, \u0421\u0430\u0440\u0434\u043e\u0440.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u042f\u0445\u0448\u0438 \u043e\u0442\u0430\u043b\u0430\u0440 \u043a\u0438\u0442\u043e\u0431\u0438 [M\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430&nbsp; \/ \u0421. \u041d\u0430\u0437\u0430\u0440\u043e\u0432. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410kademnashr\u201d, 2022. \u2013 160 \u0431. \u2013 ISBN 978-9943-6965-9-4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u041e-38<\/strong><\/p>\n\n\n\n<p>\u041e\u0439\u0431\u0435\u043a, \u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041d\u0443\u0440 \u049b\u0438\u0434\u0438\u0440\u0438\u0431 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438 \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448\u043b\u0430\u0440 \u043c\u0430\u0442\u0431\u0443\u043e\u0442\u0438, 2023. \u2013 336 \u0431. \u2013 ISBN 978-9943-20-646-5.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u0421-34<\/strong><\/p>\n\n\n\n<p>\u0421\u0430\u0444\u0430\u0440\u043b\u0438, \u042d\u043b\u0447\u0438\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0435\u043d\u0433\u0438\u0437 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437\u043b\u0430\u0431 \u0431\u0435\u0440 \u043c\u0435\u043d\u0433\u0430 [Ma\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u042d. \u0421\u0430\u0444\u0430\u0440\u043b\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cSharq-ziyo zakovat\u201d, 2021. \u2013 328 \u0431. \u2013 ISBN 978-9943-6747-1-4.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 33<\/strong><\/p>\n\n\n\n<p><strong>\u0423-30<\/strong><\/p>\n\n\n\n<p>\u0423\u0438\u043b\u044c\u044f\u043c \u0414.\u0414\u0430\u043d\u043a\u043e, \u0422\u043e\u043c\u0430\u0441 \u0414\u0436. \u0421\u0442\u044d\u043d\u043b\u0438.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c\u041c\u0435\u043d\u0438\u043d\u0433 \u049b\u045e\u0448\u043d\u0438\u043c \u043c\u0438\u043b\u043b\u0438\u043e\u043d\u0435\u0440\u201d [Ma\u0442\u043d] : \u0431\u0438\u0437\u043d\u0435\u0441 \u0432\u0430 \u0442\u0430\u0434\u0431\u0438\u0440\u043a\u043e\u0440\u043b\u0438\u043a\u043a\u0430 \u0434\u043e\u0438\u0440 \u0438\u043b\u043c\u0438\u0439-\u043e\u043c\u043c\u0430\u0431\u043e\u043f \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0414. \u0423\u0438\u043b\u044c\u044f\u043c ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u041c\u0443\u04b3\u0430\u0431\u0431\u0430\u0442 \u0420\u0438\u0445\u0441\u0438\u0435\u0432\u0430 \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cZukko kitobxon\u201d \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0443\u0439\u0438, 2021. \u2013 416 \u0431. \u2013 ISBN 978-9943-7509-6-8.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 159.9<\/strong><\/p>\n\n\n\n<p><strong>\u04b2-24<\/strong><\/p>\n\n\n\n<p>\u04b2\u0430\u043c\u0434\u0430\u043c, \u0423\u043b\u0443\u0493\u0431\u0435\u043a.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0438\u0437\u0434\u0430\u043d \u0440\u043e\u0437\u0438 \u0431\u045e\u043b\u0438\u043d\u0433, \u043e\u0442\u0430 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d-\u044d\u0441\u0441\u0435 \/ \u0423. \u04b2\u0430\u043c\u0434\u0430\u043c. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438, 2022. \u2013 352 \u0431. \u2013 ISBN 978-9943-20-959-6.<\/p>\n\n\n\n<p><strong>\u0423\u040eK 37.018<\/strong><\/p>\n\n\n\n<p><strong>\u0428-77<\/strong><\/p>\n\n\n\n<p>\u0428\u043e\u043c\u0430\u043d\u0441\u0443\u0440\u043e\u0432\u0430, \u0420.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u0438\u0437\u043b\u0430\u0440 \u043a\u0438\u0442\u043e\u0431\u0438 [M\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0420. \u0428\u043e\u043c\u0430\u043d\u0441\u0443\u0440\u043e\u0432\u0430. \u2013&nbsp; T\u043e\u0448\u043a\u0435\u043d\u0442 : \u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438, 2020. \u2013 512 \u0431. \u2013 ISBN 978-9943-27-780-9.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.512<\/strong><\/p>\n\n\n\n<p><strong>A &#8212; 15<\/strong><\/p>\n\n\n\n<p>Abdug\u2019afur,&nbsp; B.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Madaminbek : Qonli gullar vodiysi [Matn] : tarixiy roman \/ B. Abdug\u2019afur. \u2013 T\u043eshkent : Akademnashr, 2021. \u2013 496 b. \u2013 ISBN 978-9943-6966-9-3.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.512<\/strong><\/p>\n\n\n\n<p><strong>A &#8212; 15<\/strong><\/p>\n\n\n\n<p>&nbsp;Abdullaog\u2019li, Ravshan<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bu shaharda hech kim yo\u2019q [Matn] : psixologik roman \/ R. Abdullaog\u2019li ; tarjimon Selma O\u2019zan. \u2013 T\u043eshkent : Yangi asr avlodi, 2023. \u2013 304 b. \u2013 ISBN 978-9943-9082-8-4.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.353<\/strong><\/p>\n\n\n\n<p><strong>D &#8212; 87<\/strong><\/p>\n\n\n\n<p>&nbsp;Dumbadze, N.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abadiyat qonuni [Matn] : hayotiy-maishiy roman \/ N. Dumbadze ; ruschadan Nizom Komilov tarjimasi. \u2013 T\u043eshkent : \u201cZukko kitobxon\u201d, 2021. \u2013 272 b. \u2013 ISBN 978-9943-7023-3-2.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.512<\/strong><\/p>\n\n\n\n<p><strong>Y &#8212; 93<\/strong><\/p>\n\n\n\n<p>Yoqubov, Odil<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cDiyonat\u201d [Matn] : hayotiy-maishiy roman \/ O. Yoqubov \u2013 T\u043eshkent : \u201cIlm-ziyo-zakovat\u201d, 2021. \u2013 432 b. \u2013 ISBN 978-9943-7552-7-7.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.512<\/strong><\/p>\n\n\n\n<p><strong>Q &#8212; 35<\/strong><\/p>\n\n\n\n<p>Qahhor, Abdulla.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sarob [Matn] : roman \/ A. Qahhor. \u2013 T\u043eshkent : \u201cZukko kitobxon\u201d, 2021. \u2013 304 b. \u2013 ISBN 978-9943-7201-5-2.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.<\/strong><\/p>\n\n\n\n<p><strong>M<\/strong><strong> <\/strong><strong>&#8212;<\/strong><strong> <\/strong><strong>55<\/strong><\/p>\n\n\n\n<p>Mirmuxsin.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Me\u2019mor [Matn] : roman \/ Mirmuxsin. \u2013 T\u043eshkent : \u201cKamalak\u201d, 2019. \u2013 416 b. \u2013 ISBN 978-9943-5167-4-6.<\/p>\n\n\n\n<p><strong>UO\u2019K&nbsp; 821.512<\/strong><\/p>\n\n\n\n<p><strong>M<\/strong><strong> <\/strong><strong>&#8212;<\/strong><strong> <\/strong><strong>93<\/strong><\/p>\n\n\n\n<p>Muxtor, Asqad.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Opa-singillar [Matn] : roman \/ A. Muxtor. \u2013 T\u043eshkent : \u201cYangi asr avlodi\u201d, 2023. \u2013 544 b. \u2013 ISBN 978-9943-9083-6-9.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.133<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u0414 &#8212; 95<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u0414\u044e\u043c\u0430<\/strong><strong>, A<\/strong><strong>.<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u043a\u043a\u0438 \u0414\u0438\u0430\u043d\u0430 [M\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ A. \u0414\u044e\u043c\u0430 ; \u0440\u0443\u0441 \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u0420\u0443\u0441\u0442\u0430\u043c\u0436\u043e\u043d \u0423\u043c\u043c\u0430\u0442\u043e\u0432 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d, 2022. \u2013 784 \u0431. \u2013 &nbsp;ISBN 978-9943-27-803-5.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.111<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u0411 &#8212; 92<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>\u0411\u0440\u043e\u043d\u0442\u0435, \u0428\u0430\u0440\u043b\u043e\u0442\u0442\u0430<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0416\u0435\u0439\u043d \u042d\u0439\u0440 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u0428. \u0411\u0440\u043e\u043d\u0442\u0435 ; \u0438\u043d\u0433\u043b\u0438\u0437 \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u0424\u043e\u0437\u0438\u043b \u0422\u0438\u043b\u043e\u0432\u0430\u0442\u043e\u0432 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438 \u201d, 2022. \u2013 736 \u0431. \u2013 ISBN 978-9943-20-948-0.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u041c &#8212; 89<\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p>\u041c\u0443\u0440\u043e\u0434, \u0422.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041e\u0439\u0434\u0438\u043d\u0434\u0430 \u044e\u0440\u0433\u0430\u043d \u043e\u0434\u0430\u043c\u043b\u0430\u0440 [M\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u0422. \u041c\u0443\u0440\u043e\u0434. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cSanostandart\u201d, 2017. \u2013 192 \u0431. \u2013 ISBN 978-9943-4999-8-0.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 28-24<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u04b2 &#8212; 68<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>\u04b2\u043e\u0448\u0438\u043c\u0436\u043e\u043d, \u041d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041c\u0435\u044a\u0440\u043e\u0436\u0434\u0430 \u0444\u0430\u0440\u0437 \u0431\u045e\u043b\u0433\u0430\u043d \u0438\u0431\u043e\u0434\u0430\u0442 [Ma\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \u0432\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u041d. \u04b2\u043e\u0448\u0438\u043c\u0436\u043e\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cKitobdornashr\u201d, 2022. \u2013 176 \u0431. \u2013 ISBN 978-9943-7099-1-8.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u041c &#8212; 23<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>\u041c\u0430\u043c\u0430\u0440\u0430\u0441\u0443\u043b\u043e\u0432, \u0410\u0431\u0434\u0443\u043b\u049b\u043e\u0441\u0438\u043c.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0435\u043b\u0431\u0430 \u043c\u0443\u04b3\u0430\u0431\u0431\u0430\u0442 [Ma\u0442\u043d] : \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u0410. \u041c\u0430\u043c\u0430\u0440\u0430\u0441\u0443\u043b\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0438\u0436\u043e\u0434\u0438\u0439 \u0443\u0439\u0438, 2019. \u2013 448 \u0431. \u2013 ISBN 978-9943-5547-6-4.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.111<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>\u041c &#8212; 24<\/strong><strong> <\/strong><strong><\/strong><\/p>\n\n\n\n<p>\u041c\u0430\u043d\u0434\u0438\u043d\u043e, \u041e\u0433.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0443\u043d\u0451\u043d\u0438\u043d\u0433 \u044d\u043d\u0433 \u0431\u0443\u044e\u043a \u0441\u0430\u0432\u0434\u043e\u0433\u0430\u0440\u0438 [Ma\u0442\u043d] : \u043e\u043c\u043c\u0430\u0431\u043e\u043f \u043d\u0430\u0448\u0440 \/ \u041e\u0433. \u041c\u0430\u043d\u0434\u0438\u043d\u043e ; \u0440\u0443\u0441 \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u0420\u0443\u0441\u0442\u0430\u043c \u0416\u0430\u0431\u0431\u043e\u0440\u043e\u0432 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cDAVR PRESS\u201d \u041d\u041c\u0423, 2020. \u2013 224 \u0431. \u2013 ISBN 978-9943-6292-3-3.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.112<\/strong><\/p>\n\n\n\n<p><strong>\u0420 &#8212; 84<\/strong><\/p>\n\n\n\n<p>\u0420\u0435\u043c\u0430\u0440\u043a, \u042d\u0440\u0438\u0445 \u041c\u0430\u0440\u0438\u044f<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041e\u0440\u0442\u0433\u0430 \u0439\u045e\u043b [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u042d. \u041c. \u0420\u0435\u043c\u0430\u0440\u043a ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u0421\u0430\u0438\u0434\u0436\u0430\u043b\u043e\u043b \u0421\u0430\u0438\u0434\u043c\u0443\u0440\u043e\u0434\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cFaktor books\u201d, 2022. \u2013 320 \u0431. \u2013 ISBN 978-9943-7930-7-1.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.112<\/strong><\/p>\n\n\n\n<p><strong>\u0421 &#8212; 58<\/strong><\/p>\n\n\n\n<p>\u0421\u0438\u043d\u0434\u0430\u0440\u043e\u0432, \u041a\u043e\u043c\u0438\u043b<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0435\u0440\u0433\u043e\u0432\u0447\u0438 : \u0430\u043c\u0438\u0440\u043b\u0438\u043a\u043d\u0438\u043d\u0433 \u043e\u043b\u0442\u0438\u043d \u0442\u0430\u0445\u0442\u0438 \u0438\u0437\u0438\u0434\u0430\u043d [Ma\u0442\u043d] : \u0434\u0435\u0442\u0435\u043a\u0442\u0438\u0432 \u049b\u0438\u0441\u0441\u0430 \/ \u041a. \u0421\u0438\u043d\u0434\u043e\u0440\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d, 2022. \u2013 288 \u0431. \u2013 ISBN 978-9943-20-518-5.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 316.46<\/strong><\/p>\n\n\n\n<p><strong>\u0422 &#8212; 76<\/strong><\/p>\n\n\n\n<p>\u0422\u0440\u0435\u0439\u0441\u0438, \u0411, \u0424\u0440\u0430\u043d\u043a \u041c. \u0428\u0435\u0435\u043b\u0435\u043d.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041b\u0438\u0434\u0435\u0440 \u0448\u0430\u0445\u0441\u0438\u044f\u0442\u0438 [Ma\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0411. \u0422\u0440\u0435\u0439\u0441\u0438, \u0424\u0440\u0430\u043d\u043a \u041c. \u0428\u0435\u0435\u043b\u0435\u043d ; \u0438\u043d\u0433\u043b\u0438\u0437 \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u041d\u0438\u043b\u0443\u0444\u0430\u0440 \u0419\u045e\u043b\u0447\u0438\u0435\u0432\u0430 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cTRUST AND SUPPORT\u201d \u041c\u0427\u0416, \u201c\u0422\u0438\u0440\u0438\u043b\u0438\u0448\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2022. \u2013 288 \u0431. \u2013 ISBN 978-9943-8217-3-6.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.512<\/strong><\/p>\n\n\n\n<p><strong>\u04b2 &#8212; 94<\/strong><\/p>\n\n\n\n<p>\u04b2\u0443\u0441\u0430\u0439\u043d\u0438\u0439, \u0425.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0428\u0430\u043c\u043e\u043b \u043e\u0440\u0442\u0438\u0434\u0430\u043d \u044e\u0433\u0443\u0440\u0438\u0431 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/&nbsp; \u0425. \u04b2\u0443\u0441\u0430\u0439\u043d\u0438\u0439 ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u0420\u0443\u0441\u0442\u0430\u043c \u0416\u0430\u0431\u0431\u043e\u0440\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2021. \u2013 208 \u0431. \u2013 ISBN 978-9943-27-758-8.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 821.161<\/strong><\/p>\n\n\n\n<p><strong>\u04b2 &#8212; 24<\/strong><\/p>\n\n\n\n<p>\u04b2\u0430\u043c\u0437\u0430\u0442\u043e\u0432, \u0420\u0430\u0441\u0443\u043b<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0443\u044e\u043a \u0442\u0443\u0439\u0493\u0443&nbsp; [Ma\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u0434\u043e\u0441\u0442\u043e\u043d\u043b\u0430\u0440, \u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u043a \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/ \u0420. \u04b2\u0430\u043c\u0437\u0430\u0442\u043e\u0432 ; \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d \u0410. \u041c\u045e\u043c\u0438\u043d. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2021. \u2013 248 \u0431. \u2013 ISBN 978-9943-20-864-3.<\/p>\n\n\n\n<p><strong>\u0423\u040e\u041a 176.1<\/strong><\/p>\n\n\n\n<p><strong>\u0427 &#8212; 37<\/strong><\/p>\n\n\n\n<p>\u0427\u0435\u043b\u0435\u0435\u043d, \u041d\u0443\u0440\u0438\u044f<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u0430\u043b\u0431 \u0438\u0444\u0444\u0430\u0442\u0438 : \u04b2\u0430\u0437\u0440\u0430\u0442\u0438 \u041c\u0430\u0440\u044f\u043c [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u041d. \u0427\u0435\u043b\u0435\u0435\u043d ; \u0442\u0443\u0440\u043a \u0442\u0438\u043b\u0438\u0434\u0430\u043d \u040e\u0442\u043a\u0438\u0440\u0431\u0435\u043a \u041c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434\u0441\u043e\u0431\u0438\u0440 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u0441\u0438. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cTRUST AND SUPPORT\u201d \u041c\u0427\u0416, \u201c\u0422\u0438\u0440\u0438\u043b\u0438\u0448\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2022. \u2013 240 \u0431. \u2013 ISBN 978-9943-8217-2-9.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cFurqat hayoti va ijodiga nazar\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">O\u2019zbek shoiri va publitsist&nbsp;Zokirjon Xolmuhammad o\u2019g\u2019li&nbsp;Furqat <strong>(18<\/strong><strong>5<\/strong><strong>8-19<\/strong><strong>09<\/strong><strong>) tavalludining 1<\/strong><strong>6<\/strong><strong>0 yilligiga bag\u2019ishlangan<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-2.png\" alt=\"\" class=\"wp-image-1091\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2023<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; \u201cFurqat hayoti va ijodiga nazar\u201d (o\u2019zbek shoiri va publitsist&nbsp;Zokirjon Xolmuhammad o\u2019g\u2019li&nbsp;Furqat (1858-1909) tavalludining 160 yilligiga bag\u2019ishlanadi<strong>) <\/strong>[Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2023. \u2013 4 b. <strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma taniqli o\u2019zbek shoiri va publitsist&nbsp;Zokirjon Xolmuhammad o\u2019g\u2019li&nbsp;Furqat (1858-1909) tavalludining 160 yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Furqat shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zokirjon Furqat \u2014 o\u2019zbek shoiri va publitsist.&nbsp;Zokirjon Xolmuhammad o\u2019g\u2019li&nbsp;Furqat (ayriliq) tahalluci ostida ijod qilgan shoir 1858 yil Qo\u2019qonda mayda savdogar-hunarmand oilasida tavallud topgan. Eski uslubdagi maktabda tahsil olib, keyinroq madrasada ta\u2019lim olgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oiladagi og\u2019ir moddiy ahvol tufayli 17 yasharli Zokirjon madrasadagi tahsilini tutatishiga to\u2019g\u2019ri keladi. U savdogarlik qilish barobarida, ijod bilan ham shug\u2019ullanadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1889 yilning may oyida Furqat Toshkentga ko\u2019chib o\u2019tadi va Ko\u2019koldosh madrasasidan qo\u2019nib topadi. Shoir Toshkentda ikki yashaydi. Ushbu davr Furqat ijodidagi eng samarali bosqich bo\u2019ldi. Endi shoirning qarshisida rus madaniyatiga batamom sho\u2019ng\u2019ish imkoniyati ochiladi.<\/p>\n\n\n\n<p>Toshkentdagi davrida XIX asr o\u2019zbek adabiyoti uchun batamom yangi yo\u2019nalishdagi yozgan asarlarini targ\u2019ibot qilarkan, Furqat yangilik olib kirgan shoir sifatida namoyon bo\u2019ladi. \u201cGimnaziya\u201d, \u201cFan haqida\u201d, \u201cTeatr haqida, \u201cMusiqiy to\u2019plam haqida\u201d, \u201cShoirning o\u2019rni va she\u2019riyatning yuksakligi haqida\u201d, \u201cKo\u2019rgazma haqida\u201d, \u201cRoyal\u201d, \u201cSuvorov\u201d kabi asarlarida Furqat ma\u2019anaviyatning ilg\u2019or himoyachisi sifatida ilgari chiqadi va rus madaniyati va ilmining qo\u2019shilishiga jonbozlik ko\u2019rsatadi. \u201cFan haqida\u201d nomli she\u2019rida Furqat Rossiyaning texnik jarayoni, temir yo\u2019li, elektr energiyasi va telegrafi haqida ilhomlanib so\u2019zlaydi. Shoir rus olimlarining timsollarini \u2013 \u201cdonishmandarini\u201d yaratishga urinadi.<\/p>\n\n\n\n<p>1891 yilning may oyida Furqat Toshkendan Samarqandga jo\u2019naydi. U erdan xorijga yo\u2019l oladi. Shoir Turkiya, Yunoniston, Bolgariya, Misr kabi davlatlarda bo\u2019lib keladi. 1892 yilning bahorida Furqat Arab amirligiga ketadi va bir muncha vaqt Makkada yashaydi. 1892 yilning kuzida Furqat Bombeyga keladi va Hindiston bo\u2019ylab sayohat qiladi. 1893 yil mart oyida shoir Kashmirga yo\u2019l oladi, so\u2019ngra Qashqarda yashab, keyinroq Furqat Xitoyning Sintszyansk viloyatiga ko\u2019chib o\u2019tib, yashash uchun Yarkent shahrini tanlaydi.<\/p>\n\n\n\n<p>Furqat qaerda bo\u2019lmasin, qaysi erda yashamasin, hamma joyda xalqdagi nohaq kambag\u2019al hayot tarizini ko\u2019radi: hind, afg\u2019on, qoshg\u2019ar xalqi mahalliy er-mulk egalarining va ingliz mustamlakachilarining sitamlariga bardosh berishardi. Furqat mustamlakachilikka qarshi yo\u2019naltirilgan maqolalar yozadi, ayniqsa, ingliz mustamlakachiligining johil siyosatiga qarshi chiqib, ularning qilmishlarini qoralaydi va mehnatkash xalqning zolimlarga qarshi kurashini ochib beradi.<\/p>\n\n\n\n<p>Furqat umrining oxirigacha xalqlar do\u2019stligini tasdiqlab kelgan. Uzoq o\u2019lkalar bo\u2019ylab sayohatda bo\u2019lib, shoir o\u2019z xalqini ham esdan chiqarmagan. Ona erini qo\u2019msagan.<\/p>\n\n\n\n<p>Furqat umrining so\u2019nggi yillarini Yarkentda o\u2019tkazib, 1909 yil vafot etadi.<\/p>\n\n\n\n<p>Shoirning she\u2019rlari rus, tojik, uyg\u2019ur va boshqa tillarga tarjima qilinib, bir necha bor nashrdan chiqqan. Furqatning she\u2019riyati hanuz kitobxonlar tomonidan o\u2019qilib, ko\u2019p sonli kitobsevarlarni quvontirishda davom etib kelmoqda.<\/p>\n\n\n\n<p>Uning she\u2019rlari XIX asr oxiri \u2014 XX asr boshlaridagi o\u2019zbek lirik she\u2019riyatining eng yaxshi namunalaridir. Ko\u2019plab she\u2019rlari kuyga solingan.<\/p>\n\n\n\n<p>Furqat o\u2019zbek shoirlari orasida birinchi publitsist bo\u2019lgan, rus tili, rus ilmi va texnikasini o\u2019rganish uchun zarur ma\u2019lumotlar yozgan. Furqat xalqning ma\u2019naviyati sari intilgan, zero, rus tili orqali jahon madaniyati sari etishish uchun.<\/p>\n\n\n\n<p>Shoir va publitsist Zokirjon Furqat o\u2019zbek madaniyati tarixida yangi sahifa ochdi, adabiyot rivojiga salmoqli hissa qo\u2019shdi. XIX asrning ikkinchi yarmi \u2014 XX asrning boshida yashab ijod qilgan taniqli shoirlar Muqimiy, Ahmad Donish, Zavqiy, Komil Xorazmiylar bilan birga Furqat demokratik adabiyot yaratilishida ishtirok etgan.<\/p>\n\n\n\n<p>Istibdod va zolimlikka bo\u2019lgan nafrat, ona vatanining iqtisodiy va madaniy rivoji sari orzulari, madaniyat va taraqqiyot yo\u2019lida o\u2019z xalqiga chin dildan ko\u2019maklashish istagi \u2014 shular Furqatni bezovta qilib, uning otashin satrlariga quyilgan. Sotsialistik g\u2019oyalarga to\u2019yingan asarlari bilan birga, Furqat ko\u2019pgina lirik g\u2019azallar yozib, ularda hayot va insonlarga bo\u2019lgan tahsinli muhabbati ifodalangan. Din, taqvo, qabr hayotini shoir insonning dunyoviy quvonchlari \u2014 sevgi, do\u2019stlik, tabiat, san\u2019at ila zavqlanish bilan taqqoslaydi.<\/p>\n\n\n\n<p>Furqatning g\u2019azallarida hayotni bor go\u2019zalligini his eta oluvchi inson ovozi jaranglaydi. O\u2019ziga xos uslubi, g\u2019oyalarning nozik va chuqurligi bilan uning she\u2019rlarini XIX asr oxiri \u2014 XX asr boshlari o\u2019zbek she\u2019riyatining eng nodir durdonalari sirasiga qo\u2019shishga undaydi. Ko\u2019plab g\u2019azallari xalq qo\u2019shiqlariga kuyga solingan.<\/p>\n\n\n\n<p>Furqatshunoslikda shu paytgacha yaratilgan deyarli barcha tadqiqotlarda shoir taxallusi bir xil \u2013 Vatandan ayriliq ma\u2019nosida izohlangan. Bu ham to\u2019g\u2019ri. Lekin, mazkur tadqiqotlarda shoir ushbu taxallusni ona-yurtdan yiroqda yashashga majbur bo\u2019lganligi uchun tanlagan, degan qarash ustuvorligi seziladi. Ya\u2019ni, taxallusning faqat birgina ma\u2019nosiga alohida urg\u2019u beriladi. Savol tug\u2019iladi: axir Furqat Vatanda ekanligidayoq mazkur taxallusni tanlagan edi-ku, buning boshqa sabablari yo\u2019qmikan?<\/p>\n\n\n\n<p>Demak, Furqat Toshkentga kelganidan keyin ma\u2019rifatparvar do\u2019sti, \u201cToshkand viloyatining a\u2019lam ul-ulamosi\u201d Sharifxo\u2019ja qozi taklifi bilan taxallusini o\u2019zgartirganligini ta\u2019kidlamoqda. Shoirning Furqat taxallusi bilan yozgan ayrim she\u2019rlari aniqlangan bo\u2019lsa-da, shundan keyin ham u o\u2019z asarlarida asosan Furqat taxallusini qo\u2019lladi.<\/p>\n\n\n\n<p>Bizningcha, u Sharifxo\u2019ja qozining taklifini uning hurmati uchungina qabul qilgan. A\u2019lam ul-ulamoga bo\u2019lgan ehtiromi taqozosi o\u2019laroq ma\u2019lum muddat Farhat taxallusida she\u2019rlar ham yozgan. Lekin, o\u2019zi tanlagan taxallusdan butunlay voz kechmagan.<\/p>\n\n\n\n<p>Shoirning o\u2019z taxallusiga bunchalik sadoqatini qanday izohlash mumkin? Nima uchun u ona-yurtda ekanligidayoq, dastlabki she\u2019rlaridanoq Furqat taxallusini tanladi? Buning bosh sababi nimada? Fikrimizcha, masalaning ildizini shoirning e\u2019tiqodidan, dunyoqarashidan axtarish zarur.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Iloho, tashlama Furqatni o\u2019tga,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Muridi hazrati Jiylon, qulungman.<\/em><\/p>\n\n\n\n<p>Mazkur bayt ham Furqatning qodiriya tariqati asoschisi, tasavvuf ilmida ulkan maktab yaratgan Shayx Abdulqodir Jiyloniyni o\u2019ziga pir deb bilganligini ko\u2019rsatadi. Bunga shoirning boshqa she\u2019rlarida ham ishoralar mavjud. \u201cAylang madad\u201d radifli g\u2019azalining maqta\u2019i ham bunga dalil bo\u2019la oladi:<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Furqatiy yo\u2019llarda qoldi, G\u2019avsi A\u2019zam dastgir,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Qo\u2019l tutarg\u2019a yo\u2019q erur bir rahnamo, aylang madad.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>Manam sho\u2019rida bulbul bo\u2019stonidin adashganman,<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>\u0424\u043e\u0439\u0434\u0430\u043b\u0430\u043d\u0438\u043b\u0433\u0430\u043d \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u043b\u0430\u0440<\/em><\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u0424\u0443\u0440\u049b\u0430\u0442 \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u0434\u0430\u043d [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u043d\u0430\u0437\u043c \/ \u0424\u0443\u0440\u049b\u0430\u0442 ; \u0442\u0443\u0437\u0443\u0432\u0447\u0438 \u0425\u043e\u043c\u0438\u0434 \u0420\u0430\u0441\u0443\u043b. \u2013 To\u0448\u043a\u0435\u043d\u0442, \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u041a\u041f \u041c\u0430\u0440\u043a\u0430\u0437\u0438\u0439 \u043a\u043e\u043c\u0438\u0442\u0435\u0442\u0438, 1980. \u2013 134 \u0431.<\/li>\n\n\n\n<li>Furqat hayoti va ijodi elektron resurs : \/\/ vikipediya : onlayn \u2013kirish rejimi : https:\/\/ <a href=\"http:\/\/www.ziyo.uz\/ilm%20va%20fan\/tarix\/furqat-2\/\">www.ziyo.uz\/ilm va fan\/tarix\/furqat-2\/<\/a><\/li>\n\n\n\n<li>Muqimiy. Furqat. Hamza [Matn] : nazm\/to\u2019plovchi Zebo Qobilova\/ &#8212; Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2022. \u2013 656 b.<\/li>\n\n\n\n<li>\u040e\u0437\u0431\u0435\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438 \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u044f\u0441\u0438. \u0411\u0435\u0448 \u0442\u043e\u043c\u043b\u0438\u043a. \u0423\u0447\u0438\u043d\u0447\u0438 \u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440,\u0493\u0430\u0437\u0430\u043b\u043b\u0430\u0440 \/ &#8212; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0414\u0430\u0432\u043b\u0430\u0442 \u0431\u0430\u0434\u0438\u0438\u0439 \u0430\u0434\u0430\u0431\u0438\u0451\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1961. \u2013 428 \u0431.<\/li>\n\n\n\n<li>\u0424\u0443\u0440\u049b\u0430\u0442 \u0417\u043e\u043a\u0438\u0440\u0436\u043e\u043d \u0425\u043e\u043b\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438. \u0414\u0443\u043e [\u0448\u0435\u044a\u0440\u0438\u044f\u0442] \/ \u0417. \u0424\u0443\u0440\u049b\u0430\u0442 ; \u0448\u0430\u0448\u0440\u0433\u0430 \u0421. \u0420\u0430\u0444\u044a\u0438\u0434\u0434\u0438\u043d \u0442\u0430\u0439\u0451\u0440\u043b\u0430\u0434\u0438 \/\/ \u0425\u0438\u0434\u043e\u044f\u0442. \u2013 2000. &#8212; \u2116 1. \u2013 \u0411. 60-62.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-7.png\" alt=\"\" class=\"wp-image-1103\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-7.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-7-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-8.png\" alt=\"\" class=\"wp-image-1105\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-8.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-8-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-9.png\" alt=\"\" class=\"wp-image-1106\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-9.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-9-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-10.png\" alt=\"\" class=\"wp-image-1107\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-10.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-10-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-11.png\" alt=\"\" class=\"wp-image-1108\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-11.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-11-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-12.png\" alt=\"\" class=\"wp-image-1109\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-12.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-12-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-13.png\" alt=\"\" class=\"wp-image-1110\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-13.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-13-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-14.png\" alt=\"\" class=\"wp-image-1111\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-14.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-14-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-15.png\" alt=\"\" class=\"wp-image-1112\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-15.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-15-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-16.png\" alt=\"\" class=\"wp-image-1113\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-16.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-16-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-17.png\" alt=\"\" class=\"wp-image-1114\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-17.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-17-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-18.png\" alt=\"\" class=\"wp-image-1115\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-18.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-18-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-19.png\" alt=\"\" class=\"wp-image-1116\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-19.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-19-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-20.png\" alt=\"\" class=\"wp-image-1117\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-20.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-20-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-21.png\" alt=\"\" class=\"wp-image-1118\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-21.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-21-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-22.png\" alt=\"\" class=\"wp-image-1119\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-22.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-22-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-23.png\" alt=\"\" class=\"wp-image-1120\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-23.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-23-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-24.png\" alt=\"\" class=\"wp-image-1121\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-24.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-24-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-25.png\" alt=\"\" class=\"wp-image-1122\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-25.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-25-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-26.png\" alt=\"\" class=\"wp-image-1123\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-26.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-26-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-27.png\" alt=\"\" class=\"wp-image-1124\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-27.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-27-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-28.png\" alt=\"\" class=\"wp-image-1125\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-28.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-28-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-29.png\" alt=\"\" class=\"wp-image-1126\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-29.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-29-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-30.png\" alt=\"\" class=\"wp-image-1127\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-30.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-30-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-31.png\" alt=\"\" class=\"wp-image-1128\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-31.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2023\/12\/image-31-300x225.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Toshkent shahar \u201cBilim\u201d axborot-kutubxona<\/p>\n\n\n\n<p class=\"has-text-align-center\">markazi Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cTurkiy guliston yohud ahloq\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;Abdulla Avloniy<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;(tavalludining 145 yilligiga bagishlanadi)<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"225\" height=\"225\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-1.png\" alt=\"\" class=\"wp-image-1542\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-1.png 225w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-1-150x150.png 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Bibliografik sharh<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Toshkent \u2013 2024<\/p>\n\n\n\n<p><strong>&nbsp; 01<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;A13<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u201cTurkiy guliston yohud ahloq\u201d<\/strong> [Matn] : bibliografik sharh \/ Tuzuvchi M. Kavlasheva ; Toshkent shahar Yashnobod tuman axborot- kutubxona markazi. \u2013 Toshkent, 2024. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Hurmatli foydalanuvchilar! E\u2019tiboringizga ma\u2019rifatparvar, jurnalist, davlat va jamoat arbobi Abdulla Avloniy tavalludining 145 yilligiga bag\u2018ishlab, \u201cTurkiy guliston yohud ahloq\u201d nomli kitoblar ko\u2018rgazmasiga tayyorlangan bibliografik sharh taqdim etamiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cTurkiy guliston yohud ahloq\u201d XIX asr oxiri XX asr boshidagi o\u2018zbek milliy madaniyatining mashhur vakillaridan biri ma\u2019rifatparvar shoir, dramaturg, jurnalist, olim, davlat va jamoat arbobi Abdulla Avloniydir. U 1878 yilning 12 iyulida Toshkentning Mergancha mahallasida, to\u2018quvchi Miravlon aka oilasida dunyoga keldi. Bolaligi Mirobod mahallasining egri-bugri ko\u2018chalarida, ko\u2018pchilik qismini ruslar tashkil qilgan temir yo\u2018l ishchilari bolalari orasida kechdi. O\u2018qchidagi eski maktabda, so\u2018ng madrasada o\u2018qidi (1885 \u2013 1886). Mustaqil mutolaa bilan shug\u2018ullandi. Arab, fors, rus tillarini o\u2018rgandi. Orenburg, Qozon, Tiflisda chiqib turgan gazeta-jurnallarni kuzatib bordi. Qisqa muddat ichida u ma\u2019rifatparvar sifatida tanildi va o\u2018lkadagi ijtimoiy-madaniy harakatchilikning faol namoyandalaridan biriga aylandi. Avloniy 1927 yilda Mehnat Qahramoni unvoniga sazovor bo\u2018ldi. U sovet davrida turli mas\u2019uliyatli lavozimlarda xizmat qildi, qaysi vazifada ishlamasin ilm-ma\u2019rifat tarqatish, ta\u2019lim-tarbiya masalalari bilan shug\u2018ullanib keldi, bilim yurtlarida, oliy maktablarda o\u2018qituvchilik qildi. U 1934 yilda vafot etdi. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Yosh avlod orasida taniqli jadidning adabiy merosini targ&#8217;ib qilish maqsadida, uning asarlari va ijodi haqidagi adabiyotlar bilan tanishtiriishni taklif qilamiz.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>Avloniy, Abdulla. Tanlangan asarlar<\/strong> [Matn] : she\u2019rlar, ibratlar. 2 jildlik. J.1. \/ To\u2018plovchi, nashrga tayyorlovchi va so\u2018z boshi muallifi B. Qosimov ; Izohlar va lug\u2018at O. To\u2018laboevniki. \u2013 Toshkent, \u00abMa\u2019naviyat\u00bb, 2009. \u2013 272 b.<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Avloniy Turkiton milliy uyg\u2018onish davrining eng faol vakillaridan. O\u2018zbek teatrining asoschilaridan \u2013 Toshkentdagi \u201cTuron\u201d teatrhavaskorlari to\u2018dasining tuzuvchisi. Afg\u2018oniston va Turkiston o\u2018rtasidagi o\u2018zaro qo\u2018shnichilik munosabatlarini o\u2018rnatishga uringan yangi davr diplomatlaridan edi. Ushbu nashrda adib istedodining xilma-xil qirralarini ifoda etuvchi asarlaridan namunalar berishga xarakat qilindi.<\/p>\n\n\n\n<ul>\n<li><strong>Avloniy, Abdulla. Turkiy guliston yoxud axloq<\/strong> [Matn] \/ A. Avloniy. \u2013 Toshkent : Yoshlar nashriyot uyi, 2018. \u2013 96 6.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Avloniy merosining shoh asari sanalgan \u00abTurkiy guliston yoxud axloq\u00bb asari bolib, unda inson uchun muhim bolgan jamiki axloq-odob meyorlari, talim-tarbiya masalalariga alohida e\u2019tibor qaratilgan. Ushbu asar ikki guruhga ajratilib, \u00abyaxshi xulqlar\u00bb deb nomlagan qismiga 33 maqolat, \u00abyomon xulqlar\u00bb qismiga esa 21 ta maqolat jamlangan. Hayotiy rivoyatlar asosida Avloniy tarbiya va ta\u2019lim bir-biri bilan uzviy bogliqligini, tarbiya avvalo o\u2018qitish bilan amalga oshirilishini asar maz- muniga singdirib yuborgan.<\/p>\n\n\n\n<ul>\n<li><strong>Avloniy, Abdulla. Djadid adabiyoti namoyondalari<\/strong> [Matn] : pand-nasihatlar \/ A. Avloniy. \u2013 Toshkent : Zabarjad media nashriyoti, 2022. \u2013 432 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&#171;Dunyoda eng xor kishi kimdir? Yolgonchi kishidir, xar kimga nima lozim? Rost so\u2019zlik va xushfe\u2019llik. Avloniyning &#171;Yolgonchi chupon&#187; haqidagi she\u2019rida to\u2019gri so\u2019z qutqarar balolardin, deyilgan. Dogi xijron va mojarolardin&#187;, degan goya ham Aziziy goyasiga xamohangdir. Bunday g\u2019oyalar &#171;Birinchi muallim raxbari avval&#187;, &#171;Raxbari muallim&#187; va boshqa darsliklarda xam ko\u2019plab uchraydi.<\/p>\n\n\n\n<ul>\n<li><strong>Avloniy, Abdulla. Afg\u02bbon sayohati<\/strong> [Matn] : kundaliklar, xotiralar \/ A. Avloniy. \u2013 Toshkent : \u201cSharq yulduzi\u201d nashriyoti, 1990. \u2013 78 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1919-melodiy 15-iyunda kech soat 6 da Toshkandan Afg\u2018onistong\u2018a qarab harakat qilduk. Bizim ila birga mashhur mustashriqlardan o\u2018rtoq Brovin ham bor edi. O\u2018rtoq Brovin bir necha yovrupo tillarin bilmoq ila barobar mukammal forsi tilini (ham) bilurdi. Bizlar ila birga Turkiston Jumhuriyatining \u00ab\u0432\u043e\u0435\u043d\u043d\u0438 \u0430\u0442\u0442\u0430\u0448\u0435\u00bb \u2014 harbiy qo\u2018misari o\u2018rtoq Ivano\u2018f, savdo va tijorat shu\u2019basi tarafindan o\u2018rtoq Kuliko\u2018f, siyosiy qo\u2018misar o\u2018rtoq Ziboro\u2018flardan boshqa bir necha texniklar, havo tilgiromchilari, aftomobil ustolari, o\u2018n bir nafar qizil askarlar ham bo\u2018lub, bular(ning) 9 nafari musulmon edi. Bulardan boshqa Afg\u2018onistondan Turkistonga kelmish afg\u2018on hay\u2019ati vakolasindan Abdulrahimxon ila birga elli(k) afg\u2018on askari va bir sartarosh ham bor edi.<\/p>\n\n\n\n<ul>\n<li><strong>Barakaev, R. Abdulla Avloniy va bolalar adabiyoti<\/strong> [Matn] : risola \/ R. Barakaev. \u2013 Toshkent : \u201cFan\u201d nashriyoti, 2004. \u2013 53 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Abdulla Avloniy boshlangich ta\u2019limning mazmunini millat istiqboliga qarab belgilaydi. Unda insonni milliy zaruratga chorlaydigan xalq yaratgan so\u2019z san\u2019atidagi durdonalar o\u2019z aksini topgan. Unda inson qalbiga ziyo nurlarini beradigan ajdodlarimiz meroslari asosiy o\u2019rinni egallaydi. Shuningdek, unda buyuk siymolarning asarlari hamda o\u2019z qalamiga mansub asarlaridan ham foydalaniladi.<\/p>\n\n\n\n<ul>\n<li><strong>Dilova, N. Bolalar adabiyoti va zamonaviylik<\/strong> [Matn] : o\u2018quv qo\u2018llanma \/ R. Dilova. \u2013 Toshkent : \u201cFan\u201d nashriyoti, 1981. \u2013 91 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Avloniy XIX asr oxiri XX asr boshidagi o\u2018zbek milliy madaniyatining mashhur vakillaridan biri ma\u2019rifatparvar shoir, dramaturg, journalist, olim davlat va jamoat arbobidir.Turkiston madaniy hayotida yuz bergan inqilobiy o\u2018zgarishlar davrida millatning tomma\u2019nodagirahnamosi sifatida jadidlarning \u0435takchi g\u2018oyalarini ilgari surgan xalq \u0435takchisi hisoblanadi.Avloniy butun umri davomida ustozlik bilan shug\u2018ullanib, ko\u2018plab o\u2018zbek xalqi farzandlariniilmbulog\u2018idan suv ichishlariga ko\u2018maklashdi. U yaratgan ta\u2019rixiy asarlarning tarbiyaviyahamiyatichuqur ma\u2019naviy mazmunga ega.<\/p>\n\n\n\n<ul>\n<li><strong>Qosimov, B. Abdulla Avloniy.<\/strong> [Matn] : hikoyalar \/ B. Qosimov. \u2013 Toshkent : \u201cFan\u201d nashriyoti, 1979. \u2013 77 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;XVIII asr fransuz ma\u2019rifatchilari aql va ongning roliga juda yuksak baho bergan edilar. Jahon adabiyotidagi ma\u2019rifatchilik bosqichi bilan shug\u2018ullangan tadqiqotchilar bu davr Yevropa madaniyatining umuman hamma jabhalarida uning ma\u2019lum darajada ilohiylashtirilganligini e\u2019tirof etadilar. Bu, tabiiyki, Yevropa mamlakatlarida kapitalizmning rivoji, feodal-patriarxal munosabatlarning taraqqiyotga to\u2018g\u2018anoq bo\u2018lib qolishi, jamiyat hayotida ilm-fan rolining birdan kuchayib ketishi kabi qator omillarga bog\u2018liq edi. XX asr boshlaridagi Turkistonda ham shunga yaqin sharoit maydonga keldi. Nazarimizda, o\u2018lkamizda 1905 yildan keyin yaqqol ko\u2018zga tashlangan fikriy uyg\u2018onish va madaniy ko\u2018tarilish o\u2018z mohiyati bilan XVIII asr fransuz ma\u2019rifatchiligiga ko\u2018p jihatdan o\u2018xshash edi. Avloniy ma\u2019rifatchiligining ildizi ham shunga borib taqaladi. \u00abTurkiy guliston\u2026\u00bbda aql va ilmning, ma\u2019naviy-axloqiy olamning favqulodda ehtiros bilan ulug\u2018lanishi adib ma\u2019rifatchiligining bevosita mazmunidan kelib chiqadi.<\/p>\n\n\n\n<ul>\n<li><strong>\u0410\u0432\u043b\u043e\u043d\u0438\u0439, \u0410\u0431\u0434\u0443\u043b\u043b\u0430. \u0412\u0430\u0442\u0430\u043d\u043d\u0438 \u0441\u0443\u0439\u043c\u0430\u043a<\/strong> [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/ \u0410\u0431\u0434\u0443\u043b\u043b\u0430 \u0410\u0432\u043b\u043e\u043d\u0438\u0439. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0428\u0430\u0440\u049b\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2019. \u2013 33 \u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412\u0430\u0442\u0430\u043d: \u04b3\u0430\u0440 \u0431\u0438\u0440 \u043a\u0438\u0448\u0438\u043d\u0438\u043d\u0433 \u0442\u0443\u0493\u0443\u043b\u0438\u0431 \u045e\u0441\u0433\u0430\u043d \u0448\u0430\u0445\u0430\u0440 \u0432\u0430 \u043c\u0430\u043c\u043b\u0430\u043a\u0430\u0442\u0438\u043d\u0438 \u0448\u0443\u043b \u043a\u0438\u0448\u0438\u043d\u0438\u043d\u0433 \u0432\u0430\u0442\u0430\u043d\u0438 \u0434\u0435\u0439\u0438\u043b\u0443\u0440. \u04b2\u0430\u0440 \u043a\u0438\u043c \u0442\u0443\u0493\u0438\u043b\u0433\u0430\u043d, \u045e\u0441\u0433\u0430\u043d \u0436\u043e\u0439\u0438\u043d\u0438 \u0436\u043e\u043d\u0438\u0434\u0430\u043d \u043e\u0440\u0442\u0438\u049b \u0441\u0443\u044f\u0440. \u04b2\u0430\u0442\u0442\u043e \u0431\u0443 &#8212; \u0412\u0430\u0442\u0430\u043d \u04b3\u0438\u0441\u0441\u0438 &#8212; \u0442\u0443\u0439\u0493\u0443\u0441\u0438 \u04b3\u0430\u0439\u0432\u043e\u043d\u043b\u0430\u0440\u0434\u0430 \u04b3\u0430\u043c \u0431\u043e\u0440. \u0410\u0433\u0430\u0440 \u0431\u0438\u0440 \u04b3\u0430\u0439\u0432\u043e\u043d \u045e\u0437 \u0432\u0430\u0442\u0430\u043d\u0438\u0434\u0430\u043d &#8212; \u044e\u0440\u0442\u0438\u0434\u0430\u043d \u0430\u0439\u0440\u0438\u043b\u0441\u0430, \u045e\u0437 \u0435\u0440\u0438\u0434\u0430\u0433\u0438 \u043a\u0430\u0431\u0438 \u0440\u043e\u04b3\u0430\u0442\u0434\u0430 \u044f\u0448\u0430\u043c\u0430\u0441. \u041c\u0430\u0438\u0448\u0430\u0442\u0438 \u0442\u0430\u043b\u0445 \u0431\u045e\u043b\u0443\u0440, \u04b3\u0430\u0440 \u0432\u0430\u049b\u0442 \u0434\u0438\u043b\u0438\u043d\u0438\u043d\u0433 \u0431\u0438\u0440 \u0433\u045e\u0448\u0430\u0441\u0438\u0434\u0430 \u045e\u0437 \u0432\u0430\u0442\u0430\u043d\u0438\u043d\u0438\u043d\u0433 \u043c\u0443\u04b3\u0430\u0431\u0431\u0430\u0442\u0438 \u0442\u0443\u0440\u0430\u0440.<\/p>\n\n\n\n<ul>\n<li><strong>\u049a\u043e\u0441\u0438\u043c\u043e\u0432, \u0411. \u0410\u0431\u0434\u0443\u043b\u043b\u0430 \u0410\u0432\u043b\u043e\u043d\u0438\u0439<\/strong> [\u041c\u0430\u0442\u043d] : \u0430\u0434\u0430\u0431\u0438\u0439-\u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u043a \u043f\u043e\u0440\u0442\u0440\u0435\u0442 \/ \u0411. \u049a\u043e\u0441\u0438\u043c\u043e\u0432 ; \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0421 \u0410\u04b3\u043c\u0435\u0434\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438, 1979. \u2013 56 \u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u043c\u0430\u049b\u043e\u043b\u0430\u0434\u0430 \u045e\u0437\u0431\u0435\u043a \u0432\u0430 \u0436\u0430\u0434\u0438\u0434 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 \u043a\u0430\u0448\u0444\u0438\u0451\u0442\u0447\u0438\u0441\u0438, \u0445\u0430\u043b\u049b\u0430\u0440\u043e \u043c\u0438\u049b\u0451\u0441\u0434\u0430\u0433\u0438 \u043e\u043b\u0438\u043c \u0411\u0435\u0433\u0430\u043b\u0438 \u049a\u043e\u0441\u0438\u043c\u043e\u0432\u043d\u0438\u043d\u0433 \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u043b\u0438\u043a \u043c\u0430\u04b3\u043e\u0440\u0430\u0442\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437 \u044e\u0440\u0438\u0442\u0438\u043b\u0430\u0434\u0438. \u0423\u0441\u0442\u043e\u0437 \u0432\u0430 \u043c\u0443\u0440\u0430\u0431\u0431\u0438\u0439 \u04b3\u0430\u043c\u0434\u0430 \u0441\u0438\u043d\u0447\u043a\u043e\u0432 \u043e\u043b\u0438\u043c \u0411\u0435\u0433\u0430\u043b\u0438 \u049a\u043e\u0441\u0438\u043c\u043e\u0432\u043d\u0438\u043d\u0433 \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u043b\u0438\u043a \u043c\u0430\u04b3\u043e\u0440\u0430\u0442\u0438 \u0442\u0430\u04b3\u043b\u0438\u043b\u0433\u0430 \u0442\u043e\u0440\u0442\u0438\u043b\u0434\u0438. \u0425\u0443\u0441\u0443\u0441\u0430\u043d, \u201c\u041c\u0438\u043b\u043b\u0438\u0439 \u0443\u0439\u0493\u043e\u043d\u0438\u0448 \u0434\u0430\u0432\u0440\u0438 \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438\u201d \u0434\u0430\u0440\u0441\u043b\u0438\u0433\u0438 \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043d\u0438\u043d\u0433 \u0430\u0441\u043e\u0441\u0438\u0439 \u043e\u0431\u044a\u0435\u043a\u0442\u0438 \u0441\u0438\u0444\u0430\u0442\u0438\u0434\u0430 \u049b\u0430\u0440\u0430\u043b\u0430\u0434\u0438 \u0432\u0430 \u0442\u0430\u04b3\u043b\u0438\u043b\u0433\u0430 \u0442\u043e\u0440\u0442\u0438\u043b\u0430\u0434\u0438.<\/p>\n\n\n\n<p>10. <strong>\u0414\u043e\u043b\u0438\u043c\u043e\u0432, \u0423. \u0410\u0431\u0434\u0443\u043b\u043b\u0430 \u0410\u0432\u043b\u043e\u043d\u0438\u0439 &#8212; \u045e\u0437\u0431\u0435\u043a \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u043a\u0430\u0441\u0438\u043d\u0438\u043d\u0433 \u0434\u0430\u0440\u0493\u0430\u0441\u0438:<\/strong> \u0410\u0431\u0434\u0443\u043b\u043b\u0430 \u0410\u0432\u043b\u043e\u043d\u0438\u0439 \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 140 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u0433\u0430 \/ \u0423. \u0414\u043e\u043b\u0438\u043c\u043e\u0432 \/\/ \u0422\u0438\u043b \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442 \u0442\u0430\u044a\u043b\u0438\u043c\u0438. \u2012 2018. \u2012 \u2116 8. \u2012 \u0411. 5-7. &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u0431\u0434\u0443\u043b\u043b\u0430 \u0410\u0432\u043b\u043e\u043d\u0438\u0439 \u2013 \u0448\u043e\u0438\u0440, \u0451\u0437\u0443\u0432\u0447\u0438, \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433, \u0442\u0435\u0430\u0442\u0440 \u0430\u0440\u0431\u043e\u0431\u0438. \u0428\u0443 \u0431\u0438\u043b\u0430\u043d \u0431\u0438\u0440\u0433\u0430, \u0443 \u0444\u0430\u043e\u043b\u0438\u044f\u0442\u0438\u043d\u0438\u043d\u0433 \u0438\u043b\u043a \u0431\u043e\u0441\u049b\u0438\u0447\u0438\u0434\u0430\u043d \u0442\u043e \u0443\u043c\u0440\u0438\u043d\u0438\u043d\u0433 \u0441\u043e\u044a\u043d\u0433\u0433\u0438 \u0434\u0430\u043c\u043b\u0430\u0440\u0438\u0433\u0430\u0447\u0430 \u043e\u044a\u049b\u0438\u0442\u0443\u0432\u0447\u0438\u043b\u0438\u043a \u049b\u0438\u043b\u0434\u0438, \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u043a\u0430 \u0444\u0430\u043d\u0438\u043d\u0438\u043d\u0433 \u04b3\u0430\u043c \u043d\u0430\u0437\u0430\u0440\u0438\u0439, \u04b3\u0430\u043c \u0430\u043c\u0430\u043b\u0438\u0439 \u043c\u0430\u0441\u0430\u043b\u0430\u043b\u0430\u0440\u0438 \u0431\u0438\u043b\u0430\u043d \u043c\u0443\u0442\u0442\u0430\u0441\u0438\u043b \u0448\u0443\u0493\u0443\u043b\u043b\u0430\u043d\u0434\u0438, \u0434\u0430\u0440\u0441\u043b\u0438\u043a \u0432\u0430 \u049b\u043e\u044a\u043b\u043b\u0430\u043d\u043c\u0430\u043b\u0430\u0440 \u044f\u0440\u0430\u0442\u0434\u0438, \u044f\u043d\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u043b\u0430\u0440\u0438\u043d\u0438 \u0442\u0430\u0440\u0431\u0438\u044f\u043b\u0430\u0431 \u0435\u0442\u0438\u0448\u0442\u0438\u0440\u0434\u0438. \u0410\u0439\u0442\u0438\u0448 \u043c\u0443\u043c\u043a\u0438\u043d\u043a\u0438, \u0443 \u2013 \u0425\u0425 \u0430\u0441\u0440 \u0437\u0430\u043c\u043e\u043d\u0430\u0432\u0438\u0439 \u045e\u0437\u0431\u0435\u043a \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u043a\u0430\u0441\u0438\u043d\u0438\u043d\u0433 \u0430\u0441\u043e\u0441\u0447\u0438\u0441\u0438, \u045e\u0437\u0431\u0435\u043a \u0442\u0438\u043b\u0438 \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438\u043d\u0438 \u045e\u049b\u0438\u0442\u0438\u0448 \u043c\u0435\u0442\u043e\u0434\u0438\u043a\u0430\u0441\u0438 \u0444\u0430\u043d\u0438\u043d\u0438\u043d\u0433 \u0442\u0430\u043c\u0430\u043b \u0442\u043e\u0448\u0438\u043d\u0438 \u049b\u045e\u0439\u0433\u0430\u043d \u043c\u0443\u0442\u0430\u0444\u0430\u043a\u043a\u0438\u0440\u0434\u0438\u0440. \u0423 \u045e\u043d\u0434\u0430\u043d \u043e\u0440\u0442\u0438\u049b \u0434\u0430\u0440\u0441\u043b\u0438\u043a, \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430\u043b\u0430\u0440 \u044f\u0440\u0430\u0442\u0434\u0438, \u0448\u045e\u0440\u043e \u0434\u0430\u0432\u0440\u0438\u0434\u0430 \u04b3\u0430\u043c \u043f\u0435\u0434\u0430\u0433\u043e\u0433 \u043a\u0430\u0434\u0440\u043b\u0430\u0440 \u0442\u0430\u0440\u0431\u0438\u044f\u043b\u0430\u0431 \u0435\u0442\u0438\u0448\u0442\u0438\u0440\u0438\u0448\u0434\u0430 \u0444\u0430\u043e\u043b\u0438\u044f\u0442 \u043a\u045e\u0440\u0441\u0430\u0442\u0434\u0438.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>Olim, Oltinbek.&nbsp; Jadidlar. Abdulla Avloniy<\/strong> [Matn] : risola. \/ O. Oltinbek. \u2013 Toshkent : Yoshlar nashriyot uyi, 2022. \u2013 156 b.<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Avloniy \u2013 Milliy uyg\u2019onish davri o\u2019zbek adabiyotining yirik vakili. Bu davr adabiyotining biror-bir qirrasi yo\u2019q-ki, Avloniy ijodida bo\u2019y ko\u2019rsatmagan bo\u2019lsa: millatni uyg\u2019otishga va milliy ozodlikka chaqiruvchi she\u2019rlarini deysizmi, teatr sohasidagi faoliyatini hamda dramatik asarlarini sanaysizmi, yangi avlod tarbiyasiga bag\u2019ishlangan pedagogik asarlarini aytasizmi, milliy matbuotni oyoqqa turg\u2019izishdagi sa\u2019y-harakatlari yoxud shuning barchasi bizga Abdulla Avloniy shaxsiyatini millat taraqqiyoti yo\u2019lida fidoyilarcha xizmat qilgan ulkan mutafakkir sifatida namoyon etadi. Ushbu risolada shoir ijodining mana shunday muhim qirralarini qamrab olishga harakat qilindi.&nbsp;<\/p>\n\n\n\n<p>Adabiyotlar keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<h2 class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona \u043carkazi<\/h2>\n\n\n\n<h2 class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/h2>\n\n\n\n<h2 class=\"has-text-align-center\">&nbsp;\u201cOdil Yoqubov-sermahsul san\u2019atkor\u201d<\/h2>\n\n\n\n<h2 class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Odil Yoqubov (1926 -2009 y) &nbsp;tavallud topgan kun)<\/h2>\n\n\n\n<h2>&nbsp;<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"503\" height=\"308\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-12.png\" alt=\"\" class=\"wp-image-1572\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-12.png 503w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2024\/11\/image-12-300x184.png 300w\" sizes=\"(max-width: 503px) 100vw, 503px\" \/><\/figure><\/div>\n\n\n<h2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;ESLATMA<\/h2>\n\n\n\n<h2 class=\"has-text-align-center\">&nbsp;&nbsp;Toshkent 2024<\/h2>\n\n\n\n<h2>&nbsp;<\/h2>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;\u201cOdil Yoqubov-sermahsul san\u2019atkor\u201d (O\u2019zbekiston xalq yozuvchisi, dramaturg Odil Yoqubov tavallud topgan kuniga bag\u2019ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2024. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu eslatma O\u2019zbekiston xalq yozuvchisi, dramaturg Odil Yoqubov tavallud topgan kuniga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma O. Yoqubov shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p><strong>Odil Yoqubov<\/strong>&nbsp;(1927-yil 20-oktyabr \u2014 2009-yil 21-dekabr) \u2013&nbsp;o\u2019zbek&nbsp;sovet yozuvchisi, davlat va jamoat arbobi.<\/p>\n\n\n\n<h2>Faoliyati<\/h2>\n\n\n\n<p>1926-yili&nbsp;Qozog\u2019istonning&nbsp;Turkiston tumanidagi Qarnoq qishlog\u02bbida ziyoli oilada tug\u02bbilgan. <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ikkinchi_jahon_urushi\">Ikkinchi jahon urushi<\/a>&nbsp;boshlangach, urushda qatnashish uchun yoshini katta ko\u02bbrsatib,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yaponiya\">Yaponiya<\/a>&nbsp;frontiga jo\u02bbnagan. 1945-yildan 1950-yilgacha haqiqiy harbiy xizmatda bo\u02bbldi. 1951\u20131956-yillar mobaynida O\u02bbrta Osiyo Davlat Universiteti (hozirgi Milliy universitet)da ta\u02bclim olgan. Literaturnaya gazeta\u201cning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston\">O\u02bbzbekiston<\/a>&nbsp;bo\u02bbyicha muxbiri,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_yozuvchilari_uyushmasi\">O\u02bbzbekiston yozuvchilari uyushmasi<\/a>&nbsp;raisi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_adabiyoti_va_san%CA%BCati\">\u201eO\u02bbzbekiston adabiyoti va san\u02bcati\u201c<\/a>&nbsp;gazetasi bosh muharriri va boshqa mas\u2019ul vazifalarda ishlagan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Yozuvchilar_uyushmasi\">O\u02bbzbekiston Yozuvchilar uyushmasida<\/a>&nbsp;adabiy maslahatchi (1955\u20131959), \u201eLiteraturnaya gazeta\u201cning O\u02bbzbekistondagi maxsus&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Muxbiri&amp;action=edit&amp;redlink=1\">muxbiri<\/a>&nbsp;(1959\u20131963; 1967\u20131970), \u201eO\u02bbzbekfilm\u201c kinostudiyasi va O\u02bbzbekiston davlat kinematografiya qo\u02bbmitasida bosh muharrir (1963\u20131967),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBafur_G%CA%BBulom\">G\u02bbafur G\u02bbulom<\/a>&nbsp;nomidagi Adabiyot va san\u02bcat nashriyotida bosh muharrir o\u02bbrinbosari (1970\u20131982),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_adabiyoti_va_san%CA%BCati\">\u201eO\u02bbzbekiston adabiyoti va san\u02bcati\u201c<\/a>&nbsp;gazetasi bosh muharriri (1982\u20131987), O\u02bbzbekiston Yozuvchilar uyushmasi boshqaruvining birinchi kotibi (1987\u20131991),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Respublikasi_Vazirlar_Mahkamasi\">O\u02bbzbekiston Respublikasi Vazirlar Mahkamasi<\/a>&nbsp;huzuridagi Atamashunoslik qo\u02bbmitasi raisi va ayni vaqtda Markaziy Osiyo xalqlari madaniyati Assambleyasining birinchi vitse-prezidenti bo\u02bblgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/2009-yil\">2009-yil<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/21-dekabr\">21-dekabrda<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkentda<\/a>&nbsp;vafot etgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Chig%CA%BBatoy_qabristoni\">Chig\u02bbatoy qabristoniga<\/a>&nbsp;dafn etilgan.<\/p>\n\n\n\n<p>Ijodi<\/p>\n\n\n\n<p>Odil Yoqubovning \u201eEr boshiga ish tushsa\u2026\u201c,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ulug%CA%BBbek_xazinasi\">\u201eUlug\u02bbbek xazinasi\u201c<\/a>, \u201eDiyonat\u201c, \u201eKo\u02bbhna dunyo\u201c, \u201eOq qushlar, oppoq qushlar\u201c, \u201eAdolat manzili\u201c asarlari o\u02bbzbek adabiyotida psixologik roman maydonga kelishiga zamin bo\u02bbldi. Yoqubov qalamiga mansub \u201eChin muhabbat\u201c, \u201eOlma gullaganda\u201c, \u201eYurak yonmog\u02bbi kerak\u201c, \u201eAytsam tilim kuyadi, aytmasam dilim\u201c, \u201eFotihi Muzaffar yoxud bir parivash asiri\u201c, \u201eBir koshona sirlari\u201c kabi dramalar o\u02bbzbek teatrchiligi tarixida muhim ahamiyat kasb etadi. Uning Abdulla Qodiriy, G\u02bbafur G\u02bbulom, Oybek, Abdulla Qahhor, Hamid Olimjon, Abdulla Oripov va boshqalar ijodiga bag\u02bbishlangan adabiy portret va maqolalari bor. Asarlari chet tillarga, shuningdek, qardosh turkiy xalqlar tillariga tarjima qilingan. Odil Yoqubov mohir tarjimon, munaqqid, publitsist sifadida ham nom qozongan. Yoqubov ijodi haqida adabiyotshunoslar&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matyoqub_Qo%CA%BBshjonov\">Matyoqub Qo\u02bbshjonov<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ozod_Sharafiddinov\">Ozod Sharafiddinov<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Leonid_Terakoyan&amp;action=edit&amp;redlink=1\">Leonid Terakoyan<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Umarali_Normatov\">Umarali Normatov<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Norboy_Xudoyberganov&amp;action=edit&amp;redlink=1\">Norboy Xudoyberganov<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Botir_Norboyev&amp;action=edit&amp;redlink=1\">Botir Norboyev<\/a>&nbsp;va boshqalar ilmiy tadqiqot ishlari qilishgan<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Odil_Yoqubov#cite_note-2\"><sup>[<\/sup><sup>2<\/sup><sup>]<\/sup><\/a>.<\/p>\n\n\n\n<h2>Mukofotlari<\/h2>\n\n\n\n<p>1946-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/%E2%80%9EYaponiya_ustidan_qozonilgan_g%CA%BBalaba_uchun%E2%80%9C_medali\">\u201eYaponiya ustidan qozonilgan g\u02bbalaba uchun\u201c medali<\/a>&nbsp;berilgan.<\/p>\n\n\n\n<p>1976-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mehnat_Qizil_Bayroq_ordeni&amp;action=edit&amp;redlink=1\">Mehnat Qizil Bayroq ordeni<\/a>&nbsp;berilgan.<\/p>\n\n\n\n<p>1977-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hamza_nomidagi_O%CA%BBzbekiston_Davlat_mukofoti\">Hamza nomidagi O\u02bbzbekiston Davlat mukofoti<\/a>&nbsp;berilgan.<\/p>\n\n\n\n<p>1985-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Vatan_urushi_ordeni\">Vatan urushi 2-darajali<\/a>&nbsp;ordeni berilgan.<\/p>\n\n\n\n<p>1985-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_xalq_yozuvchisi\">O\u02bbzbekiston xalq yozuvchisi<\/a>&nbsp;faxriy unvoni bilan taqdirlangan.<\/p>\n\n\n\n<p>1986-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mehnat_Qizil_Bayroq_ordeni&amp;action=edit&amp;redlink=1\">Mehnat Qizil Bayroq ordeni<\/a>&nbsp;berilgan.<\/p>\n\n\n\n<p>1994-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Do%CA%BBstlik_ordeni\">Do\u02bbstlik ordeni<\/a>&nbsp;berilgan<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Odil_Yoqubov#cite_note-3\"><sup>[<\/sup><sup>3<\/sup><sup>]<\/sup><\/a>.<\/p>\n\n\n\n<p>1998-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/El-yurt_hurmati_ordeni\">El-yurt hurmati ordeni<\/a>&nbsp;berilgan<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>&nbsp;Foydala<\/strong><strong>nil<\/strong><strong>gan adabiyotlar<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; 1. Yoqubov, O.&nbsp; Adolat manzili [Matn] : ijtimoiy-maishiy roman \/ O. Yoqubov. Abadiy barhayot asarlar\u201d turkumi. \u2013 Toshkent : \u201cZukko kitobxon\u201d, 2022. \u2013 208 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2. Yoqubov, O.&nbsp; Ko\u2019hna dunyo [Matn] : tarixiy roman \/ O. Yoqubov .\u201cAbadiy barhayot asarlar\u201d turkumi. \u2013 Toshkent : \u201cZukko kitobxon\u201d, 2021. \u2013 416 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3. Yoqubov, O.&nbsp; Diyonat [matn] : roman \/ O.Yoqubov. \u2013 Toshkent : \u201cNurli dunyo\u201d nashriyot uyi, 2024. \u2013 416 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4. Yoqubov, O. Er boshiga ish tushsa [Matn] : roman \/ O.Yoqubov. \u2013 Toshkent : \u201cNurli dunyo\u201d nashriyot uyi, 2024. \u2013 320 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5. Yoqubov, O. Ulug\u2019bek xazinasi [Matn] : roman \/ O.Yoqubov. \u2013 Toshkent : \u201c Yangi Kitob\u201d, 2022. \u2013 368 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6. Yoqubov, O.&nbsp; \u0421\u043e\u0432\u0435\u0441\u0442\u044a [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u042f\u043a\u0443\u0431\u043e\u0432. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u201c\u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044a\u201d, 1980 \u0433. \u2013 304 \u0441\u0442\u0440.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7. Yoqubov, O.&nbsp; Ko&#8217;hna dunyo [Matn]: roman \/ O.Yoqubov. \u2013 Toshkent : \u201cO\u2019zbekiston nashriyoti\u201d, 2022. \u2013 400 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8. \u0428\u0430\u0440\u0430\u0444\u0438\u0434\u0434\u0438\u043d\u043e\u0432, \u041e. \u0418\u0441\u0442\u0435\u044a\u0434\u043e\u0434&nbsp; \u0436\u0438\u043b\u043e\u043b\u0430\u0440\u0438 [\u041c\u0430\u0442\u043d] : \u0410\u0434\u0430\u0431\u0438\u0439 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043b\u0430\u0440 \/ \u041e. \u0428\u0430\u0440\u0430\u0444\u0438\u0434\u0434\u0438\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1976. \u2013 232 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9. \u041c\u0438\u0440\u0437\u0430\u0435\u0432, \u0421. \u0428\u0435\u0440\u043c\u0443\u04b3\u0430\u043c\u0435\u0434\u043e\u0432, \u0421. \u04b2\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 \u0442\u0430\u0440\u0438\u0445\u0438 [\u041c\u0430\u0442\u043d] : \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0421. \u041c\u0438\u0440\u0437\u0430\u0435\u0432 \/ \u0422. \u0411\u043e\u0431\u043e\u0435\u0432 \u0442\u0430\u04b3\u0440. \u049b\u0438\u043b\u0433\u0430\u043d \/. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1993. \u2013 422 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10. \u040e\u0437\u0431\u0435\u043a \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438 \u0430\u043d\u0430\u0442\u043e\u043b\u043e\u0433\u0438\u044f\u0441\u0438 [\u041c\u0430\u0442\u043d] : ( \u0422\u0430\u043d\u043b\u0430\u043d\u0433\u0430\u043d \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438) \/\/ \u0422\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440. \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u0422.\u040e\u0437\u0442\u0443\u0440\u043a, \u0418. \u0411\u0438\u043b\u0430\u043d, \u0422. \u041e\u0439\u0434\u0443\u0493\u0430\u043d. \u041c\u0430\u044a\u0441\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 : \u049a. \u049a\u0430\u04b3\u0440\u0430\u043c\u043e\u043d\u043e\u0432). \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0428\u0430\u0440\u049b,&nbsp; 1997, \u2013 288 \u0431.<\/p>\n\n\n\n<ol type=\"1\">\n<li>\u0425\u0443\u0434\u043e\u0439\u0431\u0435\u0440\u0433\u0430\u043d\u043e\u0432, \u041d.&nbsp; \u041f\u0430\u0440\u0432\u043e\u0437 \u0434\u0430\u0432\u043e\u043c \u044d\u0442\u0430\u0434\u0438 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u041d. \u0425\u0443\u0434\u043e\u0439\u0431\u0435\u0440\u0433\u0430\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0430\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1980.<\/li>\n\n\n\n<li>\u041c\u0438\u0440\u0432\u0430\u043b\u0438\u0435\u0432,, \u0421. \u040e\u0437\u0431\u0435\u043a \u0430\u0434\u0438\u0431\u043b\u0430\u0440\u0438 [\u041c\u0430\u0442\u043d] : \u0442\u045e\u043f\u043b\u0430\u043c \/ \u0421. \u041c\u0438\u0440\u0432\u0430\u043b\u0438\u0435\u0432 . \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442, \u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438, 2000.<\/li>\n\n\n\n<li>\u0401\u049b\u0443\u0431\u043e\u0432, \u041e\u0434\u0438\u043b. \u0411\u0438\u043b\u043b\u0443\u0440 \u049b\u0430\u043d\u0434\u0438\u043b\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440 \u0432\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u041e. \u0401\u049b\u0443\u0431\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438, 2020. \u2013 320 \u0431.<\/li>\n<\/ol>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Odil_Yoqubov\">https:\/\/uz.wikipedia.org\/wiki\/Odil_Yoqubov<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cSen elimning yuragida yashaysan\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">(Iste\u2019dodli shoir, shodlik va baxt kuychisi, dramaturg, olim, davlat va jamoat arbobi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Hamid Olimjon (12. 12.1909 \u2013 1944 y.) tavalludining 115 yilligiga bag\u2019ishlanadi<strong>)<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"170\" height=\"204\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-5.png\" alt=\"\" class=\"wp-image-1853\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma<\/em><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;Toshkent-2025<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp; <strong>01<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp; O-49<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c<strong>Sen elimning yuragida yashaysan<\/strong>\u201d (Iste\u2019dodli shoir, shodlik va baxt kuychisi, dramaturg, olim, davlat va jamoat arbobi Hamid Olimjon (12.12.1909 \u2013 03.07.1944 y.)<\/p>\n\n\n\n<p>tavalludining 115 yilligiga bag\u2019ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, 2024. \u2013 7 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma iste\u2019dodli shoir Hamid Olimjon tavalludining<strong>115<\/strong> yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma H. Olimjon shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Hamid Olimjon<\/strong><strong> hayoti va ijodi<\/strong>&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Hamid Olimjon<\/strong>&nbsp;(<strong>Hamid Olimjonovich Azimov<\/strong> (<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1909-yil\">1909-yil<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/12-dekabr\">12-dekabr<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Jizzax\">Jizzax<\/a>&nbsp;\u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1944-yil\">1944-yil<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/3-iyul\">3-iyul<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a>; \u201eForobiy\u201c qabristoniga qayta dafn etilgan)&nbsp;\u2013 o\u02bbzbek&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shoir\">shoiri<\/a>, adabiyotshunosi va jamoat arbobi.Uning \u0430yolining ismi Zulfiyaxonimdir. Lirik she\u02bcrlari bilan 20 asr o\u02bbzbek adabiyotiga munosib hissa qo\u02bbshgan. 30-yillarda shodlik va baxt kuychisi sifatida tanilgan. O\u02bbzbekiston Fanlar Akademiyasi muxbir a\u02bczosi (1943). Boshlang\u02bbich ta\u02bclimdan so\u02bbng 20-yillarning oxirida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Samarqand\">Samarqanddagi<\/a>&nbsp;bilim yurtida (1923\u20131928), Pedagogika akademiyasining ijtimoiy-iqtisodiy fanlar fakultetida (1928\u20131931) o\u02bbqigan va ayni paytda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Zarafshon\">\u201eZarafshon\u201c<\/a>&nbsp;gazetasida bo\u02bblim mudiri (1926\u20131927).&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yoshlar\">\u201eYoshlar\u201c<\/a>&nbsp;gazetasida (1931),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qurilish\">\u201eQurilish\u201c<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sovet_adabiyoti&amp;action=edit&amp;redlink=1\">\u201eSovet adabiyoti\u201c<\/a>&nbsp;jurnallarida mas\u02bcul kotib, Madaniy qurilish ilmiy tadqiqot institutida katta ilmiy xodim (1932\u20131934), Til va adabiyot instituti (1934\u20131937) va O\u02bbquvpedagogika nashriyotida bo\u02bblim mudiri (1938\u20131939),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Yozuvchilar_uyushmasi\">O\u02bbzbekiston Yozuvchilar uyushmasida<\/a>&nbsp;mas\u02bcul kotib (1939\u20131944). Hamid Olimjon 1909-yil 12-dekabrda Jizzaxda tug\u02bbilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asarlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hamid Olimjonning so\u02bbz san\u02bcatiga qiziqishi onasi Komila ayaning ertaklari hamda bobosi Mulla Azim xonadoniga kelib turuvchi Fozil Yo\u02bbldosh o\u02bbg\u02bblining doston va termalari asosida shakllangan. Dastlabki asarlari&nbsp;\u2013 \u201eKo\u02bbklam\u201c (she\u02bcrlar, 1929),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tong_shabadasi&amp;action=edit&amp;redlink=1\">\u201eTong shabadasi\u201c<\/a>&nbsp;(hikoyalar,1930). \u201cOlov sovchiar\u201d (1931), \u201ePoyga\u201c,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=O%CA%BBlim_yovga&amp;action=edit&amp;redlink=1\">\u201eO\u02bblim yovga\u201c<\/a>&nbsp;(1932),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Daryo_kechasi&amp;action=edit&amp;redlink=1\">\u201eDaryo kechasi\u201c<\/a>&nbsp;(1936),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=She%CA%BCrlar&amp;action=edit&amp;redlink=1\">\u201eShe\u02bcrlar\u201c<\/a>&nbsp;(1937), \u201eO\u02bblka\u201c,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Oygul_va_Baxtiyor&amp;action=edit&amp;redlink=1\">\u201eOygul va Baxtiyor\u201c<\/a>&nbsp;(1939), \u201eBaxt\u201c (1940),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qo%CA%BBlingga_qurol_ol!&amp;action=edit&amp;redlink=1\">\u201eQo\u02bblingga qurol ol!\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ona_va_o%CA%BBg%CA%BBil&amp;action=edit&amp;redlink=1\">\u201eOna va o\u02bbg\u02bbil\u201c<\/a>&nbsp;(1942),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ishonch\">\u201eIshonch\u201c<\/a>&nbsp;(1943) she\u02bcriy to\u02bbplamlari muallifi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; She\u02bcrlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hamid Olimjon ijodining 1-davrida hikoyalar yozgan bo\u02bblsada, uning iste\u02bcdodi &nbsp;&nbsp;ko\u02bbproq lirik she\u02bcriyat tabiati bilan uyg\u02bbun bo\u02bblgan. Dastlabki she\u02bcrlarida yangi adabiyot va yangi adabiy shakllar yaratish g\u02bboyasi hukmronlik qilgan. 30-yillarning o\u02bbrtalariga kelib, hayotiy va ijodiy tajribasi oshishi bilan Hamid Olimjon ona-yurt tabiatidan, jamiyat va xalq hayotidan olgan boy taassurotlarini lirik she\u02bcr doirasida yorqin badiiy ifodalash san\u02bcatini egallay boshlagan (<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Kuychining_xayoli&amp;action=edit&amp;redlink=1\">\u201eKuychining xayoli\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ofeliyaning_o%CA%BBlimi&amp;action=edit&amp;redlink=1\">\u201eOfeliyaning o\u02bblimi\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Holbuki,_tun%E2%80%A6&amp;action=edit&amp;redlink=1\">\u201eHolbuki, tun\u2026\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ishim_bordir_o%CA%BBsha_ohuda&amp;action=edit&amp;redlink=1\">\u201eIshim bordir o\u02bbsha ohuda\u201c<\/a>&nbsp;va boshqalar). Ikkinchi jahon urushigacha bo\u02bblgan ijodida 20-asr o\u02bbzbek lirikasining yaxshi namunalari hisoblangan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBrik_gullaganda\">\u201eO\u02bbrik gullaganda\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sevgi_desam%E2%80%A6&amp;action=edit&amp;redlink=1\">\u201eSevgi desam\u2026\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tinim-sizdir_yolg%CA%BBiz_shabboda%E2%80%A6&amp;action=edit&amp;redlink=1\">\u201eTinim-sizdir yolg\u02bbiz shabboda\u2026\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shodlikni_kuylaganimning_sababi&amp;action=edit&amp;redlink=1\">\u201eShodlikni kuylaganimning sababi\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston\">\u201eO\u02bbzbekiston\u201c<\/a>&nbsp;singari lirik she\u02bcrlarini yozgan. Bu she\u02bcrlar g\u02bboyaviy mundarijasi, shakli, go\u02bbzal tili va uslubi bilan e\u02bctibor qozongan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dostonlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1916-yil Jizzax qo\u02bbzg\u02bbolonining shafqatsizlik bilan bostirilganini ko\u02bbrgan shoir 30-yillarda sovet mamlakatida olib borilgan qurilishlar, ro\u02bby bergan iqtisodiy va madaniy o\u02bbzgarishlarni ko\u02bbrib, kelajakka katta umid bilan qaragan. Hamid Olimjon qalbi va shuurini egallagan shunday nekbin tuyg\u02bbu va xayollar uning ijodida romantik tasvir metodining shakllanishiga sababchi bo\u02bblgan. Shoir faqat lirik she\u02bcrlaridagina emas, balki shu davrda yaratgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ikki_qizning_hikoyasi&amp;action=edit&amp;redlink=1\">\u201eIkki qizning hikoyasi\u201c<\/a>&nbsp;(1937), ayniqsa,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Zaynab_va_Omon\">\u201eZaynab va Omon\u201c<\/a>&nbsp;(1938) dostonlarida ham voqelikni shu metod yordamida tasvir etishga intilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hamid Olimjon&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Oygul_bilan_Baxtiyor&amp;action=edit&amp;redlink=1\">\u201eOygul bilan Baxtiyor\u201c<\/a>&nbsp;(1937) hamda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Semurg%CA%BB_yoki_Parizod_va_Bunyod&amp;action=edit&amp;redlink=1\">\u201eSemurg\u02bb yoki Parizod va Bunyod\u201c<\/a>&nbsp;(1939) dostonlarini xalq ertaklari motivlari asosida yaratgan. Bu asarlar erksevarlik g\u02bboyalari, o\u02bbz taqdirini xalq va mamlakat taqdiri bilan bog\u02bblagan qahramonlari hamda badiiy jozibasi bilan kitobxonlar e\u02bctiborini qozongan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ikkinchi_jahon_urushi\">Ikkinchi jahon urushining<\/a>&nbsp;dastlabki yillarida Hamid Olimjon o\u02bbzbek folklori uchun xarakterli bo\u02bblgan ona va o\u02bbg\u02bbil obrazlaridan, shuningdek, xalq og\u02bbzaki ijodiga xos tasvir usuli va vositalaridan yana ham keng foydalanib xalqni kurashga, mardlik va jasoratga ilhomlantiruvchi she\u02bcrlar yozgan (<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qo%CA%BBlingga_qurol_ol!&amp;action=edit&amp;redlink=1\">\u201eQo\u02bblingga qurol ol!\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sharqdan_G%CA%BBarbga_ketayotgan_do%CA%BBstga&amp;action=edit&amp;redlink=1\">\u201eSharqdan G\u02bbarbga ketayotgan do\u02bbstga\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qamal_qilingan_shahar_tepasidagi_oy&amp;action=edit&amp;redlink=1\">\u201eQamal qilingan shahar tepasidagi oy\u201c<\/a>&nbsp;va boshqalar). Ayni paytda u romantik tasvir usulidan foydalangan holda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sevgi\">\u201eSevgi\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sen_tug%CA%BBilgan_kun&amp;action=edit&amp;redlink=1\">\u201eSen tug\u02bbilgan kun\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Jangchi_Tursun&amp;action=edit&amp;redlink=1\">\u201eJangchi Tursun\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Roksananing_ko%CA%BBz_yoshlari&amp;action=edit&amp;redlink=1\">\u201eRoksananing ko\u02bbz yoshlari\u201c<\/a>&nbsp;singari she\u02bcr va balladalarini yaratgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Pogodin&amp;action=edit&amp;redlink=1\">Pogodin<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Uyg%CA%BBun\">Uyg\u02bbun<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sobir_Abdulla\">Sobir Abdulla<\/a>&nbsp;bilan hamkorlikda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=O%CA%BBzbekiston_qilichi&amp;action=edit&amp;redlink=1\">\u201eO\u02bbzbekiston qilichi\u201c<\/a>&nbsp;(1942) dramasini yozgan, front safari (1943-yil, fevral) taassurotlari asosida esa publitsistik maqola va ocherklarini e\u02bclon qilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>O\u02bbzbek madaniy merosiga qo\u02bbshgan hissasi<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hamid Olimjon adabiy ijod bilan birga IT ishlari bilan ham mashg\u02bbul bo\u02bblgan. Ammo u shu davrda yozgan maqolalarida vulgar sotsiologizm ta\u02bcsiridan chiqib keta olmay, ayrim millatparvar yozuvchilar ijodini qoralagan. 30-yillarning 2-yarmida esa Hamid Olimjon \u201cAlpomish\u201d&nbsp;xalq eposini nashrga tayyorlash va&nbsp;Navoiyning 500 yillik yubileyi munosabati bilan uning adabiy merosini o\u02bbrganish jarayonida mumtoz o\u02bbzbek adabiyoti va xalq og\u02bbzaki ijodiga katta mehr bilan yondashgan va madaniy merosimizning bu oltin sahifalarini to\u02bbg\u02bbri ilmiy pozitsiyadan turib talqin etgan. U Navoiy komitetining mas\u02bcul kotibi sifatida ulug\u02bb shoir merosini o\u02bbrganish va asarlarini&nbsp;rus tiliga tarjima qilish ishiga katta hissa qo\u02bbshgan. Hamid Olimjon tomonidan nashrga tayyorlangan \u201eAlpomish\u201c dostoni (Fozil Yo\u2019ldosh o\u2019g\u2019li) esa uzoq yillar davomida xalq og\u02bbzaki ijodi asarlarini o\u02bbrganish va ilmiy nashrini tayyorlash ishida asos bo\u02bblib xizmat qilgan.Hamid Olimjon adabiy ijodining muhim qismini badiiy tarjima tashkil etgan. U&nbsp;Pushkinning \u201cKavkaz asirasi\u201d va \u201cSuv parisi\u201d dostonlari, M. Lermontovning \u201cZamonamiz qahramoni qissasidagi \u201cBela\u201d&nbsp;va&nbsp;Gorkiyning \u201cChelkash\u201d&nbsp;hikoyalari, N. Ostrovskiyning \u201cPolat qanday toblandi\u201d&nbsp;romani, A. Korneychukning \u201cPlaton Krechet\u201d pyesasi, shuningdek, Bayron, Pushkin, Shevchenko, P.Tichina, M. Bezimenskiy, M. Svetlov, K. Simonov, V. Inber kabi shoirlarning ayrim she\u02bcrlarini o\u02bbzbek tiliga tarjima qilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Xotira<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hamid Olimjon 35 yoshida avtomobil halokati natijasida vafot etgan. Toshkent metropoliteni&nbsp;bekatlaridan biri, Yozuvchilar uyushmasining Adabiyotchilar uyi, Samarqanddagi viloyat teatriga Hamid Olimjon nomi berilgan. Toshkent shahrida shoir nomi bilan atalgan maydonda unga haykal o\u02bbrnatilgan (1990). Ushbu hudud yaqinidagi mahalla&nbsp;ham adib nomi bilan ataladi.<\/p>\n\n\n\n<p><strong>Hamid Olimjonning o\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Oygul bilan Baxtiyor [Matn] : ertak- dostonlar \/ X. Olimjon. \u2013 Toshkent : Yangi asr avlodi, 2017.- 112 b. &#8212; ISBN 978-9943-27-988-9.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>Hamid Olimjon. Zulfiya [Matn] : nazm \/ to\u2019plovchi Sh. Otamurod. \u2013 Toshkent : &nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>\u201cO\u2019zbekiston\u201d nashriyoti, 2022. \u2013 376 b. &#8212; ISBN 978-9943-8723-5-6.<\/p>\n\n\n\n<ul>\n<li>Hamid Olimjon. Tong shabadasi [Matn] : hikoyalar,ocherklar, she\u2019rlar \/ H. Olimjon. \u2013 Toshkent : \u201c Read book \u201c nashriyoti MCHJ, 2024-y. \u2013 128 b. &#8212; ISBN 978-9910-9179-4-3.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u041e\u043b\u0438\u043c\u0436\u043e\u043d, \u04b2.&nbsp; \u0421\u0435\u043c\u0443\u0440\u0493 \u0451\u043a\u0438 \u041e\u0439\u0433\u0443\u043b \u0431\u0438\u043b\u0430\u043d \u0411\u0430\u0445\u0442\u0438\u0451\u0440 [\u041c\u0430\u0442\u043d] : \u0434\u043e\u0441\u0442\u043e\u043d \/ \u04b2. \u041e\u043b\u0438\u043c\u0436\u043e\u043d. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1991. \u2013 55 \u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;5. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438 : [\u041c\u0430\u0442\u043d] : \u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u043a\u0430 \/ \u0442\u0430\u04b3\u0440\u0438\u0440 \u04b3\u0430\u0439\u044a\u0430\u0442\u0438 : \u0421. &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u0437\u0438\u043c\u043e\u0432 \u0432\u0430 \u0431\u043e\u0448\u049b. &#8212; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1984. &#8212; 248 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Hamid<\/strong><strong> <\/strong><strong>Olimjonning<\/strong><strong> <\/strong><strong>rus<\/strong><strong> <\/strong><strong>tilidagi<\/strong><strong> <\/strong><strong>asarlari<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6. \u0410\u043b\u0438\u043c\u0434\u0436\u0430\u043d, \u0425. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u0438 \/ \u0425. \u0410\u043b\u0438\u043c\u0434\u0436\u0430\u043d ; \u043f\u0435\u0440.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0443\u0437\u0431.- \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u201c\u0413. \u0413\u0443\u043b\u044f\u043c\u0430\u201d, 1971. \u2013 &nbsp;336 \u0441.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7. &nbsp;\u0413\u0443\u043b\u044f\u043c, \u0410\u0439\u0431\u0435\u043a, \u0425. \u0410\u043b\u0438\u043c\u0434\u0436\u0430\u043d [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f \u0438 \u043f\u043e\u044d\u043c\u044b \/ \u0413. \u0413\u0443\u043b\u044f\u043c.-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041c\u043e\u0441\u043a\u0432\u0430 : \u201c\u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044a\u201d, 1980. \u2013 800 \u0441.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8. \u0421\u043e\u043b\u043d\u044b\u0448\u043a\u043e \u043d\u0430 \u043b\u0438\u0441\u0442\u044c\u044f\u0445 [\u0422\u0435\u043a\u0441\u0442] : \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u044f \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0439 \u043f\u043e\u044d\u0437\u0438\u0438 \/ \u0441\u043e\u0441\u0442. : \u0410.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041d\u0430\u0443\u043c\u043e\u0432. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1989. \u2013 240 \u0441.<\/p>\n\n\n\n<p><strong>Hamid Olimjon haqidagi kitoblar<\/strong><\/p>\n\n\n\n<ul>\n<li>\u041c\u0430\u043c\u0430\u0436\u043e\u043d\u043e\u0432, \u0421. \u0428\u043e\u0438\u0440 \u0434\u0443\u043d\u0451\u0441\u0438 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0421. \u041c\u0430\u043c\u0430\u0436\u043e\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201d\u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438\u201d, 1974. \u2013 224 \u0431.<\/li>\n<\/ul>\n\n\n\n<ol type=\"1\">\n<li>&nbsp;\u041c\u0438\u0440\u0437\u0430\u0435\u0432 \u0421\u0430\u0439\u0434\u0443\u043b\u043b\u0430, \u0428\u0435\u0440\u043c\u0443\u0445\u0430\u043c\u0435\u0434\u043e\u0432 \u0421\u0430\u0438\u0434. \u0425\u043e\u0437\u0438\u0440\u0433\u0438&nbsp; \u0437\u0430\u043c\u043e\u043d&nbsp; \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0442\u0430\u0440\u0438\u0445\u0438 [\u041c\u0430\u0442\u043d] : \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0422. \u0411\u043e\u0431\u043e\u0435\u0432 \u0442\u0430\u04b3\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1993. \u2013 &nbsp;<\/p>\n\n\n\n<ul>\n<li>&nbsp;\u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11.\u041e\u043d\u0430 \u0442\u0438\u043b\u0438 \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 : [\u041c\u0430\u0442\u043d] : \u0434\u0430\u0440\u0441\u043b\u0438\u043a \/ \u0410. \u0420\u0430\u0444\u0438\u0435\u0432, \u041d. \u0492\u0443\u043b\u043e\u043c\u043e\u0432\u0430. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;\u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0428\u0430\u0440\u049b\u201d, 2002.- 304 \u0431.<\/p>\n\n\n\n<p>12.\u040e\u0437\u0431\u0435\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u0423. &nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201d\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2010. \u2013 240 \u0431. \u2013 \u0422\u0438\u0442.\u0432. \u0432\u0430 \u043c\u0430\u0442\u043d \u043f\u0430\u0440\u0430\u043b. &nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; \u045e\u0437\u0431. , \u0440\u0443\u0441, \u0438\u043d\u0433.\u0442\u0438\u043b\u043b\u0430\u0440\u0434\u0430. &#8212; ISBN 978-9943-04-116-5.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Internet sahifalaridan olingan ma\u2019lumotlar<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13. Hamid Olimjon hayoti va ijodi [Elektron resurs] : tafakkur. net \/. \u2013 onlayn. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kirish tartibi : <a href=\"https:\/\/tafakkur.net\/hamid-olimjon\">https:\/\/tafakkur.net\/hamid-olimjon<\/a><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14. Hamid Olimjon hayoti va ijodi [Elektron resurs] : tafakkur. net \/. \u2013 onlayn. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kirish tartibi : <a href=\"https:\/\/tarix.sinaps.uz\/hodisa\/hamid-olimjon\/\">https:\/\/tarix.sinaps.uz\/hodisa\/hamid-olimjon\/<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Axborot-bibliografiya xizmati<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cZiyo istagan qalblar uchun\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;(O\u2019zbek adabiyoti so\u2019z san\u2019atkori Asqad Muxtor<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>&nbsp;(1920.23.12&nbsp;\u2014 1997.17.04)&nbsp;tavallud topgan kuniga bag\u2019ishlanadi).<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"324\" height=\"433\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-6.png\" alt=\"\" class=\"wp-image-1855\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-6.png 324w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-6-224x300.png 224w\" sizes=\"(max-width: 324px) 100vw, 324px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2025<\/strong><\/p>\n\n\n\n<p><strong>001<\/strong><\/p>\n\n\n\n<p><strong>M 92<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cZiyo istagan qalblar uchun\u201d <\/strong>&nbsp;(o\u2019zbek adabiyoti so\u2019z san\u2019atkori Asqad Muxtor<\/p>\n\n\n\n<p>(1920.23.12&nbsp;\u2014 1997.17.04)&nbsp;tavallud topgan kun) [Matn] : Eslatma \/ Tuzuvchi : N. Isaqova. \u2013 Toshkent,&nbsp;&nbsp; 2024. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; <strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu eslatma O\u2019zbek adabiyoti so\u2019z san\u2019atkori Asqad Muxtor (1920.23.12&nbsp;\u2014 1997.17.04) tavallud topgan kuniga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Asqad Muxtor shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada yozuvchining o\u2019zbek va rus tillarida nashr etilgan asarlari, yozuvchi haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslaridan u haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp; Bu yil atoqli adib, O\u2019zbekiston xalq yozuvchisi Asqad Muxtor tavalludiga 104 yil to\u2019ldi. Garchi u kishi vafotidan buyon salkam chorak asr o\u2019tgan bo\u2019lsa-da, asarlari bugun ham&nbsp; biz&nbsp; bilan&nbsp; birga yashamoqda. <\/strong><strong>So\u2019zi o\u2019lmagan adibning o\u2019zi ham o\u2019lmaydi.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp; Asqad Muxtor \u2013 adabiyot mohiyatini teran anglagan va adabiyot xususida fikr almashmoq mumkin bo\u2019lgan juda kam sonly adiblar sirasiga kirardi.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Asqad Muxtor&nbsp;(taxallusi; fam. Muxtorov, 1920.23.12, Farg\u2018ona\u20141997.17.4, Toshkent) \u2014 O\u2018zbekiston xalq yozuvchisi (1980). O\u2018rta Osiyo universitetining filol. fakultetini tugat-gan (1942). Andijon pedagogika institutida kafedra mudiri (1942\u2014 45). &#171;Yosh leninchi&#187;, &#171;Qizil O\u2018zbekiston&#187; gaz.larida mas\u2019ul kotib, bo\u2018lim mudi-ri (1945\u201448). O\u2018zbekiston Yozuvchilar uyushmasi boshqaruvi kotibi (1957-69, 1985-88), uyushma boshqaruvi raisining o\u2018rinbosari (1965), &#171;Sharq yulduzi&#187; (1960\u201465), &#171;Guliston&#187; (1969\u201480) jur.lari, &#171;O\u2018zbekiston adabiyoti va san\u2019ati&#187; gaz.si bosh muharriri (1981-82).Dastlabki dostoni \u2014 &#171;Bizning avlod-lar&#187; (1939) Buxoro mehnatkashlarining o\u2018tmish hayoti haqida. Adib ijodida o\u2018zbek xalqining ma\u2019naviy kamolotini ko\u2018rsatish masalasi muhim o\u2018rin egal-lagan. Bu niyatini u o\u2018zbek ishchi sinfi hayotini tasvirlash orqali amalga oshi-rishga intiladi. Shu jihatdan &#171;Po\u2018lat quyuvchi&#187; (1947) poemasi bilan &#171;Daryolar tutashgan joyda&#187; (1950), &#171;Opa-singil-lar&#187; (1954), &#171;Tug\u2018ilish&#187; (1961) asarla-ri o\u2018rtasida mushtaraklik bor. &#171;Davr mening taqdirimda&#187; (1964), &#171;Chinor&#187; (1969) romanlarida mehnat kishisining yuksak insoniy fazilatlari tasvir-langan. &#171;Chinor&#187; romani mazmun va sha-kliga ko\u2018ra o\u2018ziga xos asar bo\u2018lib, unda o\u2018zbek xalqi bosib o\u2018tgan tarixiy yo\u2018l, kishilar ruhiyati ifoda etiladi. Mehnat kishisi obrazi, uning yaratuvchilik fa-oliyati &#171;Bo\u2018ronlarda bordek halovat&#187; (1976) qissasida yangi qirralari bilan aks etdi. &#171;Amudaryo&#187; (1986) romani Afg\u2018onistondagi voqealar haqida hikoya qiladi. Adib qahramonlari fikrlovchi, mushohada yurituvchi, bahslashuvchi ki-shilardir. Bu hol uning lirikasi uchun ham xosdir. &#171;99 miniatyura&#187; (1962), &#171;She\u2019rlar&#187; (1966), &#171;Sirli nido&#187; (1984) va boshqa kitoblariga kirgan nazmlari bilan o\u2018zbek poeziyasining boy imkoniyatla-rini namoyish qildi. Uning poetik ijodi hayotiy mazmunga to\u2018la, ko\u2018proq voqeaband, hajviyotga moyil. Ularda in-son hayotining o\u2018tkinchiligi va haqiqati haqidagi o\u2018ylar, inson va tabiat muno-sabatlariga oid mu-rakkab savdolar aks etgan. &#171;Mardlik cho\u2018qqisi&#187; (1948), &#171;Yax-shilikka-yaxshilik&#187; (1949), &#171;Chin yurak-dan&#187; (1956), &#171;Dunyo bolalari&#187; (1962), &#171;Ildizlar&#187;, &#171;Jar yoqasidagi chaqmoq&#187; (1984), &#171;Kumush tola&#187; (1988) va boshqa asar-lari bolalarga bag\u2018ishlangan. &#171;Tong bilan uchrashuv&#187; (1987) pesalar to\u2018plami nashr etilgan. &#171;Uyqu qochganda&#187; (1997) kitobi hozirgi hayot, ma\u2019naviyat, madaniyat va ijod masalalariga bag\u2018ishlangan. Sofokl, Shekspir, shuningdek jahon adabiyoti yirik namoyandalarining ay-rim asarlarini o\u2018zbek tiliga tarjima qilgan. Asarlari bir qancha xorijiy tillarda bosilgan. Hamza nomidagi O\u2018zbekiston Davlat mukofoti laureati (1972). &#171;Do\u2018stlik&#187; ordeni bilan mukofot-langan (1995). Asqad Muxtorning \u201ePo\u02bblat quyuvchi\u201c poemasi va \u201eDaryolar tutashgan joyda\u201c, \u201eOpa-singillar\u201c, \u201eTug\u02bbilish\u201c asarlari o\u02bbrtasida mushtaraklik bor. <\/strong><strong>\u201e<\/strong><strong>Chinor<\/strong><strong>\u201c <\/strong><strong>romanida<\/strong><strong> <\/strong><strong>esa<\/strong><strong> <\/strong><strong>mehnat<\/strong><strong> <\/strong><strong>kishisining<\/strong><strong> <\/strong><strong>yuksak<\/strong><strong> <\/strong><strong>insoniy<\/strong><strong> <\/strong><strong>fazilatlari<\/strong><strong> <\/strong><strong>tasvirlangan<\/strong><strong>. \u201e<\/strong><strong>Chinor<\/strong><strong>\u201c <\/strong><strong>romani<\/strong><strong> <\/strong><strong>mazmun<\/strong><strong> <\/strong><strong>va<\/strong><strong> <\/strong><strong>shakliga<\/strong><strong> <\/strong><strong>ko<\/strong><strong>\u02bb<\/strong><strong>ra<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>ziga<\/strong><strong> <\/strong><strong>xos<\/strong><strong> <\/strong><strong>asar<\/strong><strong> <\/strong><strong>bo<\/strong><strong>\u02bb<\/strong><strong>lib<\/strong><strong>, <\/strong><strong>unda<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>zbek<\/strong><strong> <\/strong><strong>xalqi<\/strong><strong> <\/strong><strong>bosib<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>tgan<\/strong><strong> <\/strong><strong>tarixiy<\/strong><strong> <\/strong><strong>yo<\/strong><strong>\u02bb<\/strong><strong>l<\/strong><strong>, <\/strong><strong>kishilar<\/strong><strong> <\/strong><strong>ruhiyati<\/strong><strong> <\/strong><strong>ifoda<\/strong><strong> <\/strong><strong>etiladi<\/strong><strong>.<\/strong><strong>Mehnat<\/strong><strong> <\/strong><strong>kishisi<\/strong><strong> <\/strong><strong>obrazi<\/strong><strong>, <\/strong><strong>uning<\/strong><strong> <\/strong><strong>yaratuvchilik<\/strong><strong> <\/strong><strong>faoliyati<\/strong><strong> \u201e<\/strong><strong>Bo<\/strong><strong>\u02bb<\/strong><strong>ronlarda<\/strong><strong> <\/strong><strong>bordek<\/strong><strong> <\/strong><strong>halovat<\/strong><strong>\u201c (1976) <\/strong><strong>qissasida<\/strong><strong> <\/strong><strong>yangi<\/strong><strong> <\/strong><strong>qirralari<\/strong><strong> <\/strong><strong>bilan<\/strong><strong> <\/strong><strong>aks<\/strong><strong> <\/strong><strong>etdi<\/strong><strong>. \u201e<\/strong><strong>Amu<\/strong><strong>\u201c (1986) <\/strong><strong>romani<\/strong><strong> <\/strong><strong>Afg<\/strong><strong>\u02bb<\/strong><strong>onistondagi<\/strong><strong> <\/strong><strong>voqealar<\/strong><strong> <\/strong><strong>haqida<\/strong><strong> <\/strong><strong>hikoya<\/strong><strong> <\/strong><strong>qiladi<\/strong><strong>. <\/strong><strong>Adib<\/strong><strong> <\/strong><strong>qahramonlari<\/strong><strong> <\/strong><strong>fikrlovchi<\/strong><strong>, <\/strong><strong>mushohada<\/strong><strong> <\/strong><strong>yurituvchi<\/strong><strong>, <\/strong><strong>bahslashuvchi<\/strong><strong> <\/strong><strong>kishilardir<\/strong><strong>. <\/strong><strong>Bu<\/strong><strong> <\/strong><strong>hol<\/strong><strong> <\/strong><strong>uning<\/strong><strong> <\/strong><strong>lirikasi<\/strong><strong> <\/strong><strong>uchun<\/strong><strong> <\/strong><strong>ham<\/strong><strong> <\/strong><strong>xosdir<\/strong><strong>.<\/strong><strong>So<\/strong><strong>\u02bb<\/strong><strong>ngra<\/strong><strong> <\/strong><strong>u<\/strong><strong> \u201e<\/strong><strong>Yosh<\/strong><strong> <\/strong><strong>leninchi<\/strong><strong>\u201c, \u201e<\/strong><strong>Qizil<\/strong><strong> <\/strong><strong>O<\/strong><strong>\u02bb<\/strong><strong>zbekiston<\/strong><strong>\u201c <\/strong><strong>gazetalari<\/strong><strong>, \u201e<\/strong><strong>Sharq<\/strong><strong> <\/strong><strong>yulduzi<\/strong><strong>\u201c, \u201e<\/strong><strong>Guliston<\/strong><strong>\u201c <\/strong><strong>jurnallarida<\/strong><strong> <\/strong><strong>ishladi<\/strong><strong>. <\/strong><strong>O<\/strong><strong>\u02bb<\/strong><strong>zbekistondagi<\/strong><strong> <\/strong><strong>birinchi<\/strong><strong> <\/strong><strong>haftalik<\/strong><strong> <\/strong><strong>gazeta&nbsp;<\/strong><strong>\u2013 \u201e<\/strong><strong>O<\/strong><strong>\u02bb<\/strong><strong>zbekiston<\/strong><strong> <\/strong><strong>adabiyoti<\/strong><strong> <\/strong><strong>va<\/strong><strong> <\/strong><strong>san<\/strong><strong>\u02bc<\/strong><strong>ati<\/strong><strong>\u201c<\/strong><strong>ning<\/strong><strong> <\/strong><strong>tashkilotchilaridan<\/strong><strong> <\/strong><strong>biri<\/strong><strong> <\/strong><strong>bo<\/strong><strong>\u02bb<\/strong><strong>ldi<\/strong><strong>. <\/strong><strong>Yozuvchilar<\/strong><strong> <\/strong><strong>uyushmasida<\/strong><strong> <\/strong><strong>kotiblik<\/strong><strong> <\/strong><strong>qildi<\/strong><strong>. <\/strong><strong>Uning<\/strong><strong> <\/strong><strong>poetik<\/strong><strong> <\/strong><strong>ijodi<\/strong><strong> <\/strong><strong>hayotiy<\/strong><strong> <\/strong><strong>mazmunga<\/strong><strong> <\/strong><strong>to<\/strong><strong>\u02bb<\/strong><strong>la<\/strong><strong>, <\/strong><strong>ko<\/strong><strong>\u02bb<\/strong><strong>proq<\/strong><strong> <\/strong><strong>voqeaband<\/strong><strong>, <\/strong><strong>hajviyotga<\/strong><strong> <\/strong><strong>moyil<\/strong><strong>. <\/strong><strong>Ularda<\/strong><strong> <\/strong><strong>inson<\/strong><strong> <\/strong><strong>hayotining<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>tkinchiligi<\/strong><strong> <\/strong><strong>va<\/strong><strong> <\/strong><strong>haqiqati<\/strong><strong> <\/strong><strong>haqidagi<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>ylar<\/strong><strong>, <\/strong><strong>inson<\/strong><strong> <\/strong><strong>va<\/strong><strong> <\/strong><strong>tabiat<\/strong><strong> <\/strong><strong>munosabatlariga<\/strong><strong> <\/strong><strong>oid<\/strong><strong> <\/strong><strong>murakkab<\/strong><strong> <\/strong><strong>savdolar<\/strong><strong> <\/strong><strong>aks<\/strong><strong> <\/strong><strong>etgan<\/strong><strong>. <\/strong><strong>Asqad<\/strong><strong> <\/strong><strong>Muxtor<\/strong><strong> <\/strong><strong>jahonning<\/strong><strong> <\/strong><strong>Sofokl<\/strong><strong>, <\/strong><strong>Tagor<\/strong><strong>, <\/strong><strong>Pushkin<\/strong><strong>, <\/strong><strong>Lermontov<\/strong><strong>, <\/strong><strong>Blok<\/strong><strong>, <\/strong><strong>Mayakovskiy<\/strong><strong> <\/strong><strong>singari<\/strong><strong> <\/strong><strong>buyuk<\/strong><strong> <\/strong><strong>adiblarning<\/strong><strong> <\/strong><strong>asarlarini<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>zbek<\/strong><strong> <\/strong><strong>tiliga<\/strong><strong> <\/strong><strong>tarjima<\/strong><strong> <\/strong><strong>qildi<\/strong><strong> <\/strong><strong>va<\/strong><strong> <\/strong><strong>o<\/strong><strong>\u02bb<\/strong><strong>zbek<\/strong><strong> <\/strong><strong>kitobxonlarining<\/strong><strong> <\/strong><strong>mehriga<\/strong><strong> <\/strong><strong>sazavor<\/strong><strong> <\/strong><strong>bo<\/strong><strong>\u02bb<\/strong><strong>ldi<\/strong><strong>. 1997 <\/strong><strong>yil<\/strong><strong> 17 <\/strong><strong>aprelda<\/strong><strong> <\/strong><strong>Toshkent<\/strong><strong> <\/strong><strong>shahrida<\/strong><strong> <\/strong><strong>vafot<\/strong><strong> <\/strong><strong>etgan<\/strong><strong>.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;U haqida<br><br><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; 1.\u0425\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 [\u041c\u0430\u0442\u043d]: \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0421. \u041c\u0438\u0440\u0437\u0430\u0435\u0432. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1993. \u2013 422 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2. \u0420\u0438\u0437\u0430\u0435\u0432 \u0428. \u201c\u041e\u043b\u0430\u043c \u0434\u0430\u0440\u0434\u0438 \u0447\u045e\u043a\u0442\u0438\u0440\u0433\u0430\u043d \u043e\u0434\u0430\u043c\u201d : [\u0410\u0441\u049b\u0430\u0434 \u041c\u0443\u0445\u0442\u043e\u0440 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437] \/ \u0428. &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0420\u0438\u0437\u0430\u0435\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2020. \u2013 24 \u0434\u0435\u043a. \u2013 \u0411. 6.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3. \u0492\u0430\u0439\u0440\u0430\u0442 \u041c\u0430\u0436\u0438\u0434. \u201c\u0412\u0430\u0442\u0430\u043d \u0431\u043e\u0440\u043a\u0438, \u04b3\u0430\u0451\u0442 \u2013 \u0441\u0430\u043e\u0434\u0430\u0442 \u0431\u043e\u0440\u201d : [\u0410\u0441\u049b\u0430\u0434 \u041c\u0443\u0445\u0442\u043e\u0440 \u04b3\u0430\u049b\u0438\u0434\u0430<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0441\u045e\u0437] \/ \u041c. \u0492\u0430\u0439\u0440\u0430\u0442 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2020. \u2013 24 \u0434\u0435\u043a. \u2013 \u0411. 6.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4. \u04b2\u0430\u0437\u0440\u0430\u0442\u049b\u0443\u043b\u043e\u0432, \u041c. \u201c\u0422\u0430\u043b\u0430\u0431\u0447\u0430\u043d \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440, \u043c\u0435\u04b3\u0440\u0438\u0431\u043e\u043d \u0443\u0441\u0442\u043e\u0437\u201d : [\u0410\u0441\u049b\u0430\u0434 \u041c\u0443\u0445\u0442\u043e\u0440<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 100 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u0433\u0430] \/ \u041c. \u04b2\u0430\u0437\u0440\u0430\u0442\u049b\u0443\u043b\u043e\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2020. \u2013 22 \u0434\u0435\u043a. \u2013 \u0411. 6.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5. \u04b2\u0430\u043c\u0434\u0430\u043c\u043e\u0432, \u0423. \u201c\u0421\u0435\u0432\u0434\u0438\u043c \u043c\u0435\u043d \u0437\u0430\u043c\u043e\u043d\u0434\u043e\u0448 \u043d\u0430\u0441\u043b\u0438\u043c\u043d\u0438\u201d : [\u0410\u0441\u049b\u0430\u0434 \u041c\u0443\u0445\u0442\u043e\u0440<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0442\u0430\u0432\u0430\u043b\u043b\u0443\u0434\u0438\u043d\u0438\u043d\u0433 100 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u0433\u0430] \/ \u0423. \u04b2\u0430\u043c\u0434\u0430\u043c\u043e\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;2020. \u2013 10 \u0434\u0435\u043a. \u2013 \u0411. 6.<\/p>\n\n\n\n<p>.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u041c\u0443\u0445\u0442\u043e\u0440 &nbsp;\u0410. \u0427\u0438\u043d\u043e\u0440 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0432\u043e\u044f\u0442\u043b\u0430\u0440, \u04b3\u0438\u043a\u043e\u044f\u0442\u043b\u0430\u0440, \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438 , 1983. \u2013 390 \u0431.<\/li>\n\n\n\n<li>\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0411\u045e\u0440\u043e\u043d\u043b\u0430\u0440\u0434\u0430 \u0431\u043e\u0440\u0434\u0435\u043a \u04b3\u0430\u043b\u043e\u0432\u0430\u0442&#8230; [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1976. \u2013 280 \u0431.<\/li>\n\n\n\n<li>&nbsp;\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0422\u043e\u043d\u0433 \u0431\u0438\u043b\u0430\u043d \u0443\u0447\u0440\u0430\u0448\u0443\u0432 [\u041c\u0430\u0442\u043d] : \u043f\u044c\u0435\u0441\u0430\u043b\u0430\u0440 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1987. \u2013 216 \u0431.<\/li>\n\n\n\n<li>&nbsp;\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0418\u043b\u0434\u0438\u0437\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440 \u0432\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1984. \u2013 176 \u0431.<\/li>\n\n\n\n<li>&nbsp;\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0411\u0443\u0445\u043e\u0440\u043e\u043d\u0438\u043d\u0433 \u0436\u0438\u043d\u043a\u045e\u0447\u0430\u043b\u0430\u0440\u0438 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1981. \u2013 144 \u0431.<\/li>\n\n\n\n<li>\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0410\u043c\u0443 [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1986. \u2013 320 \u0431.<\/li>\n\n\n\n<li>\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0422\u0430\u043d\u043b\u0430\u043d\u0433\u0430\u043d \u0430\u0441\u0430\u0440\u043b\u0430\u0440. 4 \u0442\u043e\u043c\u043b\u0438\u043a [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1972. \u2013 648 \u0431.<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8.&nbsp; \u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 4 \u0436\u0438\u043b\u0434\u043b\u0438\u043a [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u0434\u043e\u0441\u0442\u043e\u043d\u043b\u0430\u0440 \/ \u0410.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1983. \u2013 352 \u0431.<\/p>\n\n\n\n<p>9.\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 3 \u0436\u0438\u043b\u0434 [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d, \u049b\u0438\u0441\u0441\u0430 \/ \u0410. \u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1982. \u2013 528 \u0431.<\/p>\n\n\n\n<ol type=\"1\">\n<li>&nbsp;\u041c\u0443\u0445\u0442\u043e\u0440 \u0410. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 1 \u0436\u0438\u043b\u0434. \u041e\u043f\u0430 &#8212; \u0441\u0438\u043d\u0433\u0438\u043b\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d&nbsp; \/ \u0410.&nbsp;<\/li>\n<\/ol>\n\n\n\n<p>\u041c\u0443\u0445\u0442\u043e\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442, 1980. \u2013 509 \u0431.<\/p>\n\n\n\n<ol type=\"1\">\n<li>&nbsp;Asqad Muxtor [Matn] : nasr va nazm \/ to\u2019plovchilar : G\u2019ayrat Majid, Ikrom Iskandar. \u2013 Toshkent : \u201c O\u2019zbekiston \u201d, 2022. \u2013&nbsp; 392 b.<\/li>\n\n\n\n<li>&nbsp;Asqad Muxtor. Chinor [Matn] : roman \/ \u201cAbadiy barhayot asarlar\u201d turkumi. \u2013 Toshkent : \u201c Ilm-ziyo &#8212; zakovat\u201d, 2020. \u2013&nbsp; 432 b.<\/li>\n<\/ol>\n\n\n\n<p>13.&nbsp; Asqad Muxtor. Opa \u2013 singillar [Matn] : roman \/ A. Muxtor. \u2013 Toshkent : \u201c Yangi asr avlodi\u201d, 2023. \u2013&nbsp; 544 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 14. Asqad Muxtor. Bo\u2019ronlarda bordek halovat [Matn] : qissa \/ A. Muxtor. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Toshkent : \u201c Qaqnus media\u201d, 2020. \u2013&nbsp; 320 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15. Asqad Muxtor. Chodirxayol [Matn] : hikoyalar \/ A. Muxtor. \u2013 Toshkent :<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cO\u2019zbekiston\u201d, 2021. \u2013&nbsp; 192 b.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;<strong>Rus tilidagi asarlari<\/strong><\/p>\n\n\n\n<p>1. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u041c\u043e\u043b\u043d\u0438\u044f \u043d\u0430\u0434 \u043e\u0431\u0440\u044b\u0432\u043e\u043c [\u0422\u0435\u043a\u0441\u0442] : \u0434\u043b\u044f \u0434\u0435\u0442\u0435\u0439 \u0441\u0440\u0435\u0434\u043d\u0435\u0433\u043e \u0448\u043a\u043e\u043b\u044c\u043d\u043e\u0433\u043e \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430 \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013\u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u042e\u043b\u0434\u0443\u0437\u0447\u0430, 1988. \u2013 240 \u0441\u0442\u0440 .<\/p>\n\n\n\n<p>2. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410.\u0427\u0438\u043d\u0430\u0440\u0430 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \u0432 \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0445, \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430\u0445 \u0438 \u043f\u043e\u0432\u0435\u0441\u0442\u044f\u0445 &nbsp;\/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 1973. \u2013 320&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>3. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0421\u0435\u0441\u0442\u0440\u044b [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 1962. \u2013 509&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>4. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u043e\u0435 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \u0432 \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0445, \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430\u0445 \u0438 \u043f\u043e\u0432\u0435\u0441\u0442\u044f\u0445&nbsp; \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 , 1990. \u2013 559&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>5. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0423\u0437\u043a\u0438 \u0443\u043b\u043e\u0447\u043a\u0438 \u0411\u0443\u0445\u0430\u0440\u044b [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1988. \u2013 415&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>6. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u041a\u0430\u0440\u0430\u043a\u0430\u043b\u043f\u0430\u043a\u0441\u043a\u0430\u044f&nbsp; \u043f\u043e\u0432\u0435\u0441\u0442\u044a [\u0422\u0435\u043a\u0441\u0442] : \u043f\u043e\u0432\u0435\u0441\u0442\u044a \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0422\u0430\u0448\u043a\u0435\u043d\u0442, 1958. \u2013 528&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>7. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0412\u0440\u0435\u043c\u044f \u0432 \u043c\u043e\u0435\u0439 \u0441\u0443\u0434\u044a\u0431\u0435 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0422\u0430\u0448\u043a\u0435\u043d\u0442, 1965. \u2013 485&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>8. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0421\u043b\u0435\u0434 \u0440\u0443\u043a\u0438&nbsp; [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d&nbsp; \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0438 \u0438\u0441\u0441\u043a\u0443\u0441\u0442\u0432\u0430, 1980. \u2013 350&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p>9. \u041c\u0443\u0445\u0442\u0430\u0440 \u0410. \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u0423\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u0430\u043d [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410. \u041c\u0443\u0445\u0442\u0430\u0440. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0423\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u0430\u043d, 1974. \u2013 240&nbsp; \u0441\u0442\u0440.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Axborot-bibliografiya xizmati<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cOybek \u2013 betakror adib, chin inson, buyuk qalb sohibi\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Oybek (10.01.1905 \u2013 01.07.1968) tavalludining 120 yilligiga bag\u2019ishlanadi.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"336\" height=\"436\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-7.png\" alt=\"\" class=\"wp-image-1857\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-7.png 336w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/05\/image-7-231x300.png 231w\" sizes=\"(max-width: 336px) 100vw, 336px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Tavsiyaviy adabiyotlar ro\u2019yxati<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2025<\/strong><\/p>\n\n\n\n<p><strong>001<\/strong><\/p>\n\n\n\n<p><strong>O-38<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u201cOybek \u2013 betakror adib, chin inson, buyuk qalb sohibi\u201d(<\/strong><strong>10.01.1905 \u2013 01.07.1968) tavalludining 120 yilligiga bag\u2019ishlanadi <\/strong>[Matn] : tavsiyaviy adabiyotlar ro\u2019yxati \/ Tuzuvchi : N. Isaqova. \u2013 Toshkent,&nbsp;&nbsp; 2025. \u2013 4 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Hurmatli foydalanuvchilar!<\/strong> E\u2019tiboringizga ulkan iste\u2019dod sohibi, hozirgi zamon o\u2019zbek adabiyotining mumtoz adibi, tom ma\u2019nodagi xalqchil ijodkorga bag\u2019ishlab tayyorlangan tavsiyaviy adabiyotlar ro\u2019yxatini taqdim etamiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu qo\u2019llanmadan mavzuga oid adabiyotlar o\u2019rin olgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oybek lirik shoir va ulkan adib sifatida dong taratgan . Uning kamalakdek tovlanuvchi serjilo va qudratli she\u2019riyatini, purviqor va hikmatli nasrini kitobxonlar sevib o\u2019qimoqda.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Oybek&nbsp;(taxallusi; asl ism-sharifi Musa Toshmuhammad o\u02bbg\u02bbli;&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1905-yil\">1905-yil<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/10-yanvar\">10-yanvar<\/a>&nbsp;\u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a>&nbsp;\u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1968-yil\">1968-yil<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1-iyul\">1-iyul<\/a>)&nbsp;\u2014 shoir, yozuvchi, adabiyotshunos olim va jamoat arbobi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_xalq_yozuvchisi\">O\u02bbzbekiston xalq yozuvchisi<\/a>&nbsp;(1965),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Fanlar_akademiyasi\">O\u02bbzbekiston Fanlar akademiyasi<\/a>&nbsp;akademigi (1943). Oybek hunarmand-bo\u02bbzchi oilasida tug\u02bbilgan. Dastlab&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Oqmasjid\">Oqmasjid<\/a>&nbsp;mahallasidagi eski maktabda (1911-1917), so\u02bbng&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Munavvarqori_Abdurashidxonov\">Munavvarqori Abdurashidxonov<\/a>&nbsp;tashkil etgan \u201eNamuna\u201c maktabida (1918-1921) boshlang\u02bbich ma\u02bclumot oladi. Shundan keyin&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Navoiy\">Navoiy<\/a>&nbsp;nomidagi ta\u02bclim va tarbiya texnikum-internatida tahsil olgach (1921-1925), Toshkent unversitetining ijtimoiy fanlar fakultetida (1925-1927),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Leningrad_xalq_xo%CA%BBjaligi_instituti&amp;action=edit&amp;redlink=1\">Leningrad xalq xo\u02bbjaligi institutida<\/a>&nbsp;(1927-1929) o\u02bbqiydi va og\u02bbir xastalikka chalingani sababli yana Toshkentga qaytib, Toshkent unversitetida o\u02bbqishni tugatadi (1930). Oybek mehnat faoliyatini talabalik yillaridan boshlab, o\u02bbrta maktab, texnikum va ishchilar fakultetlarida (1925-1927), va Xalq xo\u02bbjaligi, Qishloq xo\u02bbjalik va Pedagogika institutlarida til va adabiyot fanlaridan dars beradi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Toshkent_instituti&amp;action=edit&amp;redlink=1\">Toshkent institutining<\/a>&nbsp;iqtisod fakultetida esa&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Assistent\">assistent<\/a>&nbsp;sifatida xizmat qiladi (1930-1935-yillarda). Ayni paytda Madaniy qurilish ilmiy tadqiqot instituti (1933-yil) va Fanlar komiteti huzuridagi Til va adabiyot institutida (1934-1937-yillarda) ilmiy xodim bo\u02bblib ishlaydi. 1937-yilda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sovet_ittifoqi\">Sovet<\/a>&nbsp;davlati qatag\u02bbon siyosatining avj olishi Oybekning \u201emillatchi\u201c va \u201emilliy ittiqodchilar\u201cga xayrixoh kishi sifatida ishdan haydalishi hamda tazyiqqa uchrashiga sababchi bo\u02bbladi. Kambag\u02bbal oiladan chiqqanligi va internatda tarbiyalanganligi tufayli qatag\u02bbondan omon qolgan Oybek 1938-yil oxiridagina&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston\">O\u02bbzbekiston<\/a>&nbsp;o\u02bbquv-pedagogika nashriyotiga tarjimon-muharrir sifatida ishga qabul qilinadi. 1941-1945-yillar urushining boshlanishi bilan u yana nomatlub shaxs sifatida quvg\u02bbinga uchraydi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Fanlar_akademiyasi\">O\u02bbzbekiston Fanlar akademiyasining<\/a>&nbsp;tashkil etilishi bilan akademiyaning gumanitar bo\u02bblimiga (1935-1951-yillar),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hamid_Olimjon\">Hamid Olimjon<\/a>&nbsp;vafotidan keyin esa&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_yozuvchilari_uyushmasi\">O\u02bbzbekiston yozuvchilari uyushmasi<\/a>&nbsp;hay\u02bcatiga rais,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sharq_yulduzi\">\u201eSharq yulduzi\u201c<\/a>&nbsp;jurnaliga bosh muharrir (1945-1959-yillar) etib tayinlanadi; Til va adabiyot institutining direktori (1950-1952-yillar) hamda \u201eO\u02bbzbek tili va adabiyoti\u201c jurnalining bosh muharriri (1958-1968-yillar) vazifasini bajaradi. 50-yillar avvalida yana qatag\u02bbon to\u02bblqinining boshlanishi bilan Oybek&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Insult\">insult<\/a>&nbsp;xastaligiga uchraydi va uzoq, davom etgan xastalik oqibatida vafot etadi. Oybek adabiy faoliyatini shoir sifatida boshlagan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Cholg%CA%BBu_tovushi&amp;action=edit&amp;redlink=1\">\u201eCholg\u02bbu tovushi\u201c<\/a>&nbsp;degan birinchi she\u02bcri 1922-yil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Armug%CA%BBon&amp;action=edit&amp;redlink=1\">\u201eArmug\u02bbon\u201c<\/a>&nbsp;jurnalida bosilgan. Bu vaqtda u&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Cho%CA%BBlpon\">Cho\u02bblpon<\/a>, shuningdek, \u201eyosh usmonlilar\u201c she\u02bcriyati ta\u02bcsirida bo\u02bblib, ular ruhidagi she\u02bcrlaridan iborat&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tuyg%CA%BBular&amp;action=edit&amp;redlink=1\">\u201eTuyg\u02bbular\u201c<\/a>&nbsp;(1926-yil) va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ko%CA%BBngil_naylari&amp;action=edit&amp;redlink=1\">\u201eKo\u02bbngil naylari\u201c<\/a>&nbsp;(1929-yil) to\u02bbplamlarini e\u02bclon qilgan. Oybek dastlabki ijodida davrning o\u02bbtkinchi mavzulariga bag\u02bbishlangan sarbast she\u02bcrlar yaratgan, ularning aksariyati&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mash%CA%BCala&amp;action=edit&amp;redlink=1\">\u201eMash\u02bcala\u201c<\/a>&nbsp;(1932-yil) to\u02bbplamidan o\u02bbrin olgan. Keyinchalik shoir lirik tuyg\u02bbu va kechinmalar tasviriga katta e\u02bctibor berib,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ko%CA%BBngil_lirikasi&amp;action=edit&amp;redlink=1\">\u201eko\u02bbngil lirikasi\u201c<\/a>&nbsp;namunalarini yaratishga intildi. Uning bu boradagi izlanishlari, ayniqsa,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yevgeniy_Onegin\">\u201eYevgeniy Onegin\u201c<\/a>&nbsp;she\u02bcriy romanini tarjima qilishi (1936-yil) jarayonida orttirgan tajribasi tufayli va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Alexander_Pushkin\">Aleksandr Pushkin<\/a>&nbsp;asarlaridagi lirizm ta\u02bcsirida yaxshi samaralar berdi. Oybekning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Chimyon_daftari&amp;action=edit&amp;redlink=1\">\u201eChimyon daftari\u201c<\/a>&nbsp;turkumiga kirgan, o\u02bbzbek tabiatining fusunkor tarovati va betakror ranglarini o\u02bbziga simirgan she\u02bcrlari nafaqat shoir she\u02bcriy ijodining, balki umuman o\u02bbzbek lirikasining shoh namunalaridan biri bo\u02bbldi. Shoir bu she\u02bcrlari bilan o\u02bbzbek she\u02bcriyatiga oybekona nafis lirizmni olib kirdi, nozik tuyg\u02bbu va kechinmalarni tasvirlash madaniyatini yanada mukammallashtirdi, lirik she\u02bcriyat tilini nafosat yog\u02bbdulari bilan jilolantirib yubordi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;U haqida&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>1.<\/strong> \u0425\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0421. \u041c\u0438\u0440\u0437\u0430\u0435\u0432. \u2013<\/p>\n\n\n\n<p>\u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1993. \u2013 422 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2.\u041e\u0439\u0431\u0435\u043a \u0437\u0430\u043c\u043e\u043d\u0434\u043e\u0448\u043b\u0430\u0440\u0438 \u0445\u043e\u0442\u0438\u0440\u0430\u0441\u0438\u0434\u0430 [\u041c\u0430\u0442\u043d] : \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 : \u041b. \u049a\u0430\u044e\u043c\u043e\u0432 . \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044c\u0430\u0442, 1979. \u2013 224 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3.\u041a\u0430\u0440\u0438\u043c\u043e\u0432,\u041d. \u041e\u0439\u0431\u0435\u043a. \u0410\u0436\u043e\u0439\u0438\u0431 \u043a\u0438\u0448\u0438\u043b\u0430\u0440 \u0445\u0430\u0451\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u041d. \u041a\u0430\u0440\u0438\u043c\u043e\u0432. \u2013&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1985. \u2013 200 \u0431.<strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>&nbsp;<\/strong><strong>O<\/strong><strong>\u2019<\/strong><strong>zbek<\/strong><strong> <\/strong><strong>tilidagi<\/strong><strong> <\/strong><strong>asarlari<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>1.<\/strong><strong>Oybek<\/strong><strong> [<\/strong><strong>Matn<\/strong><strong>] : <\/strong><strong>nasr<\/strong><strong> \/ <\/strong><strong>to<\/strong><strong>\u2019<\/strong><strong>plovchi<\/strong><strong>&nbsp; <\/strong><strong>Humoyun<\/strong><strong>&nbsp; <\/strong><strong>Akbar<\/strong><strong>. \u2013 <\/strong><strong>Toshkent<\/strong><strong> : \u201c<\/strong><strong>O<\/strong><strong>\u2019<\/strong><strong>zbekiston<\/strong><strong> <\/strong><strong>nashriyoti<\/strong><strong>\u201d, 2022. \u2013 544 <\/strong><strong>b<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>2.<\/strong><strong>Oybek<\/strong><strong>.&nbsp;&nbsp; <\/strong><strong>Bolalik<\/strong><strong> <\/strong><strong>xotiralarim<\/strong><strong> [<\/strong><strong>Matn<\/strong><strong>] : <\/strong><strong>qissa<\/strong><strong> \/ <\/strong><strong>Oybek<\/strong><strong>. \u2013 <\/strong><strong>Toshkent<\/strong><strong> : \u201c<\/strong><strong>G<\/strong><strong>\u2019<\/strong><strong>afur<\/strong><strong> <\/strong><strong>G<\/strong><strong>\u2019<\/strong><strong>ulom<\/strong><strong>\u201d, 2018. \u2013&nbsp; 272 <\/strong><strong>b<\/strong><strong>.<\/strong><\/p>\n\n\n\n<p><strong>3. Oybek.&nbsp;&nbsp; Bolalik xotiralarim [Matn] : qissa \/ Oybek. \u2013 Toshkent : \u201cOltin qalam\u201d, 2024. \u2013&nbsp; 272 b.<\/strong><\/p>\n\n\n\n<p><strong>4. Oybek.&nbsp;&nbsp; Bolalik [Matn] : qissa \/ Oybek. \u2013 Toshkent : \u201cSharq\u201d, 2002. \u2013&nbsp; 304 b.<\/strong><\/p>\n\n\n\n<p><strong>5. Oybek. Navoiy [Matn] : roman \/ Oybek. \u2013 Toshkent : \u201cNavro\u2019z\u201d, 2019. \u2013&nbsp; 480 b.<\/strong><\/p>\n\n\n\n<p><strong>6. Oybek. Qutlug\u2019 qon [Matn] : roman \/ Oybek. \u2013 Toshkent : \u201cYangiyul Poligarph Service \u201d, 2019. \u2013&nbsp; 368 b.<\/strong><\/p>\n\n\n\n<p><strong>7.\u041e\u0439\u0431\u0435\u043a. \u049a\u0443\u0442\u043b\u0443\u0493 \u049b\u043e\u043d [<\/strong><strong>\u041c\u0430\u0442\u043d<\/strong><strong>] :<\/strong><strong> \u0440\u043e\u043c\u0430\u043d \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438<\/strong><strong>\u201d<\/strong><strong>, 1975. \u2013 345 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>8.\u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438 \u041e\u0439\u0431\u0435\u043a. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438. 2-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1975. \u2013 470 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>9. \u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438 \u041e\u0439\u0431\u0435\u043a. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438. 6-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1976. \u2013 720 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>10. \u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438 \u041e\u0439\u0431\u0435\u043a. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438. 7\u2013\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1976. \u2013 536 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>11. \u041c\u0443\u0441\u043e \u0422\u043e\u0448\u043c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u045e\u0493\u043b\u0438 \u041e\u0439\u0431\u0435\u043a. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438.14-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : &nbsp;\u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/<\/strong><strong> <\/strong><strong>\u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1979. \u2013 440 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>12.&nbsp; \u041e\u0439\u0431\u0435\u043a \u0438\u0436\u043e\u0434\u0438\u0439 \u043c\u0435\u0442\u043e\u0434\u0438 \u0432\u0430 \u0431\u0430\u0434\u0438\u0438\u0439 \u043c\u0430\u04b3\u043e\u0440\u0430\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0442\u045e\u043f\u043b\u0430\u043c \/ \u041e\u0439\u0431\u0435\u043a ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0492\u0430\u0444\u0444\u043e\u0440 \u041c\u045e\u043c\u0438\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1985. \u2013 206 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>13. \u041e\u0439\u0431\u0435\u043a. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 1-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0492\u0430\u0444\u0443\u0440 \u0492\u0443\u043b\u043e\u043c\u201d, 1986. \u2013 432 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>1<\/strong><strong>4<\/strong><strong>. \u041e\u0439\u0431\u0435\u043a. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 10-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d] : \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440 \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442\u201d, 1975. \u2013 320 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>1<\/strong><strong>5<\/strong><strong>. \u041e\u0439\u0431\u0435\u043a. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 4-\u0442\u043e\u043c [\u041c\u0430\u0442\u043d]<\/strong><strong> <\/strong><strong>:<\/strong><strong> <\/strong><strong>\u0440\u043e\u043c\u0430\u043d \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0492\u0430\u0444\u0443\u0440 \u0492\u0443\u043b\u043e\u043c\u201d, 1969. \u2013 424 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>15. \u041e\u0439\u0431\u0435\u043a. \u041d\u0443\u0440 \u049b\u0438\u0434\u0438\u0440\u0438\u0431 [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0411\u0430\u0434\u0438\u0438\u0439 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u201d, 1957. \u2013 250 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>1<\/strong><strong>6<\/strong><strong>.&nbsp; \u041e\u0439\u0431\u0435\u043a. \u041c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438.<\/strong><strong> <\/strong><strong>10- \u0442\u043e\u043c. \u0428\u043e\u043d\u043b\u0438 \u0439\u045e\u043b [\u041c\u0430\u0442\u043d] : \u043a\u0438\u043d\u043e\u049b\u0438\u0441\u0441\u0430 \/ \u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1977. \u2013 405 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>17. \u041e\u0439\u0431\u0435\u043a. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 9-\u0442\u043e\u043c. [\u041c\u0430\u0442\u043d] : \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043b\u0430\u0440 \u0432\u0430 \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \/ \u041e\u0439\u0431\u0435\u043a ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u04b2\u043e\u043c\u0438\u043b \u0401\u049b\u0443\u0431\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442\u201d, 1974. \u2013 352 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>18. \u041e\u0439\u0431\u0435\u043a. \u0411\u043e\u043b\u0430\u043b\u0438\u043a \u0445\u043e\u0442\u0438\u0440\u0430\u043b\u0430\u0440\u0438\u043c [\u041c\u0430\u0442\u043d] : \/ \u041e\u0439\u0431\u0435\u043a ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u04b2\u043e\u043c\u0438\u043b \u0401\u049b\u0443\u0431\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442\u201d, 1974. \u2013 352 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>19. \u041e\u0439\u0431\u0435\u043a. \u0411\u043e\u043b\u0430\u043b\u0438\u043a \u0445\u043e\u0442\u0438\u0440\u0430\u043b\u0430\u0440\u0438\u043c [\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430<\/strong><strong> <\/strong><strong>\/<\/strong><strong> <\/strong><strong>\u041e\u0439\u0431\u0435\u043a. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f\u201d, 1963. \u2013 272 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>20. \u041e\u0439\u0431\u0435\u043a. \u0411\u043e\u043b\u0430 \u0410\u043b\u0438\u0448\u0435\u0440[\u041c\u0430\u0442\u043d] : \u049b\u0438\u0441\u0441\u0430 \/ \u041e\u0439\u0431\u0435\u043a ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u041d. \u041a\u0430\u0440\u0438\u043c\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0427\u045e\u043b\u043f\u043e\u043d\u201d, 1995. \u2013 80 \u0431.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>R<\/strong><strong>us tilidagi asarlari<\/strong><\/p>\n\n\n\n<p><strong>1<\/strong><strong>.<\/strong><strong> <\/strong><strong>\u0410\u0439\u0431\u0435\u043a. \u041c\u043e\u0439 \u0433\u043e\u043b\u043e\u0441 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f \u0438 \u043f\u043e\u044d\u043c\u044b \/ \u0410\u0439\u0431\u0435\u043a . \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0413\u0430\u0444\u0443\u0440 \u0413\u0443\u043b\u044f\u043c, 1987. \u2013 286 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>2. \u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438<\/strong><strong> <\/strong><strong>[\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410\u0439\u0431\u0435\u043a . \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1984. \u2013 376 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>3. \u0410\u0439\u0431\u0435\u043a. \u0422\u043e\u043c \u0432\u0442\u043e\u0440\u043e\u0439. \u041d\u0430\u0432\u043e\u0438\u0439 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410\u0439\u0431\u0435\u043a . \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0413\u0430\u0444\u0443\u0440 \u0413\u0443\u043b\u044f\u043c, 1985. \u2013 368 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>4<\/strong><strong>. \u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438<\/strong><strong> <\/strong><strong>[\u0422\u0435\u043a\u0441\u0442]<\/strong><strong> <\/strong><strong>: \u0440\u043e\u043c\u0430\u043d \/ \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. \u041c. \u0421\u0430\u043b\u044c\u0435 ; \u0421\u0442\u0438\u0445\u0438 \u0432 \u043f\u0435\u0440 \u0412. \u041b\u0438\u043f\u043a\u043e. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0413\u0430\u0444\u0443\u0440 \u0413\u0443\u043b\u044f\u043c, 1983. \u2013 424 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>5. \u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438 [\u0422\u0435\u043a\u0441\u0442]<\/strong><strong> <\/strong><strong>: \u0440\u043e\u043c\u0430\u043d \/ \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u041f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1948. \u2013 400 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>6. \u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410\u0439\u0431\u0435\u043a ; \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. \/ \u0445\u0443\u0434\u043e\u0436. \u0414. \u0428\u0438\u043c\u0438\u043b\u0438\u0441. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1989. \u2013 382 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>7. \u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438 [\u0422\u0435\u043a\u0441\u0442]<\/strong><strong> <\/strong><strong>: \u0440\u043e\u043c\u0430\u043d \/ \u0410\u0439\u0431\u0435\u043a . \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0413\u0430\u0444\u0443\u0440 \u0413\u0443\u043b\u044f\u043c, 1968. \u2013 200 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p><strong>8. \u0410\u0439\u0431\u0435\u043a. \u0414\u0430\u043b\u0435\u043a\u0430\u044f \u0437\u0432\u0435\u0437\u0434\u0430 \u043c\u043e\u044f [\u0422\u0435\u043a\u0441\u0442]<\/strong><strong> <\/strong><strong>: \u0441\u0442\u0438\u0445\u0438 \u0438 \u043f\u043e\u044d\u043c\u044b \/ \u0410\u0439\u0431\u0435\u043a . \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0413\u0430\u0444\u0443\u0440 \u0413\u0443\u043b\u044f\u043c, 1974. \u2013 290 \u0441\u0442\u0440.<\/strong><\/p>\n\n\n\n<p>Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p>Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p><strong><em>\u201cSaid Ahmad \u2013 o\u2019zbek adabiyotining&nbsp; hajvchi va yumoristi\u201d<\/em><\/strong><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp; (Said Ahmad&nbsp; (10.06.1920 \u201405.12. 2007)&nbsp;tavalludining 105 yilligiga bag\u2019ishlanadi)<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"454\" height=\"501\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-9.png\" alt=\"\" class=\"wp-image-2124\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-9.png 454w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-9-272x300.png 272w\" sizes=\"(max-width: 454px) 100vw, 454px\" \/><\/figure><\/div>\n\n\n<p><strong><em>Bibliografik sharh<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Toshkent 2025<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>01<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>A 98<\/em><\/strong><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u201cSaid Ahmad<\/strong> \u2013 <strong>o\u2019zbek adabiyotining hajvchi va yumoristi\u201d <\/strong>(Said Ahmad&nbsp; (10.06.1920&nbsp;\u201405.12.2007)&nbsp;tavalludining 105 yilligiga bag\u2019ishlanadi [Matn] : Bibliografik sharh \/ Tuzuvchi : N. Isaqova. &nbsp;\u2013 Toshkent,&nbsp;&nbsp; 2025. \u2013<\/em><em> 6 b.<\/em><em><\/em><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hurmatli foydalanuvchilar!<\/em><\/strong><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;E\u2019tiboringizga O\u2019zbekiston xalq yozuvchisi, O\u2019zbekiston qahramoni, O\u2019zbekistonda xizmat ko\u2019rsatgan madaniyat xodimi Said Axmad&nbsp; tavalludining 105 yilligiga bag\u2018ishlab, \u201c<strong>Said Ahmad<\/strong> \u2013 <strong>o\u2019zbek adabiyotining hajvchi va yumoristi<\/strong>\u201d nomli kitoblar ko\u2018rgazmasiga tayyorlangan bibliografik sharhni taqdim etamiz.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bibliografik sharh Said Ahmad shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"412\" height=\"270\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-8.png\" alt=\"\" class=\"wp-image-2123\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-8.png 412w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-8-300x197.png 300w\" sizes=\"(max-width: 412px) 100vw, 412px\" \/><\/figure>\n\n\n\n<p><strong><em>Tarjimai holi<\/em><\/strong><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1920-yilning 10-iyunida&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\"><em>Toshkent<\/em><\/a><em>&nbsp;shahrining Samarqand darvoza mahallasida tug\u02bbilgan. Uning bolaligi&nbsp;<\/em><em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Elbek\">Elbek<\/a><\/em><em>,&nbsp;<\/em><em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Oybek\">Oybek<\/a><\/em><em>,&nbsp;<\/em><em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBafur_G%CA%BBulom\">G\u02bbafur G\u02bbulom<\/a><\/em><em>&nbsp;singari adiblar davrasida o\u02bbtdi. Tabiatan qiziquvchan, tinib-tinchimas Said Ahmad adabiyotga kirib kelguncha juda ko\u02bbp sohalarda o\u02bbzini sinab ko\u02bbrdi: agitplakatlar yozdi, artist bo\u02bblishga urinib ko\u02bbrdi, doktorlik maktabida o\u02bbqidi, qurilish texnikumida tahsil oldi, rassomlik maktabiga qatnadi, mashhur fotochi&nbsp;<\/em><em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Penson\">Pensonga<\/a><\/em><em>&nbsp;shogird tushdi, gazetalarga xabarlar yozdi. U Nizomiy nomidagi pedinstitutda bir muddat o\u02bbqigach, 1941-yilda&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mushtum\"><em>\u201eMushtum\u201c<\/em><\/a><em>&nbsp;jurnalida ishladi. 1942-1943-yillarda respublika radiosida, 1943-1947-yillarda&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qizil_O%CA%BBzbekiston\"><em>\u201eQizil O\u02bbzbekiston\u201c<\/em><\/a><em>&nbsp;gazetasida, 1948-1950-yillarda&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sharq_yulduzi\"><em>\u201eSharq yulduzi\u201c<\/em><\/a><em>&nbsp;jurnalida mehnat qildi. 50-yillar boshida millatchi sifatida bir necha yil qamalib ham chiqdi. Milliy istiqlol yo\u02bblidagi xizmatlari uchun Said Ahmad 1999-yilda&nbsp;<\/em><em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Qahramoni\">O\u02bbzbekiston Qahramoni<\/a><\/em><em>&nbsp;unvoniga sazovor bo\u02bblgan. Adib \u201eO\u02bbzbekiston xalq yozuvchisi\u201c unvoniga, Davlat mukofotiga sazovor bo\u02bblgan, \u201eBuyuk xizmatlari uchun\u201c, \u201eDo\u02bbstlik\u201c ordenlari bilan mukofotlangan.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp; Said Ahmad hikoyanavis sifatida tanilgan. Uning&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Cho%CA%BBl_burguti\"><em>\u201eCho\u02bbl &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;burguti\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Lochin\"><em>\u201eLochin\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Bo%CA%BBston\"><em>\u201eBo\u02bbston\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=To%CA%BByboshi&amp;action=edit&amp;redlink=1\"><em>\u201eTo\u02bbyboshi\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Jimjitlik\"><em>\u201eJimjitlik\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turnalar\"><em>\u201eTurnalar\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hayqiriq\"><em>\u201eHayqiriq\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Alla&amp;action=edit&amp;redlink=1\"><em>\u201eAlla\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Muhabbatning_tug%CA%BBilishi&amp;action=edit&amp;redlink=1\"><em>\u201eMuhabbatning tug\u02bbilishi\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qorako%CA%BBz_Majnun&amp;action=edit&amp;redlink=1\"><em>\u201eQorako\u02bbz Majnun\u201c<\/em><\/a><em>&nbsp;singari o\u02bbnlab hikoyalarida sadoqat, mehr, odamgarchilik, ishonch, e\u02bctiqod singari ma\u02bcnaviy qadriyatlar ta\u02bcsirchan aks ettirilgan. Adib hikoyalarida inson ruhiyati tovlanishlarini ko\u02bbrsatishga katta e\u02bctibor berganligi uchun ham bitganlari zavq bilan o\u02bbqiladi va u prozaning shoiri hisoblanadi. Yozuvchi hajviy hikoyalar yaratish bo\u02bbyicha Qahhor an\u02bcanalarini davom ettirgan ijodkordir. Uning&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sobiq&amp;action=edit&amp;redlink=1\"><em>\u201eSobiq\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qoplon\"><em>\u201eQoplon\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=O%CA%BBrik_domla&amp;action=edit&amp;redlink=1\"><em>\u201eO\u02bbrik domla\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mening_do%CA%BBstim_Babbaev&amp;action=edit&amp;redlink=1\"><em>\u201eMening do\u02bbstim Babbaev\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Muzey\"><em>\u201eMuzey\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bo%CA%BBri_ovi&amp;action=edit&amp;redlink=1\"><em>\u201eBo\u02bbri ovi\u201c<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Xandonpista&amp;action=edit&amp;redlink=1\"><em>\u201eXandon pista\u201c<\/em><\/a><em>&nbsp;kabi ko\u02bbplab hajviyalarida inson tabiatidagi qusurlar badiiy tatqiq etiladi. Said Ahmad hajviy so\u02bbz jilolarini nozik payqaydi va undan mohirona foydalanadi.Uning qishloq mavzusidagi&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qadrdon_dalalar&amp;action=edit&amp;redlink=1\"><em>\u201eQadrdon dalalar\u201c<\/em><\/a><em>&nbsp;(1949),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hukm\"><em>\u201eHukm\u201c<\/em><\/a><em>&nbsp;(1958) qissalari, chalkash insoniy taqdirlar mahorat bilan aks ettirilgan \u201eQirq besh kun\u201c, \u201eHijron kunlari\u201c (1964),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ufq_bo%CA%BBsag%CA%BBasida&amp;action=edit&amp;redlink=1\"><em>\u201eUfq bo\u02bbsag\u02bbasida\u201c<\/em><\/a><em>&nbsp;(1969) romanlaridan iborat&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ufq\"><em>\u201eUfq\u201c<\/em><\/a><em>&nbsp;trilogiyasi, inson qismati turg\u02bbunlik davri qabohatlari fonida tasvirlangan&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Jimjitlik\"><em>\u201eJimjitlik\u201c<\/em><\/a><em>&nbsp;(1988) romani, Bolalar hayoti ifodalangan&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sherzod_va_Gulshod&amp;action=edit&amp;redlink=1\"><em>\u201eSherzod va Gulshod\u201c<\/em><\/a><em>&nbsp;(1945), dunyoning yetti burchiga yoyilgan&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kelinlar_qo%CA%BBzg%CA%BBoloni\"><em>\u201eKelinlar qo\u02bbzg\u02bboloni\u201c<\/em><\/a><em>&nbsp;(1976), yolg\u02bbiz mo\u02bbysafidning ruhiy iztiroblari aks ettirilgan&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kuyov\"><em>\u201eKuyov\u201c<\/em><\/a><em>&nbsp;(1986) singari sahna <\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"316\" height=\"325\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-7.png\" alt=\"\" class=\"wp-image-2121\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-7.png 316w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-7-292x300.png 292w\" sizes=\"(max-width: 316px) 100vw, 316px\" \/><\/figure>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp; asarlari adibning katta ijodiy mahoratlaridan dalolatdir.Said Ahmad istiqlol yillarida ham hayotdagi o\u02bbzgarishlar haqida ko\u02bbplab maqola, badialar yozdi, avvalgidek quvnoq yumoristik, jo\u02bbshqin lirik hikoyalar yaratdi.&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Xandon_pista%22&amp;action=edit&amp;redlink=1\"><em>&#171;Xandon pista&#187;<\/em><\/a><em>&nbsp;(1994),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Bir_o%CA%BBpichning_bahosi%22&amp;action=edit&amp;redlink=1\"><em>&#171;Bir o\u02bbpichning bahosi&#187;<\/em><\/a><em>&nbsp;(1995) hajviy to\u02bbplamlari,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Yo%CA%BBqotganlarim_va_topganlarim%22&amp;action=edit&amp;redlink=1\"><em>&#171;Yo\u02bbqotganlarim va topganlarim&#187;<\/em><\/a><em>&nbsp;(1998),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Qorako%CA%BBz_majnun%22&amp;action=edit&amp;redlink=1\"><em>&#171;Qorako\u02bbz majnun&#187;<\/em><\/a><em>&nbsp;(2001),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Kiprikda_qolgan_tong%22&amp;action=edit&amp;redlink=1\"><em>&#171;Kiprikda qolgan tong&#187;<\/em><\/a><em>&nbsp;(2003) kitoblari, 3 jildli \u201eTanlangan asarlari\u201c (2000) chop etildi. \u201eYo\u02bbqotganlarim va topganlarim\u201cda G\u02bbafur G\u02bbulom, Oybek,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mirtemir\">Mirtemir<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shayxzoda\">Shayxzoda<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Saida_Zunnunova\">Saida Zunnunova<\/a>&nbsp;va boshqa bir qator zabardast o\u02bbzbek&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yozuvchi\"><em>yozuvchi<\/em><\/a><em>&nbsp;va&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shoir\"><em>shoirlarining<\/em><\/a><em>&nbsp;jonli qiyofasini badiiy bo\u02bbyoqlarda ifodalab berdi. Istiqlol tufayli odamlar qismati va ruhiyatidagi yemirilishlar haqida bahs qiluvchi&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Qorako%CA%BBz_majnun%22&amp;action=edit&amp;redlink=1\"><em>&#171;Qorako\u02bbz majnun&#187;<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Ot_bilan_suhbat%22&amp;action=edit&amp;redlink=1\"><em>&#171;Ot bilan suhbat&#187;<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Azroil_o%CA%BBtgan_yo%CA%BBllarda%22&amp;action=edit&amp;redlink=1\"><em>&#171;Azroil o\u02bbtgan yo\u02bbllarda&#187;<\/em><\/a><em>&nbsp;hikoyalari, qatag\u02bbon davri xotiralari bilan bog\u02bbliq.&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Borsa_kelmas_darvozasi%22&amp;action=edit&amp;redlink=1\"><em>&#171;Borsa kelmas darvozasi&#187;<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Taqdir,_taqdir...%22&amp;action=edit&amp;redlink=1\"><em>&#171;Taqdir, taqdir&#8230;&#187;<\/em><\/a><em>,&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Oftob_oyim%22&amp;action=edit&amp;redlink=1\"><em>&#171;Oftoboyim&#187;<\/em><\/a><em>&nbsp;hikoyalari, adibning o\u02bbzi yaqindan &nbsp;&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp; muloqotda bo\u02bblgan ustoz adiblar, tengdoshlari, shogirdlari va nihoyat, o\u02bbz hayot va ijod yo\u02bbli haqidagi xotira esselari mustaqillik davri o\u02bbzbek adabiyotida muhim hodisa bo\u02bbldi.Said Ahmadgagina xos nozik kuzatishlar, erkin, asov bir ruh, ham hazin, ham nurli, pokiza tuyg\u02bbular, beg\u02bbubor hazil mutoibalar bilan yo\u02bbg\u02bbrilgan xotira esselar bu janrning zamonaviy o\u02bbzbek adabiyotidagi eng yaxshi namunalari qatorida turadi.&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Felyeton\"><em>Felyeton<\/em><\/a><em>&nbsp;janrida ham samarali ijod qilgan. 1947-yil \u201exalq dushmani\u201c sifatida hibsga olingan.&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Stalin\"><em>Stalin<\/em><\/a><em>&nbsp;vafotidan so\u02bbng oqlangan. \u201eKelinlar qo\u02bbzg\u02bboloni\u201c, \u201eKuyov\u201c komediyalari hozirgi&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=O%CA%BBzbek_milliy_akademik_teatri&amp;action=edit&amp;redlink=1\"><em>O\u02bbzbek milliy akademik teatrida<\/em><\/a><em>, \u201eKelinlar qo\u02bbzg\u02bboloni\u201c dunyoning ko\u02bbplab mamlakatlarida sahnalashtirilgan. <\/em><em>\u201eUfq\u201c asari asosida dramalar, \u201eO\u02bbzbekfilm\u201c kinostudiyasida&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Muhabbat_mojarosi%22&amp;action=edit&amp;redlink=1\"><em>&#171;Muhabbat mojarosi&#187;<\/em><\/a><em>&nbsp;filmi (1970) va boshqalar yaratilgan.&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Do%CA%BBstlik%22&amp;action=edit&amp;redlink=1\"><em>&#171;Do\u02bbstlik&#187;<\/em><\/a><em>&nbsp;(1996),&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%22Buyuk_xizmatlari_uchun%22&amp;action=edit&amp;redlink=1\"><em>&#171;Buyuk xizmatlari uchun&#187;<\/em><\/a><em>&nbsp;(1997) ordenlari bilan mukofotlangan.<\/em> <em>Said Ahmad 2007-yilning 5-dekabr kuni 87 yoshida vafot etdi.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/em><em>Yosh avlod orasida taniqli yozuvchining adabiy merosini targ&#8217;ib qilish &nbsp;<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; maqsadida, uning asarlari va ijodi haqidagi adabiyotlar bilan tanishtiriishni &nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; taklif qilamiz.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1. <strong>Said Ahmad<\/strong><\/em><strong><em>.<\/em><\/strong><em> Ufq<\/em><em> [\u041c\u0430<\/em><em>tn<\/em><em>]: <\/em><em>trilogiya<\/em><em> \/ <\/em><em>S. Ahmad<\/em><em>. \u2013 \u0422<\/em><em>oshkent<\/em><em> : <\/em><em>Turon zamin<\/em><em>, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2024. \u2013 512 b.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Xalqimizning urush yillardagi hayoti, bir-birlariga bo\u2019lgan mehri, insoniyligi ko\u2019ngilingizni g\u2019ururga to\u2019ldiradi.Yoshlarimizga hayot maktabidan saboq beradigan ushbu asar uyingiz va ko\u2019nglingizni nurga to\u2019ldirishiga ishonamiz.<\/em><\/p>\n\n\n\n<p><em>2. <strong>Said Ahmad<\/strong><\/em><strong><em>.<\/em><\/strong><em> Jimjitlik<\/em><em> [\u041c\u0430<\/em><em>tn<\/em><em>]<\/em><em> <\/em><em>: <\/em><em>roman<\/em><em> \/ <\/em><em>S. Ahmad<\/em><em>. \u2013 \u0422<\/em><em>oshkent<\/em><em> : <\/em><em>Turon zamin<\/em><em>, <\/em><em>2024<\/em><em>. \u2013 <\/em><em>320<\/em><em> <\/em><em>b<\/em><em>.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Roman yovuzlik bilan ezgulikning abadiy kurashiga bag\u2019ishlangan. Muallif o\u2019tgan o\u2019n to\u2019rt yil davomida romanni qayta tiklash uchun ko\u2019p urindi.<\/em><\/p>\n\n\n\n<p><em>3. <strong>Said Ahmad<\/strong><\/em><strong><em>.<\/em><\/strong><em> Ufq<\/em><em> [\u041c\u0430<\/em><em>tn<\/em><em>]: <\/em><em>trilogiya<\/em><em> \/ <\/em><em>S. Ahmad<\/em><em>. \u2013 \u0422<\/em><em>oshkent<\/em><em> : <\/em><em>Sano-standart<\/em><em>, <\/em><em>2019<\/em><em>. \u2013 <\/em><em>680<\/em><em> <\/em><em>b<\/em><em>.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Trilogiyada XX asr o\u2019rtalarida xalq boshiga tushgan urush musibatlari,hijron alamlari, odamlari&nbsp; ko\u2019ksidagi armonlari yozuvchi iste\u2019dodiga xos ehtiros, zo\u2019r ilhom bilan aks ettrilgan.<\/em><\/p>\n\n\n\n<p><em>4. <strong>\u0421\u0430\u0438\u0434 \u0410\u04b3\u043c\u0430\u0434<\/strong>. \u049a\u0430\u0434\u0440\u0434\u043e\u043d \u0434\u0430\u043b\u0430\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d]: \u043f\u043e\u0432\u0435\u0441\u0442\u044c \u0432\u0430 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440 \/ \u0421. \u0410\u04b3\u043c\u0430\u0434. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442,&nbsp; \u0414\u0430\u0432\u043b\u0430\u0442 \u0411\u0430\u0434\u0438\u0438\u0439 \u0410\u0434\u0430\u0431\u0438\u0451\u0442, 1957. \u2013 296 \u0431.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c\u049a\u0430\u0434\u0440\u0434\u043e\u043d \u0434\u0430\u043b\u0430\u043b\u0430\u0440\u201d<\/em><em> <\/em><em>&#8212; \u0421\u0430\u0438\u0434 \u0410\u04b3\u043c\u0430\u0434\u043d\u0438\u043d\u0433 \u0431\u0438\u0440\u0438\u043d\u0447\u0438 \u0439\u0438\u0440\u0438\u043a \u0430\u0441\u0430\u0440\u0438. \u0423\u043d\u0434\u0430 \u0430\u0434\u0438\u0431 \u043f\u0430\u0445\u0442\u0430\u043b\u0438\u0447\u0438\u043b\u0438\u043a\u043d\u0438 \u0440\u0438\u0432\u043e\u0436\u043b\u0430\u043d\u0442\u0438\u0440\u0438\u0448, \u049b\u045e\u0440\u0438\u049b \u0432\u0430 \u0431\u045e\u0437 \u0435\u0440\u043b\u0430\u0440\u043d\u0438 \u045e\u0437\u043b\u0430\u0448\u0442\u0438\u0440\u0438\u0448 \u0441\u043e\u04b3\u0430\u0441\u0438\u0434\u0430 \u0436\u043e\u043d\u0431\u043e\u0437\u043b\u0438\u043a \u043a\u045e\u0440\u0441\u0430\u0442\u0433\u0430\u043d \u0437\u0430\u043c\u043e\u043d\u0434\u043e\u0448\u043b\u0430\u0440 \u04b3\u0430\u0451\u0442\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430.<\/em><\/p>\n\n\n\n<p><em>5. <strong>\u0421\u0430\u0438\u0434 \u0410\u04b3\u043c\u0430\u0434.<\/strong> \u0421\u0430\u0439\u043b\u0430\u043d\u043c\u0430. 3 \u0436\u0438\u043b\u0434\u043b\u0438\u043a [\u041c\u0430\u0442\u043d]: \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440, \u0445\u0430\u0436\u0432\u043b\u0430\u0440, \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440\u0430\u043b\u0430\u0440. 1-\u0436\u0438\u043b\u0434. \/ \u0421. \u0410\u04b3\u043c\u0430\u0434. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 :&nbsp; \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044c\u0430\u0442, 1980. \u2013 392 \u0431.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0421\u0430\u0438\u0434 \u0410\u04b3\u043c\u0430\u0434 \u045e\u0437\u0438\u043d\u0438\u043d\u0433 \u0440\u0430\u043d\u0433-\u0431\u0430\u0440\u0430\u043d\u0433 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438, \u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u043a \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440\u0438, \u0440\u0435\u0430\u043b\u0438\u0441\u0442\u0438\u043a \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440\u0438 \u0432\u0430 \u0445\u0443\u0448\u0447\u0430\u049b\u0447\u0430\u049b \u043a\u043e\u043c\u0435\u0434\u0438\u044f\u043b\u0430\u0440\u0438 \u0431\u0438\u043b\u0430\u043d \u04b3\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438\u0434\u0430 \u043c\u0443\u043d\u043e\u0441\u0438\u0431 \u045e\u0440\u0438\u043d \u044d\u0433\u0430\u043b\u043b\u0430\u0439\u0434\u0438.\u0423\u0448\u0431\u0443 \u0431\u0438\u0440\u0438\u043d\u0447\u0438 \u0436\u0438\u043b\u0434 \u201c\u0425\u0443\u043a\u043c\u201d, \u201c\u0421\u0443\u0434\u201d \u0441\u0438\u043d\u0433\u0430\u0440\u0438 \u049b\u0438\u0441\u0441\u0430\u043b\u0430\u0440 \u0432\u0430 \u04b3\u0430\u0436\u0432\u0438\u0439 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438 \u0442\u0430\u0448\u043a\u0438\u043b \u0442\u043e\u043f\u0434\u0438.<\/em><\/p>\n\n\n\n<p><em>6. <strong>\u0421\u0430\u0438\u0434 \u0410\u04b3\u043c\u0430\u0434.<\/strong>\u0423\u0444\u049b [\u041c\u0430\u0442\u043d]: \u0442\u0440\u0438\u043b\u043e\u0433\u0438\u044f \/ \u0421.\u0410\u04b3\u043c\u0430\u0434. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0428\u0430\u0440\u049b, 1995. \u2013 233 \u0431.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0440\u0438\u043b\u043e\u0433\u0438\u044f\u0434\u0430 XX \u0430\u0441\u0440 \u045e\u0440\u0442\u0430\u043b\u0430\u0440\u0438\u0434\u0430 \u0445\u0430\u043b\u049b \u0431\u043e\u0448\u0438\u0433\u0430 \u0442\u0443\u0448\u0433\u0430\u043d \u0443\u0440\u0443\u0448 \u043c\u0443\u0441\u0438\u0431\u0430\u0442\u043b\u0430\u0440\u0438, \u04b3\u0438\u0436\u0440\u043e\u043d \u0430\u043b\u0430\u043c\u043b\u0430\u0440\u0438, \u043e\u0434\u0430\u043c\u043b\u0430\u0440\u0438 \u043a\u045e\u043a\u0441\u0438\u0434\u0430\u0433\u0438 \u0430\u0440\u043c\u043e\u043d\u043b\u0430\u0440\u0438 \u0451\u0437\u0443\u0432\u0447\u0438 \u0438\u0441\u0442\u0435\u044c\u0434\u043e\u0434\u0438\u0433\u0430 \u0445\u043e\u0441 \u044d\u0445\u0442\u0438\u0440\u043e\u0441, \u0438\u043b\u04b3\u043e\u043c \u0431\u0438\u043b\u0430\u043d \u0430\u043a\u0441 \u044d\u0442\u0442\u0438\u0440\u0438\u043b\u0433\u0430\u043d.<\/em><\/p>\n\n\n\n<ul>\n<li><strong><em>Abdulla Qahhor.<\/em><\/strong><em> Mirkarim Osim. Said Ahmad&nbsp; [Matn] : nasr \/ to\u2019plovchilar&nbsp; M. Toshpo\u2019latov, L. Bo\u2019rixon. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2022. \u2013 592 b.<\/em><\/li>\n<\/ul>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbek nasri turmush voqeligini ifodalash, inson obrazani aks ettrishda jahon adabiyotidagi ilg\u2019or an\u2019analarini ijodiy o\u2019zlashtirishda dadil&nbsp; odimlab borayotgan yozuvchilardan Said Ahmad bo\u2019ladi.Said Axmad hikoyalarida personajlar portreti aniq, qabartirib chiziladi. Ularda o\/zbek nasri turmush voqealarini ifodalash, inson obrazini aks ettirishda jahon adabiyotidagi ilg\u2019or an\u2019analarni ijodiy o\u2019zlashtirishda dadil odimlab borayotganini namoyon qiladi.<\/em><\/p>\n\n\n\n<p><em>8. <strong>Abdulla Qahhor.<\/strong>Mirkarim Osim. Said Ahmad&nbsp; [Matn] : nasr \/ to\u2019plovchilar&nbsp; M. Toshpo\u2019latov, L. Bo\u2019rixon. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2022. \u2013 592 b.<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbek nasri turmush voqeligini ifodalash, inson obrazani aks ettrishda jahon adabiyotidagi ilg\u2019or an\u2019analarini ijodiy o\u2019zlashtirishda dadil&nbsp; odimlab borayotgan yozuvchilardan Said Ahmad bo\u2019ladi.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-10.png\" alt=\"\" class=\"wp-image-2125\" width=\"534\" height=\"401\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-10.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-10-300x225.png 300w\" sizes=\"(max-width: 534px) 100vw, 534px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-11.png\" alt=\"\" class=\"wp-image-2126\" width=\"537\" height=\"403\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-11.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-11-300x225.png 300w\" sizes=\"(max-width: 537px) 100vw, 537px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-12.png\" alt=\"\" class=\"wp-image-2127\" width=\"540\" height=\"405\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-12.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-12-300x225.png 300w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-13.png\" alt=\"\" class=\"wp-image-2128\" width=\"541\" height=\"406\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-13.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-13-300x225.png 300w\" sizes=\"(max-width: 541px) 100vw, 541px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-14.png\" alt=\"\" class=\"wp-image-2129\" width=\"541\" height=\"406\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-14.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-14-300x225.png 300w\" sizes=\"(max-width: 541px) 100vw, 541px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-15.png\" alt=\"\" class=\"wp-image-2130\" width=\"540\" height=\"405\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-15.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-15-300x225.png 300w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-16.png\" alt=\"\" class=\"wp-image-2131\" width=\"542\" height=\"407\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-16.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-16-300x225.png 300w\" sizes=\"(max-width: 542px) 100vw, 542px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-17.png\" alt=\"\" class=\"wp-image-2132\" width=\"545\" height=\"409\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-17.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-17-300x225.png 300w\" sizes=\"(max-width: 545px) 100vw, 545px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-18.png\" alt=\"\" class=\"wp-image-2133\" width=\"548\" height=\"411\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-18.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-18-300x225.png 300w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-19.png\" alt=\"\" class=\"wp-image-2134\" width=\"547\" height=\"410\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-19.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-19-300x225.png 300w\" sizes=\"(max-width: 547px) 100vw, 547px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-20.png\" alt=\"\" class=\"wp-image-2135\" width=\"549\" height=\"412\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-20.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-20-300x225.png 300w\" sizes=\"(max-width: 549px) 100vw, 549px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-21.png\" alt=\"\" class=\"wp-image-2136\" width=\"549\" height=\"412\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-21.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-21-300x225.png 300w\" sizes=\"(max-width: 549px) 100vw, 549px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-22.png\" alt=\"\" class=\"wp-image-2137\" width=\"550\" height=\"413\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-22.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-22-300x225.png 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-23.png\" alt=\"\" class=\"wp-image-2138\" width=\"553\" height=\"415\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-23.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-23-300x225.png 300w\" sizes=\"(max-width: 553px) 100vw, 553px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-24.png\" alt=\"\" class=\"wp-image-2139\" width=\"554\" height=\"415\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-24.png 480w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-24-300x225.png 300w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-6-584x1024.png\" alt=\"\" class=\"wp-image-2115\" width=\"468\" height=\"821\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-6-584x1024.png 584w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-6-171x300.png 171w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/06\/image-6.png 730w\" sizes=\"(max-width: 468px) 100vw, 468px\" \/><\/figure>\n\n\n\n<h1><a href=\"#yashil_makon\" data-type=\"internal\" data-id=\"#yashil_makon\">#yashil_makon<\/a><\/h1>\n\n\n\n<p>2025 yil O&#8217;zbekistonda &#171;Atrof-muhitni asrash va &#171;yashil&#187; iqtisodiyot yili&#187; deb e&#8217;lon qilinishi munosabati bilan 2025-yil Yashnobod tuman axborot-kutubxona markazida kitob-rasmli ko&#8217;rgazma tashkil etildi. Ko&#8217;rgazmadan joy olgan kitoblar, materiallar, maqolalar orqali kitobxonlar ekologik muhofaza, yashil iqtisodiyot va atrof-muhitni saqlash bo&#8217;yicha bilim va tushunchalarga ega bo&#8217;lishadi.<br>Ko&#8217;rgazma keng kitobxonlar ommasi uchun mo&#8217;ljallangan.<\/p>\n\n\n\n<p>Ijtimoiy tarmoqlarda biz bilan birga bo&#8217;ling!<br>\ud83d\udc47\ud83c\udffb\ud83d\udc47\ud83c\udffb\ud83d\udc47\ud83c\udffb <a href=\"https:\/\/facebook.com\/yashnobod.akm\" data-type=\"URL\" data-id=\"https:\/\/facebook.com\/yashnobod.akm\">Facebook<\/a> | <a href=\"https:\/\/www.instagram.com\/yashnobod_akm\/\" data-type=\"URL\" data-id=\"https:\/\/www.instagram.com\/yashnobod_akm\/\">Instagram<\/a> | <a href=\"https:\/\/t.me\/Yashnobod_tuman_AKM\" data-type=\"URL\" data-id=\"https:\/\/t.me\/Yashnobod_tuman_AKM\">Telegram<\/a> | <a href=\"https:\/\/www.youtube.com\/@Yashnobod_kutubxona\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/@Yashnobod_kutubxona\">You Tube<\/a> | <a href=\"https:\/\/x.com\/RahimovaTa59543?t=RJFQPq2ZmfV4gkysAwErMw&amp;s=09\" data-type=\"URL\" data-id=\"https:\/\/x.com\/RahimovaTa59543?t=RJFQPq2ZmfV4gkysAwErMw&amp;s=09\">Twitter<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c<strong>Kitob xazinalar kaliti\u201d<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"315\" height=\"229\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image.png\" alt=\"\" class=\"wp-image-2438\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image.png 315w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-300x218.png 300w\" sizes=\"(max-width: 315px) 100vw, 315px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; <strong>AXBOROT &nbsp;BYULLETENI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent 2025<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>01<\/strong><\/p>\n\n\n\n<p><strong>K<\/strong><strong> <\/strong><strong>47<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cKitob xazinalar kaliti\u201d <\/strong>[Matn] : Axborot bulleteni \/ Tuzuvchi M. T. Kavlasheva ;&nbsp; Yashnobod tuman axborot- kutubxona markazining Axborot-bibliografiya xizmati. \u2013 Toshkent, 2025. \u2013 8 b.<\/p>\n\n\n\n<p><strong>Hurmatli Foydalanuvchilar!<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yashnobod tuman axborot-kutubxona markazining 2025-yil&nbsp; 3-chorak davomida kutubxona fondiga kelib tushgan adabiyotlarga tuzilgan Axborot bulletenini taqdim etamiz. Axborot bulleteni o\u2019zbek va jahon adabiyoti asarlaridan iboratdir. Adabiyotlar lotin va kirill alifbosi tartibida joylashtirilgan.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>UO\u2019K 821.512&nbsp;&nbsp;&nbsp; &nbsp;Said Anvar.<\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A-63<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Osmondan tushgan odamlar &nbsp;[\u041c\u0430tn] : qissa \/ S. &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anvar. \u2013 Toshkent : \u201cPharos ambition\u201d nashriyoti MCHJ, &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2023. \u2013 192 b. \u2013 ISBN &nbsp;&nbsp;978-9910-0462-1-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kulgi muxlislari Said Anvarni O\u2019zbekiston televideniyasida namoyish etilgan \u201cJiblajibon\u201d teleserialining muallifi sifatida yaxshi tanishadi. Aslida Said Anvar Ne\u2019mat Aminov, Said Ahmad, Anvar Muqimov, Anvar Obidjon singari hajv ustalaridan keyin adabiyotimizga dadil kirib kelgan is\u2019tedodli hajvchilardan sanaladi. Mazkur to\u2019plamdan joy olgan hajviyalar bu fikrimizni isbotlaydi<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019K 821.512 &nbsp;&nbsp;<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Abdullayev, Chingiz.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp; A-15<\/strong>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cBorsa kelmas\u201ddan qaytganlar &nbsp;[\u041c\u0430tn] : roman \/ Ch.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Abdullayev : tarjimon Baxtiyor Rizo. \u2013 Toshkent : \u201cYangi &nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; asr avlodi\u201d, 2023. \u2013 88 b. \u2013 ISBN 978-9943-8594-3-2.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Asarda sobiq ittifoq parchalanib ketganidan so\u2019ng Rossiya Federasiyasi tashqi razvedka xizmati tomonidan Afg\u2019onistonda o\u2019tkazilgan ana shunday \u2013 mohiyat faqat razvedkachilar guruhi rahbarigina ma\u2019lum-u, qolganlardan mutlaqo maxfiy tutilgan juda muhim jangovar operasiya, bu jarayonda bosib o\u2019tilgan yo\u2019l mashaqqatlari, qator to\u2019qnashuvlar tafsilotlari, voqealar rivoji bilan bog\u2019liq tarixdagi xatolar, xotiralar va AQSH maxsus xizmatlari bilan xufiyona raqobat haqida hikoya qilinadi..<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019K 821.512 &nbsp;&nbsp;&nbsp;&nbsp;Abdurazzoq, Bahodir<\/strong><strong>.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A-15<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Qora kiyik ta\u2019qibi [Matn] : qissa-hikoyalar \/ B.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\u0410bdurazzoq. \u2013 Toshkent : \u201c\u201cPharos ambition\u201d nashriyoti&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MCHJ, 2023. \u2013 192 b. \u2013 ISBN 978-9943-9462-3-3.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu to\u2019plamdan Bahodir Abdurazzoqning &nbsp;&nbsp;\u201cO\u2019toldirgich, \u201cOsiyning intihosi\u201d nomli qissalar hamda &nbsp;&nbsp;hikoyalari o\u2019rin olgan. Birinchi qissa detektiv janrda yozilgan bo\u2019lsa, \u201cOsiyning intihosi\u201d ilmiy-fantastik qissa.<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019\u041a 821.512&nbsp;&nbsp;&nbsp; &nbsp;Ali, Muhammad.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A-15<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Amir Temur qalbida chaqnagan nur [Matn] : risola &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;\/ M. Ali. \u2013 Toshkent : \u201cDAVR-PRESS\u201d NMU, 2019. \u2013 352 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u2013 ISBN 978-9943-5828-0-4.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitob dialog, ya\u2019ni dilkash suhbat tarzida yozilgan, boshqacha aytganda, uni ko\u2019ngildagi gaplar, deyish mumkin. Mualliflar hech kim bilan bahslashmaydilar, tortishmaydilar, Sohibqiron Amir Temur shaxsi, faoliyati, tariximiz, Mustaqilligimiz, adabiyot, xilma-xil taqdirlar, odamlar haqida o\u2019z fikrlarini bildirib o\u2019toqlashadilar, o\u2019quvchini beixtiyor suhbatga chorlaydilar.<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019<\/strong><strong>K 821.512&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Said Ahmad<\/strong><strong>.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>\u0410-97<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Yo\u2019qotganlarim va topganlarim [Matn] : xotiralar<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\/ S. \u0410hmad. \u2013 T\u043eshkent : \u201cTuron zamin\u201d nashriyoti,M.CH.J, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2024. \u2013 416 b. \u2013 ISBN 978-9943-9533-0-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O\u2019zbekiston xalq qaxramoni, O\u2019zbekiston xalq yozuvchisi &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Said Ahmadning ushbu asari adibning ustozlari, shogirdlari,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; yaxshi-yomon kunlarida&nbsp;&nbsp; birga bo\u2019lgan yor-u do\u2019stlari<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; haqida.Kitobni o\u2019qir ekansiz, o\u2019zbek adabiyotiga Benazir hissa<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; qo\u2019shgan G\u2019afur G\u2019ulom, Oybek, Abdulla Qahhorlarning<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ijodxonasiga kirgandek bo\u2019lasiz.<\/p>\n\n\n\n<ul>\n<li><strong>&nbsp;UO\u2019K 821.512 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>A\u2019lam, Zohir,<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;<\/strong><strong>A-93<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;Afandining qirq bir pashshasi [\u041c\u0430\u0442\u043d] : qissa \/ Z.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A\u2019lam. \u2013 \u0422\u043eshkent : \u201c\u201cPharos ambition\u201d nashriyoti MCHJ,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2023. \u2013 152 b. &#8212; ISBN 978-9910-8727-8-3.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nasriddin Afandining hangomalari jahon bo\u2019ylab keng tarqalgan bo\u2019lib, mazmun va mantiq jihatidan turlichadir. Ularning aksariyatida Nasriddin Afandi o\u2019zining aqli, zukkoligi, va topqirligi, kulgusi bilan zamona&nbsp; zo\u2019rlarining, firibgarlarning haqiqiy basharasini ochadi, ularni yengadi, yakson qiladi.<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019<\/strong><strong>\u041a&nbsp; 821.512&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Fayziyev, Turg\u2019un.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; F<\/strong><strong>-2<\/strong><strong>0<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Temuriy malikalar [Matn] : risola \/ T. Fayziyev. \u2013 &nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;T\u043eshkent : \u201cZiyo\u201d nashr, 2023. \u2013 176 b. \u2013 ISBN<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;978-9943-5882-4-0.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Temur va temuriy shahzodalar XIV asrning ikkinchi yarmidan XVI asrning birinchi choragigacha O\u2019rta Osiyo, Shimoliy Afg\u2019oniston, qisman Eron hamda Iroq mamlakatlarida hamkorlik qilganlar. Shaxzodalar singari temuriylar sulolasiga mansub malikalar orasida ham is\u2019tedodli siyosatdon, yetuk vahassos shoiralar yetishib chiqqan. Ular tarix zarvaraqlarida o\u2019zlaridan o\u2019chmas iz qoldirganlar. Mazkur risolada Saroymulkxonim, Gavharshodbegim, Shodimulk og\u2019o, Arjumandbonu, Zebunissobegim singari is\u2019tedodli temuriy malikalar haqida qiziqarli ma\u2019lumotlar o\u2019rin olgan.<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019<\/strong><strong>K 821.512&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Hayit, To\u2019lqin<\/strong><strong>,<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>H-19<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Amir Temur haqida hikoyalar [M\u0430tn] : to\u2019plam \/ T.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Hayit. \u2013 T\u043eshkent : \u201cZabarjad Media\u201d, 2023. \u2013 23 b. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ISBN 978-9910-9142-0-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu to\u2019plamga To\u2019lqin Hayitning \u201cAmir Temur haqida hikoyalar\u201d turkumidagi ijod namunalari kiritilgan. Buyuk davlat arbobi, Sohibqiron nomlarini qozongan sarkardaning hamma ham bilmaydigan yetuk ma\u2019naviy qiyofasi u haqdagi tarixiy-badiiy rivoyatlar orqali oddiy, soda, ravon tilde yoritib beriladi. To\u2019plam keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<ul>\n<li><strong>UO\u2019<\/strong><strong>\u041a 821.512 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Mopassan<\/strong><strong>, <\/strong><strong>Ge<\/strong><strong>.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; M-74<\/strong>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Notanish mahbubam [\u041c\u0430tn] : hikoyalar \/ Gi de.&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mopassan ; tarjimonlar : Nodirabegim Ibrohimova va b. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422oshkent : \u201cZiyo nashr\u201d , 2022. \u2013 160 b. \u2013 ISBN 978-9943-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8576-2-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Qo\u2019lingizdagi to\u2019plamdan jahon adabiyotida o\u2019ziga&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; xos o\u2019rin tutgan adiblar qalamiga mansub hikoyalar o\u2019rin<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; olgan.Kitobda jamlangan hikoyalar ravon tili, voqealar<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bayoni, mavzular rang-barangligi bilanajralib turadi.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>UO\u2019\u041a 159.<\/strong>9 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ona tilim \u2013 mangu makonim&nbsp; [Matn] : she\u2019rlar \/ to\u2019plab<\/li>\n<\/ol>\n\n\n\n<p><strong>\u041e<\/strong><strong>-80&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>nashrga tayyorlovchilar : M. Zohidova va boshq. \u2013 Toshkent :<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;\u201cYangi asr avlodi\u201d, 2022. \u2013 384 b. \u2013 ISBN 978-9943-8590<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;-5-0.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Til \u2013 har bir xalqning, har bir millatning tarixini, ma\u2019naviyatini, madaniyatini ifadalovchi vositadir. Aynan shuning uchun ham til Davlat suverenitetining asoslaridan biri sifatida e\u2019tirof etiladi. Mazkur kitobda ona tilimiz \u2013 o\u2019zbek tiliga bag\u2019ishlangan she\u2019rlar to\u2019plandi va keng kitobxonlarga taqdim etilmoqda. Maqsad \u2013 sohir so\u2019z egalarining tashbehi bilan tilimizni yana bir katta ulug\u2019lash va eng chiroyli ta\u2019riflar bilan ko\u2019ngillarini zabt etishdir.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>UO\u2019\u041a 37.<\/strong><strong>016<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;<\/strong><strong>Prezident maktabiga tayyorgarlik 2; Muammoni hal <\/strong><strong><\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; P-84&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;qilish, Tanqidiy fikrlash, Ingliz tili<\/strong> [Matn] : o\u2019quv &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>qo\u2019llanma&nbsp; \/ J. Abduvaliy va boshq. \u2013 T\u043eshkent : \u201cZamin&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; nashr\u201d, 2023. \u2013 232 b. \u2013 ISBN 978-9910-8841-9-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur kitob Prezident va ixtisoslashgan maktablarga kirishga tayyorlanayotganlar uchun imtihonlar shaklida tuzilgan o\u2019quv qo\u2019llanmalar. Shuningdek, kitobdagi masalalar o\u2019quvchilarga mantiqiy va tanqidiy fikrlashini&nbsp; kuchaytirishda, ingliz tili ko\u2019nikmalarini mantiqiy nuqtai nazardan o\u2019rganishda katta yordam beradi. Mazkur o\u2019quv qo\u2019llanma umumiy o\u2019rta ta\u2019lim maktablarining matematikaga, mantiqiy masalalar yechishga qiziquvchi o\u2019quvchilariga mo\u2019ljallangan.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>UO\u2019\u041a 94(575.1) &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sog\u2019uniy, Alixonto\u2019ra<\/strong><strong>.<\/strong><strong><\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>S-84&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Temur tuzuklari<\/strong><strong> <\/strong>[Matn] : \/ A. Sug.oniy. \u2013 T\u043eshkent :<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201c<\/strong><strong> <\/strong>Shodlik nashriyoti\u201d, 2020. \u2013 152 b. \u2013 ISBN 978-9943-5399-<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>6-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Amir Temurning odilona siyosati va qonunlarning barcha sohalarda adolatli amalga oshirilishi shunday hayrotomuz natijalar berdiki, mo\u2019g\u2019ullar bir yuz ellik yil davomida vayronaga aylantirgan Turon yurti Sohibqiron hukmronligi zamoniga kelib, qisqa vaqt oralig\u2019ida jahonning barcha sohalarida eng qudratli, iqtisodiy barq urgan, madaniy hayoti yuksalgan, bunyodkorligi bemisl rivojlangan mamlakatga aylandi.<\/p>\n\n\n\n<p><strong>13. &nbsp;UO\u2019\u041a 34.006&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sog\u2019uniy, A.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>S-10<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Amir Temur. \u201cTemur Tuzuklari\u201d[Matn] : memuar &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;asar \/ forschadan Alixon Sog\u2019uniy va Habibullo Karamatov<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;tarjimasi. \u2013 \u0422\u043eshkent : \u201cIlm \u2013ziyo-zakovat\u201d, 2020. \u2013 144 b. \u2013 ISBN<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 978-9943-6324-8-6.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cTemur tuzuklari\u201d asari ikki qismdan iborat. Birinchi qismda<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Amir Temurning tarjimai holi,ijtimoiy-siyosiy faoliyati<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;uning Movarounnahrda markaziy hokimiyatni qo\u2019lga kiritishi,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; siyosiy tarqoqlikka barham berishi, markazlashgan davlat<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;tuzishi, 27 mamlakatni, o\u2019z tasarrufiga kiritishi, buyuk<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;sohibqiron tilidan ixcham tarzda bayon etilgan..<\/p>\n\n\n\n<p><strong>14. UO\u2019\u041a 94(575.1)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vooglayd, Yulo<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;V-94<\/strong>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Vatandoshlik dasturi [Matn] : o\u2019quv qo\u2019llanma \/ Y.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Vooglayd. \u2013 \u0422\u043eshkent : \u201cTrust and Support\u201d, 2023. \u2013 &nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 528 b. \u2013 ISBN 978-9943-8623-3-3.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ushbu kitob eston olimi Yulo Vooglayd tomonidan yozilgan bo\u2019lib, unda insoniyat oldida turgan muhim&nbsp; masalalar \u2013 inson, hayot, yashash muhiti, jamiyat, madaniyat, mehnat, rahbarlik, hamkorlik\u2026. Kabi mavzular asosida o\u2019ziga xos tarzda yoritiladi. Asar eston jamiyatiga yo\u2019naltirilgan bo\u2019lsa-da unda Estoniya juda kam tilga olinadi va umumiy ma\u2019noda asarni, butun post sovet jamiyatlari uchun yozilgan deyish mumkin. Ushbu qo\u2019llanmani vatandoshga aylanishni istaydigan, vatandosh bo\u2019lib qoladigan va o\u2019zini vatandoshlardek tutadigan vatanparvar insonlar uchun yozilgan desak, ayni haqiqat bo\u2019ladi.<\/p>\n\n\n\n<p><strong>15.<\/strong> <strong>UO\u2019\u041a 821.512 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Vohidov, Erkin.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V-28<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;She\u2019rlar to\u2019plami [Matn] : \u201cAdabiyotimizning&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; so\u2019nmas yulduzlari\u201d turkumi \/ E. Vohidov. \u2013 \u0422\u043eshkent :<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cZukko kitobxon\u201d nashriyoti, 2023. \u2013 128 b. \u2013 ISBN 978-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9943-9295-8-6.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbekiston xalq shoiri Erkin Vohidovning she\u2019rlarida hayotga, go\u2019zallikka muhabbat, yovuzlikka, tubanlikka nafrat yaqqol sezilib turadi. Ha bu adib butun bir hayoti davomidas ezgulikni, muxabbatni, samimiyatni, tinchlikni ulug\u2019lab, yovuzlikni, jaholatni urushni qoralagan.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>UO\u2019<\/strong><strong>\u041a 821.512 &nbsp;&nbsp;<\/strong><strong>Xudoyberdiyeva, H<\/strong><strong>.<\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>X-21<\/strong>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Navro\u2019z [Matn] : she\u2019rlar \/ H. Xudoyberdiyeva. \u2013<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\u0422\u043eshkent : \u201cTuron zamin\u201d, 2025. \u2013 160 b. \u2013 ISBN 978-9943-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8864-9-2.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Umr o\u2019tkinchi. Adabiyot abadiydir. Xalqimiz ko\u2019ngliga xush yoqqan har bir hikoya, har bir she\u2019r borki, yillar o\u2019tsada, o\u2019z qadrini yo\u2019qotmaydi. Ijod namunalarini qayta-qayta tasanno aytamiz. Ularning asarlari zamiridagi xulosalarni mushohada etib, go\u2019yoki ular bilan dildan tillashgandek bo\u2019lamiz.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>\u0423\u040e\u041a 342.727&nbsp;&nbsp; \u0411\u0430\u04b3\u0440\u0438\u0435\u0432, \u041a\u0430\u0440\u0438\u043c.<\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>\u0411-43<\/strong>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u0421\u045e\u0437 \u044d\u0440\u043a\u0438\u043d\u043b\u0438\u0433\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437. \u0421\u0430\u0439\u043b\u0430\u043d\u043c\u0430 [Ma\u0442\u043d] :<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u043a \u043d\u0430\u0448\u0440 \/ \u041a. \u0411\u0430\u04b3\u0440\u0438\u0435\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cOltin meros<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; press\u201d, 2023. \u2013 480 b. \u2013 ISBN 978-9943-9388-3-4.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u045e\u043b\u0438\u043d\u0433\u0438\u0437\u0434\u0430\u0433\u0438 \u201c\u0421\u045e\u0437 \u044d\u0440\u043a\u0438\u043d\u043b\u0438\u0433\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430 \u0441\u045e\u0437\u201d \u043a\u0438\u0442\u043e\u0431\u0438\u0434\u0430 \u0438\u043d\u0441\u043e\u043d\u043d\u0438\u043d\u0433 \u0444\u0438\u043a\u0440\u043b\u0430\u0448 \u0432\u0430 \u0441\u045e\u0437\u043b\u0430\u0448, \u043c\u0443\u043b\u043e\u049b\u043e\u0442 \u0432\u0430 \u043c\u0443\u04b3\u043e\u043a\u0430\u043c\u0430 \u049b\u0438\u043b\u0438\u0448 \u044d\u0440\u043a\u0438\u043d\u043b\u0438\u0433\u0438\u043d\u0438\u043d\u0433 \u043c\u043e\u04b3\u0438\u044f\u0442\u0438, \u0442\u0430\u049b\u0434\u0438\u0440\u0438 , \u0430\u04b3\u0430\u043c\u0438\u044f\u0442\u0438 \u0432\u0430 \u0438\u0441\u0442\u0438\u049b\u0431\u043e\u043b\u0438\u0434\u0430\u043d \u0441\u045e\u0437 \u044e\u0440\u0438\u0442\u0438\u043b\u0430\u0434\u0438. \u04b2\u0430\u049b\u043b\u0438 \u0442\u0430\u044a\u043a\u0438\u0434\u043b\u0430\u043d\u0433\u0430\u043d\u0438 \u043a\u0430\u0431\u0438, \u04b3\u043e\u043a\u0438\u043c\u0438\u044f\u0442\u043d\u0438\u043d\u0433 \u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u043b\u0430\u0440\u0433\u0430 \u0432\u0430 \u043e\u043c\u043c\u0430\u0432\u0438\u0439 \u0430\u0445\u0431\u043e\u0440\u043e\u0442 \u0432\u043e\u0441\u0438\u0442\u0430\u043b\u0430\u0440\u0438\u0433\u0430 \u043c\u0443\u043d\u043e\u0441\u0430\u0431\u0430\u0442\u0438 \u2013 \u0431\u0443 \u04b3\u043e\u043a\u0438\u043c\u0438\u044f\u0442\u043d\u0438\u043d\u0448\u0433 \u045e\u0437 \u0444\u0443\u049b\u0430\u0440\u043e\u043b\u0430\u0440\u0438\u0433\u0430 \u043c\u0443\u043d\u043e\u0441\u0430\u0431\u0430\u0442\u0438\u043d\u0438 \u043a\u045e\u0440\u0441\u0430\u0442\u0430\u0434\u0438, \u0447\u0443\u043d\u043a\u0438 \u0441\u045e\u0437 \u044d\u0440\u043a\u0438\u043d\u043b\u0438\u0433\u0438 \u0430\u043d\u0430 \u0448\u0443 \u0444\u0443\u049b\u0430\u0440\u043e\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u044d\u0440\u043a\u0438\u043d\u043b\u0438\u0433\u0438\u0434\u0438\u0440.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>\u0423\u040e\u041a 821.512&nbsp;&nbsp; \u0410\u043b\u0438, \u041c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434.<\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>\u0410-40<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u043b\u0443\u0493 \u0421\u0430\u043b\u0442\u0430\u043d\u0430\u0442 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d-\u044d\u043f\u043e\u043f\u0435\u044f. \u0423\u0447\u0438\u043d\u0447\u0438 \u0436\u0438\u043b\u0434 \/<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\u041c. \u0410\u043b\u0438. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438, 2024. \u2013 592 b. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ISBN 978-9910-790-40-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u040e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438\u0434\u0430 \u0431\u0438\u0440\u0438\u043d\u0447\u0438 \u0440\u043e\u043c\u0430\u043d-\u044d\u043f\u043e\u043f\u0435\u044f \u0441\u0438\u0444\u0430\u0442\u0438\u0434\u0430 \u0442\u0430\u044a\u0440\u0438\u0444\u043b\u0430\u043d\u0433\u0430\u043d, \u0421\u043e\u04b3\u0438\u0431\u049b\u0438\u0440\u043e\u043d \u0410\u043c\u0438\u0440 \u0422\u0435\u043c\u0443\u0440 \u04b3\u0430\u0451\u0442\u0438\u0433\u0430 \u0431\u0430\u0493\u0438\u0448\u043b\u0430\u043d\u0433\u0430\u043d \u0442\u045e\u0440\u0442 \u043a\u0438\u0442\u043e\u0431\u0434\u0430\u043d \u0438\u0431\u043e\u0440\u0430\u0442 \u201c\u0423\u043b\u0443\u0493 \u0421\u0430\u043b\u0442\u0430\u043d\u0430\u0442\u201d \u0440\u043e\u043c\u0430\u043d-\u044d\u043f\u043e\u043f\u0435\u044f\u0441\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0445\u0430\u043b\u049b \u0451\u0437\u0443\u0432\u0447\u0438\u0441\u0438 \u041c\u0443\u04b3\u0430\u043c\u043c\u0430\u0434 \u0410\u043b\u0438 \u0442\u043e\u043c\u043e\u043d\u0438\u0434\u0430\u043d \u0439\u0438\u0433\u0438\u0440\u043c\u0430 \u0439\u0438\u043b \u0434\u0430\u0432\u043e\u043c\u0438\u0434\u0430 (1993-2013) \u049b\u043e\u0493\u043e\u0437\u0433\u0430 \u0442\u0443\u0448\u0438\u0440\u0438\u043b\u0433\u0430\u043d. \u201c\u041c\u0438\u0440\u043e\u043d\u0448\u043e\u04b3 \u041c\u0438\u0440\u0437\u043e\u201d \u0440\u043e\u043c\u0430\u043d\u0438\u0434\u0430 1392-1399 \u0439\u0438\u043b\u043b\u0430\u0440 \u0432\u043e\u049b\u0435\u0430\u043b\u0430\u0440\u0438 \u049b\u0430\u043b\u0430\u043c\u0433\u0430 \u043e\u043b\u0438\u043d\u0433\u0430\u043d.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>\u0423\u040e\u041a 821.111&nbsp;&nbsp; \u041e\u043b\u043a\u043e\u0442\u0442, \u041b\u0443\u0438\u0437\u0430 \u041c\u0435\u0439.&nbsp;<\/strong><\/li>\n<\/ol>\n\n\n\n<p><strong>\u041e-54<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041a\u0438\u0447\u043a\u0438\u043d\u0430 \u0445\u043e\u043d\u0438\u043c\u043b\u0430\u0440 [Ma\u0442\u043d] : \u0440\u043e\u043c\u0430\u043d \/<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>\u041b\u0443\u0438\u0437\u0430 \u041c\u0435\u0439 \u041e\u043b\u043a\u043e\u0442\u0442. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201cGlobal books\u201d, 2022. \u2013 416<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;b. \u2013 ISBN 978-9943-8176-8-5.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u043c\u0435\u0440\u0438\u043a\u0430\u043b\u0438\u043a \u043d\u043e\u0448\u0438\u0440 \u0422\u043e\u043c\u0430\u0441 \u041d\u0430\u0439\u043b\u0441\u043d\u0438\u043d\u0433 \u0438\u043b\u0442\u0438\u043c\u043e\u0441\u0438\u0433\u0430 &nbsp;<\/p>\n\n\n\n<p>\u0431\u0438\u043d\u043e\u0430\u043d \u045e\u0448\u0430 \u0437\u0430\u043c\u043e\u043d \u049b\u0438\u0437\u043b\u0430\u0440\u0438\u0433\u0430 \u0430\u0442\u0430\u0431 \u0451\u0437\u0438\u043b\u0433\u0430\u043d \u201c\u041a\u0438\u0447\u043a\u0438\u043d\u0430 \u0445\u043e\u043d\u0438\u043c\u043b\u0430\u0440\u201d \u041b\u0443\u0438\u0437\u0430 \u041c\u0435\u0439 \u041e\u043b\u043a\u043e\u0442\u0442\u043d\u0438\u043d\u0433 \u044d\u043d\u0433 \u043c\u0430\u0448\u04b3\u0443\u0440, \u0436\u0430\u04b3\u043e\u043d \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 \u0440\u045e\u0439\u0445\u0430\u0442\u043b\u0430\u0440\u0438\u0434\u0430 \u045e\u0440\u043d\u0438\u044e \u044d\u044a\u0442\u0438\u0440\u043e\u0444\u0438\u043d\u0438 \u0442\u043e\u043f\u0433\u0430\u043d \u0440\u043e\u043c\u0430\u043d\u043b\u0430\u0440\u0434\u0430\u043d. \u0422\u045e\u0440\u0442 \u043e\u043f\u0430-\u0441\u0438\u043d\u0433\u0438\u043b \u2013 \u041c\u0435\u0433, \u0416\u043e, \u0411\u0435\u0441 \u0432\u0430 \u042d\u043c\u0438\u043d\u0438\u043d\u0433 \u0431\u0438\u0440\u0438 \u0431\u043e\u0448\u049b\u0430\u0441\u0438\u043d\u0438\u043a\u0438\u0433\u0430 \u045e\u0445\u0448\u0430\u043c\u0430\u0441 \u0444\u0435\u044a\u043b\u0438, \u0441\u0440\u0433\u0443\u0437\u0430\u0448\u0442\u043b\u0430\u0440\u0438, \u043f\u043e\u043a\u0438\u0437\u0430 \u043e\u0440\u0437\u0443\u043b\u0430\u0440\u0438 \u0431\u0435\u0442\u0430\u043a\u0440\u043e\u0440\u043b\u0438\u0433\u0438 \u0431\u0438\u043b\u0430\u043d \u0430\u0436\u0440\u0430\u043b\u0438\u0431 \u0442\u0443\u0440\u0430\u0434\u0438.\u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431<\/p>\n\n\n\n<p>\u049b\u0438\u0441\u043c\u0430\u043d \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u043a \u0430\u0441\u0430\u0440 \u04b3\u0430\u043c\u0434\u0438\u0440. \u041c\u0443\u0430\u043b\u043b\u0438\u0444 \u045e\u0437 \u043e\u043f\u0430-\u0441\u0438\u043d\u0433\u0438\u043b\u043b\u0430\u0440\u043d\u0438 \u043f\u0440\u043e\u0442\u043e\u0442\u0438\u043f \u049b\u0438\u043b\u0438\u0431 \u0442\u0430\u043d\u043b\u0430\u0439\u0434\u0438 \u0432\u0430 \u201c\u0416\u043e \u0430\u0441\u043b\u0438\u0434\u0430 \u043c\u0435\u043d\u043c\u0430\u043d\u201d \u0434\u0435\u044f \u043a\u0443\u043d\u0434\u0430\u043b\u0438\u043a\u043b\u0430\u0440\u0438\u0434\u0430 \u049b\u0430\u0439\u0434 \u044d\u0442\u0430\u0434\u0438. \u0401\u0437\u0443\u0432\u0447\u0438 \u043d\u043e\u04b3\u0430\u049b\u043b\u0438\u043a\u043a\u0430 \u0438\u0441\u0451\u043d, \u049b\u0438\u0437 \u0431\u043e\u043b\u0430\u043d\u0438\u043d\u0433 \u043e\u0438\u043b\u0430, \u0440\u045e\u0437\u0493\u043e\u0440 \u0442\u0430\u0448\u0432\u0438\u0448\u043b\u0430\u0440\u0438\u0433\u0430 \u043a\u045e\u043c\u0438\u043b\u0438\u0431 \u044d\u043c\u0430\u0441, \u0436\u0430\u043c\u0438\u044f\u0442\u0433\u0430 \u043c\u0430\u043d\u0444\u0430\u0430\u0442\u043b\u0438 \u0438\u0448\u043b\u0430\u0440\u0433\u0430 \u04b3\u0430\u043c \u04b3\u0438\u0441\u0441\u0430 \u049b\u045e\u0448\u0430 \u043e\u043b\u0438\u0448\u0438\u0433\u0430 \u0434\u0438\u049b\u049b\u0430\u0442\u043d\u0438 \u049b\u0430\u0440\u0430\u0442\u0430\u0434\u0438.<\/p>\n\n\n\n<ul>\n<li><strong>\u0423\u040e\u041a 821.512&nbsp;&nbsp; \u0425\u045e\u0436\u0430, \u0410\u0437\u0438\u0437 \u041d\u0443\u0440 \u0432\u0430 \u0431\u043e\u0448\u049b\u0430\u043b\u0430\u0440.&nbsp;<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>\u0425-98<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412\u0430\u0442\u0430\u043d\u0433\u0430 \u0432\u0430\u0444\u043e [Ma\u0442\u043d] : \u0442\u045e\u043f\u043b\u0430\u043c \/ \u0410. \u0425\u045e\u0436\u0430. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>: \u201c\u042f\u043d\u0433\u0438 \u0430\u0441\u0440 \u0430\u0432\u043b\u043e\u0434\u0438\u201d, 2020. \u2013 160 b. \u2013 ISBN 978-9943-20-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 680-9.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;\u0423\u0448\u0431\u0443 \u0442\u045e\u043f\u043b\u0430\u043c\u0433\u0430 \u0441\u0438\u0440\u0434\u0430\u0440\u0451\u043b\u0438\u043a \u0451\u0448 \u0438\u0436\u043e\u0434\u043a\u043e\u0440\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u0448\u0435\u044a\u0440\u043b\u0430\u0440\u0438, \u043a\u0438\u0447\u0438\u043a-\u043a\u0438\u0447\u0438\u043a \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438 \u0436\u0430\u043c\u043b\u0430\u043d\u0433\u0430\u043d. \u04b2\u0430\u0440 \u0431\u0438\u0440 \u0430\u0441\u0430\u0440\u043d\u0438 \u045e\u049b\u0438\u0433\u0430\u043d\u0438\u043d\u0433\u0438\u0437\u0434\u0430, \u0441\u045e\u0437 \u049b\u0443\u0434\u0440\u0430\u0442\u0438\u043d\u0438 \u0451\u0448\u0433\u0438\u043d\u0430 \u0438\u0434\u0440\u043e\u043a\u0438-\u043b\u0430 \u0430\u043d\u0433\u043b\u0430\u0431, \u045e\u0437\u0438\u0433\u0430 \u0445\u043e\u0441 \u0444\u0438\u043a\u0440\u043b\u0430\u0431, \u0431\u0435\u0442\u0430\u043a\u0440\u043e\u0440 \u0442\u0430\u0448\u0431\u0435\u04b3\u043b\u0430\u0440 \u0442\u043e\u043f\u0438\u0448\u0433\u0430 \u0438\u043d\u0442\u0438\u043b\u0430\u0451\u0442\u0433\u0430\u043d \u0451\u0448\u043b\u0430\u0440 \u0438\u0436\u043e\u0434\u0438\u0439 \u049b\u043e\u0431\u0438\u043b\u0438\u044f\u0442\u0438\u0433\u0430 \u0431\u0435\u0438\u0445\u0442\u0438\u0451\u0440 \u049b\u043e\u0439\u0438\u043b \u049b\u043e\u043b\u0430\u0441\u0438\u0437. \u0421\u0430\u043c\u0438\u043c\u0438\u0439\u043b\u0438\u043a, \u0431\u0435\u0493\u0443\u0431\u043e\u0440\u043b\u0438\u043a \u0431\u0438\u043b\u0430\u043d \u0439\u045e\u0493\u0440\u0438\u043b\u0433\u0430\u043d \u0430\u0441\u0430\u0440\u043b\u0430\u0440 \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u043c\u0438\u0437\u043d\u0438\u043d\u0433 \u044d\u0440\u0442\u0430\u043d\u0433\u0430 \u043a\u0443\u043d\u0438 \u0438\u0448\u043e\u043d\u0447\u043b\u0438 \u049b\u045e\u043b\u043b\u0430\u0440\u0434\u0430 \u0434\u0435\u044f \u0431\u0438\u0437\u0434\u0430 \u0443\u043c\u0438\u0434 \u0443\u0439\u0493\u043e\u0442\u0430\u0434\u0438.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cCho\u2019lpon\u2013 millat va erk kuychisi\u201d<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"225\" height=\"225\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-1.png\" alt=\"\" class=\"wp-image-2446\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-1.png 225w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-1-150x150.png 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong><em>Bibliografik sharh<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;&nbsp;&nbsp;&nbsp; (Abdulhamid Cho\u2019lpon(1897 \u20141938)&nbsp;tavalludining 128 yilligiga bag\u2019ishlanadi)<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Toshkent 2025<\/strong><\/p>\n\n\n\n<p><strong>01<\/strong><\/p>\n\n\n\n<p><strong>Ch 42<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u201c<\/strong><strong>Cho\u2019lpon\u2013millat<\/strong><strong> <\/strong><strong>va erk kuychisi<\/strong><strong><em>\u201d<\/em><\/strong><strong> <\/strong>(Abdulhamid Sulaymon o\u2019g\u2019li Cho\u2019lpon (1897 \u20141938)&nbsp;tavalludining 128 yilligiga bag\u2019ishlanadi) [Matn] : Bibliografik sharh \/ Tuzuvchi : M. Kavlasheva. \u2013 Toshkent, &nbsp;2025. \u2013 7 b.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hurmatli foydalanuvchilar!<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;E\u2019tiboringizga&nbsp; yangi o\u2019zbek she\u2019riyatining asoschilaridan biri, shoir, tarjimon, dramaturg va ma\u2019rifatchi Abdulhamid Cho\u2019lpon tavalludining 128 yilligiga bag\u2018ishlab, \u201c<strong>Cho\u2019lpon\u2013 millat va erk kuychisi<\/strong>\u201d nomli kitoblar ko\u2018rgazmasiga tayyorlangan bibliografik sharhni taqdim etamiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Bibliografik sharh Abdulhamid Cho\u2019lpon shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adabiyot va san\u2019atga, madaniyatga e\u2019tibor, bu, avvalo, xalqimizga e\u2019tibor, kelajagimizga e\u2019tibor ekanini, buyuk shoirimiz Cho\u2019lpon aytganidek, adabiyot, madaniyat yashasa, millat yashash mumkinligini unutishga bizning also haqqimiz yo\u2019q.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-right\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Shavkat Mirziyoyev<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019zbekiston Respublikasi Prezidenti<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2018zbek adabiyotining atoqli namoyandasi Abdulhamid Sulaymon o\u2018g\u2018li Yunusov &nbsp;&nbsp;\u2014 Cho\u2018lpon 1897-yilda Andijonning \u201cQatorterak\u201d mahallasida ziyoli oilasida dunyoga &nbsp;&nbsp;&nbsp;kelgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Adibning ijodi 1913-1914-yillardan boshlangan bo\u2018lib, u avval \u201cQalandar\u201d, \u201cMirzaqalandar\u201d, \u201cAndijonlik\u201d va nihoyat Cho\u2018lpon (Tong yulduzi) taxallusi bilan ijod qila boshladi. U ham shoir, ham nosir, ham dramaturg sifatida o\u2018z xalqi adabiyoti ravnaqiga salmoqli hissa qo\u2018shdi. Uning dastlabki asarlari \u201cSadoi Turkiston\u201d, \u201cSadoi Farg\u2018ona\u201d kabi mahalliy ro\u2018znomalarda, shuningdek, Orenburgda chiqadigan \u201cSho\u2018ro\u201d nomli oynomada ham nashr etiladi. Xususan, Cho\u2018lponning \u201cIshtirokiyun\u201d, \u201cQizil bayroq\u201d, \u201cTurkiston\u201d hamda \u201cBuxoro axbori\u201d kabi ro\u2018znomalardagi faoliyati ham uning ijodiy shakllanishida mahorat maktabi bo\u2018lib xizmat qildi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Cho\u2018lpon ocherknavis va publitsist sifatida ham barakali ijod qildi. 1914-1917-yillarda \u201cBahor ovullari\u201d, \u201cO\u2018sh\u201d, \u201cVatanimiz Turkistonda temir yo\u2018llar\u201d hamda \u201cDo\u2018xtir Muhammadiyor\u201d asarlarida madaniyat va ma\u2019rifat targ\u2018ibotchisi sifatida maydonga chiqdi. Oktyabr to\u2018ntarishidan keyingi 1920-1924-yillarda hayotda sodir bo\u2018layotgan xush va noxush o\u2018zgarishlarni qalamga oldi. Uniig \u201cYo\u2018lda bir kunduz\u201d, \u201cYo\u2018lda bir kecha\u201d, \u201cSharq poyezdi keldi\u201d, \u201cSharq uyg\u2018ongan\u201d, \u201cChimkent\u201d, \u201cQuturgan mustamlakachilar\u201d, \u201cYo\u2018l esdaligi\u201d singari o\u2018nlab sayohat ocherklari va publitsistik maqolalari yaratildi.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Shoir 1922-1926-yillarda o\u2018zining \u201cTong sirlari\u201d, \u201cUyg\u2018onish\u201d va \u201cBuloqlar\u201d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;kabi uchta she\u2019riy to\u2018plamini nashr ettirdi. 30-yillarga kelib \u201cSoz\u201d va \u201cJo\u2018r\u201d kabi she\u2019riy to\u2018plamlari tayyorlandi. Ammo \u201cSoz\u201di chop etiladi-yu, \u201cJo\u2018r\u201d to\u2018plami katag\u2018onlik shamoli tuzog\u2018iga ilinib, qolib ketadi. Shoir to\u2018plamlari orasida \u201cBuloqlar\u201d (1922) ajralib turadi. Unda shoir yaxlit holda mazlum Sharq taqdiri fojeasi haqida o\u2018z qarashlarini to\u2018kib soladi. To\u2018plam besh bo\u2018limdan iborat bo\u2018lib, \u201cSharq uchun\u201d, \u201cSezgilar\u201d, \u201cSevgi\u201d, \u201cQora yo\u2018llar\u201d va \u201cQor qo\u2018ynida\u201d deb nomlanadi.<\/p>\n\n\n\n<p>Cho\u2018lpon 1925-yillarga kelib \u201cMuhit kuchli ekan, egdim bo\u2018ynimni\u201d deya ijod sohasida qarashlarining o\u2018zgarganligini e\u2019tirof etadi. Uning \u201cMening tovushim\u201d, \u201cKuz\u201d, \u201cBuzilgan o\u2018lkaga\u201d, \u201cYupatmoq istagi\u201d kabi dardchil she\u2019rlari yoniga \u201cQizil bayroq\u201d, \u201cXalq\u201d, \u201cQo\u2018zgolish\u201d, \u201cQor\u201d, \u201cBir tilla qo\u2018ng\u2018iz\u201d, \u201cYaproq uchun\u201d kabi umidli, armonli va fayzli she\u2019rlari qo\u2018shildi. Shoir yaratgan ikki yuzdan ortiq she\u2019riy asarlar o\u2018z xalqi, yurti, baxti, kelajagi, mustaqilligi, ozodligi haqidagi kurashning adabiy solnomalaridandir.<\/p>\n\n\n\n<p>Cho\u2018lpon yetuk lirik shoirgina emas, yirik nosir sifatida o\u2018nlab publitsistik maqolalar, ocherk va hikoyalar, \u201cQor qo\u2018ynida lola\u201d, \u201cYov\u00bb qissalari va \u201cKecha va kunduz\u201d (1938) kabi ajoyib romanining birinchi (\u201cKecha\u201d) qismini nashr ettirgan iste\u2019dodli adib hamdir.<\/p>\n\n\n\n<p>U dramaturg sifatida ham salmoqli ijod qilgan. Uning \u201cXalil farang\u201d, \u201cCho\u2018rining isyoni\u201d kabi kichik pyesalari, \u201cO\u2018rtoq Qarshiboyev\u201d, \u201cMushtumzo\u2018r\u201d kabi yetuk dramalari hamda ko\u2018p vaqt sahnadan tushmagan \u201cYorqinoy\u201d pyesalari mashhur bo\u2018lgan. Shuningdek, rus yozuvchisi V.Yan bilan hamkorlikda \u201cHujum\u201d dramasini yaratgan.<br>Cho\u2018lpon adabiy tanqid sohasida \u201cSho\u2018ro hukumati va sadoi nafisa\u201d, \u201cAdabiyot nedur?\u201d kabi mazmunli maqolalar ham yaratgan. Shuningdek, Cho\u2018lpon mohir tarjimon sifatida M. Gorkiyning \u201cOna\u201d, A. Pushkinning \u201cDubrovskiy\u201d qissasi va \u201cBoris Godunov\u201d kabi pyesalarini hamda V. Shekspnrnnng mashhur \u201cHamlet\u201dini o\u2018zbekchaga o\u2018girgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Abdulhamid Cho\u2018lpon ham Fitrat va Abdulla Qodiriy kabi qatag\u2018onlik siyosati qurboni bo\u2018lgan. U 1937-yilning 14-iyulida qamoqqa olinib, 1938-yilning 4- oktabrida otib tashlangan. 1956-yilda oqlanib, 1991-yildagina birinchi bor \u201cYana oldim sozimni\u201d nomi bilan eng yaxshi she\u2019riy asarlari to\u2018plam holida nashr etildi. Keyingi bir jildlik kitobidan uning kengaytirilgan tarjimai holi, (prof. O. Sharafiddinov) \u201cKecha va kunduz\u201d romani o\u2018rin olgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hozirgi kunda Cho\u2018lpon nomida nashriyot, ko\u2018cha, mahalla, kutubxona va maktablar qo\u2018yilgan. Uning Fozila (1906), Foiqa (1903) ismli qizlari va nabiralari Namanganda yashaydi. Unga 1991-yil 25-sentabrda \u201cYana oldim sozimni\u201d kitobi uchun Alisher Navoiy nomidagi O\u2018zbekiston Respublikasi Davlat mukofoti berildi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yosh avlod orasida taniqli shoirning adabiy merosini targ&#8217;ib qilish&nbsp; maqsadida, uning asarlari va ijodi haqidagi adabiyotlar bilan tanishtiriishni taklif qilamiz.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>Quronov<\/strong><strong>, <\/strong><strong>Dilmurod<\/strong><strong>. <\/strong><strong>Jadidlar<\/strong><strong>. <\/strong><strong>Abdulhamid<\/strong><strong> <\/strong><strong>Cho<\/strong><strong>\u2019<\/strong><strong>lpon<\/strong><strong> [<\/strong><strong>Matn<\/strong><strong>] : <\/strong><strong>risola<\/strong><strong> \/ <\/strong><strong>D<\/strong><strong>. <\/strong><strong>Quronov<\/strong><strong>. \u2013 <\/strong><strong>Toshkent<\/strong><strong> : <\/strong><strong>Yoshlar<\/strong><strong> <\/strong><strong>nashriyot<\/strong><strong> <\/strong><strong>uyi<\/strong><strong>, 2022. \u2013 160 <\/strong><strong>b<\/strong><strong>.<\/strong><\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp; XX asr o\u2019zbek adabiyotiningayrim yangilanishlar&nbsp; Cho\u2019lpon faoliyati bilan bog\u2019liq. Adabiyotshunos Dilmurod Quronovning ushbu risolasida otashin shoir, iste\u2019dodli adib Abdulhamid Cho\u2019lponning hayoti va ijodi, xususan, she\u2019riyati hamda nasriy asarlari muhokama qilinadi. Risola keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<ul>\n<li><strong>Cho\u2019lpon, Abdulhamid. Qor qo\u2019ynida lola [Matn] : hikoyalar \/ A. Cho\u2019lpon. \u2013 Toshkent : \u201cZiyo nashr\u201d nashriyoti, 2023. \u2013 128 b.<\/strong><\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Abdulhamid Sulaymon o\u2019g\u2019li Cho\u2019lponning adabiyotimizdagi o\u2019rni beqiyos. Uning \u201cKecha va kunduz\u201d romani, betakror she\u2019rlari rus va jahon adabiyotidan qilgan tarjimalari hanuzgacha sevib mutolaa qilinadi. Qo\u2019lingizdagi ushbu kitob Cho\u2019lponning hikoyalari, adib tomonidan o\u2019zbek tiliga o\u2019girilgan asarlardan saralandi.<\/p>\n\n\n\n<ul>\n<li><strong>Cho\u2019lpon, Abdulhamid. She\u2019rlar, hikoyalar, she\u2019riy va nasriy tarjimalar [Matn] \/ A. Cho\u2019lpon. \u2013 Toshkent : \u201cZabarjad Media\u201d nashriyoti, 2022. \u2013 336 b.<\/strong><\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Xalq ma\u2019naviyatini boyitish yo\u2019lida olib borilgan kurashlar, milliy matbuot, adabiyot va teatrning odamlar tafakkurini oshirishdagi ahamiyati haqida asarlarida kuyinib yozgan, bu borada fidouilik ko\u2019rsatgan, alaloqibat qatag\u2019onga uchraganlar haqida so\u2019z borarkan, Abdulla Qodiriy, Abdurauf Fitrat, Abdulhamid Cho\u2019lpon, Abdulla Avloniy, Mahmudxo\u2019ja Behbudiy, Munavvar qori Abdurashidxonov, Usmon Nosir, Ishoqxon Ibrat siymolari ko\u2019z oldimizda gavdalanadi. Ular o\u2019z asarlarida ko\u2019targan muammolar hamon bizning qarshimizda boy ko\u2019rsatib turibdi. Biz hamon \u201cmillatni uyg\u2019otish uyg\u2019onganlarning vazifasi\u201d degan chorlovga munosib javob qaytarolganimiz yo\u2019q. \u201cJadid adabiyoti namoyondalari\u201d ruknida tayyorlangan kitoblarimizni o\u2019qir ekan, kitobxon o\u2019zini shu vatanning ongli fuqarosi, vatani va millati taqdiri uchun mas\u2019ul inson sifatida namoyon qilishga o\u2019zida jur\u2019at topadi.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; .<\/p>\n\n\n\n<ul>\n<li><strong>Cho\u2019lpon,&nbsp; Abdulhamid. She\u2019rlar [Matn]: <\/strong><strong>adabiy-badiiy<\/strong><strong> \/ A. Cho\u2019lpon. \u2013 Toshkent : <\/strong><strong>Akademnashr<\/strong><strong>, 202<\/strong><strong>0<\/strong><strong>. \u2013 <\/strong><strong>272<\/strong><strong> b.<\/strong><\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Buyuk adib Abdulhamid Cho\u2019lponning ushbu she\u2019riy to\u2019plamiga shoir hayotlik paytida chop ettirgan to\u2019plamlar&nbsp; va davriy nashrlarda e\u2019lon qilingan she\u2019rlardan saylab tarkib beradi. Uni tayyorlagan mutaxassislar nashrning ommabopligini nazarda tutib she\u2019rlar imlosini birxillashtirish, hozirgi imloga yaqinlashtirish yo\u2019lidan borishgan. Ayni chog\u2019da, shoir tilining betakrorligi va davr ta\u2019mini berib turgan ayrim o\u2019rinlar aslicha qolganini ham ta\u2019kidlash joiz.<\/p>\n\n\n\n<ul>\n<li><strong>Cho\u2019lpon,&nbsp; Abdulhamid. <\/strong><strong>Kecha va kunduz<\/strong><strong> <\/strong><strong>[Matn]: <\/strong><strong>roman. Birinchi kitob <\/strong><strong>\/ A. Cho\u2019lpon<\/strong><strong>. <\/strong><strong>\u2013 Toshkent : <\/strong><strong>Sharq<\/strong><strong>, 20<\/strong><strong>18<\/strong><strong>. \u2013 <\/strong><strong>304<\/strong><strong> b.<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Kecha va kunduz romanida xalqning g\u2019aflati uyqusida yotgan bir holati<\/p>\n\n\n\n<p>Razzoq so\u2019fi, Qurbonbibi va, albatta, Zebi obrazlari orqali yorqin tasvir etilgan. Bu-o\u2019zbek jadidlari harakat eta boshlagan davrdagi manzara. Jadidlar ana shu nohush manzarani o\u2019zgartirish, Zebi fojiasining boshqa takrorlanmasligi uchun uning, Razzoq so\u2019filarning ko\u2019zini tirnab bo\u2019lsa-da ochishni o\u2019zlariga vazifa qilib qo\u2019ydilar.Romanda nafaqat rus imperiyasining, balki shu imperiya tufayli yashashda davom etgan feudal tuzumning ham inqiroz holatida ekan, demak, bu chirigan hayot tarzini, ijtimoiy tuzumni tag-tomiri bilan o\u2019zgartirish lozim. Ana shu fikr-go\u2019ya asarda tasvirlangan dahshatli voqealar silsilasi osha yorqin yulduz o\u2019laroq nur sochib turadi.<\/p>\n\n\n\n<ul>\n<li><strong>\u0410\u043b\u0438\u0435\u0432, \u0410\u04b3\u043c\u0430\u0434. \u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442, \u049b\u0430\u0434\u0440\u0438\u044f\u0442 \u0432\u0430 \u0431\u0430\u0434\u0438\u0438\u044f\u0442 (\u0412\u0430\u0442\u0430\u043d \u0444\u0438\u0434\u043e\u0439\u0438\u043b\u0430\u0440\u0438) [Ma\u0442\u043d] \/ A. \u0410\u043b\u0438\u0435\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u201d, 2000. \u2013 631 \u0431.<\/strong><\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0423\u0448\u0431\u0443 \u043a\u0438\u0442\u043e\u0431\u0434\u0430 XIX \u0430\u0430\u0441\u0440\u043d\u0438\u043d\u0433 \u043e\u0445\u0438\u0440\u0438&nbsp; XX \u0430\u0441\u0440 \u0431\u043e\u0448\u043b\u0430\u0440\u0438\u0434\u0430\u0433\u0438 \u0422\u0443\u0440\u043a\u0438\u0441\u0442\u043e\u043d\u043d\u0438\u043d\u0433 \u0438\u0436\u0442\u0438\u043c\u043e\u0438\u0439, \u0441\u0438\u0451\u0441\u0438\u0439, \u043c\u0430\u044a\u043d\u0430\u0432\u0438\u0439 \u04b3\u0430\u0451\u0442\u0438\u043d\u0438\u043d\u0433 \u0448\u0430\u043a\u043b\u043b\u0430\u043d\u0438\u0448\u0438 \u0432\u0430 \u0443\u043d\u0438\u043d\u0433 \u043c\u043e\u04b3\u0438\u044f\u0442\u0438 \u0442\u0430\u04b3\u043b\u0438\u043b \u049b\u0438\u043b\u0438\u043d\u0430\u0434\u0438. \u041e\u043b\u0438\u043c \u043c\u0430\u0437\u043a\u0443\u0440 \u043c\u0430\u0432\u0437\u0443\u0434\u0430 1950 \u0439\u0438\u043b\u043d\u0438\u043d\u0433 \u045e\u0440\u0442\u0430\u043b\u0430\u0440\u0438\u0434\u0430\u043d \u0431\u0443\u0451\u043d \u0448\u0443\u0493\u0443\u043b\u043b\u0430\u043d\u0438\u0431, \u045e\u043d\u0433\u0430 \u044f\u049b\u0438\u043d \u043a\u0438\u0442\u043e\u0431\u043b\u0430\u0440, \u044e\u0437\u043b\u0430\u0431 \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \u044d\u044a\u043b\u043e\u043d \u049b\u0438\u043b\u0434\u0438. \u041a\u0438\u0442\u043e\u0431\u0434\u043b\u0430\u043d \u0436\u043e\u0439 \u043e\u043b\u0433\u0430\u043d \u043c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442 \u0441\u0430\u0440\u0447\u0430\u0448\u043c\u0430\u043b\u0430\u0440\u0438, \u0422\u0443\u0440\u043a\u0438\u0441\u0442\u043e\u043d \u2013 \u0443\u043c\u0443\u043c\u0438\u0439 \u0443\u0439\u0438\u043c\u0438\u0437, \u201c\u0422\u0430\u0440\u0438\u0445\u043d\u0438\u043d\u0433 \u0442\u0430\u0440\u0431\u0438\u044f\u0447\u0438\u043b\u0438\u0433\u0438 \u043d\u0438\u043c\u0430\u0434\u0430\u201d \u0442\u0443\u0440\u043a\u0443\u043c\u0438\u0434\u0430\u0433\u0438 \u0442\u0430\u04b3\u043b\u0438\u043b\u043b\u0430\u0440\u0438\u0434\u0430 \u043c\u0438\u043b\u043b\u0438\u0439 \u049b\u0430\u0434\u0440\u0438\u044f\u0442\u043b\u0430\u0440\u0438\u043c\u0438\u0437, \u0431\u0443\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u0431\u0443\u0433\u0443\u043d\u0433\u0438 \u043a\u0443\u043d \u0432\u0430 \u043a\u0435\u043b\u0430\u0436\u0430\u043a \u0442\u0430\u0440\u0430\u049b\u049b\u0438\u0451\u0442\u0438\u043c\u043c\u0438\u0437 \u0443\u0447\u0443\u043d \u0430\u04b3\u0430\u043c\u0438\u044f\u0442\u0438, \u043c\u0430\u0432\u049b\u0435\u0438, \u0443\u043c\u0443\u043c\u0438\u043d\u0441\u043e\u043d\u0438\u0439 \u0444\u0430\u0437\u0438\u043b\u0430\u0442\u043b\u0430\u0440\u0433\u0430 \u0430\u0439\u043b\u0430\u043d\u0438\u0431 \u043a\u0435\u0442\u0430\u0451\u0442\u0433\u0430\u043d\u0438 \u0445\u0443\u0441\u0443\u0441\u0438\u0434\u0430 \u0444\u0438\u043a\u0440 \u044e\u0440\u0438\u0442\u0438\u043b\u0430\u0434\u0438. \u049a\u043e\u0434\u0438\u0440\u0438\u0439, \u0411\u0435\u04b3\u0431\u0443\u0434\u0438\u0439, \u0424\u0438\u0442\u0440\u0430\u0442, \u0447\u045e\u043b\u043f\u043e\u043d, \u044d\u043b\u0431\u0435\u043a, \u0492\u043e\u0437\u0438 \u042e\u043d\u0443\u0441, \u0411\u043e\u0442\u0443\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u04b3\u0430\u0451\u0442\u0438 \u0432\u0430 \u0438\u0436\u043e\u0434\u0438\u0439 \u0444\u0430\u043e\u043b\u0438\u044f\u0442\u0438 \u0445\u043e\u043b\u0438\u0441\u043e\u043d\u0430 \u0433\u0430\u0432\u0434\u0430\u043b\u0430\u043d\u0442\u0438\u0440\u0438\u043b\u0434\u0438. \u041a\u0438\u0442\u043e\u0431 \u0444\u0438\u043b\u043e\u043b\u043e\u0433 \u043c\u0443\u0442\u0430\u0445\u0430\u0441\u0441\u0438\u0441\u043b\u0430\u0440, \u0442\u0430\u0440\u0438\u0445\u0447\u0438\u043b\u0430\u0440, \u0444\u0430\u0439\u043b\u0430\u0441\u0443\u0444\u043b\u0430\u0440, \u0448\u0443\u043d\u0438\u043d\u0433\u0434\u0435\u043a \u043c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442, \u043c\u0430\u044a\u0440\u0438\u0444\u0430\u0442 \u0431\u0438\u043b\u0430\u043d \u049b\u0438\u0437\u0438\u049b\u0443\u0432\u0447\u0438 \u043a\u0435\u043d\u0433 \u043a\u0438\u0442\u043e\u0431\u0445\u043e\u043d\u043b\u0430\u0440 \u043e\u043c\u043c\u0430\u0441\u0438\u0433\u0430 \u043c\u045e\u043b\u0436\u0430\u043b\u043b\u0430\u043d\u0433\u0430\u043d.<\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201cMirtemir \u2013 yangroq tanbur sadosi\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">(Mirtemir Tursunov&nbsp; (1910.30.05&nbsp;\u2014 1978.25.01)&nbsp;tavalludining 115 yilligiga bag\u2019ishlanadi)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"506\" height=\"338\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-9.png\" alt=\"\" class=\"wp-image-2490\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-9.png 506w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-9-300x200.png 300w\" sizes=\"(max-width: 506px) 100vw, 506px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent -2025<\/p>\n\n\n\n<p><strong>01<\/strong><\/p>\n\n\n\n<p><strong>M 53<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c<strong>Mirtemir<\/strong><strong>\u2013yangroq tanbur sadosi\u201d<\/strong> (30.05.1910&nbsp;-25.01.1978)&nbsp;tavalludining 115 yilligiga bag\u2019ishlanadi [Matn] : Eslatma \/ Tuzuvchi : N. Isaqova. \u2013 Toshkent, 2025. \u2013 6 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma iste\u2019dodli shoir Mirtemir tavalludining <strong>115<\/strong> yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Mirtemir shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n\n<p><strong>Tarjimai holi<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Mirtemir<\/strong>&nbsp;( taxallusi; asl ism\u2013sharifi&nbsp;<strong>Tursunov Mirtemir<\/strong>) (1910.30.5,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turkiston\">Turkiston<\/a>&nbsp;\u20141978.25.1,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a>)&nbsp;\u2014&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_xalq_shoiri\">O\u02bbzbekiston xalq shoiri<\/a>&nbsp;(1971), o\u02bbzbek she\u02bcriyati taraqqiyotida o\u02bbziga xos o\u02bbrin tutgan shoir. Mirtemir Tursunov 1910-yilning 30-mayda Turkiston shahri yaqinidagi qishlog\u02bbida tug\u02bbildi. Eski maktabda ta\u02bclim olgach (1919\u20131920), Toshkentga kelib, Almaiy nomidagi namuna ish maktabi (1920\u20131923) va O\u02bbzbek erlar bilim yurtida (1925\u20131929) tahsil ko\u02bbrgan. 1929-yil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Samarqand\">Samarqandga<\/a>&nbsp;borib O\u02bbzbekiston MIK raisi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yo%CA%BBldosh_Oxunboboyev\">Yo\u02bbldosh Oxunboboyevning<\/a>&nbsp;kotibi bo\u02bblib xizmat qilgan va ayni paytda, Pedakademiyaning til va adabiyot fakultetida o\u02bbqiy boshlagan. U shu yillarda \u201eQizil qalam\u201c adabiy tashkilotining a\u02bczosi sifatida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Botu\">Botu<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Oltoy\">Oltoy<\/a>&nbsp;singari \u201emillatchilar\u201c bilan aloqada bo\u02bblganligi uchun GPU tomonidan hibsga olingan (1932.8.8.). Qamoqdan ozod bo\u02bblgach,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Yangi_hayot_(gazeta)&amp;action=edit&amp;redlink=1\">\u201eYangi hayot\u201c<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Gazeta\">gazetasida<\/a>&nbsp;adabiy xodim (1936), respublika radioqo\u02bbmitasida bosh muharrir (1941). O\u02bbzdavnashrda muharrir (1942),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Opera\">Opera<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Balet\">balet<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Teatr\">teatrida<\/a>&nbsp;adabiy emakdosh (1943\u20131944), Yozuvchilar uyushmasida bo\u02bblim mudiri va maslahatchi (1957\u20131964), badiiy adabiyot nashriyotida muharrir (1965\u20131966) lavozimlarida xizmat qilgan.<\/p>\n\n\n\n<p><strong>She\u02bcriy to\u02bbplamlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Mirtemirning&nbsp;\u201cShu\u2019lalar qo\u2019ynida\u201d(1928), <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Zafar\">\u201eZafar\u201c<\/a>&nbsp; (1929),&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qaynashlar&amp;action=edit&amp;redlink=1\">\u201eQaynashlar\u201c<\/a>&nbsp;(1930), &nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kommuna\">\u201eKommuna\u201c<\/a>&nbsp;(1931),&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tong&amp;action=edit&amp;redlink=1\">\u201eTong\u201c<\/a>&nbsp;(1932),&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Kipriklarim&amp;action=edit&amp;redlink=1\">\u201eKipriklarim\u201c<\/a>,&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yodgorlik\">\u201eYodgorlik\u201c<\/a>&nbsp;(1978) va boshqa she\u02bcriy to\u02bbplamlarida intim va ijtimoiy lirikaning sara namunalari o\u02bbrin olgan. Shoir qalamiga mansub&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Dilkusho\">\u201eDilkusho\u201c<\/a>, &nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Suv_qizi&amp;action=edit&amp;redlink=1\">\u201eSuv qizi\u201c<\/a>,&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Oysanamning_to%CA%BByida&amp;action=edit&amp;redlink=1\">\u201eOysanamning to\u02bbyida\u201c<\/a>, <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Surat\">\u201eSurat\u201c<\/a>&nbsp;(1957) dostonlari va <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qoraqalroq_daftari&amp;action=edit&amp;redlink=1\">\u201eQoraqalroq daftari\u201c<\/a>&nbsp;she\u02bcriy turkumi Mirtemir tasvir imkoniyatlari nechog\u02bblik keng ekanini ko\u02bbrsatadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dostonlar<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;30-yillar o\u02bbzbek she\u02bcriyatida doston janri katta mavqe kasb etadi. Mirtemir ham shudavrda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Barot\">\u201eBarot\u201c<\/a>&nbsp;(1930), <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Xidir&amp;action=edit&amp;redlink=1\">\u201eXidir\u201c<\/a>&nbsp;(1932),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Dilkusho\">\u201eDilkusho\u201c<\/a>,&nbsp; <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Suv_qizi&amp;action=edit&amp;redlink=1\">\u201eSuvqizi\u201c<\/a>&nbsp;(1937), &nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Oysanamning_to%CA%BByida&amp;action=edit&amp;redlink=1\">\u201eOysanamning to\u02bbyida\u201c<\/a>&nbsp;(1938),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qo%CA%BBzi\">\u201eQo\u02bbzi\u201c<\/a>&nbsp;(1939) kabi dostonlarni yozadi va ularning aksarida oddiy mehnat axli vakillari obrazini yaratadi. Umuman, Mirtemirning she\u02bcr va dostonlariga xos xususiyat shundaki, u oddiy kishilar hayoti va mehnatida \u201eshe\u02bcriyatbop\u201c jihatlarni, ular ruhiy olamidagi go\u02bbzallik jilvalarini o\u02bbziga xos noziklik va zakiylik bilan ko\u02bbradi va aks ettiradi. Bu mirtemirona fazilat shoir ijodining urushdan keyingi davrida, ayniqsa, yorqin ko\u02bbrinadi.<\/p>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ikkinchi_jahon_urushi\">Ikkinchi jahon urushidan<\/a>&nbsp;keyingi yillardagi adabiy siyosat natijasida Mirtemirga ijod etish va yozgan asarlarini e\u02bclon qilish imkoni berilmagan. Natijada u tarjima va tahrir ishlari bilan shug\u02bbullanishga majbur bo\u02bblgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qoraqalpoq\">Qoraqalpoq<\/a>&nbsp;she\u02bcriyatidan qilgan tarjimalari va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qaraqalpoq_daftari&amp;action=edit&amp;redlink=1\">\u201eQaraqalpoq daftari\u201c<\/a>&nbsp;(1959) she\u02bcriy turkumining katta muvaffaqiyat qozinishi Mirtemirning \u201eerkin\u201c ijodkorlar safiga qaytishi va ijodiy yasharishiga sababchi bo\u02bbldi. \u201eQoraqalpoq daftari\u201cda (1957) namoyon bo\u02bblgan xalqlar o\u02bbrtasidagi do\u02bbstlik va hamkorlik g\u02bboyalari shoirning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qozoq\">qozoq<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qirg%CA%BBiz\">qirg\u02bbiz<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turkman\">turkman<\/a>&nbsp;diyorlariga qilgan safarlari ta\u02bcsirida yozilgan she\u02bcrlarida katta mahorat bilan davom ettirildi. Mirtemirning \u201eQoraqalpoq daftari\u201c turkumidan o\u02bbrin olgan \u201eSurat\u201c lirik qissasi esa 60\u201370-yillarda o\u02bbzbek she\u02bcriyatida doston janriga e\u02bctiborning kuchayishi va lirik doston janrining kamol topishiga katta ta\u02bcsir ko\u02bbrsatgan.<\/p>\n\n\n\n<p><strong>She<\/strong><strong>\u02bb<\/strong><strong>rlari<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;Mirtemirning 60\u201370-yillarda yaratgan aksar she\u02bcrlari 20\u2013asr o\u02bbzbek she\u02bcriyatining tom ma\u02bcnodagi durdonalaridir. U shu davrda she\u02bcriy texnikani mukammal egallagan shoir sifatidagina emas, balki tarix va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Vatan\">Vatan<\/a>&nbsp;tuyg\u02bbulari bilan yashagan, shu muqaddas tuyg\u02bbularni yonar so\u02bbz bilan ifodalagan shoir sifatida ham shuhrat qozondi. Mirtemir oddiy mehnat axliga ruhan yaqin, uning tabiatini, maishiy xayotini, tilining kamalak ranglarini, dilidagi orzu va armonlarini yaxshi bilgan, inson qalbidagi ruhiy kolliziyalarni teran his qilgan va tasvirlagan shoirdir. Mirtemirning chin ma\u02bcnoda xalq shoiri, milliy shoir bo\u02bblganligi uning, ayniqsa,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Betobligimda&amp;action=edit&amp;redlink=1\">\u201eBetobligimda\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bitta_o%CA%BBzim_bilaman&amp;action=edit&amp;redlink=1\">\u201eBitta o\u02bbzim bilaman\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Toshbu&amp;action=edit&amp;redlink=1\">\u201eToshbu\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Bulut\">\u201eBulut\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Onaginam&amp;action=edit&amp;redlink=1\">\u201eOnaginam\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shudring\">\u201eShudring\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Barqut&amp;action=edit&amp;redlink=1\">\u201eBarqut\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Yali%E2%80%93yali&amp;action=edit&amp;redlink=1\">\u201eYali\u2013yali\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ratti&amp;action=edit&amp;redlink=1\">\u201eRatti\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Armon&amp;action=edit&amp;redlink=1\">\u201eArmon\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Chirildoq&amp;action=edit&amp;redlink=1\">\u201eChirildoq\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sutdek_oydin&amp;action=edit&amp;redlink=1\">\u201eSutdek oydin\u201c<\/a>, <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Men_kelgum&amp;action=edit&amp;redlink=1\">\u201eMen kelgum\u201c<\/a><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Hayda&amp;action=edit&amp;redlink=1\">\u201eHayda\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ona_yurtim&amp;action=edit&amp;redlink=1\">\u201eOna yurtim\u201c<\/a><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ona_tilim&amp;action=edit&amp;redlink=1\">\u201eOna tilim\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ko%CA%BBklamda&amp;action=edit&amp;redlink=1\">\u201eKo\u02bbklamda\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Pattining_hasratlari&amp;action=edit&amp;redlink=1\">\u201ePattining hasratlari\u201c<\/a>&nbsp; singari o\u02bbzbek ayollariga xos mehr\u2013muhabbat, or\u2013nomus, malohat, sabr-toqat va mehnatsevarlik&nbsp; fazilatlari kuylangan she\u02bcrlarida o\u02bbz tajassumini topgan. Mirtemir bu va boshqa she\u02bcrlari bilan o\u02bbzbek she\u02bcriyatiga xos xalqchillik ruhini behad darajada oshirdi. Ayni paytda Mirtemir she\u02bcrlari syujetliligi, tasvir etilayotgan zamon va makonning aniqligi, lirik qahramon ruhiy olamining yorqinligi va bokiraligi bilan ajralib turadi. Mirtemir Hamza nomidagi O\u02bbzbekiston Davlat mukofoti (1979),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Berdaq_nomidagi_Qoraqalpog%CA%BBiston_Davlat_mukofoti&amp;action=edit&amp;redlink=1\">Berdaq nomidagi Qoraqalpog\u02bbiston Davlat mukofoti<\/a>&nbsp;(1977) laureati.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Buyuk_xizmatlari_uchun\">\u201eBuyuk xizmatlari uchun\u201c<\/a>&nbsp;ordeni bilan mukofotlangan (2002). Toshkentdagi ko\u02bbcha va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Andijon_viloyati\">Andijon viloyati<\/a>, Bo\u02bbz tumanidagi maktablardan biri Mirtemir nomi bilan atalgan. Shoir tug\u02bbilgan Eski Iqon qishlog\u02bbida Mirtemir uy\u2013muzeyi barpo etilgan. Shoirning&nbsp;<strong>\u201cMen seni&#8230;\u201d, \u201cChag\u2018alay\u201d, \u201cQirg\u2018iziston\u201d, \u201cMaxtumquli to\u2018yida\u201d, \u201cOnaginam\u201d, \u201cQozog\u2018im\u201d, \u201cQaydadir buloq\u201d<\/strong>&nbsp;kabi she\u2019rlari xalqlar do\u2018stligini kuylovchi eng yaxshi asarlardandir.<\/p>\n\n\n\n<p><em>Qaydadir buloq bor tog\u2018lar boshida &#8212;<\/em><\/p>\n\n\n\n<p><em>Kumush baliqlarning so\u2018lim o\u2018lkasi.<\/em><\/p>\n\n\n\n<p><em>Toshlarga urilib oqmoqda oq suv,<\/em><\/p>\n\n\n\n<p><em>To\u2018lqinlari tiniq va porloq inju.<\/em><\/p>\n\n\n\n<p><em>&#8212; Qaylarga shoshasan, pokiza oqim?<\/em><\/p>\n\n\n\n<p><em>&#8212; Ulkan dengizga,<\/em><\/p>\n\n\n\n<p><em>Ulkan dengizdagi chiroyli qizga&#8230;<\/em><\/p>\n\n\n\n<p><em>Salqin og\u2018ushimda yoyib qulochin,<\/em><\/p>\n\n\n\n<p><em>U mening mavjimda yuvadi sochin.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Mirtemirning o\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 3 \u0442\u043e\u043c\u043b\u0438\u043a&nbsp; [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044c\u0440\u043b\u0430\u0440 \/ \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u2013 &nbsp;<\/li>\n<\/ol>\n\n\n\n<p>\u0422\u043e\u0448\u043a\u0435\u043d\u0442 : &nbsp;\u0492\u0430\u0444\u0443\u0440 \u0492\u0443\u043b\u043e\u043c, 1970. \u2013 304 \u0431.<\/p>\n\n\n\n<p>&nbsp;2. \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 2 \u0442\u043e\u043c\u043b\u0438\u043a&nbsp; [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044c\u0440\u043b\u0430\u0440 \u0432\u0430 \u0434\u043e\u0441\u0442\u043e\u043d\u043b\u0430\u0440 \/ &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0411\u0430\u0434\u0438\u0438\u0439 \u0430\u0434\u0430\u0431\u0438\u0451\u0442, 1971. \u2013 456 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0410\u0441\u0430\u0440\u043b\u0430\u0440. 3 \u0442\u043e\u043c\u043b\u0438\u043a&nbsp; [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044c\u0440\u043b\u0430\u0440 \u0432\u0430 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440 \/ &nbsp;<\/li>\n<\/ul>\n\n\n\n<p>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044c\u0430\u0442, 1972. \u2013 336 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0414\u045e\u0441\u0442\u043b\u0430\u0440 \u0434\u0430\u0432\u0440\u0430\u0441\u0438\u0434\u0430 [\u041c\u0430\u0442\u043d] : \u0430\u0434\u0430\u0431\u0438\u0439 \u045e\u0439\u043b\u0430\u0440 \/<\/li>\n<\/ul>\n\n\n\n<p>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0401\u0448 \u0433\u0432\u0430\u0440\u0434\u0438\u044f, 1980. \u2013 160 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0421\u0430\u0439\u043b\u0430\u043d\u043c\u0430 [\u041c\u0430\u0442\u043d] : \u043d\u0430\u0437\u043c \u0432\u0430 \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 : \u0424.<\/li>\n<\/ul>\n\n\n\n<p>\u04b2\u0430\u043c\u0440\u043e\u0435\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u041c\u0430\u044c\u043d\u0430\u0432\u0438\u044f\u0442, 2012. \u2013 296 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0428\u0435\u044c\u0440\u043b\u0430\u0440 [\u041c\u0430\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440, \u043d\u0430\u0437\u043c \/ \u0442\u0443\u0437\u0443\u0432\u0447\u0438 : \u041c. &nbsp;<\/li>\n<\/ul>\n\n\n\n<p>\u041c\u0438\u0440\u0437\u043e. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u041c\u0438\u043b\u043b\u0438\u0439 \u043a\u0443\u0442\u0443\u0431\u0445\u043e\u043d\u0430\u0441\u0438, 2016. \u2013 48 \u0431.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Mirtemirning rus tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440.\u0421\u0442\u0438\u0445\u0438 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u0438 \/ \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. &nbsp;\u2013<\/li>\n<\/ol>\n\n\n\n<p>\u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 1973. \u2013 288 \u0441.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0421\u0442\u0438\u0445\u0438 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u0438 \/ \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u043f\u0435\u0440. \u0441 \u0443\u0437\u0431. \u2013<\/li>\n<\/ul>\n\n\n\n<p>\u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1976. \u2013 182 \u0441.<\/p>\n\n\n\n<ul>\n<li>\u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u043e\u0435 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u0438 \u0438 \u043f\u043e\u044d\u043c\u044b \/ \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440. \u043f\u0435\u0440.<\/li>\n<\/ul>\n\n\n\n<p>\u0441 \u0443\u0437\u0431. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, 1986. \u2013 384 \u0441.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Shoir haqidagi kitoblar<\/strong><\/p>\n\n\n\n<p>1. \u041c\u0438\u0440\u0442\u0435\u043c\u0438\u0440 \u0437\u0430\u043c\u043e\u043d\u0434\u043e\u0448\u043b\u0430\u0440 \u0445\u043e\u0442\u0438\u0440\u0430\u0441\u0438\u0434\u0430 [\u041c\u0430\u0442\u043d ] : \u0445\u043e\u0442\u0438\u0440\u0430\u043b\u0430\u0440 \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u041d.&nbsp; \u041a\u0430\u0440\u0438\u043c\u043e\u0432 \u0432\u0430 \u041e. \u041d\u0430\u04b3\u0430\u043d\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044c\u0430\u0442, 1982. \u2013 224 \u0431.<\/p>\n\n\n\n<p>2. \u0492\u0430\u0444\u0443\u0440\u043e\u0432, \u0418\u0431\u0440\u043e\u04b3\u0438\u043c. \u0428\u0435\u044a\u0440\u0438\u044f\u0442 \u2013 \u0438\u0437\u043b\u0430\u043d\u0438\u0448 \u0434\u0435\u043c\u0430\u043a [\u041c\u0430\u0442\u043d] : \u0430\u0434\u0430\u0431\u0438\u0439-&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp; \u0442\u0430\u043d\u049b\u0438\u0434\u0438\u0439 \u043e\u0447\u0435\u0440\u043a \/ \u0418. \u0492\u0430\u0444\u0443\u0440\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0410\u0434\u0430\u0431\u0438\u0451\u0442 \u0432\u0430 \u0441\u0430\u043d\u044a\u0430\u0442\u201d &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp; \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 1984. \u2013 224 \u0431.<\/p>\n\n\n\n<p>3.\u04b2\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 \u0442\u0430\u0440\u0438\u0445\u0438 [\u041c\u0430\u0442\u043d] : \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u0421. \u041c\u0438\u0440\u0437\u0430\u0435\u0432, \u0421. \u0428\u0435\u0440\u043c\u0443\u0445\u0430\u043c\u0435\u0434\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 1993. \u2013 422 \u0431.<\/p>\n\n\n\n<p>4. \u040e\u0437\u0431\u0435\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0442\u045e\u043f\u043b\u0430\u043c \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c \u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2010. \u2013 240 \u0431.<\/p>\n\n\n\n<p>5. Mirtemir[Matn] : nazm \/ to\u2019plovchi G\u2019ayrat Majid. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d, 2022. \u2013 296 b.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Internet sahifalaridan olingan ma\u2019lumotlar<\/strong><\/p>\n\n\n\n<p><strong>&nbsp; <\/strong><strong>1<\/strong>. Mirtemir Tursunov [\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d \u0440\u0435\u0441\u0443\u0440\u0441] : \u041a\u0438\u0440\u0438\u0448 \u0442\u0430\u0440\u0442\u0438\u0431\u0438 :<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mirtemir_Tursunov\">https:\/\/uz.wikipedia.org\/wiki\/Mirtemir_Tursunov<\/a>, \u044d\u0440\u043a\u0438\u043d.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp; <\/strong><strong>2<\/strong>. Mirtemir Tursunov hayoti va ijodi [\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d \u0440\u0435\u0441\u0443\u0440\u0441] : \u041a\u0438\u0440\u0438\u0448 &nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0442\u0430\u0440\u0442\u0438\u0431\u0438 : <a href=\"https:\/\/tafakkur.net\/mirtemir.haqida\">https:\/\/tafakkur.net\/mirtemir.haqida<\/a>, \u044d\u0440\u043a\u0438\u043d.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp; <\/strong><strong>3<\/strong><strong>.<\/strong><strong> <\/strong>Mirtemi rasarlari, kitoblari [\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d \u0440\u0435\u0441\u0443\u0440\u0441] : \u041a\u0438\u0440\u0438\u0448 \u0442\u0430\u0440\u0442\u0438\u0431\u0438:&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <a href=\"https:\/\/kitobxon.com\/oz\/yozuvchi\/mirtemir\">https:\/\/kitobxon.com\/oz\/yozuvchi\/mirtemir<\/a>, \u044d\u0440\u043a\u0438\u043d.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c\u041cuhammadrizo Ogahiy \u2013 o\u2019zbek&nbsp; shoiri,<\/strong> <strong>tarixchi va tarjimon<\/strong>\u201d<\/p>\n\n\n\n<p class=\"has-text-align-center\">(\u041cuhammadrizo Ogahiy(1809-1874) tavalludining &nbsp;215 yilligiga bag&#8217;ishlanadi)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"351\" height=\"439\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-11.png\" alt=\"\" class=\"wp-image-2494\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-11.png 351w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-11-240x300.png 240w\" sizes=\"(max-width: 351px) 100vw, 351px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent &#8212; 2024<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>001<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O-21<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201c<\/strong><strong>\u041c<\/strong><strong>uhammadrizo Ogahiy \u2013<\/strong> o\u2019zbek&nbsp; shoiri, tarixchi va tarjimon\u201d (\u041cuhammadrizo Ogahiy (1809-1874) tavalludining 215 yilligiga bag&#8217;ishlanadi) [Matn] : Eslatma \/ Tuzuvchi : N. Isaqova. \u2013 Toshkent, 2024. \u2013 7 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma o\u2019zbek&nbsp; shoiri, tarixchi va tarjimon\u201d (\u041cuhammadrizo Ogahiy (1809-1874) &nbsp;&nbsp;tavalludining <strong>215<\/strong> yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma \u041cuhammadrizo Ogahiy shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek va rus tillarida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"324\" height=\"245\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-10.png\" alt=\"\" class=\"wp-image-2493\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-10.png 324w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/11\/image-10-300x227.png 300w\" sizes=\"(max-width: 324px) 100vw, 324px\" \/><\/figure><\/div>\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rahm etib, ey do\u2018stlar, majruh ko\u2018ksumni yoring,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qo\u2018l yolang aylab solib, har yon ichimni axtoring.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Uchrasa yuzi qora ko\u2018nglum tutub, tortub, uzub,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;O\u2018tqa solib o\u2018rtabon, jonimni andin qutqoring.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong><em>Ogahiy<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ogahiy hayoti va ijodi<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Ogahiy<\/strong>&nbsp;(taxallusi; to\u02bbliq ismi:&nbsp;<strong>Muhammadrizo Erniyozbek o\u02bbg\u02bbli<\/strong>) (1809-yil 17-dekabr,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xiva\">Xiva<\/a>&nbsp;yaqinidagi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Qiyot_qishlog%CA%BBi&amp;action=edit&amp;redlink=1\">Qiyotqishlog\u02bbi<\/a>&nbsp;\u20131874-yil14-dekabr)&nbsp;\u2013o\u02bbzbek&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shoir\">shoiri<\/a>, tarixchi,<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tarjimon\">tarjimon<\/a>.Mirob oilasida tug\u02bbilgan. Xiva madrasalarida tahsil ko\u02bbrgan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arab_tili\">Arab<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fors_tili\">fors<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Turk_tili\">turk<\/a>&nbsp;tillarini puxta egallagan.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazmning<\/a>&nbsp;mashhur shoir va olimlari, adabiyot muxlislarining suhbatlarida ishtirok etgan. Sharq klassik asarlari, ayniqsa,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Navoiy\">Navoiy<\/a>&nbsp;ijodini qunt bilan o\u02bbrgangan.1829-yilda amakisi va ustozi Munis vafot etgach, Xiva xoni&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Olloqulixon\">Olloqulixon<\/a>&nbsp;(1825\u20141842) Ogahiyni Munisning o\u02bbrniga mirob etib tayinlagan. Shu davrdan e\u02bctiboran Ogahiy xalq hayoti va saroy ishlari bilan shug\u02bbullangan. Qizg\u02bbin ijtimoiy-siyosiy mehnat bilan mashg\u02bbul bir paytda otdan yiqilib, oyog\u02bbi \u201eshakarlang\u201c (shol) bo\u02bblib qolgan (1845). 1857-yildan miroblik vazifasidan iste\u02bcfo bergan. Umrining oxirigacha moddiy muhtoj, g\u02bbamgin, kasalmand ahvolda kun kechirgan..<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Faoliyati<\/strong><\/p>\n\n\n\n<p>Ogahiy 52-55 yoshlarida \u201eOshiqlar tumori\u201c devonini tuzib, unga bayoz to\u02bbplamlaridan she\u02bcrlar kiritib, dastlabki asarlarini puxtalik bilan tahrir qilgan. Shoir qalamiga mansub g\u02bbazallar juda xilma-xildir. Ba\u02bczilarida sof ishq, boshqalarda so\u02bbfiylik g\u02bboyalari, boshqalarda shaxsiy kechinmalar ulug\u02bblanadi. \u201eRiyoz ud-davla\u201c, \u201eZubdat ut-tavorix\u201c, \u201eJomi ul-vakiati sultoniy\u201c, \u201eGulshani davlat\u201c&nbsp;va \u201eShahid ul-ikbol\u201c tarixiy asarlar muallifi. \u201eRiyoz ud-davla\u201c asari&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xorazm\">Xorazmning<\/a>&nbsp;1825\u20141842-yillari tarixidan hikoya qiladi. \u201eZubdat ut-tavorix\u201cda ham Xorazmning 1843\u20141846-yillardagi tarixi tasvirlangan. \u201eJomi ul-vakiati sultoniy\u201c Xorazmning 1846\u20141855-yillar tarixiga bag\u02bbishlangan. \u201eGulshani Davlat\u201c 1856\u20141865-yillardagi tarixni qamrab oladi. Ogahayning so\u02bbnggi asari \u201eShahid ul-iqbol\u201c 1865\u20141872-yillarga bag\u02bbishlangan.&nbsp; Uning o\u02bbzbek va tojik tillaridagi she\u02bcrlarida fuqarolik motivlari&nbsp;\u2013 voqelikdan norozilik, ikkiyuzlamachilikni qoralash jaranglaydi. Ogahiy Nizomiy, Amir Xusraf Dehlaviy, Sa\u02bcdiy, Jomiy, Hiloliy va boshqalarning asarlarini o\u02bbzbek tiliga she\u02bcriy tarjimalari bilan mashhur bo\u02bbldi. Tarjima sohasida Ogahiy chinakam novator edi. Tarjimalar an\u02bcanasi adabiyotlarning o\u02bbzaro bog\u02bbliqligi va o\u02bbzaro ta\u02bcsirining murakkab jarayonining jihatlari hisoblanadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eTa\u02bcviz ul-oshiqin\u201c devoni<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ogahiy xalq orasida ko\u02bbproq lirik shoir sifatida mashhur. Umrining oxirgi yillarida tuzgan lirik kulliyoti&nbsp;\u2013 \u201eTa\u02bcviz ul-oshiqin\u201c (\u201eOshiqlar tumori\u201c, 1872) bizgacha to\u02bbla yetib kelgan. Devon an\u02bcanaviy tartibda tuzilgan, 470&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazal\">g\u02bbazal<\/a>, 3&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Mustazod\">mustazod<\/a>, 89&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Muhammas\">muhammas<\/a>, 5&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Musaddas\">musaddas<\/a>, 2&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Murabba\">murabba<\/a>, 4&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Musamman\">musamman<\/a>, 4 tarje\u02bcband, 7&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qit%CA%BCa\">qit\u02bca<\/a>, 80&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ruboiy\">ruboiy<\/a>, 10&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tuyuq\">tuyuq<\/a>, 1 mulamma, 4&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Chiston\">chiston<\/a>, 2 muammo, 4 masnaviy, 1 bahri tavil, 1 munojot, 1 oshiq va ma\u02bcshuq savol-javobi, 20 ta\u02bcrix, 19 qasida&nbsp;\u2013 jami 18000 misradan iborat. Devonga \u201eAsh\u02bcori forsiy\u201c nomi bilan Ogahiyning fors tilidagi 1300 misra she\u02bcri ham kiritilgan. Devondagi asarlar mazmun-mundarijasi markazida ishq mavzusi turadi. Ogahiy ijodining mavzu doirasi keng. Ammo u qaysi mavzuga murojaat qilmasin, ishqni chetlab o\u02bbtolmaydi. Ishq uning qalamida mavzuni yoritishda, g\u02bboyani ilgari surishda asosiy badiiy vosita; she\u02bcriyatida ishq&nbsp;\u2013 iymon, e\u02bctiqod, vatan, zakovat timsoli kabi lirik qahramonning o\u02bby-kechinmalari, faoliyati, dunyoqarashini harakatlantiruvchi kuch. Ogahiy devonida zamon va zamondoshlari tasviri ham katta o\u02bbrin egallagan. Shoir o\u02bbzi yashab ijod etgan murakkab davrni &nbsp;mahorat bilan badiiy umumlashtirganda, zamon va uning ahliga munosabat bildirganda, baho berganda, insonparvarlik, xalqparvarlik nuqtai nazaridan yondashgan. Ogahiy janr imkoniyatlariga ijodiy yondashib, ularni takomillashtirgan: o\u02bbzigacha bo\u02bblgan 7\u20148, 10\u201412 baytli g\u02bbazal yozish tartibini 23 baytgacha yetkazgan, mustazod janrining qo\u02bbsh orttirma misrali yangi shaklini kashf etgan: Ey yor, sango ushbu jahon bog\u02bbi aro gul bir oshiqi hayron, diydoriga shaydo,Bir shuyftadur kokili mushkulinga sumbul ham holi parishon, ham boshida savdo. Shoir aruzning juda ko\u02bbp bahrlaridan foydalangan. Uning g\u02bbazallari \u201eShashmaqom\u201cning hamma kuylariga tushadi, Xorazm xalq ohanglariga mos keladi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tarixiy asarlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ogahiy \u201eRiyoz uddavla\u201c (\u201eSaltanat bog\u02bblari\u201c, 1842), \u201eZubdat uttavorix\u201c (\u201eTarixlar qaymog\u02bbi\u201c, 1843\u20141846), \u201eJome\u02bc ul-voqeoti sultoniy\u201c (\u201eSultonlik voqealarini jamlovchi\u201c, 1855), \u201eGulshani davlat\u201c (\u201eDavlat gul-shani\u201c, 1865), \u201eShohidi iqbol\u201c (\u201eIqbol guvohi\u201c, 1872) va boshqa tarixiy asarlarida Olloqulixon, Rahimqulixon(1843\u20141846), Muhammad Aminxon (1846&nbsp;\u2013 1855), Sayid Muhammadxon (1856\u20141864), Muhammad Rahim II (1864\u20141910) hukmronligi davrida Xorazmda yashagan o\u02bbzbeklar, turkmanlar|turkman, qoraqalpoqlar|qoraqalpoq, qozoqlar|qozoq xalqlarining tarixi, madaniy va ijtimoiy hayoti, Xiva xonligining boshqa xonliklar bilan munosabati va boshqa tarixiy voqealar aks etgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tarjima asarlari<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ogahiy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ravzat_us-safo\">\u201eRavzat us-safo\u201c<\/a>&nbsp;(Mirxond),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tarixi_jahonkushoyi_Nodiriy\">\u201eTarixi jahonkushoyi Nodiriy\u201c<\/a>&nbsp;(Muhammad Maxdiy Astrobodiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Badoye%CA%BC_ul-vaqoye%CA%BC&amp;action=edit&amp;redlink=1\">\u201eBadoye\u02bc ul-vaqoye\u02bc\u201c<\/a>&nbsp;(3. Vosifiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Miftoh_ut-tolibin&amp;action=edit&amp;redlink=1\">\u201eMiftoh ut-tolibin\u201c<\/a>&nbsp;(Mahmud binni Shayx Ali G\u02bbijduvoniy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tabaqoti_Akbarshohiy&amp;action=edit&amp;redlink=1\">\u201eTabaqoti Akbarshohiy\u201c<\/a>&nbsp;(Muhammad Muqim Hirotiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Tazkirai_Muqimxoniy&amp;action=edit&amp;redlink=1\">\u201eTazkirai Muqimxoniy\u201c<\/a>&nbsp;(Muhammad Yusuf Munshiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ravzat_us-safoyi_Nosiriy&amp;action=edit&amp;redlink=1\">\u201eRavzat us-safoyi Nosiriy\u201c<\/a>&nbsp;(Rizoqulixon Hidoyat),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Axloqi_Muhsiniy\">\u201eAxloqi Muhsiniy\u201c<\/a>&nbsp;(Koshifip),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qobusnoma\">\u201eQobusnoma\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Zubdat_ul-hikoyot&amp;action=edit&amp;redlink=1\">\u201eZubdat ul-hikoyot\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sharhi_daloil_ulhayrat&amp;action=edit&amp;redlink=1\">\u201eSharhi daloil ulhayrat\u201c<\/a>&nbsp;(Muhammad Voris),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Guliston\">\u201eGuliston\u201c<\/a>&nbsp;(Sa\u02bcdiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yusuf_va_Zulayho\">\u201eYusuf va Zulayho\u201c<\/a>&nbsp;(Jomiy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shoh_va_gado&amp;action=edit&amp;redlink=1\">\u201eShoh va gado\u201c<\/a>&nbsp;(Hiloliy),&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Haft_paykar\">\u201eHaft paykar\u201c<\/a>&nbsp;(Nizomiy) va boshqa tarixiy-badiiy asarlarni&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fors_tili\">fors tilidan<\/a>&nbsp;o\u02bbzbekchaga tarjima qilgan. Ogahiy \u201eHaft paykar\u201cni nasriy yo\u02bbl bilan, \u201eGuliston\u201cni qisqartirib, keng kitobxonlarga tushunarli qilib tarjima etgan. \u201eYusuf va Zulayho\u201c hamda \u201eShoh va gado\u201c dostonlarini esa baytma-bayt tarjima qilib (kirish qismidan tashqari), aniq ijodiy tarjima namunasini yaratgan. \u201eMiftoh ut-tolibin\u201c (inv. \u2116&nbsp;8473), \u201eRavzat us-safoyi Nosiriy\u201c (D-125), \u201eTabaqoti Akbarshohiy\u201c (TNS\u2014106), \u201eTazkirai Muqimxoniy\u201c (TNS\u2014105), \u201eFirdavs ul-iqbol\u201c (S\u2014571), \u201eShohi-di iqbol\u201c (S\u2014572), \u201eYusuf va Zulayho\u201c (TNS\u2014117), \u201eTa\u02bcviz uloshi-qin\u201c asarlarining qo\u02bblyozma nusxalari&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Dushanba\">Dushanba<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sankt-Peterburg\">Sankt-Peterburgda<\/a>&nbsp;saqlanadi. \u201eZafarnoma\u201c (Ali Yaz-diy), \u201eBahoriston\u201c, \u201eSalomon va Ibsol\u201c (Jomiy), \u201eHasht behisht\u201c (Xus-rav Dexlaviy) asarlarining Ogahiy tarjimasi hanuzgacha topilmagan.Ogahiy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/1874-yil\">1874-yili<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xiva\">Xivada<\/a>&nbsp;vafot etgan. \u201eTa\u02bcviz ul-oshiqin\u201c Xivada toshbosmada nashr etilgan (1905\u20141909). O\u02bbzbekistonda ko\u02bbchalar, maktablar, Xorazm viloyati musiqali drama va komediya teatri, istirohat bog\u02bbi va boshqa muassasalarga Ogahiy nomi berilgan. Qiyot qishlog\u02bbida Ogahiy bog\u02bbi tashkil etilib, shoirning uy muzeyi ochilgan; muzey oldida Ogahiyga haykal o\u02bbrnatilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Ogahiyning o\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<p>1.Ogahiy. Ta\u02bcvizul-oshiqin [Matn] : nazm \/ Ogahiy. \u2013 Toshkent : Yangi asr avlodi, 1960. \u2013 208 b.<\/p>\n\n\n\n<p>2. Ogahiy. Asarlar [Matn] : nazm \/ nashrga tayyorl : &nbsp;G\u02bb.Karimov va S.Dolimov. Olti jildlik. \u2013 Toshkent : Adabiyot va san\u2019at, 1971. \u2013 208 b.<\/p>\n\n\n\n<p>3. Ogahiy. Ishq ahlining tumori &nbsp;[Matn] : nazm \/ nashrga tayyorl. F.G\u02bbanixo\u02bbjaev v.b. \u2013 Toshkent : Yangi asr avlodi, 1999. \u2013 178 b.<\/p>\n\n\n\n<p>4. Ogahiy. Sarv qomat ko\u2019rmisham [Matn] : nazm \/ she\u2019rlar \/ M. R.Ogahiy. \u2013 Toshkent : \u201cYangi asr avlodi\u201d, 2007. \u2013 264 b.<\/p>\n\n\n\n<p>5. Munis va Ogahiy. Firdavs ul\u2013iqbol [Matn] : nazm \/ Munis,Ogahiy. \u2013 Toshkent : \u201cYangi asr avlodi\u201d, 2010. \u2013 520 b.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Shoir haqida adabiyotlar<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Majidiy, R. Ogahiy lirikasi. [Matn] : nazm \/ R. Majidiy. \u2013 Toshkent : O\u2019zbekiston &nbsp;<\/li>\n<\/ol>\n\n\n\n<p>FA, 1953. \u2013 238 b.<\/p>\n\n\n\n<ul>\n<li>Dolimov, S. Ogahiyning hayoti va ijodi [Matn] : darslik \/ S. Dolimov. \u2013 Toshkent :<\/li>\n<\/ul>\n\n\n\n<p>O\u2019zbekiston FA, 1963. \u2013 120 b.<\/p>\n\n\n\n<ul>\n<li>Munirov, Q. Munis, Ogahiy va Bayoniyning tarixiy asarlari [Matn] : o\u2019quv<\/li>\n<\/ul>\n\n\n\n<p>qo\u2019llanma \/ Q. Munirov. \u2013 Toshkent : Adabiyot va san\u2019at, 1961. \u2013 245 b.<\/p>\n\n\n\n<ul>\n<li>Komilov. Ogahiyning tarjimonlik mahorati. [Matn] : nazm \/ A. Komilov. &nbsp;\u2013<\/li>\n<\/ul>\n\n\n\n<p>Toshkent : Yangi asr avlodi, 1970. \u2013 175 b.<\/p>\n\n\n\n<ul>\n<li>Safarboev, M. Ogahiyning ijtimoiy-siyosiy va estetik qarashlari [Matn] : o\u2019quv<\/li>\n<\/ul>\n\n\n\n<p>qo\u2019llanma \/ M. Safarboev.&nbsp;\u2013 Toshkent : G\u2019afur G\u2019ulom, 1993. \u2013 25 b.<\/p>\n\n\n\n<ul>\n<li>Jumaxo\u02bbja, N. Adizova, I. So\u02bbzdin baqolirog\u02bb yodgor yo\u02bbqdur [Matn] : nazm \/ N. Jumaxo\u2019ja, I. Adizova. \u2013 Toshkent : Adabiyot va san\u2019at,&nbsp; 1995. \u2013 87 b.<\/li>\n\n\n\n<li>Primqulov, A. Ogahiy masnaviylari [Matn] : nazm \/ A. Primqulov. \u2013 Toshkent :<\/li>\n<\/ul>\n\n\n\n<p>O\u2019zbekiston FA, 1998. \u2013 45 b.<\/p>\n\n\n\n<ul>\n<li>Atoqli shoir, tarixnavis, tarjimon. Maqolalar.&nbsp;\u2013 Toshkent : O\u2019zbekiston FA, 1999.<\/li>\n<\/ul>\n\n\n\n<p>\u2013 35 b.<\/p>\n\n\n\n<ul>\n<li>Abdug\u02bbafurov, A. Muhammad Rizo Ogahiy [Matn] : o\u2019quv qo\u2019llanma \/ A.<\/li>\n<\/ul>\n\n\n\n<p>Abdug\u2019afurov. \u2013 Toshkent : Meros, 1999. \u2013 154 b.<\/p>\n\n\n\n<ol type=\"1\">\n<li>Hojiahmedov, A. Ogahiy dahosining olmos qirralari [Matn] : nazm, she\u2019rlar \/ A.<\/li>\n<\/ol>\n\n\n\n<p>Hojiahmedov. \u2013 Toshkent : \u201cAbdulla Qodiriy\u201d nomidagi xalq merosi ,1999. \u2013 120 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11. Matyoqubova, M. Ogahiy ijodida kichik she\u02bcriy janrlar [Matn] : she\u2019rlar \/ M. &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Matyoqubova. \u2013 Toshkent : Yangi asr avlodi, 2000. \u2013 83 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;12. Sultonova, Q. Ogahiyning&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Gulshani_davlat&amp;action=edit&amp;redlink=1\">\u201eGulshani davlat\u201c<\/a>&nbsp;asari adabiy manba sifatida [Matn]<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : o\u2019quv qo\u2019llanma \/ Q. Sultonova. \u2013 Toshkent : G\u2019afur G\u2019ulom, 2000. \u2013 231 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;13. Matyoqubova, T. Ogahiy she\u02bcriyatida an\u02bcanaviy obrazlar talqini [Matn] : o\u2019quv &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; qo\u2019llanma \/ T. Matyoqubova. \u2013 Toshkent : O\u2019zbekiston FA, 2001. \u2013 56 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;14. Hasanov, F. Ma\u2019naviyat yulduzlari [Matn] : o\u2019quv qo\u2019llanma \/ F. Hasanov. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Toshkent : O\u2019zbekiston milliy ensiklopediyasi, 2011. \u2013 368 b.&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;15. Sirojiddinov, Sh. Muhammad Rizo Ogahiyning o\u2019zbek mumtoz adabiyoti rivojida<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; tutgan o\u2019rni&nbsp; [Matn] : o\u2019quv qo\u2019llanma \/ Sh. Sirojiddinov. \u2013 Toshkent: Toshkent &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Navoiy universiteti, 2020. \u2013 265 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;16. Rafiddinov, S. Ogahiy [Matn] : nazm \/ to\u2019plovchi va nashrga tayyorlovchi S.&nbsp; &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rafiddinov. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d, 2022. \u2013 720 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 17. \u0428\u0430\u0440\u0438\u043f\u043e\u0432, \u0416. \u041e\u0433\u0430\u04b3\u0438\u0439\u043d\u0438\u043d\u0433 \u0442\u0430\u0440\u0436\u0438\u043c\u043e\u043d\u043b\u0438\u043a \u0444\u0430\u043e\u043b\u0438\u044f\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0416. \u0428\u0430\u0440\u0438\u043f\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u0422\u0414\u0428\u0423, 2021. \u2013 52 \u0431.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent shahar Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Abonementlar va foydalanuvchilarga<\/p>\n\n\n\n<p class=\"has-text-align-center\">xizmat ko\u2019rsatish xizmati<\/p>\n\n\n\n<h3 class=\"has-text-align-center\">KUTUBXONADA XIZMAT KO\u2018RSATISH TURLARI VA OMMAVIY TADBIRLAR TASHKIL ETISH YUZASIDAN TAVSIYALAR<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-13.png\" alt=\"\" class=\"wp-image-2538\" width=\"542\" height=\"334\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-13.png 467w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-13-300x185.png 300w\" sizes=\"(max-width: 542px) 100vw, 542px\" \/><\/figure><\/div>\n\n\n<h3>&nbsp;<\/h3>\n\n\n\n<h3>                                               Uslubiy-bibliografik qo\u2019llanma<\/h3>\n\n\n\n<h3 class=\"has-text-align-center\">&nbsp;<\/h3>\n\n\n\n<p class=\"has-text-align-center\"><strong>Toshkent- 2025<\/strong><\/p>\n\n\n\n<h3 class=\"has-text-align-center\"><\/h3>\n\n\n\n<h3>&nbsp;<\/h3>\n\n\n\n<h3>&nbsp;<\/h3>\n\n\n\n<h3>001.<\/h3>\n\n\n\n<p><strong>K 86<\/strong><\/p>\n\n\n\n<h3>&nbsp;<\/h3>\n\n\n\n<h3>Abonementlar va foydalanuvchilarga xizmat<\/h3>\n\n\n\n<h3>ko\u2019rsatish xizmati bo\u2019limi tomonidan tayyorlandi.<\/h3>\n\n\n\n<p>Tuzuvchi&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;U.Tashmuhamedova<\/p>\n\n\n\n<h3>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kutubxonada xizmat ko\u2019rsatish turlari va ommaviy<\/h3>\n\n\n\n<h3>tadbirlar tashkil etish yuzasidan tavsiyalar: 2025 yil.<\/h3>\n\n\n\n<h3>Uslubiy bibliografik qo\u2019llanma. Yashnobod&nbsp; tuman<\/h3>\n\n\n\n<h3>axborot-kutubxona markazi;<\/h3>\n\n\n\n<h3>Tuzuvchi U.Tashmuhamedova; 2025-14 b.<\/h3>\n\n\n\n<p><em>&nbsp;<strong>UO\u2019K<\/strong><\/em> <strong>001.<\/strong><\/p>\n\n\n\n<h4>Ushbu qo\u2019llanmada kutubxonaning xizmat ko\u2019rsatish turlari, kutubxonachining<\/h4>\n\n\n\n<h4>xizmat vazifalari hamda kutubxonalarda o\u2019tkazilishi mumkin bo\u2019lgan&nbsp; tadbirlar<\/h4>\n\n\n\n<h4>turkumi bo\u2019yicha ko\u2019rsatmalar berilgan. Qo\u2019llanmadan kutubxona mutaxassislari<\/h4>\n\n\n\n<h4>va&nbsp; keng kitobxonlar ommasi foydalanishi mumkin.<\/h4>\n\n\n\n<p><strong>KUTUBXONADA XIZMAT KO\u2018RSATISH TURLARI<\/strong><\/p>\n\n\n\n<p><strong>VAOMMAVIY TADBIRLAR TASHKIL ETISH YUZASIDAN TAVSIYALAR<\/strong><\/p>\n\n\n\n<h4>Insoniyat hayotida, jamiyat taraqqiyotida kitob va kutubxonalarning o\u2018rni beqiyos. Har bir insonning kelajak orzulariga zamin yaratib beradigan maskan kutubxona hisoblanadi. Tarixdan bizga ma\u2019lumki, insoniyat taraqqiyotining barcha davrlarida axborot va ma\u2019lumotlarni qayerlargadir qayd etish, saqlash, avloddan avlodga yetkazish har xil shakllarda namoyon bo\u2018lgan. Yosh avlodni komil inson qilib tarbiyalash, ularning qalbida pok insoniy tuyg\u2018ular va yuksak ma\u2019naviy fazilatlarni shakllantirishda kutubxonalarning o\u2018rni nihoyatda katta.<\/h4>\n\n\n\n<p><strong>Dunyodagi har qaysi davlat, har qaysi xalq<\/strong><\/p>\n\n\n\n<p><strong>birinchi navbatda o\u2019zining intellektual salohiyati,<\/strong><\/p>\n\n\n\n<p><strong>yuksak ma\u2019naviyati bilan qudratlidir. Bunday yengilmas<\/strong><\/p>\n\n\n\n<p><strong>kuch manbai esa avvalo insoniyat tafakkurining<\/strong><\/p>\n\n\n\n<p><strong>&nbsp; buyuk kashfiyoti- kitob va kutubxonalarda.<\/strong><\/p>\n\n\n\n<p><strong>Shavkat Mirziyoyev<\/strong><strong><br><\/strong><\/p>\n\n\n\n<p><strong>XIZMAT KO\u2018RSATISHNING ASOSIY SHAKLLARI<\/strong><\/p>\n\n\n\n<p><strong>An\u2019anaviy usulda xizmat ko\u2019rsatish<\/strong><\/p>\n\n\n\n<p><strong>Ko\u2019chma kutubxona orqali xizmat ko\u2019rsatish<\/strong><\/p>\n\n\n\n<p><strong>Masofaviy xizmat ko\u2019rsatish<\/strong><\/p>\n\n\n\n<p><strong>An\u2019anaviy usulda xizmat ko\u2019rsatish- <\/strong>kutubxonaning har qanday xizmat turini foydalanuvchilarga kutubxona hududini tark etmagan holatda Abonement, O\u2019quv zallari, Elektron zallari orqali xizmat ko\u2018rsatiladi. Bunda foydalanuvchilarga kitobxonlik formulyari, kutobxona ID kartasi orqali xizmat ko\u2018rsatadi.<\/p>\n\n\n\n<p><strong>Ko\u2019chma kutubxona orqali xizmat ko\u2019rsatish-&nbsp; <\/strong>statsionar kutubxonadan uzoqda joylashgan aholi guruhiga xizmat ko\u2018rsatish maqsadida joyini o\u2018zgartiruvchi va maxsus jihozlangan hamda moslangan transport vositasi (bibliobus va h.k.)da joylashgan kutubxona.<\/p>\n\n\n\n<p><strong>Masofaviy xizmat ko\u2019rsatish- <\/strong>kutubxona muassasalarining foydalanuvchilarga Telegram, Instagramm, Facebook, Twitter&nbsp; aloqa kanallari orqali ko\u2018rsatiladigan xizmat.<\/p>\n\n\n\n<p><strong>Kutubxona xizmatlari<\/strong><\/p>\n\n\n\n<p>Kutubxonaning asosiy xizmat turlari \u2013 foydalanuvchilarga kitoblar va bosma ko\u2018rinishdagi boshqa hujjatlar, audiovizual va elektron shakldagi resurslar hamda masofadan xizmat ko\u2018rsatish turlari orqali ularga kerakli axborot bilan ta\u2019minlashdan iborat.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kutubxonachining vazifalari- &nbsp;adabiy fondni saqlash, foydalanuvchiga tez va sifatli xizmat ko\u2019rsatish, kitob o\u2018qish madaniyati qoidalarini o\u2018rgatish, yangi kelgan adabiyotlar haqida ma\u2019lumotlar berish va targ\u2019ib qilish. Foydalanuvchi kutubxona xizmatlari va resurslaridan foydalanishida kutubxona xodimi vositachi sifatida namoyon bo\u2018ladi. Kutubxona xizmatlarining asosiy jihati shundaki\u2013foydalanuvchiga kerakli adabiyotlar, hujjatlar va xizmat turlari bilan ta\u2019minlashdan iboratdir.<\/p>\n\n\n\n<p>Xizmat turi \u2013 kutubxona sharoitida ko\u2018rsatiladigan turli xil xizmat turlari orqali foydalanuvchilarning axborotga bo\u2018lgan ehtiyojini qondirish va aqliy rivojlantirish<\/p>\n\n\n\n<p>uchun xizmat qiladi. Kutubxonaning eng asosiy va doimiy xizmat turlari quyidagilar: kitob to\u2018g\u2018risida qisqa suhbat yoki hikoya qilib berish, maslahat, ko\u2018rgazma, plakat va kerakli hujjatlarni berib va qabul qilib olish. Shu bilan birga kutubxonalar qo\u2018shimcha pullik xizmat turlarini ham foydalanuvchilarga taklif etishlari mumkin. Bunda aholining talabi va qiziqishlaridan kelib chiqqan holda amalga oshiriladi.<\/p>\n\n\n\n<p><strong>KUTUBXONA MUASSASALARI TOMONIDAN O\u2018TKAZILADIGAN OMMAVIY TADBIRLAR<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"521\" height=\"521\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-12.png\" alt=\"\" class=\"wp-image-2535\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-12.png 521w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-12-300x300.png 300w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-12-150x150.png 150w\" sizes=\"(max-width: 521px) 100vw, 521px\" \/><\/figure><\/div>\n\n\n<p>Ommaviy tadbirlarning shakllari- davra suhbati, badiiy-musiqiy, ma\u2019naviy-ma\u2019rifiy, adabiy-badiiy, kitob ko\u2019rgazmasi va targ\u2019iboti.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Ommaviy tadbirlarning shakllaridan biri kitob ko\u2018rgazmasi bo\u2018lib, ko\u2018rgazmada kitoblar o\u2018z-o\u2018zidan mahsulot reklamasiga aylanadi.&nbsp;Ommaviy tadbirlarning og\u2018zaki shakli \u2013 bu obzor, mavzuli kechalar, seminar, trening, mashg\u2018ulotlar, viktorinalar va boshq. Ochiq eshiklar kuni, kitob haftaligi, tok-shoular ommaviy tadbirlarning murakkab (kompleks) shakliga to\u2018g\u2018ri keladi.<\/p>\n\n\n\n<p><strong>KITOB KO\u2018RGAZMASI TURLARI<\/strong><\/p>\n\n\n\n<p>Kutubxona faoliyatida kitob ko\u2018rgazmasi eng asosiy ishlardan biri hisoblanadi. Kutubxonada an\u2019anaviy kitob ko\u2018rgazmasi faol olib boriladi.<\/p>\n\n\n\n<p>Ko\u2018rgazma turlari:<\/p>\n\n\n\n<p>\u2022 Yangi adabiyotlar ko\u2018rgazmasi;<\/p>\n\n\n\n<p>\u2022 Dolzarb mavzu va masalalar bo\u2018yicha ko\u2018rgazma;<\/p>\n\n\n\n<p>\u2022 Shaxsga oid ko\u2018rgazmalar;<\/p>\n\n\n\n<p>\u2022 Muhim va unutilmas sanalarga bag\u2018ishlangan ko\u2018rgazmalar.<\/p>\n\n\n\n<p>Har bir ko\u2018rgazmaning o\u2018ziga xos xususiyatlari mavjud. Yangi adabiyotlar ko\u2018rgazmasining asosiy maqsadi\u2013yangi olingan kitoblar haqida kitobxonlarga tizimli ravishda axborot berib borish (kitob, gazeta, jurnal, foto va video-ma\u2019lumotlar). An\u2019anaviy ko\u2018rgazmalar masalan \u2013 \u00abYangi kitoblar\u00bb deb nomlash namunaga aylanib qolgan, shuning uchun yangi ko\u2018rgazma nomlarini kashf etish kerak, masalan: \u00abBizga yangi kitoblar keldi\u00bb,&nbsp;\u00abKitob javonida yangi kitoblar\u00bb va boshqalar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"674\" height=\"430\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-11.png\" alt=\"\" class=\"wp-image-2534\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-11.png 674w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-11-300x191.png 300w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/figure>\n\n\n\n<p>Dolzarb mavzu va masalalar yuzasidan tashkil etiladigan ko\u2018rgazmalarning asosiy maqsadi \u2013 foydalanuvchilarni aniq bir mavzu, muammo ko\u2018rgazma orqali yoritish va e\u2019tiborini jalb eta oladigan adabiyotlarni tavsiya etishdir. Foydalanuvchilar uchun dolzarb va qiziqarli mavzularni tanlash kutubxonachining vazifasidir. Bunda kutubxonachi o\u2018z bilimi, salohiyatini ishga solgan holda mavzuga oid sarlavhalar topishi kerak. Masalan: \u00abOdam savdosidan ogoh bo\u2018ling\u00bb, \u00abKichik biznes va tadbirkorlik\u00bb.<\/p>\n\n\n\n<p>SHaxsiy ko\u2018rgazma \u2013 biror bir shaxs to\u2018g\u2018risida ko\u2018proq ma\u2019lumot berish va uning faoliyatiga taalluqli ma\u2019lumotlar bilan ko\u2018rgazmani boyitish. Bunday ko\u2018rgazmalar asosan, shoir va yozuvchilar, rassomlar, kompozitorlar, olimlar, siyosatshunoslar, tarixchilar va boshqalar.<\/p>\n\n\n\n<p>Ko\u2018rgazmaning birinchi bo\u2018limida shaxs hayoti va ijodi bo\u2018yicha;<\/p>\n\n\n\n<p>Ko\u2018rgazmaning ikkinchi bo\u2018limida uning faoliyati va asarlari aks ettiriladi.<\/p>\n\n\n\n<p>Muhim va unutilmas sanalarga bag\u2018ishlangan ko\u2018rgazmalar asosan kalendarning qizil rangi bilan belgilangan sanalarga bag\u2018ishlab o\u2018tkaziladigan ko\u2018rgazma turidir.<\/p>\n\n\n\n<p>Biror bir hodisa, bayram, tarixiy urf-odat, an\u2019analar ko\u2018rgazmada aks ettiriladi. Mashhur kishilarning hayoti va ijodiga bag\u2018ishlangan kitob ko\u2018rgazmalari &#8212; yozuvchi, shoirning hayot yo\u2018lini yoritib bersa, ikkinchidan kitobxonni uning asarlari, u haqidagi nashrlar bilan tanishtiradi. Bunda biografik ocherklar, xotiralar, asarlar to\u2018plamlari, yozuvchi yoki shoirning ijodi to\u2018g\u2018risidagi asarlar qo\u2018yiladi.<\/p>\n\n\n\n<p><strong>Axborot-kutubxona markazlarida, mahalla va maktab kutubxonalarida o\u2019tkazish mumkin bo\u2019lgan tadbirlar turkumi.<\/strong><\/p>\n\n\n\n<p><strong>\u201cKitob haqida xitob\u201d <\/strong>mavzusida adabiy-badiiy kecha ssenariysi.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Tadbirni AKM, ARM, maktab va mahalla kutubxonalarida o\u2019tkazish mumkin. Buning uchun sahna sharoiti ham e\u2019tiborga olinadi. Tadbirda adabiyotlar ko\u2019rgazmasi tashkil qilish va obzor o\u2019tkazish maqsadga muvofiq. Ssenariydagi olib boruvchilar va ishtirokchilar so\u2019zi namuna sifatida berilmoqda. Tadbirni kitobxonlik haftaligida, kitobga bag\u2019ishlangan kunlarda yoki bayramlarda o\u2019tkazish mumkin.<\/p>\n\n\n\n<p>Badiiy kechani 2 nafar boshlovchi yigit va qiz olib boradi.<\/p>\n\n\n\n<p><strong>1<\/strong>&#8212; <strong>boshlovchi: <\/strong>Assalomu alayko\u2019m, kechamizga tashrif buyurgan aziz mehmonlar!<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong> Assalomu alayko\u2019m, kitobxon yoshlar tadbir ishtirokchilari, kechamizga&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>hush kelibsiz.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong> atoqli o\u2019zbek yozuvchisi Oybek shunday degan edi:<\/p>\n\n\n\n<p>\u201cKitoblar inson tafakkurining javohirlarini yig\u2019ib, avlodlarga meros qilib qoldiradi\u201d yoki Deni Didroning mashhur naqlini eslaylik:<\/p>\n\n\n\n<p>\u201cOdamlar kitob o\u2019qishdan to\u2019xtasalar, fikrlashdan ham to\u2019xtaydilar\u2026\u201d Xo\u2019sh, bugungi kunda kitob tanlash, o\u2019qish va mutolaa qanday?<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Biz shu munosabat bilan \u2018Kitob haqida xitob\u201d mavzusida badiiy kecha tayyorlaganmiz.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong><\/p>\n\n\n\n<p>SHunda ochiladi asta kitobing,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Varaqlar kuylaydi ovozing bo\u2019lib.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unda bor yuraging, mehring, xitobing,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Qushdek qanot qoqar parvozing bo\u2019lib.<\/p>\n\n\n\n<p><strong>2-boshlovchi:<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>Deydilarki, kitob- oftob,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ming oftobga bergusiz kitob.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kun nuridan ko\u2019z bo\u2019lar ravshan<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitob dilga berar obu tob.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>boshlovchi: <\/strong>Bugungi kechamizga adabiyotshunos (yoki boshqa mehmon) \u2026\u2026\u2026\u2026 ni taklif etganmiz. Keling, hozir ularni davraga taklif etsak-da, ular bizlarga kitobning inson tafakkurini rivojlantirishidagi o\u2019rni, kitob o\u2019qish intellektual salohiyatni yuksaltirish, har doim mutolaa bilan shug\u2019ullanish haqidagi mulohazalari bilan o\u2019rtoqlashsalar. Marhamat!&nbsp;<\/li>\n<\/ol>\n\n\n\n<p>Adabiyotshunosning chiqishi.<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Sermazmun fikrlaringiz uchun tashakkur.<\/p>\n\n\n\n<p><strong>1-boshlovchi: <\/strong>O\u2019rta asrlarda xorijiy xorijiy mamlakat zodagon oilalarida bir udum bo\u2019lgan ekan: mutolaaga sustkashlik qilgan farzand ota-ona merosidan maxrum etilarkan. Shunga o\u2019xshash odat hozir ham ba\u2019zi mamlakatlarda bor. Masalan, meksikada politsiya xodimlari har oyda loaqal bitta kitob mutolaa qilishmasa, ishdan bo\u2019shatiladi. Bizningcha, bu munosabatlardan ko\u2019zlangan asosiy maqsad- odamlarni muntazam mutolaa bilan shug\u2019ullanishga da\u2019vat etish, kitobga mehr uyg\u2019otishdir.<\/p>\n\n\n\n<p><strong>1-boshlovchi: <\/strong>Darxaqiqat, kitobsiz yuksak ma\u2019naviyat va ma\u2019rifatni, ertangi kunni, ayniqsa, millat kelajagini tasavvur etib bo\u2019lmaydi.<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Bugungi kechamiz kitob mavzusida ekan, yoshlarning kitob tanlash va mutolaa haqidagi fikrlari bilan tanishsak, yaxshi bo\u2019lardi.<\/p>\n\n\n\n<p>Shu payt sahnadan bir yigit o\u2019tib ketayotgan bo\u2019ladi.<\/p>\n\n\n\n<ol type=\"1\">\n<li><strong>boshlovchi: <\/strong>Kechirasiz, bir daqiqa, sizga savolim bor.<\/li>\n<\/ol>\n\n\n\n<p>Yigit to\u2019xtaydi va boshlovchi bilan salomlashadi.<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Ayting-chi, kitob siz uchun nima, kitob mutolaa qilib turasizmi?<\/p>\n\n\n\n<p>Yigit bir zum hayol surib qoladi.<\/p>\n\n\n\n<p><strong>Yigit: <\/strong>Kitobmi? Maktabda juda ko\u2019p o\u2019qiganman (yigit qo\u2019l harakati bilan kitobdan to\u2019yganligini bildiradi). lekin hozir kitob mutolaa qilmayman. Sabab, savdo bilan shug\u2019ullanaman. Vaqt yo\u2019q. Pul topish asosiy o\u2019rinda turadi. Kitobning boshqa foydali tomonlari ham bor.<\/p>\n\n\n\n<p><strong>1-boshlovchi: <\/strong>Masalan, qanday?<\/p>\n\n\n\n<p><strong>Yigit:<\/strong> Kimgadir sovg\u2019a qilish, bir joydan boshqa joyga borib ustiga pul qo\u2019yib sotish, ya\u2019ni daromadni ko\u2019paytirish. Xullas, foydali jihatlari bisyor. Boshqa savollar yo\u2019qmi? Men ketdim, xayr.<\/p>\n\n\n\n<p>Yigit shosha-pisha ketib qoladi.<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Xayratlanib, bu yigit uchun kitob- daromad topish, pul to\u2019plash ekan-da.<\/p>\n\n\n\n<p><strong>1- boshlovchi: <\/strong>Keling, endi qizlarni to\u2019xtatib savolga tutamiz.<\/p>\n\n\n\n<p>Saxnada qo\u2019lida kitob bilan bir qiz o\u2019tib ketayotgan bo\u2019ladi. Boshlovchilar uni to\u2019xtatib salomlashadilar.<\/p>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Siz, albatta kitob mutolaa qilasiz to\u2019g\u2019rimi?<\/p>\n\n\n\n<p><strong>Qiz: <\/strong>Ha, mutolaa qilaman.<\/p>\n\n\n\n<p><strong>1-boshlovchi: <\/strong>Kitobni nima maqsadda o\u2019qiysiz?<\/p>\n\n\n\n<p><strong>Qiz: <\/strong>Nima maqsad bo\u2019lishi mumkin? Ko\u2019proq axborot va ma\u2019lumotlar olish, ruhiy dunyomni boyitish, tafakkurimni charxlash, ma\u2019naviy qadriyatlarimiz va boy meroslarimizdan baheamand bo\u2019lish uchun. Bir yozuvchi aytgan edi: \u201cKitob ajoyibotlar, javohirlar dengizi bo\u2019lsa, kitobxon uni o\u2019rganuvchidir. Binobarin, dono kitobxon dengiz tubiga chuqurroq kirib, o\u2019z istiqbolini bezaydigan javohirlarni terib olsa, nodon kitobxon dengiz ustidagi po\u2019kak singari suzib yuradi\u201d. Men o\u2019z istiqbolim uchun o\u2019sha javohirlarni terib olishni istayman.<\/p>\n\n\n\n<ul>\n<li><strong>boshlovchi: <\/strong>Ammo ba\u2019zilar kitob boshqa, hayot boshqa, deydilar.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li><strong>Qiz: <\/strong>Menimcha, kitobiy bilim va hayotiy bilim-bu bir-birini uzviy to\u2019ldiruvchi, inson uchun eng zarur narsalar. Aqlli odam intellektual salohiyatini kengaytirish uchun har ikkisiga yetarli e\u2019tibor beradi va ikkovini egallamay turib, bittasining o\u2019zini o\u2019zlashtira olmasligini biladi (qiz sahnadan chiqib ketadi).<\/li>\n<\/ul>\n\n\n\n<p><strong>2-boshlovchi: <\/strong>Ko\u2019rdingizmi, shunday kitobsevarlar ham bor.<\/p>\n\n\n\n<p><strong>1-boshlovchi:<\/strong> Kelinglar, azizlar, endigi so\u2019z&nbsp; navbatini tadbir mehmonlari va ishtirokchilariga bersak. Ularning hozirgi kunda yoshlar qanday adabiyotlarni qiziqish bilan tanlayotgani va mutolaa qilayotgani haqidagi ma\u2019lumotlari bilan tanishsak.<\/p>\n\n\n\n<p>Ishtirokchilar va mehmonlar chiqishi.&nbsp;<\/p>\n\n\n\n<p><strong>2-boshlovchi:&nbsp; <\/strong>Kitob va kitobonlik haqida chiroyli va mazmunli fikrlarni tinglab, bugungi kunda jamiyatimizda mutolaa madaniyati anchayin yuksalganligi quvonarli holat.<\/p>\n\n\n\n<p><strong>1-boshlovchi: <\/strong>Mana, bugungi kechamiz ham payoniga yetib qoldi. Kechani yakunlar ekanmiz, barchangizga kitob bilan doimo oshno bo\u2019lishingizni tilab qolamiz.<\/p>\n\n\n\n<p><strong>2<\/strong>&#8212;<strong>boshlovchi: <\/strong>Keyingi tadbirlarda uchrashguncha xayr. Sog\u2019-omon bo\u2019linglar.<\/p>\n\n\n\n<p><strong>\u201cYosh kitobxon\u201d&nbsp; ko\u2019rik tanlovi&nbsp;&nbsp; ssenariysi.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Boshlovchi: <\/strong>Assalomu alaykum hurmatli mehmonlar, kitobsevar yoshlar va tadbir ishtirokchilari. Avvalo bugungi \u201cYosh kitobxon\u201d ko\u2019rik tanlovimizga xush kelibsizlar. Aziz tadbirimiz&nbsp; ishtirokchilari, hammamizga ma\u2019lumki bugungi kunda&nbsp; kitobga bo\u2019lgan&nbsp; mehr-muhabbat uni sevish, qadrlash va qiziqish&nbsp; yanada&nbsp; ortib&nbsp; birmoqda. Muhtaram Prezidentimiz&nbsp; Sh.Mirziyoyev&nbsp; tomonidan&nbsp; tashkil etilayotgan \u201cYosh kitobxon\u201d ko\u2019rik tanlovlari va ularga berilayotgan mukofotlar bejizga emas albatta. Buning&nbsp; yagona maqsadi bolalar va yoshidan&nbsp; qat\u2019iy nazar&nbsp; barcha insonlarni&nbsp; kitobga bo\u2019lgan&nbsp; dunyoqarashini&nbsp; o\u2019zgartirishdan&nbsp; iborat. Shu o\u2019rinda buyuk yozuvchimiz O\u2019tkir Hoshimovning \u201cKitob&nbsp; dunyoning sakkizinchi mo\u2019jizasidir\u201d degan iboralari juda o\u2019rinli. Shunday ekan&nbsp; aziz ota-onalar farzandlarimizga&nbsp; kitob olib berishni&nbsp; unutmaylik. Birgalikda kitob o\u2019qish&nbsp; ota-ona va bolaning o\u2019zaro munosabatini&nbsp; yaxshilaydi. Kitob o\u2019qigan bola xato yozmaydi, orfografiya&nbsp; va punktuatsiya qoidalariga amal qiladi, fikrlash qobiliyati, dunyoqarashi kengayadi va xato yozilgan&nbsp; jumlani&nbsp; bir zumda topadi va eng&nbsp; muhimi o\u2019z-o\u2019zidan farzandingiz faol kitobxonga aylanadi.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>O\u2019zbekiston xalq shoiri&nbsp; Sirojiddin Sayyidning \u201cKitob oling \u201d she\u2019ri.<\/strong><\/p>\n\n\n\n<p>Otchopardan kimxob oling,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                         Ne bo\u2019lsa behisob oling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;            Ammo qaytar chog\u2019ingizda ,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                   Bittagina kitob oling.<\/p>\n\n\n\n<p>O\u2019rikzordan koshin oling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                          Sirg\u2019alidan moshin oling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                  Jaholatning bosh oling,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                      Bittagina kitob oling<\/p>\n\n\n\n<p>Yuz ming turli sharof \u2013sizga ,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                      Palov sizga \u2013kabob sizga,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;             Oh chekurman&nbsp; qarab sizga,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;          Bittagina kitob oling.<\/p>\n\n\n\n<p>Siz ulug\u2019siz qorin bilan,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                        Qazi -qarta norin bilan .&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                        Dilga ham bir azob oling,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;             Bittagina kitob oling.<\/p>\n\n\n\n<p>Yeng shimarib&nbsp; \u201cxo\u2019sh\u201d deysiz,<\/p>\n\n\n\n<p>Osh-u non-u&nbsp; go\u2019sht&nbsp; deysiz.<\/p>\n\n\n\n<p>Ma\u2019rifat deb, savob&nbsp; oling,<\/p>\n\n\n\n<p>Bittagina kitob oling.<\/p>\n\n\n\n<p>Do\u2019kon qiling, market qiling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                        Uylarni ham parket qiling .&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                    Siz ham bi iztirob oling,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                       Bittagina kitob oling<\/p>\n\n\n\n<p class=\"has-text-align-left\">Umr o\u2019tar \u2013yelib qoling&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                                Yulib qoling, olib qoling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                  Oqar suvdek xitob oling,&nbsp;                                                                                                                                                   Bittagina kitob oling.<\/p>\n\n\n\n<p>Kimlar qolar izingizda?&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                               Tik qarolmay yuzingizda&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                       Avval o\u2019g\u2019il qizingizda&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                         Bittagina kitob oling<\/p>\n\n\n\n<p>Xudo xayringizni bersin,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Yana umringizni bersin.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Uyingizga oftob oling,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                             Bittagina kitob oling.<\/p>\n\n\n\n<p>Endi marhamat qilib, tadbirimiz ishtirokchilarini&nbsp; davraga chorlasakda&nbsp; bugungi shartlar bilan tanishtirsak.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bugungi tanlovimizda kitobxonlar 5 ta shart asosida&nbsp; bellashadilar.<\/p>\n\n\n\n<p>Shartlar hakamlar&nbsp; hay\u2019ati&nbsp; tomonidan baholab boriladi.Har bir shart 5 ball bilan&nbsp; baholanadi.<\/p>\n\n\n\n<p><strong>1-shart: <\/strong>\u201cBilimdonlar bahsi\u201d<\/p>\n\n\n\n<p><strong>2-shart:<\/strong> \u201c Quvnoq yulduzcha\u201dlar (test topshiriqlari)<\/p>\n\n\n\n<p><strong>3-shart:<\/strong>&nbsp;\u201cBo\u2019shliqni to\u2019ldir\u201d<\/p>\n\n\n\n<p><strong>4-shart:<\/strong> \u201cBahru-bayt\u201d<\/p>\n\n\n\n<p><strong>5-shart:<\/strong>&nbsp; (ifodali she\u2019r aytish)<\/p>\n\n\n\n<p><strong>1-shart:<\/strong> Har bir ishtirokchi chiqib&nbsp; bittadan raqam tanlaydi, raqam&nbsp; ostida yozilgan bolalar&nbsp; shoirlari&nbsp; va buyuk allomalardan&nbsp; birining hayoti&nbsp; va ijodi haqida qisman aytish va uning&nbsp; biror asari, hikoyasi va she\u2019rlaridan&nbsp; aytib berishlari kerak.<\/p>\n\n\n\n<p>Har bir shart uchun 3 daqiqa vaqt beriladi.<\/p>\n\n\n\n<p><strong>2-shart:<\/strong>&nbsp; (Quvnoq yulduzchalar)&nbsp; Bu shartda o\u2019quvchilar 2 daqiqa ichida nechta test savollariga javob bera olishlari aniqlanadi. Har bir to\u2019g\u2019ri javob uchun&nbsp; 5 ball beriladi.<\/p>\n\n\n\n<p><strong>3-shart:<\/strong> (Bo\u2019shliqni to\u2019ldir) Ekran orqali. Bu shartga o\u2019quvchilar ekranda&nbsp; yozilgan she\u2019rdagi bo\u2019shlig\u2019ini to\u2019ldirishi kerak. 2 daqiqa vaqt beriladi.<\/p>\n\n\n\n<p>O\u2019zbegim deb keng jahonda<\/p>\n\n\n\n<p>Ne uchun&nbsp;&nbsp;&nbsp; ______ &nbsp;&nbsp;______&nbsp; !<\/p>\n\n\n\n<p>O\u2019zligim bilmoqqa davrim,<\/p>\n\n\n\n<p>______________O\u2019zbegim.<\/p>\n\n\n\n<p><strong>4-shart:&nbsp;<\/strong> \u201cBahru-bayt\u201d Bu&nbsp; shartda&nbsp; o\u2019quvchilar bilimdon va chaqqonliklarini&nbsp; she\u2019rxonlik qobiliyatlarini&nbsp; namoyish etadilar.( 4 qator she\u2019r&nbsp; o\u2019qiladi, she\u2019rning&nbsp; oxirgi harfidan boshlab keyingi ishtirokchi yana&nbsp; she\u2019r o\u2019qishni&nbsp; davom ettiradi).<\/p>\n\n\n\n<p><strong>5-shart: <\/strong>Bu&nbsp; shartda o\u2019quvchilarga&nbsp; (Audio orqali ertak o\u2019qib eshittiriladi ular ertakning&nbsp; nomini topadilar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"329\" height=\"310\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-9.png\" alt=\"\" class=\"wp-image-2532\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-9.png 329w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-9-300x283.png 300w\" sizes=\"(max-width: 329px) 100vw, 329px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-10.png\" alt=\"\" class=\"wp-image-2533\" width=\"330\" height=\"325\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-10.png 315w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-10-300x295.png 300w\" sizes=\"(max-width: 330px) 100vw, 330px\" \/><\/figure>\n\n\n\n<p>Har bir shart oxirida o\u2019quvchilar ifodali she\u2019r yoki raqs ijro etadilar. Hakamlar hay\u2019ati tomonidan g\u2019olib o\u2019quvchilar aniqlanib, maxsus&nbsp; sovg\u2019alar&nbsp; beriladi.<\/p>\n\n\n\n<p><strong>Foydalanilgan adabiyotlar:<\/strong><\/p>\n\n\n\n<p>Madaniyat: Kecha va bugun. Metodik-bibliografik qo\u2019llanma: A.Navoiy nomidagi O\u2019zbekiston Milliy kutubxonasi nashriyoti, Toshkent-2010.<\/p>\n\n\n\n<p><a href=\"https:\/\/bukharalib.blogspot.com\/2021\/06\/kutubxonada-xizmat-korsatish-turlari-va.html\">https:\/\/bukharalib.blogspot.com\/2021\/06\/kutubxonada-xizmat-korsatish-turlari-va.html<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u201c<\/strong><strong>Bibliografiya faoliyati va uning tuzilmasi\u201d<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"441\" height=\"305\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-16.png\" alt=\"\" class=\"wp-image-2546\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-16.png 441w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-16-300x207.png 300w\" sizes=\"(max-width: 441px) 100vw, 441px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong><em>Uslubiy-bibliografik qo\u2019llanma<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent 2025<\/p>\n\n\n\n<p><strong>UO\u2019K 001<\/strong><\/p>\n\n\n\n<p><strong>B-76<\/strong><\/p>\n\n\n\n<p>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Bibliografiya faoliyati va uning tuzilmasi<\/strong> [Matn] : uslubiy-bibliografik qo\u2019llanma. Tuzuvchi M. Kavlasheva. \u2013 Toshkent : Yashnobod tuman axborot-kutubxona markazi Axborot-bibliografiya xizmati, 2025. \u2013 12 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu qo\u2019llanma bibliografiya faoliyatini tashkil etish, ma\u2019lumot-bibliografik apparatni yuritish va boshqa bibliografik xizmatlarni ko\u2019rsatishdagi asosiy tushunchalarni o\u2019rganish va faoliyat davomida tatbiq etish uchun tayyorlangan bo\u2019lib, bu qo\u2019llanma asosan axborot-kutubxona markazlari va maktab kutubxonalaridagi faoliyat yurituvchi xodimlarga va kutubxonashunoslikka qiziquvchi kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"417\" height=\"256\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-15.png\" alt=\"\" class=\"wp-image-2545\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-15.png 417w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-15-300x184.png 300w\" sizes=\"(max-width: 417px) 100vw, 417px\" \/><\/figure><\/div>\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Muqaddima<\/em><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O\u2019zbekiston Republikasi Prezidentining \u201cO\u2019zbekiston Respublikasi aholisi uchun axborot-kutubxona xizmatlarini yanada takomillashtirish to\u2019g\u2019risida\u201dgi 4354-sonli&nbsp; 2019-yil 7-iyundagi&nbsp; Qaroriga muvofiq tashkil etilgan Tuman axborot-kutubxona markazlari (TAKM) zimmasiga axborot-bibliografiya faoliyatini olib borishi bo\u2019yicha ham katta vazifalar yuklatilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;TAKMlar faoliyatini tashkil etish bo\u2019yicha zarur rahbar hujjatlari, nizomlari, lavozim yo\u2019riqnomalari, ulardan foydalanish qoidalari ishlab chiqilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Tuman axborot-kutubxona markazining vazifalari xududdagi aholini kitob, jurnal, &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vaqtli matbuot nashrlari bilan taminlash, tumandagi axborot-kutubxona &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; muassasalariga madaniy, ilmiy yordam berish, aholiga zamonaviy axborot &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vositalari yordamida eng so\u2019ngi va yangi axborotlarni etkazib berishdan iboratdir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;TAKMlar faoliyatida muhim yo\u2019nalish bo\u2019lgan bibliografiya ishini tashkil etish ham o\u2019ziga xos rahbarlikni, tashkiliy boshqaruvni talab qiladi. Aynan shu yo\u2019nalishni metodik taminlash maqsadida tuzilgan ushbu qo\u2019llanma&nbsp; TAKMlarda bibliogrfiya ishini tashkil qilish va olib borishda bibliograflarga yordamchi bo\u2019ladi, deb o\u2019ylaymiz.<\/p>\n\n\n\n<p>&nbsp; Qo\u2019llanmada bibligrafiya ishining asosi bo\u2019lgan malumot-bibliografik apparatini tashkil qilish va yuritish, xamda malumot \u2013 bibliografiya xizmati, axborot \u2013 bibliografiya xizmati va albatta bibliografik xizmatni tashkil qilish metodikasi bayon qilingan. Ushbu qo\u2019llanmada malumot bibliografiyaning tarkibiy qismi bo\u2019lgan o\u2019lkashunoslik va mamlakatshunoslik bibliografiyasi haqida qisqacha umumiy tushuncha berildi.<\/p>\n\n\n\n<p>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Shu munosabat bilan &nbsp;Toshkent shahar &nbsp;Yashnobod tuman axborot-kutubxona &nbsp;&nbsp;&nbsp;&nbsp;markazi Axborot-bibliografiya xizmati mutaxassislari tomonidan <strong>\u201cBibliografiya faoliyati va uning tuzilmasi\u201d<\/strong> nomli uslubiy \u2013 bibliografik qo\u2019llanma tayyorlandi. Qo\u2019llanma quyidagi bo\u2019limlardan iborat :<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong><em>Bibliografiya asosiy tushunchalari<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bibliografiya ishini tashkil etish<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ma<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>lumot-bibliografik apparat (MBA)<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ma<\/em><\/strong><strong><em>\u2019<\/em><\/strong><strong><em>lumotnoma va bibliografik nashrlar fondi<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Adabiyotlar ro\u2019yxati<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bibliografiya asosiy tushunchalari<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"215\" height=\"276\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-14.png\" alt=\"\" class=\"wp-image-2544\"\/><\/figure>\n\n\n\n<p>&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cBibliografiya\u201d so\u2019zi ilk bora Qadimgi Gretsiyada qo\u2019llanila boshlangan. Bu ikki &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;so\u2019zdan tashkil topgan : biblion (kitob) va grapho (yozaman). Bibliografiya \u2013 matbuot hamda yozuv asarlari haqida axborot tayyorlash va berish hamda ularni malum ijtimoiy maqsadlarda targ\u2019ib qilish bilan shug\u2019ullanadigan ilmiy va amaliy faoliyat sohasi. Kitob bosish ixtiro qilingunga qadar , kitob yozadiganlar shu nom bilan atalgan. O\u2019sha davrlarda kitob faqatgina qo\u2019lda ko\u2019chirib ko\u2019paytirilgan, bu ish bilan shug\u2019ullanuvchilarni bibliograf deb atashgan. Bu nufuzli, yuqori malakali ish hisoblangan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bibliografiya tuzish qadimgi dunyoda paydo bo\u2019lgan, \u201cbibliografiya\u201d termini dastlab kitob ko\u2019chirib yozishni anglatgan, vaqt o\u2019tishi b-n kitoblar bayonini bildirgan. Bibliografiya tarixi kitob bosish yuzaga kelishi bilan ahamiyatga ega bo\u2019lgan eng yangi qo\u2019lyozmalar (dissertatsiyalar, saqlashga topshirilgan qo\u2019lyozmalar) bibliografiyaning o\u2019rganish sohasidir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Texnika taraqiyoti, mikrofilm, SD va boshqalar. Elektron resurslarning paydo bo\u2019lishi, matn yozishning o\u2019zgarishi bibliografiya ko\u2019lamini kengaytirmoqda. Bibliografiya taraqqiyotiga fan va madaniyat yutuqlari, jamiyatnig qiroatxonlik talabining o\u2019sishi katta ta\u2019sir etadi. O\u2019z navbatida bibliografiya ham ilmiy, adabiy va texnik ijodiyotga, nashriyot va kutubxonashunoslikka, kitob savdosi, ta\u2019lim va mustaqil ta\u2019limga ta\u2019sir ko\u2019rsatadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Keyingi yillarda O\u2019zbekistondagi axborot-kutubxona muassalarida bibliografiya ishlari qizg\u2019in olib borilmoqda.Hozirgi kunda Alisher Navoiy nomidagi O\u2019zbekiston Milliy kutubxonasida va respublikamizning boshqa axborot-kutubxona muassalarida axborot-bibliografiya, ayniqsa o\u2019lkashunoslik mavzusi bo\u2019yicha ishlar olib borilmoqda. Turli mavzularda bibliografik qo\u2019llanmalar tuzilmoqda (an\u2019anaviy va elektron ko\u2019rinishlarda).<\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bibliografiya ishini tashkil etish<\/em><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bibliografiya ishini tashkil etish \u2013 bu mamlakatning turli hududlarida, aholining axborotga bo\u2019lgan ehtiyojini qondirish maqsadida axborot-kutubxona muassasalarining maqbul tizimini tashkil qilish. Bu jarayon turli bibliografik vositalar orqali, axborot-kutubxona muassasasi fondini ochib berishda va foydalanuvchilarning faollashuviga xizmat qiladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Fan va texnologiya taraqqiy etgan hozirgi davrda axborot-kutubxona muassasalarining axborot-bibliografiya ishini tashkil etish eng muhim va dolzarb masala hisoblanadi.Bibliografiya ishining to\u2019g\u2019ri va aniq tashkil qilinishi uning samaradorligini belgilab beradi, g\u2019oyaviy, ilmiy-axborot muassasa sifatida axborot-kutubxona muassasa oldiga qo\u2019yilgan vazifalarni bevosita amalga oshirishga yordam beradi. Axborot-kutubxona muassasasining har bir xodimi bibliografik ishlarning tashkiliy asoslarini bilishi zarurdir.<\/p>\n\n\n\n<p>Axborot-kutubxona muassasalarida axborot-bibliografiya ishlarining asosiy yo\u2019nalishlari shaklan quyidagilardan iborat :<\/p>\n\n\n\n<p><strong><em>*<\/em><\/strong><strong><em>Ma\u2019lumot-bibliografik apparatini tashkil qilish va yuritish;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>*<\/em><\/strong><strong><em>Ma\u2019lumot-bibliografiya xizmati;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>*<\/em><\/strong><strong><em>Axborot-bibliografiya xizmati;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>*Foydalanuvchilar orasida axborot madaniyatini targ\u2019ib qilish (og\u2019zaki bibliografik obzorlarga tayrgarlik ko\u2019rish va o\u2019tkazish);<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>*Axborot-kutubxona muassasalarida foydalanuvchilar uchun&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; turli bibliografik qo\u2019llanmalar tuzish ko\u2019rsatkich va adabiyotlar ro\u2019yxati;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>*<\/em><\/strong><strong><em>Turli kartotekalar.<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp; Ma\u2019lumot-bibliografik apparati (MBA)<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ma\u2019lumot-bibliografik apparati (MBA) \u2013 <\/em><\/strong>axborotni qidirish, adabiyotlarni targ\u2019ib &nbsp;qilish va o\u2019qishga rahbarlik qilishga mo\u2019ljallangan ma\u2019lumotnoma va bibliografik nashrlar fondi, kutubxona kataloglari va kartotekalarining majmuasidir<strong>. <\/strong>MBA o\u2019zida bibliografik, kutubxonachilik va faktografik axborotni hujjatli shaklda saqlaydi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MBA quyidagilardan iborat :<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<strong><em>Kataloglar, kartotekalar, ma\u2019lumotnoma-bibliografik nashrlar <\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/em><\/strong><strong><em>fondi;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/em><\/strong><strong><em>Elektron katalog;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/em><\/strong><strong><em>Ma\u2019lumotnoma nashrlar fondi;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *Bajarilgan mavzuli ma\u2019lumotlar fondi;<\/em><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>Kataloglar<\/em><\/strong> kutubxona fondida mavjud matbuot asarlarini aks ettirgani holda,<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;kartotekalar esa fondda bo\u2019lmagan materiallarni ham yoritishi, o\u2019zgaruvchanligi, &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; rivojlanuvchanligi bilan kataloglardan farq qiladi va ularni to\u2019ldiradi.<\/p>\n\n\n\n<p><strong><em>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Kataloglar<\/em><\/strong><strong> <\/strong>tizimi odatda, alfavit, sistemali, predmet va shlkashunoslik &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; kataloglaridan tashkil topgan. Boshshqa katalog turlarini ham tashkil qilsa bo\u2019ladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kutubxonalarda quyidagi kartotekalar yuritilishi zarur:<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>* <\/strong><strong>Maqolalarning sistemali kartotekasi;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/strong><strong>O\u2019lkashunoslik kartotekasi;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/strong><strong>Dolzarb mavzular bo\u2019yicha mavzuli kartotekalar;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *maxsus kartoteka<\/strong> ( badiiy asarlar sarlavhalari, taqrizlar, tasviriy san\u2019at &nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; asarlari kartotekasi va b.)<\/p>\n\n\n\n<p><strong>Maqolalarning sistemali kartotekasi<\/strong> \u2013 universal, mo\u2019ljallanishiga ko\u2019ra umumiy bo\u2019lib, butun kartotekalar tizimi yadrosi funktsiyasini bajaradi va u yuritish majburiy bo\u2019lgan kartotekadir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bu kartoteka axborot-kutubxona muassasasidan foydalanuvchilarning ijtimoiy va ishlab chiqarish faoliyati, o\u2019qish va mustaqil bilim olish bilan bog\u2019liq axborot ehtiyojlarini tezkorlik bilan qondirishga mo\u2019jallangan kartotekadir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kartotekaning tuzilishi sistemali katalogning tuzilishiga o\u2019xshash, uning sistemali &nbsp;&nbsp;&nbsp;katalogdan farq qiladigan xususiyati \u2013 jurnallar, gazetalar, davomli to\u2019plamlardagi yangi materiallarni tezkorlik bilan aks ettiradi, yangi va dolzarb masalalar bo\u2019yicha ruknlar muntazam kiritiladi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019lkashunoslik kartotekasining ahamiyati<\/strong> \u2013mahalliy o\u2019zini-o\u2019zi boshqaruv tizimi va uni&nbsp; zarur bibliografik axborot bilan taminlash, o\u2019lka, tuman, shahar, qishloq hayotidagi muhim voqealar, mahalliy hokimyat organlari, tadqiqotchilar, tashviqotchilar, keng ommani o\u2019lkaga bag\u2019ishlangan yangi xujjatlar to\u2019g\u2019risidagi axborot bilan taminlashda muhimdir. O\u2019lkashunoslik kartotekasi mazmunan o\u2019lkaga bag\u2019ishlangan xar qanday bosma matbuot asarlari, audiovizual va elektron materiallarni o\u2019zida jamlovchi kompleks (universal) kartotekadir.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mavzuli kartotekalar <\/strong>o\u2019z maqsadi, mazmuni, mo\u2019ljallanishi va foydalanishi bo\u2019yicha mavzuli bibliografik nashrlarga yaqindir. Ularning vazifasi \u2013 eng dolzarb muammolar bo\u2019yicha xujjatlarni aks ettirish va targ\u2019ib qilishdir. Mavzuli kartotekalar shu mavzu o\u2019z dolzarbligini yo\u2019qotgunga qadar va &nbsp;yuritiladi. O\u2019ta muhim mavzular bo\u2019yicha bosma mavzuli ko\u2019rsatkichlar mavjud holda ham, uning davomi sifatida mavzuli kartotekani yuritish mumkin.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Badiiy asarlar sarlavhalari kartotekasi \u2013 <\/strong>bu kartoteka &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;foydalanuvchilarga kitobning sarlavhasigina malum bo\u2019lganda, uning muallifini aniqlashga yordam beradi. Kartotekaga, odatda ushbu axborot \u2013 kutubxona muassasasi fondida mavjud alohida nashr qilingan, shuningdek, jurnallar&nbsp; va to\u2019plamlarda bosilgan romanlar, qissalar, dostonlar, dramatik asarlar kiritiladi. Ushbu kartoteka uchun asar sarlavhasi bo\u2019yicha tavsiflana boshlanadi, pastda \u201cmuallif\u201d so\u2019zidan so\u2019ng muallifning familiyasi va ismi sharfi yoziladi. Jurnal va to\u2019plamlardagi asarlarnitavsiflashda yana bu asar bosilgan manbaa haqidagi malumot ham beriladi. Bu kartoteka tuzilishi soddaligi va foydalanishi osonligi bilan ajralib turadi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Ma<\/strong><strong>\u2019<\/strong><strong>lumotnoma va bibliografik nashrlar fondi<\/strong><\/p>\n\n\n\n<p>TAKMlar malumot \u2013 bibliografik apparatining tarkibiga malumotnoma va bibliografik nashrlar fondi ham kiradi. Axborot \u2013bibliografiya xizmatining darajasi shu fondning holatiga, yani to\u2019liqligi, tashkil etilishi, mazmunining ochib berilish metodika ko\u2019p jihatdan bog\u2019liqdir. U bibliografiya faoliyatining hamma jarayonlarini amalga oshirish uchun zarur bo\u2019lgan bosh manba va direktiv xususiyatga ega materiallar, malumotnoma nashrlari va bibliografik qo\u2019llanmalarni o\u2019z ichiga oladi.<\/p>\n\n\n\n<ul>\n<li>davlatimiz rahbari, yani Prezidentimiz Sh.M.Mirziyoev asarlari \u2013 nutqlari, chiqishlari, suhbatlari;<\/li>\n\n\n\n<li>davlat va hukumat rahbarlarining asarlari;<\/li>\n\n\n\n<li>davlat xujjatlari \u2013 qarorlari, farmonlari, qonunlar to\u2019plamlari;<\/li>\n\n\n\n<li>sessiyalar materiallari; entsiklopediyalar va entsiklopedik lug\u2019atlar;<\/li>\n\n\n\n<li>malumotnoma nashrlar va lug\u2019atlar, yo\u2019l ko\u2019rsatkichlar, taqvimlar, albomlar;<\/li>\n\n\n\n<li>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;turli bibliografik qo\u2019llanmalaridir.<\/li>\n<\/ul>\n\n\n\n<p>Katta axborot imkoniyatiga ega bo\u2019lgan bu fond TAKM lar foydalanuvchilari va xodimlar tomonidan faol foydalaniladi. Bu fond TAKM da yagona yig\u2019ma fond sifatida, yani TAKMning boshqa bo\u2019limlarida xam mavjud xujjatlar hisoblangan holda tashkil etiladi.Bu hisob shu fondga TAKMning o\u2019zida tuzilgan malumotnoma va bibliografik nashrlar fondiga tuzilgan sistemali katalogda aks ettiriladi, bu esa TAKM va uning bo\u2019linmalarida mavjud malumotnoma nashrlari va bibliografik qo\u2019llanmalaridan foydalanish samaradorligini oshiradi, istemolchilarning bunday hujjatlarga bo\u2019lgan talablarini to\u2019liq bajarish imkonini beradi.Bu fondning birinchi qismini bosh manba va direktiv hujjatlar: Prezident asarlari, davlat va hukumatimiz qarorlari, qonunlar to\u2019plamlari, farmonlari, sessiyalar materiallari, turli huquqiy-meyoriy hujjatlar, davlatining boshqa rahbarlari asarlari, davlat va jamiyat qurilish masalalari, davlat siyosati, iqtisodiy hayot qonunlari yoritilgan umumilmiy asarlar,turli ARM foydalunuvchilarni qiziqtirgan mavzu, masala, muammo bo\u2019yicha yangi chiqqan kitoblar haqidagi tezkor axborot bilan taminlashda O\u2019zbekiston Respublikasi Davlat Matbuot qo\u2019mitasi tomonidan chiqariladigan \u201cKitob dunyosi\u201d gazetasi tengsiz manbadir. Har bir TAKM (hatto AKM ham) bu nashrga obuna bo\u2019lish yo\u2019li bilan uni olsa, foydalfnuvchilarning respublikamizda chop etilayotgan yangi kitoblar haqidagi so\u2019roqlarini tezkor bajarish manbaiga ega bo\u2019ladi. Malumotnoma va bibliografik nashrlar fondi bibliografiya bo\u2019limida tashkil qilinadi va sistemali tartibda joylashtiriladi. Bibliografiya bo\u2019limi bo\u2019lmagan TAKM larda esa bu fond qiroatxonada joylashtiriladi.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bajarilgan malumotlar fondi<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Malumotnoma-bibliografik apparatning <\/strong>muhim tarkibiy qismi \u2013 bajarilgan malumotlar fondidir. Uning asosini istemolchilardan tushgan va bajarilishi ko\u2019p vaqt va mehnat talab qilgan va bir qator murakkabliklar bilan bog\u2019liq bo\u2019lgan yozma malumotlar tashkil etadi. Ular kelgusida yana shunday so\u2019roqlar takrorlanganda foydalanish uchun saqlanishi lozim. Bu malumotlar ichida nafaqat mavzuli, balki faktografik va bibliografik malumotlarini aniqlovchi malumotlar ham bo\u2019lishi mumkin.<\/p>\n\n\n\n<p>Bu malumotlar fondidagi mavjud malumotni takroran foydalanish zarur holda (shunday so\u2019roq takrorlanganda) uni bajargandan keyingi o\u2019tgan davr ichida chiqqan yangi materiallar bilan to\u2019ldirish talab qilinadi, bunday holda zarur bo\u2019lsa eski materiallar chiqarib ham tashlanadi va material boshqadan joylashtirilib, so\u2019ngra istemolchiga beriladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hozirgi keng imkoniyatlar mavjud davrda bajarilgan malumotlar fondining ham elektron shaklini yaratish xodimlarning kelgusi ishlarini tashkil etishni osonlashtiradi, istemolchining va xodimning vaqtini tejaydi.<\/p>\n\n\n\n<p>MBAning foydalanish samaradorligini oshirish maqsadida takomillashtirib borilishi zarur. Uning tuzilishi bo\u2019yicha optimal variantni ishlab chiqish unda materiallarni tavsiflash, joylashtirish, material yig\u2019ish mezonlari malumotnoma va bibliografik nashrlar fondini to\u2019ldirib borish tamoyillarini aniq belgilash eng muhim vazifalardandir. Uni takomillashtirishda foydalanilishini o\u2019rgani borish zarur.Malumotnoma nashrlari \u2013 ilmiy malumot beruvchi bosma nashrlardir, ular turli universal va maxsus entsiklopediyalar, malumotnoma nashrlari, lug\u2019atlar, statistik to\u2019plamlar, yo\u2019l ko\u2019rsatkichlar, fotoalbomlar va boshqalar bo\u2019lib, TAKM fo\u2019ydalanuvchilarning so\u2019roqlariga aniq, qisqa, lo\u2019nda turli malumotlar berib, xizmat ko\u2019rsatishda tengsiz materiallardir.Bunday nashrlar har qanday TAKM da va uning bo\u2019limlarida imkon qadar bo\u2019lishi lozim. Masalan, 12 jildli \u201cO\u2019zbekiston Milliy entsiklopediyasi\u201d dan TAKMning har qanday foydalanuvchini o\u2019zini qiziqtirgan voqea-xodisa, faktik ma\u2019lumot, atama va tushunchalarning izohini olishi mumkin. \u201cO\u2019zbekiston Respublikasi\u201d, \u201cU kim ?, Bu nima?\u201d bolalar entsiklopediyasi, \u201cXotin-qizlar entsiklopediyasi\u201d, \u201cSalomatlik\u201d entsiklopediyasi, \u201cUy-ro\u2019zg\u2019or entsiklopediyasi\u201d kabi universal entsiklopediyalar har qanday ARM da bo\u2019lishi maqsadga muvofiqdir.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hozirda ko\u2019pgina kutubxonalarda o\u2019lkashunoslik universal elektron entsiklopediyalar yaratilmoqda. Respublikamizda hozircha bunday tajriba yo\u2019q, biroq yaqin kelajakda AKMlar va TAKMlarning kuch va imkoniyatlarini birlashtirib, elektron entsiklopedik nashr yaratilishi uchun bu markazlar imkoniyatlari kengaytirib borilmoqda. Har bir TAKMda bo\u2019ysunuvchi o\u2019quv yurti ixtisosligi bo\u2019yicha mavjud nashrlar, ma\u2019lumotnomalar, (izohli, tilga oid) lug\u2019atlar, statistik to\u2019plamlar bo\u2019lishi lozim. Bu nashrlar TAKMning bo\u2019limlari fondida ham muhim ahamiyat kasb etadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ma\u2019lumotnoma nashrlari va bibliografik qo\u2019llanmalar fondiga yana turli bibliografik qo\u2019llanmalar: yirik davlat bibliografik markazlari va kutubxonalari tomonidan tuzilgan davlat kundalik bibliografik ko\u2019rsatkichlar, AKM xizmat ko\u2019rsatish ixtisosligi doirasidap tuzilgan ko\u2019rsatkichlar, tavsiya bibliografik qo\u2019llanmalar, yangi adabiyotlarning axborot byulletenlari bo\u2019lishi zarur.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MBA ni foydalanuvchilar o\u2019rtasida targ\u2019ib qilish zarur. Bunda targ\u2019ibotning barcha shakl va metodlaridan foydalanib&nbsp; ish olib borish kutilgan natijani berishshi mumkin. Ko\u2019pgina kitobxonlar axborot manbalari to\u2019g\u2019risida tasavvurga ega emas, bu hol ARM foydalanuvchilari ichida ham yaqqol ko\u2019rinadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Zamonaviy ma\u2019lumot-bibliografik apparati quyidagi tuzilishga ega:<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<strong>Kutubxona kataloglari sistemasi;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/strong><strong>Bibliografik kartotekalar sistemasi (ma\u2019lumotlar bazasi);<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *<\/strong><strong>Bibliografik nashrlar;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;<\/strong><strong>*<\/strong><strong>Bajarilgan ma\u2019lumotlar fondi;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;*Ma\u2019lumotnoma nashrlar fondi;<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;*Faktografik qidiruv sistemasi (faktografik MB);<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>*<\/strong><strong>MBAning APK<\/strong>&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tuman axborot-kutubxona markazlarida bibliografiya xizmatini samarali tashkil etish va olib borish uchun:<\/p>\n\n\n\n<p>Yagona fondini zarur huddatlar bilan muntazam to\u2019ldirib borish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yagona fondiga MBAni tashkil etish, yuritish va takomillashtirib borish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Foydalanuvchilarining talab va ehtiyojlarini muntazam o\u2019rganib borish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Iste\u2019molchilar guruhlariga tabaqalashgan holda yondashish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; TAKM joylashgan xududdagi boshqa kutubxonlar bilan hamkorlik o\u2019rnatish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Axborot-bibliografiya xizmati samaradorligini muntazam o\u2019rganib borish;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Axborot-bibliografiya faoliyatida yangi axborot kommunikatsiya texnologiyalarini &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; keng joriy qilishga erishish<\/p>\n\n\n\n<ol type=\"1\">\n<li>O\u2019zbekiston Respublikasi aholisiga axborot-kutubxona xizmati ko\u2019rsatishni yanada takomillashtirish to\u2019g\u2019risida : O\u2019zbekiston Respublikasi 4354-sonli Prezident Qarori 2019 yil 7 iyun \/\/ Xalq so\u2019zi. \u2013 2019. \u2013 7 iyun.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>Respublika aholisini axborot-kutubxona bilan ta\u2019minlashni tashkil etish to\u2019g\u2019risida : O\u2019zbekiston Respublikasi 381-sonli Prezidentining Qarori 2006 yil 20 iyun \/\/ Xalq so\u2019zi. &#8212; 2006. \u2013 21 iyun.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Karimov, U.,Raxmatullayev, M. Davriy nashrlar electron katalogini yaratish texnologiyasi : uslubiy qo\u2019llanma \/ U. Karimov, M. Rahmatullayev ; Alisher Navoiy nomli O\u2019zbekiston Milliy kutubxonasi. \u2013 Toshkent : Alisher Navoiy nomli O\u2019zbekiston Milliy kutubxonasi&nbsp; nashriyoti, 2006.- 82 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Mamatraimova H. Spravka nashrlari, ularning axborot-bibliografiya xizmatida tutgan o\u2019rni \/ H. Mamatraimova \/\/ Yuksak ma\u2019naviyat qirralari : Ilmiy asarlar to\u2019plami. \u2013 12-chiqishi. \u2013 Toshkent, 2007. \u2013 B. 92-98 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Mamatraimova H. Kutubxonalarda o\u2019lkashunoslik faoliyati : holati, tashkil etish masalalari \/ H. Mamatraimova \/\/ Madaniyat \u2013 milliy birlik asosi. \u2013 Toshkent : Adolat, 2004. \u2013 B. 85-90 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li><strong>alfavit katalogi<\/strong>&nbsp;\u2013 kutubxona fondlarini to\u2019liq ochib beruvchi kutubxona katalogi. Alfavit tarzida tashkil etilgan. Kartochkalar mazmunidan qat\u2019iy nazar, mualliflar familiyasi yoki kitobning sarlavhasi bo\u2019yicha alfavit&nbsp; tartibida joylashtirilgan.<\/li>\n\n\n\n<li><strong>sistemali katalog<\/strong>&nbsp;\u2013 kutubxona fondini fan sohalari bo\u2019yicha ochib beruvchi kutubxona katalogi. Sistemali katalog yordamida adabiyotni kitob muallifini bilmasdan ham topish mumkin. Kartochkalar kutubxona-bibliografiya klassifikatsiyasi bo\u2019yicha joylashtirilgan. Ular bo\u2019limlar ichida teskari xronologik tarzda joylatirilgan. Yangi nashrlarning kartochkalari oldinda turadi.<\/li>\n\n\n\n<li><strong>maqolalarning sistemali kartotekasi<\/strong>&#8212; oxirgi 10 yil davomidagi vaqtli matbuot nashrlarida chop etilgan materiallar jamlangan;<\/li>\n\n\n\n<li><strong>o\u2019lkashunoslik kartotekasi<\/strong>&#8212; Yashnobod tumanining&nbsp;tabiiy resurslari, ekologiyasi, tarixi, iqtisodi, madaniy hayoti va Yashnobod tuman adabiy muhitiga&nbsp; oid materiallar jamlangan;<\/li>\n\n\n\n<li><strong>badiiy asarlar sarlavhalari kartotekasi<\/strong>&nbsp;\u2013asarlarning sarlavhalari alfavit tartibida joylashtirilgan kartochkalardan iborat.<\/li>\n\n\n\n<li><strong>Dolzarb mavzuli kartotekalar <\/strong>\u2013&nbsp; o\u2019z dolzarbligini yo\u2019qotgunga qadar va bu mavzu bosma bibliografik qo\u2019llanmalar bilan ta\u2019minlangunga qadar yuritiladi.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O\u2019lkashunoslik kartotekasi mintaqaning ijtimoiy va iqtisodiy profili hisobga olingan holda tashkil etiladi. Bu kartoteka keng manbalar doirasi asosida, shuningdek, mahalliy matbuotni, mahalliy AKMlar tayyorlaydigan o\u2019lkashunoslik adabiyotlarining kundalik ko\u2019rsatkichlarini tadqiq qilish asosida to\u2019ldiriladi.O\u2019lkashunoslik kartotekasi mazmuni o\u2019lkaga bag\u2019ishlangan har qanday bosma matbuot asarlari, audiovizual va elektron materiallarni o\u2019zida jamlovchi kompleks kartotekadir. Unda mazmunan o\u2019lkaga bag\u2019ishlangan kitoblar, uning bo\u2019limlari, boblari, sahifalari, vaqtli va davomli nashrlardan, to\u2019plamlardan maqolalar, audiovizual materiallar, kino-foto-fono hujjatlar, elektron materiallar aks ettiriladi.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong><em><u>Elektron katalog&nbsp;va kartotekalar:<\/u><\/em><\/strong><\/p>\n\n\n\n<ul>\n<li><strong>Elektron katalog<\/strong>&nbsp;\u2014&nbsp;AKM fondining bosma, audiovizual va elektron hujjatlarining bibliografik yozuvlaridan tashkil topgan ma\u2019lumotlar bazasi<\/li>\n\n\n\n<li><strong>Elektron kartotekalar &#8212;&nbsp;<\/strong>2019 yildan boshlab bugungi kunga qadar kutubxonaga kelib tushgan kitob, respublika, viloyat va tuman gazeta va jurnallari maqolalariga, tanlab olingan MDH davlatlari matbuot nashrlariga, oldingi yillar nashrlariga, maqolalarning to\u2019liq matnlariga berilgan bibliografik yozuvlardan tashkil topgan ma\u2019lumotlar bazasi.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Axborot-kutubxona faoliyatiga oid me\u2019yoriy-huquqiy xujjatlarda \u00abKataloglashtirish qoidalari\u00bb Davlat Standartini ishlab chiqish dasturida alohida vazifa qilib belgilab qo\u2019yilgan. 2012 yildan boshlab ushbu yangi Davlat Standarti ustida ish olib borilib, hujjat rus va o\u2019zbek tillarida tayyorlangan. O\u2019zbekiston standartlashtirish, metrologiya va sertifikatlashtirish agentligi (\u00abO\u2019zstandart\u00bb agentligi)ning 2016 yil 22 yanvardagi 05-739-son qarori bilan tasdiqlangan va amalga kiritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O&#8217;z Dst 3053:2016 O\u2019zbekiston Respublikasining Davlat Standarti \u00abAxborot-kutubxona va nashriyotchilik ishi bo\u2019yicha standartlar tizimi, Axborot-kutubxona resurslari, Kataloglashtirish qoidalari\u00bb. Ushbu standart axborot-kutubxona resurslarining barcha turlarini kataloglashtirishga qo\u2019yiladigan talablarni belgilab beradi. Ushbu standart axborot-kutubxona muassasalari, ilmiy-texnik axborot organlari, davlat bibliografiya markazlari, nashriyotlar, boshqa bibliografik muassasalarda ishlab chiqariladigan axborot-kutubxona resurslarini kataloglashtirishga taalluqlidir. Respublikamizdagi barcha axborot-kutubxona muassasalari misolida oladigan bo\u2019lsak, elektron kataloglarni tartibga solish va yig\u2019ma kataloglar yaratishda qatnashish bosqichma-bosqich amalga oshiriladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Axborot-kutubxona faoliyati qonun hujjatlarida nazarda tutilganidek, barcha axborot-kutubxona muassasalari yig\u2019ma elektron katalogda qatnashishlari shart. Ammo biz respublikamizdagi 12000 dan ortiq axborot-kutubxona muassasalarini kataloglari bilan almashinish, yig\u2019ma kataloglar yaratish uchun bir xillikka ega bo\u2019lishimiz zarur. Xozirgi kunga kelib ko\u2019pgina axborot-kutubxona markazlari, axborot-resurs markazlari avtomatlashtirilgan axborot-kutubxona tizimlaridan foydalanib, o\u2019zlarining fondlaridagi adabiyotlarning elektron kataloglarini shakllantirish ishlarini olib bormoqdalar.<\/p>\n\n\n\n<p>&nbsp;Axborot-kutubxona resurslarini kataloglashtirishning qoidalari kataloglashtirishning milliy qoidalari hisoblanadi, ular O&#8217;zDSt 1215:2009 \u00abBibliografik yozuv. Bibliografik tavsif. Umumiy talablar va tuzish qoidalari\u00bb asosiy milliy standarti qoidalarini rivojlantiradi va axborotni ilmiy qayta ishlash sohasining nafaqat amaldagi, balki \u00abKataloglashtirishning xalqaro tamoyillari to\u2019g\u2019risidagi deklaratsiya\u00bb, Xalqaro standart bibliografik tavsifning (ISBD) yangi versiyalari kabi istiqboldagi xalqaro tavsiyalarini ham eng yuqori darajada hisobga oladi. Avtomatlashtirilgan axborot-kutubxona tizimlar tatbiqi kutubxona fondida mavjud hamda yangi kelib tushayotgan hujjatlarga bibliografik ishlov berishda mutaxassis xodimlar ishini ancha kamaytirdi va foydalanuvchilarga ham qulaylik yaratdi. Kataloglarni tartibga solish, yig\u2019ma elektron katalogni shakllantirishda ishtirok etish, O\u2019zbekiston Respublikasida chiqariladigan nashrlarning Davlat bibliografik hisobini yuritishda muammo tug\u2019dirmaslik maqsadida ushbu O&#8217;z DSt 1215:2009, O&#8217;z Dst 3053:2016 Davlat Standartlari asosida bibliografik yozuvlarni yaratish lozim. Axborot-kutubxona sohasida kataloglashtirish jarayoni muhim jarayon ekanligini inobatga olib, uni rivojlantirish uchun yanada chuqurrok yondoshgan holatda xalqaro tajribadan kelib chiqib, muntazam ravishda yangi me\u2019yoriy hujjatlar ustida ishlash va hayotga tatbiq etish lozim.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Adabiyotlar ro\u2019yxati<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>O\u2019zbekiston Respublikasi aholisiga axborot-kutubxona xizmati ko\u2019rsatishni yanada takomillashtirish to\u2019g\u2019risida : O\u2019zbekiston Respublikasi 4354-sonli Prezident Qarori 2019 yil 7 iyun \/\/ Xalq so\u2019zi. \u2013 2019. \u2013 7 iyun.<ol><li>Respublika aholisini axborot-kutubxona bilan ta\u2019minlashni tashkil etish to\u2019g\u2019risida : O\u2019zbekiston Respublikasi 381-sonli Prezidentining Qarori 2006 yil 20 iyun \/\/ Xalq so\u2019zi. 2006. \u2013 21 iyun.<\/li><\/ol><ol><li>Karimov, U.,Raxmatullayev, M. Davriy nashrlar electron katalogini yaratish texnologiyasi : uslubiy qo\u2019llanma G\u2019 U. Karimov, M. Rahmatullayev ; Alisher Navoiy nomli O\u2019zbekiston Milliy kutubxonasi. \u2013 Toshkent : Alisher Navoiy nomli O\u2019zbekiston Milliy kutubxonasi&nbsp; nashriyoti, 2006.- 82 b.<\/li><\/ol><ol><li>Mamatraimova H. Spravka nashrlari, ularning axborot-bibliografiya xizmatida tutgan o\u2019rni G\u2019 H. Mamatraimova \/\/ Yuksak ma\u2019naviyat qirralari : Ilmiy asarlar to\u2019plami. \u2013 12-chiqishi. \u2013 Toshkent, 2007. \u2013 B. 92-98 b.<\/li><\/ol>\n<ol>\n<li>Mamatraimova H. Kutubxonalarda o\u2019lkashunoslik faoliyati : holati, tashkil etish masalalari G\u2019 H. Mamatraimova \/\/ Madaniyat \u2013 milliy birlik asosi. \u2013 Toshkent : Adolat, 2004. \u2013 B. 85-90 b.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"is-vertical is-content-justification-center is-layout-flex wp-container-1 wp-block-group\">\n<p>         YASHNOBOD TUMAN AXBOROT-KUTUBXONA MARKAZI<\/p>\n\n\n\n<p class=\"has-text-align-center\">                                              <strong>YOSHLAR MA\u2019NAVIYATINI YUKSALTIRISHDA&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                          KITOBXONLINI TARG\u2019IB QILISH USULLARI<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"406\" height=\"305\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-17.png\" alt=\"\" class=\"wp-image-2549\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-17.png 406w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-17-300x225.png 300w\" sizes=\"(max-width: 406px) 100vw, 406px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\">     <strong>USLUBIY QO\u2019LLANMA<\/strong><\/p>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\">Toshkent 2025<\/p>\n\n\n\n<p><strong>UO\u2019K 001<\/strong><\/p>\n\n\n\n<p><strong>Yo &#8212; 54<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Yoshlar ma\u2019naviyatini yuksaltirishda kitobxonlikni targ\u2019ib qilish usullari&nbsp; [<\/strong>Matn] : uslubiy-qo\u2019llanma. Tuzuvchi Ya. Atayeva. \u2013 Toshkent : Yashnobod tuman axborot-kutubxona markazi, 2025. \u2013 8 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu qo\u2019llanma yoshlar ma\u2019naviyatini yuksaltirishda, intellektual ongining o\u2019sishida kitobning o\u2019rni, kitobxonda o\u2019quv madaniyatini tarbiyalash, insonlar hayotida ta\u2019lim va tarbiyaning muhimligi, bunda kutubxona va kutubxonachining o\u2019rni, kutubxonachi&nbsp; faqat kutubxona sohasini bilibgina qolmasdan, ta\u2019lim va tarbiya berishda kitoblarni ham bilib tavsiya etishi, kitobxonlikni targ\u2019ib qilishda ba\u2019zi usullari haqida so\u2019z boradi. Qo\u2019llanma keng kitobxonlar va kutubxonachilar uchun mo\u2019ljallangan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"351\" height=\"277\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-18.png\" alt=\"\" class=\"wp-image-2550\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-18.png 351w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2025\/12\/image-18-300x237.png 300w\" sizes=\"(max-width: 351px) 100vw, 351px\" \/><\/figure><\/div>\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Xalqimizning istiqboli, ertangi kunining poydevori bugun voyaga yetayotgan navqiron avlodga munosabat, yoshlarning o\u2019z qobiliyatlarini ro\u2019yobga chiqarish uchun yaratilayotgan imkoniyatlar va boshqa omillarda namoyon bo\u2019ladi. Shu ma\u2019noda yurtimizda istiqlolning dastlabki yillaridanoq yoshlar masalasiga davlatimiz siyosatining ustuvor yo\u2019nalishi sifatida e\u2019tibor qaratilmoqda. Har bir yosh o\u2019zining huquqiy ongi va tafakkuridan kelib chiqib, huquqlari bilan birgalikda majburiyatlarini ham yaxshi bilishi, uni to\u2019g\u2019ri qo\u2019llay olishi, eng muhimi, shaxsiy fikrini aniq bayon etish imkoniyatiga ega bo\u2019lishi ularni turli yot g\u2019oyalar ta\u2019siridan himoyalashda muhim vosita bo\u2019lib xizmat qiladi. Ushbu masalaning dolzarbligini hisobga olgan holda O\u2019zbekiston Respublikasi Prezidenti Sh.M.Mirziyoyev tomonidan 2019-yil 19-mart kuni \u201cYoshlar ma\u2019naviyatini yuksaltirish va ularning bo\u2019sh vaqtini mazmunli tashkil etish bo\u2019yicha 5 ta muhim tashabbus bo\u2019yicha\u201d davlat dasturi ishlab chiqildi. Ushbu dasturning to\u2019rtinchi tashabbusi \u2013 yoshlar ma\u2019naviyatini yuksaltirish, ular o\u2019rtasida kitobxonlikni keng targ\u2019ib qilish bo\u2019yicha tizimli ishlarni tashkil etishga yo\u2019naltirilganlidir. Shu o\u2019rinda O\u2019zbekiston Respublikasi Prezidenti Sh. M. Mirziyoyevning quyidagi fikrlarini keltirib o\u2019tish maqsadga muvofiqdir: <strong>\u201cKitobsiz taraqqiyotga, yuksak ma\u2019naviyatga erishib bo\u2019lmaydi. Kitob o\u2019qimagan odamning ham, millatning ham kelajagi yo\u2019q\u201d. <\/strong>O\u2019zbekiston<strong>da <\/strong>kitob&nbsp;&nbsp; va kitobxonlik madaniyatini oshirish hamda targ\u2019ibot qilish Davlat siyosati darajasiga&nbsp; ko\u2019tarilishiga sabab, axborot makonida yashayotgan yoshlarning&nbsp; kitobxonlik madaniyatidan&nbsp; yiroqlashuvi, ma\u2019naviyatning, intellektual ongning qashshoqlashishi sabab bo\u2019lgan. Shu sabab Prezidentimiz Shavkat Mirziyoyev 2017-yil 12- yanvar kuni \u201cKitob mahsulotlarini&nbsp; chop etish va tarqatish&nbsp; tizimini rivojlantirish, kitob mutolaasi va kitobxonlik madaniyatini oshirish hamda targ\u2019ib qilish bo\u2019yicha komissiya tuzish to\u2019g\u2019risida\u201d farmoyish berdilar. Kitob mutolaasi kishi aqlini charxlaydi, bilimini boyitadi, yuksak insoniy fazilatlarni tarbiyalaydi. Barcha zamonlarda kitob ma\u2019naviy mulk, bebaho xazina sifatida ardoqlangan, ilmiy, siyosiy, iqtisodiy, falsafiy, tarixiy kitoblar yaratilgan, ularning avlodlardan avlodlarga etib borishi haqida qayg\u2019urilgan. O\u2019tmishda yashab o\u2019tgan buyuk siymolar ilm-ma\u2019rifat manbai bo\u2019lgan kitoblar yaratib, bizga buyuk meros<\/p>\n\n\n\n<p>qoldirishgan. Bu kitoblar orqali hozirgi yosh avlod dunyo ilm-fani, madaniyati taraqqiyotiga ajdodlarimiz qo\u2019shgan hissa beqiyos bo\u2019lganligini his etishadi va bundan g\u2019ururlanishadi. Mashhur ingliz faylasufi <strong>Frensis Bekonning ta\u2019rifiga ko\u2019ra, kitob \u201cVaqt&nbsp;&nbsp; to\u2019lqinlarida suzadigan va qimmatbaho yukini avlodlardan-avlodlarga ehtiyotkorlik bilan etkazadigan tafakkur kemasi\u201ddir <\/strong>deb ta\u2019rif bergan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Navoiyning \u201cDevoni Foniy\u201d asarida Navoiy tabiatda ham, jamiyatda ham o\u2019zgarmaydigan narsa va hodisalar mavjud emasligi, \u201ctegishli ijtimoiy-ma\u2019naviy muhit va munosib ta\u2019lim va tarbiya insonga, uning ijtimoiy-ma\u2019naviy qiyofasiga ta\u2019sir etishi mumkin\u201d deb bilishini ta\u2019kidlaydi. \u201cDevoni Foniy\u201ddan keltirilgan quyidagi misralar bu fikrni to\u2019la tasdiqlaydi:<\/p>\n\n\n\n<p>Chu farzandi neko\u2019st az mardi noxush,&nbsp;<\/p>\n\n\n\n<p>Tahayyur nayoyad, taajjub nashoyad.<\/p>\n\n\n\n<p>Zi xoro agar gavhar oyad ajab nest,<\/p>\n\n\n\n<p>V-ar az paykari xorbun gul kushoyad.<\/p>\n\n\n\n<p>Tarjimasi:<\/p>\n\n\n\n<p>Noxush erdan bo\u2019lsa farzandi a\u2019lo,&nbsp;<\/p>\n\n\n\n<p>Hayron bo\u2019lma, qilma zinhor taajjub.<\/p>\n\n\n\n<p>Qattiq toshdan gavhar, tikandan esa<\/p>\n\n\n\n<p>Gul ochilsa kim demas uni marg\u2019ub.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yomon erdan yaxshi farzand tug\u2019ilishi toshdan gavhar, tikandan gul paydo bo\u2019lishiga o\u2019xshatilyapti. Bu yuqorida aytilgan ta\u2019lim-tarbiya, yaxshi ijtimoiy muhit inson tarbiyasida hal qiluvchi ahamiyat kasb etishi, insonning barkamol shaxs bo\u2019lib shakllanishida tashqi ta\u2019sirlarning ijobiy roli katta ekanligi ko\u2019rsatib berilgan. Yaxshi, namunali oilada tug\u2019ilib, tashqi muhitning zararli ta\u2019siri natijasida ma\u2019naviy-axloqiy jihatdan buzilgan, hayoti izdan chiqqanlar, yomon oila muhitida tug\u2019ilib, tashqi muhitdan faqat ijobiy ta\u2019sirlarni o\u2019ziga yuqtirgan kishilar hayotda ko\u2019p uchraydi. Demak, bola tarbiyasi hamisha muhim va dolzarbdir. Bolaning barkamol shaxs sifatida shakllanishi uchun oila, maktab, kutubxona va ijtimoiy muhit o\u2019rtasida doimiy ijobiy aloqa, samarali hamkorlik qaror topishi lozim. Ana shunday muhit yaratilganda bolada iqtidor va qobiliyat o\u2019sadi, rivojlanadi, o\u2019z samaralarini beradi. Bolada o\u2019zini namoyon etishi uchun to\u2019g\u2019ri tarbiya, chuqur bilim zarur. Bilimlar esa kitob o\u2019qish, mutolaa qilish asosida hosil qilinadi. Kim ko\u2019p kitob o\u2019qisa, yuksak darajada yuksak axloqiy fazilatlarga egalik, donishmandlik barq urib turadi.&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitobxonlikni targ\u2019ib qilish bugungi kunda biroz murakkab masala. Bunga juda katta mehnat va ilm talab etiladi. Agar kutubxona xodimining ilmiy salohiyati yuqori bo\u2019lsa va izlanuvchan bo\u2019lsa, turli loyihalar asosida&nbsp; kitobxonni kitob o\u2019qishga qiziqtira oladi. Axborot texnologiyalarining rivojlanishi va uning jamiyatga ta\u2019siri kuchli bo\u2019layotgan bu davrda axborot-kutubxona mutaxassislari ham aholining turli qatlamlarini o\u2019rganib chiqib, an\u2019anaviy usuldan tashqari turli mavzudagi axborotlarni yoshlar faol bo\u2019lgan tarmoqlar orqali etkaza olsa, kutubxonaga kitobxonlarni jalb qilish mumkin. Bundan tashqari \u201cSiz uchun foydali\u201d loyihasi asosida maqsadga erishish yo\u2019llari, kitob o\u2019qishning muhimligi insoniyat kamolotining rivojlanishida muhim rol o\u2019ynovchi, odamlarning dunyoqarashi shakllanishida asosiy vosita bo\u2019lgan kitobni qadrlash, unga muhabbat bilan munosabatda bo\u2019lish, yosh avlod qalbida kitobga mehr tuyg\u2019ularini uyg\u2019otish haqidagi mutafakkirlarning insonni ruhlantiruvchi hikmatli so\u2019zlaridan foydalangan holda kitobxonga masofadan uzatish mumkin. \u201c<strong>Kitob bergan odobni ota-onang berolmas, Dili so\u2019qir kitobdan odob gulin terolmas\u201d, \u201cGo\u2019zallik \u2013 ilmu ma\u2019rifatda\u201d,<\/strong> <strong>\u201cKitob \u2013 bilim bulog\u2019i\u201d,<\/strong> <strong>\u201cHunar \u2013 oqar buloq, ilm \u2013 yonar chiroq\u201d, \u201cOlamdin g\u2019amsiz o\u2019tay desang, ilmu hunar o\u2019rgan\u201d <\/strong>&nbsp;kabi. Muhim sanalarga bag\u2019ishlangan mavzular ro\u2019yxati va bu ma\u2019lumotga ega bo\u2019lish uchun qaerga murojaat qilinishi yoki bilim olib juda katta marralarga etgan turli kasb vakillarining hayoti va ijodi yoritilishi mumkin. Bunda kitobxonlar ko\u2019proq bilim olishi, kitob o\u2019qishi va olgan bilimlarini boshqalarga so\u2019zlab berishi mumkin.&nbsp; Har xil to\u2019garaklarda, ommmaviy tadbirlar o\u2019tkazishda an\u2019anaviy usul orqali badiiy ertaklarni ovozli o\u2019qish hamda aytib berish bolalarni birlashtiradi. Ommaviy ishlarning ajralmas bir qismi ifodali o\u2019qishdir. Ovozli, ifodali o\u2019qish kutubxonada boshlang\u2019ich sinf o\u2019quvchilarini&nbsp; tarbiyalashda asosiy o\u2019rinlardan biri bo\u2019lib,<\/p>\n\n\n\n<p>samarali usul hisoblanadi. Ovozli o\u2019qish va so\u2019zlab berish kutubxonaning maktabgacha yoshdagi bolalar, kichik sinf o\u2019quvchilari bilan ishlashda muhim o\u2019rin egallaydi. Ular hali o\u2019qish texnikasini unchalik yaxshi egallamaganliklari sababli, eshitishni juda yaxshi ko\u2019radilar, o\u2019qishni esa unchalik istamaydilar. Chunki hali o\u2019qishga qiynaladilar. Qolaversa, bolalar o\u2019qishgagina emas, diqqat bilan eshitishni ham, eshitganlarini o\u2019zlashtirishga va aytib berishga ham o\u2019rganishlari kerak. Maktabgacha ta\u2019lim yoshidagi bolalarga qanday badiiy asarlarni o\u2019qish tavsiya etilishi lozim? Bu yosh xususiyatlaridan kelib chiqqan holda, badiiy asarlar ham ularning yosh davrini e\u2019tiborga olingan holda tavsiya etilishi lozimdir. Chunki maktabgacha ta\u2019lim yoshidagi bolalarga tavsiya qilinishi lozim bo\u2019lgan adabiyotlar dastlab, bolalarning diqqati, xotirasi, tafakkuri, xayol, iroda kabi murakkab psixologik jarayonlar vositasida amalga oshirilsagina bolalarning qabul qilish ko\u2019nikmalari yaxshi rivojlana boradi. Maktabgacha ta\u2019lim yoshidagi bolalarga tavsiya etiluvchi asarlarning o\u2019zini ham bir necha bosqichga bo\u2019lish va shu bosqich asosida ularga asarlarning shakl va mazmun jihatidan badiiy mukammallari tavsiya etilishi mumkin. Misol uchun 3 yoshdan 5 yoshgacha bo\u2019lgan davr yosh xususiyatidagi bolalarga yuqoridagi xususiyatlar barqarorlashmagan bo\u2019ladi. Bu yoshdagi bolalar uchun Kitobxonlik madaniyatini yuksaltirish uchun o\u2019qiladigan asarlar mazmuni, g\u2019oyasi, syujeti jihatidan sodda, tushunarli va ixcham bo\u2019lishi tavsiya qilinadi. Tavsiya etiladigan asarning shakli ixcham, bir syujetlilik, oz personajliligi, tilining sodda va ravon bo\u2019lishligidir. Bu yosh bolalar hali asar voqealarini to\u2019liq hazm qilish, idrok etish malakalariga ega emas. Ovozli o\u2019qish 3-sinf o\u2019quvchilari uchun ham muhimdir. Ovozli o\u2019qish yozuvchi tilining chiroyliligini va uslubini kitobxon tomonidan tushunishga olib keladi. Bola kattalarning ifodali o\u2019qishini eishtgach, uning o\u2019zida ham o\u2019qishga qiziqish paydo bo\u2019ladi va o\u2019zi mustaqil o\u2019qishni boshlaydi. Ovozli o\u2019qish kitobga kam qiziquvchi va kam kitob o\u2019quvchi bolada ham kitobga qiziqish uyg\u2019otadi. Ba\u2019zan kitobni ovozli o\u2019qib, uni qiziq joyiga kelganda to\u2019xtatib qo\u2019yish va kuzatish kerak, o\u2019quvchilar davomini o\u2019zlari qiziqib tugatadilar. Chunki hikoya qiziq joyiga kelib to\u2019xtaganidan keyin uni nima bilan tugashi o\u2019quvchini qiziqtirishi shubhasiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5 yoshdan 7 yoshgacha bo\u2019lgan bolalarga tavsiya etiladigan asarlar esa murakkabroq, ikki va undan ortiq syujetli, voqealar va personajlar tarkibi ko\u2019proq ishtirok etishi bilan ajralib turadi. Umuman, maktabgacha ta\u2019lim yoshidagi bolalarga mo\u2019ljallangan asarlar syujetida ko\u2019proq tabiat hodisalari, jonivorlar, o\u2019simliklar, parrandalar ishtirok etuvchi voqealar bolalarga ko\u2019proq qiziqish uyg\u2019otadi. Bunday asarlar esa bolalarni tabiatni sevishga va mehr qo\u2019yishga chorlaydi. Bolalar qo\u2019shiqlari, topishmoqlar, maqollar, tez aytishlar, ertaklar va boshqa shunga o\u2019xshash xalq og\u2019zaki ijodi namunalari bilan bir qatorda bolalar adiblari tomonidan yozilgan asarlar muhim ahamiyat kasb etadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kitobxonlikni targ\u2019ib qilishda 9-13 yoshli kitobxonlarga Anvar Obidjonning \u201cJuda qiziq voqea\u201d, \u201cMeshpolvon jangga otlandi\u201d kabi, yoki jahon adabiyoti namunalari bo\u2019lmish N. Nosovning \u201cBilmasvoyning sarguzashtlari\u201d, Karlo Kolodining \u201cPinokkioning boshidan kechirganlari\u201d kabi quvnoq, fantaziyaga boy va muhimi bola tabiatiga mos asarlarni tavsiya qilish kerak.&nbsp; Bu asarlar bolaga bilim berish bilan birgalikda uning tarbiyasiga ijobiy ta\u2019sir ko\u2019rsatadi, uning ruhiy olamini boyitadi, ezgulikka muhabbat ruhida tarbiyalaydi. Lekin&nbsp; \u201cAlpomish\u201d, Alisher Navoiy g\u2019azallari, \u201cKalila va Dimna\u201d, Sa\u2019diyning \u201cGuliston\u201di kabi asarlar bu yoshdagi bolalar uchun biroz og\u2019irlik qiladi. Sababi, bu asarlar&nbsp; ko\u2019p ma\u2019nolilik xususiyatiga ega asarlar hisoblanib, ulardagi voqealarni&nbsp; anglash uchun bilimdan tashqari ma\u2019lum bir hayotiy tajriba ham talab qilinadi. Bu asarlarning o\u2019rniga Quddus Muhammadiyning kichik maktab o\u2019quvchilariga atab yozilgan she\u2019rlari, Pirimqul Qodirovning \u201cAkromning sarguzashtlari\u201d qissasi, \u201cNajot\u201d ertak-qissasi, Shukur Sa\u2019dulloning \u201cKachal polvon\u201d nomli ertak-dramasi kabi asarlar tavsiya etilsa maqsadga muvofiq bo\u2019lardi. 14-20 yoshli kitobxonlar uchun Maqsud Qorievning \u201cSpitamen\u201d, Yavdat Ilyosovning \u201cSo\u2019g\u2019diyona\u201d kabi asarlari ularda Vatan tuyg\u2019usini, milliy g\u2019ururni shakllantirishga xizmat qiladi. Zero, aynan shu yoshda inson ongida g\u2019urur, iftixor tuyg\u2019ulari shakllanayotgan bo\u2019ladi. Biroq Bo\u2019riboy Ahmedovning \u201cAmir Temur\u201d hujjatli romani tarixchi mutaxassislar uchun mo\u2019ljallangan bo\u2019lib, bu yoshdagi kitobxonlar uchun ham og\u2019irlik qilishi mumkin. Kitobxon yoshlar formulyarlari o\u2019rganilib, tahlil qilinib, to\u2019g\u2019ri tavsiyalar berilib, kitob o\u2019qishga yo\u2019naltirilsa,&nbsp; internet titishlar, undagi har xil bema\u2019ni, oldi-qochdi,<\/p>\n\n\n\n<p>behayo yoki eng dahshatlisi, zararli oqimlarga da\u2019vat qiladigan saytlarga kirishlaru, ularning qarmog\u2019iga ilinib, chog\u2019iga tushishlar kamayardi.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hozirgi kundagi kitobxonlikka berilayotgan e\u2019tibor ham, bir kuni o\u2019z samarasini berishiga ishonamiz. Kelajakda yoshlarimiz kitobxonlik va kitobsevarlikda ham havas qilsa arziydigan beqiyos tarixiy jarayonlarni amalga oshiradilar degan umiddamiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; FOYDALANGAN ADABIYOTLAR<\/p>\n\n\n\n<ol type=\"1\">\n<li>\u041a\u0438\u0442\u043e\u0431 \u043c\u0430\u04b3\u0441\u0443\u043b\u043e\u0442\u043b\u0430\u0440\u0438\u043d\u0438 \u043d\u0430\u0448\u0440 \u044d\u0442\u0438\u0448 \u0432\u0430 \u0442\u0430\u0440\u049b\u0430\u0442\u0438\u0448 \u0442\u0438\u0437\u0438\u043c\u0438\u043d\u0438 \u0440\u0438\u0432\u043e\u0436\u043b\u0430\u043d\u0442\u0438\u0440\u0438\u0448\u0431 \u043a\u0438\u0442\u043e\u0431 \u043c\u0443\u0442\u043e\u043b\u0430\u0430\u0441\u0438 \u0432\u0430 \u043a\u0438\u0442\u043e\u0431\u0445\u043e\u043d\u043b\u0438 \u043c\u0430\u0434\u0430\u043d\u0438\u044f\u0442\u0438\u043d\u0438 \u043e\u0448\u0438\u0440\u0438\u0448 \u04b3\u0430\u043c\u0434\u0430 \u0442\u0430\u0440\u0493\u0438\u0431 \u049b\u0438\u043b\u0438\u0448 \u0431\u045e\u0439\u0438\u0447\u0430 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0441 \u0447\u043e\u0440\u0430-\u0442\u0430\u0434\u0431\u0438\u0440\u043b\u0430\u0440 \u0434\u0430\u0441\u0442\u0443\u0440\u0438 \u0442\u045e\u0493\u0440\u0438\u0441\u0438\u0434\u0430: \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0441\u0438 \u041f\u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0442\u0438\u043d\u0438\u043d\u0433 2017-\u0439\u0438\u043b 13-\u0441\u0435\u043d\u0442\u044f\u0431\u0440 \u041f\u049a-3271-\u0441\u043e\u043d \u049a\u0430\u0440\u043e\u0440\u0438 \/\/ \u0425\u0430\u043b\u049b \u0441\u045e\u0437\u0438.&nbsp; \u2013&nbsp; 2017. \u2013&nbsp; 13-c\u0435\u043d\u0442.&nbsp; \u2013 \u0411. 1.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>Navoiy A.To\u2019la asarlar to\u2019plami : 10 jildlik 5 jild: Devoniy Foniy. \u2013 Toshkent :&nbsp; G\u2019afur G\u2019ulom, 2012. \u2013&nbsp; 860 b., 578 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u0419\u045e\u043b\u0434\u043e\u0448\u0435\u0432 \u042d. \u041a\u0443\u0442\u0443\u0431\u0445\u043e\u043d\u0430\u0434\u0430 \u0431\u043e\u043b\u0430\u043b\u0430\u0440 \u045e\u049b\u0438\u0448\u0438\u0433\u0430 \u0440\u0430\u04b3\u0431\u0430\u0440\u043b\u0438\u043a \u049b\u0438\u043b\u0438\u0448 [\u041c\u0430\u0442\u043d] : \u045e\u049b\u0443\u0432 \u049b\u045e\u043b\u043b\u0430\u043d\u043c\u0430 \/ \u042d. \u0419\u045e\u043b\u0434\u043e\u0448\u0435\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d, 2002. \u2013 128 \u0431.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Berdiyeva&nbsp; Z. Sh. Kutubxonashunoslik [Matn] : o\u2019quv qo\u2019llanma \/ Z. Sh. Berdiyeva. \u2013 Toshkent : Ilm Ziyo, 2016. \u2013 400 b.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yashnobod tuman axborot-kutubxona markazi<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Axborot-bibliografiya xizmati<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u201c<strong>B<\/strong><strong>izning buyuk ajdodlar <\/strong><strong>\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>(Alisher Navoiy<\/strong>(1441-1501) tavalludining 585 yilligiga bag\u00edshlangan)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"257\" height=\"304\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-3.png\" alt=\"\" class=\"wp-image-2639\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-3.png 257w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-3-254x300.png 254w\" sizes=\"(max-width: 257px) 100vw, 257px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong><em>Bibliografik &nbsp;sharh<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent- 2026<\/p>\n\n\n\n<p><strong>&nbsp;01<\/strong><\/p>\n\n\n\n<p><strong>B<\/strong><strong>&#8212;<\/strong><strong>66<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cB<\/strong><strong>izning buyuk ajdodlar<\/strong><strong>\u201d<\/strong> Alisher Navoiy (1441-1501) tavalludining 585 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; yilligiga bag\u2019ishlanadi [Matn] : bibliorafik sharh \/ Tuzuvchi M. Kavlasheva ; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yashnobod tuman axborot-kutubxona markazi Axborot-bibliografiya xizmati. \u2013<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Toshkent, 2026. \u2013 6 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; E\u2019tiboringizga buyuk mutafakkir shoir Alisher Navoiy (1441-1501) tavalludining 585 yilligiga bag\u2019ishlab, <strong>\u201cBizning buyuk ajdodlar\u201d<\/strong> nomli kitoblar ko\u2019rgazmasiga tayyorlangan bibliografik sharhni taqdim etamiz.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bibliografik sharh Alisher Navoiy shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"282\" height=\"179\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-2.png\" alt=\"\" class=\"wp-image-2638\"\/><\/figure><\/div>\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hayoti va ijodi<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher Navoiy&nbsp;<em>1441-yil 9-fevralda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Amir_Temur\">Amir Temurning<\/a>&nbsp;o\u02bbgli&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shohruh&amp;action=edit&amp;redlink=1\">Shohruh<\/a>&nbsp;Mirzo shohligi davrida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirotda<\/a>&nbsp;tug\u02bbildi. Zamondoshlari uning haqida ko\u02bbpincha \u201eNizomiddin Mir Alisher\u201c deb yozadilar. Nizomiddin&#187; \u2014 din-diyonat nizomi degani bo\u02bblib, donishmand mansab egalariga beriladigan sifat, \u201emir\u201c amir demakdir. Uning otasi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBiyosiddin_Muhammad\">G\u02bbiyosiddin Muhammad<\/a>&nbsp;(uni G\u02bbiyosiddin Kichkina ham der edilar) temuriylar saroyining&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Amaldor&amp;action=edit&amp;redlink=1\">amaldorlaridan<\/a>, xonadonning ishonchli kishilaridan edi. Onasi amirzoda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shayh_Abusaid_Chang&amp;action=edit&amp;redlink=1\">Shayh Abusaid Changning<\/a>&nbsp;qizi bo\u02bblgan, ismi ma\u02bclum emas. Alisherning bobosi Temurning o\u02bbg\u02bbli Umarshayx bilan emikdosh (ko\u02bbkaldosh) bo\u02bblgan ekan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Buyuk shoir o\u02bbz asarlarida bu qutlug\u02bb dargohga yaqinligidan iftixor etishini bayon qiladi. Shuningdek, uning tarjimai holiga oid ayrim lavhalar asarlarida uchraydi. Bu tabarruk zot to\u02bbg\u02bbrisidagi ba\u02bczi ma\u02bclumotlarni esa uning zamondoshlari o\u02bbz kitoblarida beradilar.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Alisher&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Saroy\">saroy<\/a>&nbsp;muhitida yashaganligi uchun alohida tarbiya va nazoratda o\u02bbsdi. Kichiklik chog\u02bbidan she\u02bcr va musiqaga ishqi tushdi. Olim-u fozillar davrasida bo\u02bbldi. Uch-to\u02bbrt yoshlarida davrining mashhur shoiri&nbsp;<em>Qosim Anvor<\/em>ning bir she\u02bcrini yod aytib, mehmonlarni hayratga soldi. Bir yildan so\u02bbng uni maktabga berdilar. U bo\u02bblajak sulton&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Husayn_Bayqaro&amp;action=edit&amp;redlink=1\">Husayn Bayqaro<\/a>&nbsp;bilan birga o\u02bbqidi. Uning zehni va iqtidori haqidagi gaplar esa el orasida tarqalib bordi. <em>1447-yilda<\/em>&nbsp;Shohruh Mirzo vafot etib, temuriy shahzodalar o\u02bbrtasida taxt uchun kurash boshlanadi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirot<\/a>&nbsp;notinch bo\u02bblib qoladi. Alisherlar oilasi Iroqqa yo\u02bbl oladi. Yo\u02bblda,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Taft&amp;action=edit&amp;redlink=1\">Taft<\/a>&nbsp;shahrida Alisher zamonasining mashhur tarixchisi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Zafarnoma%E2%80%9Cning&amp;action=edit&amp;redlink=1\">\u201eZafarnoma\u201cning<\/a>&nbsp;muallifi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sharafiddin_Ali_Yazdiy&amp;action=edit&amp;redlink=1\">Sharafiddin Ali Yazdiy<\/a>&nbsp;bilan uchrashdi. Alisher xonadoni&nbsp;<em>1451-<\/em><em>yilda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirotga<\/a>&nbsp;qaytadi. Tarixchi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xondamir\">Xondamir<\/a>&nbsp;bu bilan bog\u02bbliq shunday bir hikoyani keltiradi: Karvon Yazd cho\u02bbli bilan Hirotga borarkan, tungi yurishlardan birida ot-ulov ustida hammani uyqu bosadi. Alisher mingan ot, ittifoqo, yo\u02bbldan chiqib, bo\u02bblajak shoir egardan tushib qoladi, uyqu zo\u02bbrlik qilib, uyg\u02bbonmaydi. Horigan ot ham egasi yonidan ketmay, to\u02bbxtab qoladi.<\/p>\n\n\n\n<p>Alisher tong otib, quyosh qiziganda uyg\u02bbonadi. Qarasa, poyonsiz sahro, atrofida hech kim yo\u02bbq. Yolg\u02bbiz otigina yovshan ildizlarini chimtib turibdi. O\u02bbn yoshli bola o\u02bbzini qo\u02bblga oladi. Otini minib, zehn bilan yo\u02bblni topib ilgari yuradi. Kun qizib, chanqoqlik boshlanadi. Shu payt uzoqdan bir narsa qorayib ko\u02bbrinadi. U suv to\u02bbla mesh ekan, Ollohga shukronalar aytib, Alisher yo\u02bblini davom ettiradi. Uning ota-onasi manzilga yetgach, o\u02bbg\u02bbilllarining yo\u02bbqligini biladilar va mulozimni shoshilinch orqaga qaytaradilar. Mulozim ko\u02bbp yurmay, Alisherga duch keladi. Alisherni, go\u02bbyo u qayta tug\u02bbilganday, quvonch bilan kutib oladilar. <em>1452-yilda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abulqosim_Bobur\">Abulqosim Bobur<\/a>&nbsp;Mirzo&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xuroson\">Xuroson<\/a>&nbsp;taxtiga o\u02bbtiradi, notinchliklar bosiladi. G\u02bbiyosiddin Muhammad Sabzavorga hokim qilib tayinlanadi. Alisher esa o\u02bbqishini davom ettiradi. Maktab yosh Alisherni she\u02bcriyat, adabiyot olamiga olib kirdi. Bo\u02bblajak shoir&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sa%CA%BCdiy_Sheroziy\">Sa\u02bcdiy Sheroziyning<\/a>&nbsp;\u201eGuliston\u201c. \u201eBo\u02bbston\u201c, asarlarini,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Farididdin_Attor\">Farididdin Attorning<\/a>&nbsp;\u201eMantiq ut-tayr\u201c(\u201eQush mantig\u02bbi\u201c)ni so\u02bbngsiz ishtiyoq bilan o\u02bbqidi. Ayniqsa, qushlar tilidan keltirilgan hikoyatlar va ularning chuqur mazmuni Alisherning o\u02bby-xayolini tamom egallab oldi:<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bir kuni qushlar jam bo\u02bblibdi. Har xil:&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=To%CA%BBti&amp;action=edit&amp;redlink=1\">to\u02bbti<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qumri\">qumri<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tovus\">tovus<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Bulbul\">bulbul<\/a>&nbsp;va hokazo. O\u02bbrtaga hudhud (<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sassiqpopishak&amp;action=edit&amp;redlink=1\">sassiqpopishak<\/a>) chiqibdi. Boshidagi tojini selkillatib, o\u02bbzini ta\u02bcrifu tavsif etibdi. So\u02bbng u hammani olam podshosi Semurg\u02bbni izlashga undabdi. Qushlar uni surishtira boshlabdilar. \u201eZotini, sifatini, sifatini ayt, bizga nishon ber!\u201c&nbsp;\u2014 deyishibdi ular. Hudhud hikoya boshlabdi: Semurg\u02bb bir kecha dunyoni aylanib, uchib yurar edi. Nogoh yo\u02bbli Chin shahri ustidan tushdi. Bir silkingan edi, mamlakat nurga g\u02bbarq bo\u02bbldi. Patidan biri tushib qolgan ekan. Ogoh bo\u02bblganlar aqlu shuurini yo\u02bbqotdilar. Chin mulki esa hashamat(ulug\u02bbvorlikka) chulg\u02bbandi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image.png\" alt=\"\" class=\"wp-image-2636\" width=\"361\" height=\"214\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image.png 308w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-300x178.png 300w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-1.png\" alt=\"\" class=\"wp-image-2637\" width=\"364\" height=\"242\"\/><\/figure>\n\n\n\n<p>Qushlar zavq-u shavq bilan yo\u02bblga tushadilar. Biroq bu zavq-shavq uzoq davom etmaydi. Qushlar e\u02bctiroz bildirib, uzr aytib, o\u02bbzlarini chetga ola boshlaydi. Hudhud har biriga javob aytadi. Semurg\u02bbga yetishish baxti oldida bu dunyoning tashvishlari hechligini isbot etuvchi biror hikoya keltiradi. Hudhudning gaplari, hikoyalari qushlarga yangi bir kuch bag\u02bbishlaydi. Ular hudhudni boshliq qilib, yo\u02bblga tushadilar. Hudhud buy o\u02bblning ishq yo\u02bbli ekanligi, unga kirgan odam&nbsp;<em>Shayx San\u02bcon<\/em>&nbsp;singari o\u02bbzligidan kechishi lozimligini aytadi. Yana bir-biridan jozibali hikoyalar: Nihoyat, qushlar yetti vodiyni bosib o\u02bbtadilar va o\u02bbzlarining Semurg\u02bb ekanligini anglab yetadilar.<\/p>\n\n\n\n<p>\u201eMantiq ut-tayr\u201c xayoli Alisherga bir umr hamroh bo\u02bbldi. Umrining so\u02bbngida esa \u201eLison ut-tayr\u201c(\u201eQush tili\u201c) nomi bilan kitob yozdi. Bo\u02bblajak shoir yana&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Nizomiy_Ganjaviy\">Nizomiy Ganjaviy<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xusrav_Dehlaviy\">Xusrav Dehlaviy<\/a>&nbsp;asarlarini sevib o\u02bbqir edi.<\/p>\n\n\n\n<p><strong><em>Yosh avlod orasida taniqli buyuk mutaffakirning adabiy merosini targ&#8217;ib qilish maqsadida, uning asarlari va ijodi haqidagi adabiyotlar bilan tanishtiriishni taklif qilamiz.<\/em><\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u041e\u043b\u0438\u043c, \u0421\u0443\u043b\u0442\u043e\u043d\u043c\u0443\u0440\u043e\u0434. \u041d\u0430\u0432\u043e\u0438\u0439 \u2013 \u0451\u0448\u043b\u0430\u0440\u0433\u0430 [M\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/\/ \u0421. \u041e\u043b\u0438\u043c ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440\u043b\u0430\u0440 \u041d. \u041a\u043e\u043c\u0438\u043b\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : Abu Matbuot-Konsalt, 2008. \u2013 104 b.<\/li>\n<\/ol>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0443\u043d\u0451\u0434\u0430 \u0441\u045e\u0437\u043d\u0438\u043d\u0433 \u0441\u0435\u04b3\u0440\u043b\u0438 \u043a\u0443\u0447\u0438 \u0431\u0438\u043b\u0430\u043d \u043e\u0434\u0430\u043c\u043d\u0438, \u0445\u0443\u0441\u0443\u0441\u0430\u043d, \u0451\u0448\u043b\u0430\u0440\u043d\u0438 \u0442\u0430\u0440\u0431\u0438\u044f\u043b\u0430\u0439\u043c\u0430\u043d, \u045e\u0437\u0433\u0430\u0440\u0442\u0438\u0440\u0430\u043c\u0430\u043d, \u0443\u043d\u0438\u043d\u0433 \u04b3\u0430\u0451\u0442\u0438\u0433\u0430 \u044f\u043d\u0433\u0438 \u043c\u0430\u044a\u043d\u0438 \u043a\u0438\u0440\u0438\u0442\u0430\u043c\u0430\u043d, \u0434\u0435\u0431 \u049b\u0430\u0442\u044a\u0438\u0439 \u0438\u0448\u043e\u043d\u0433\u0430\u043d \u0438\u043a\u043a\u0438 \u0441\u043e\u04b3\u0438\u0431\u0438 \u049b\u0430\u043b\u0430\u043c \u0431\u045e\u043b\u0441\u0430 \u2013 \u0431\u0438\u0440\u0438, \u0431\u043e\u0440\u043b\u0434\u0438-\u044e, \u0431\u0443\u043d\u0434\u0430\u0439 \u0438\u0436\u043e\u0434\u043a\u043e\u0440 \u044f\u043a\u043a\u0430-\u044f\u0433\u043e\u043d\u0430 \u0431\u045e\u043b\u0441\u0430 \u2013 \u0448\u0443 \u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438\u0439&#8230; \u0411\u0443 \u0431\u0443\u044e\u043a \u0448\u043e\u0438\u0440\u0438\u043c\u0438\u0437\u043d\u0438\u043d\u0433 \u0451\u0448\u043b\u0430\u0440\u0433\u0430 \u0430\u043b\u043e\u049b\u0430\u0434\u043e\u0440 \u0431\u045e\u043b\u043c\u0430\u0433\u0430\u043d \u0430\u0441\u0430\u0440\u0438 \u0431\u043e\u0440\u043c\u0438\u043a\u0430\u043d \u045e\u0437\u0438? \u049a\u045e\u043b\u0438\u043d\u0433\u0438\u0437\u0434\u0430\u0433\u0438 \u043a\u0438\u0442\u043e\u0431\u043d\u0438 \u045e\u049b\u0438\u0441\u0430\u043d\u0433\u0438\u0437, \u0421\u0438\u0437 \u04b3\u0430\u043c \u0448\u0443 \u0444\u0438\u043a\u0440\u0433\u0430 \u043a\u0435\u043b\u0430\u0441\u0438\u0437, \u0430\u043b\u0431\u0430\u0442\u0442\u0430. \u041c\u0443\u0430\u043b\u043b\u0438\u0444 \u049b\u0438\u0437\u0438\u049b\u0430\u0440\u043b\u0438 \u0451\u0437\u0438\u0448, \u045e\u049b\u0443\u0432\u0447\u0438\u043d\u0438 \u0437\u0435\u0440\u0438\u043a\u0442\u0438\u0440\u043c\u0430\u0441\u043b\u0438\u043a\u043d\u0438\u043d\u0433 \u0442\u0443\u0440\u043b\u0438-\u0442\u0443\u043c\u0430\u043d \u0438\u0444\u043e\u0434\u0430\u0432\u0438\u0439-\u0442\u0430\u0441\u0432\u0438\u0440\u0438\u0439 \u0439\u045e\u043b\u043b\u0430\u0440\u0438\u043d\u0438 \u0438\u0437\u043b\u0430\u0433\u0430\u043d\u0438\u0433\u0430 \u04b3\u0430\u043c \u0448\u043e\u04b3\u0438\u0434 \u0431\u045e\u043b\u0430\u0441\u0438\u0437. \u0420\u0438\u0441\u043e\u043b\u0430 \u201c\u0401\u0448\u043b\u0430\u0440 \u0439\u0438\u043b\u0438\u201d \u0414\u0430\u0432\u043b\u0430\u0442 \u0434\u0430\u0441\u0442\u0443\u0440\u0438 \u0430\u0441\u043e\u0441\u0438\u0434\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u0430\u043d\u0434\u0438 \u0432\u0430 \u0447\u043e\u043f \u044d\u0442\u0438\u043b\u044f\u043f\u0442\u0438.<\/p>\n\n\n\n<ul>\n<li>Navoiy, A. Vafo qilsang [Matn] : g\u2018azallar \/ A. Navoiy. \u2013 Toshkent : G\u2018afurG\u2018ulom, 2009. \u2013 268 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Navoiyning lirik she\u2019rlari inson qalbining nozik kechinmalarini yuksak badiiyat bilan ifoda etadi. Ularda hayotning turli ko\u2018rinishlari ham o\u2018z aksini topgan. Demak, inson bu hayot, bu she\u2019riyatning mohiyatini tashkil etadi. Shoirning lirik qahramoni boy ma\u2019naviy dunyoga ega bo\u2018lgan barkamol inson. Uning hayajonlari, sevgi dardida chekkan iztirob va alamlari, mahbubaga chin sadoqat har birkishi kongliga yaqin va hamohang.<\/p>\n\n\n\n<ul>\n<li>\u041d\u0430\u0432\u043e\u0438\u0439, \u0410\u043b\u0438\u0448\u0435\u0440. \u041b\u0438\u0441\u043e\u043d \u0443\u0442-\u0442\u0430\u0439\u0440 [M\u0430\u0442\u043d] : \u0414\u043e\u0441\u0442\u043e\u043d \/\/ \u0410. \u041d\u0430\u0432\u043e\u0438\u0439. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0492. \u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0438\u0436\u043e\u0434\u0438\u0439 \u0443\u0439\u0438, 2019. \u2013 288 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201c\u041b\u0438\u0441\u043e\u043d \u0443\u0442-\u0442\u0430\u0439\u0440\u201d \u0434\u043e\u0441\u0442\u043e\u043d\u0438\u0434\u0430\u0433\u0438 \u0431\u043e\u0448 \u049b\u043e\u043b\u0438\u043f\u043b\u043e\u0432\u0447\u0438 \u04b3\u0438\u043a\u043e\u044f : \u0436\u0430\u04b3\u043e\u043d \u049b\u0443\u0448\u043b\u0430\u0440\u0438\u043d\u0438\u043d\u0433 \u0439\u0438\u0493\u0438\u043b\u0438\u0448\u0438\u0431 \u043c\u0430\u0440\u0442\u0430\u0431\u0430 \u0432\u0430 \u0444\u0430\u0437\u0438\u043b\u0430\u0442\u043b\u0430\u0440\u0438\u0433\u0430 \u043a\u045e\u0440\u0430 \u0436\u043e\u0439 \u0442\u0430\u043b\u0430\u0448\u0438\u0448\u043b\u0430\u0440\u0438 \u0432\u043e\u049b\u0435\u0430\u0441\u0438\u0434\u0430\u043d \u0442\u043e\u0440\u0442\u0438\u0431, \u049b\u0443\u0448\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u0425\u0443\u0434\u0445\u0443\u0434 \u0439\u045e\u043b\u0431\u043e\u0448\u0447\u0438\u043b\u0438\u0433\u0438\u0434\u0430 \u0421\u0438\u043c\u0443\u0440\u0493\u043d\u0438 \u0438\u0437\u043b\u0430\u0431 \u0435\u0442\u0442\u0438 \u0432\u043e\u0434\u0438\u0439\u0434\u0430\u043d (\u0422\u0430\u043b\u0430\u0431, \u0418\u0448\u049b, \u041c\u0430\u044a\u0440\u0438\u0444\u0430\u0442, \u0418\u0441\u0442\u0438\u0493\u043d\u043e, \u0422\u0430\u0432\u0445\u0438\u0434, \u0425\u0430\u0439\u0440\u0430\u0442, \u0424\u0430\u049b\u0440\u0443 \u0424\u0430\u043d\u043e) \u045e\u0442\u0438\u0448\u043b\u0430\u0440\u0438 \u0432\u0430 \u0421\u0438\u043c\u0443\u0440\u0493\u043d\u0438 \u0442\u043e\u043f\u043e\u043b\u043c\u0430\u0439, \u0421\u0438\u043c\u0443\u0440\u0493\u043d\u0438 \u0438\u0437\u043b\u0430\u0448\u0433\u0430 \u0447\u0438\u049b\u049b\u0430\u043d \u0441\u0438\u043c\u0443\u0440\u0493 (\u045e\u0442\u0442\u0438\u0437 \u049b\u0443\u0448\u043d\u0438\u043d\u0433) \u045e\u0437\u0438 \u044d\u043a\u0430\u043d\u043b\u0438\u0433\u0438\u043d\u0438 \u0431\u0438\u043b\u0438\u0448\u043b\u0430\u0440\u0438\u0434\u0430 \u04b3\u0430\u043c; \u0434\u043e\u0441\u0442\u043e\u043d\u0434\u0430\u0433\u0438 \u0428\u0430\u0439\u0445 \u0421\u0430\u043d\u044a\u043e\u043d \u049b\u0438\u0441\u0441\u0430\u0441\u0438 \u0432\u0430 \u045e\u043d\u043b\u0430\u0431 \u04b3\u0438\u043a\u043e\u044f\u043b\u0430\u0440\u0438\u0434\u0430\u043d \u0447\u0438\u049b\u0430\u0434\u0438\u0433\u0430\u043d \u0445\u0443\u043b\u043e\u0441\u0430 \u04b3\u0430\u043c \u0431\u0438\u0442\u0442\u0430 : \u043e\u043b\u0430\u043c-\u0431\u043e\u0440\u043b\u0438\u049b \u041e\u043b\u043b\u043e\u0445\u043d\u0438\u043d\u0433 \u0437\u0443\u04b3\u0443\u0440\u0438\u0434\u0430\u043d \u0438\u0431\u043e\u0440\u0430\u0442\u0434\u0438\u0440.<\/p>\n\n\n\n<ul>\n<li>Navoiy, Alisher. Mahbub ul-qulub. Muhokamat ul-lug\u2019atayn [Matn] : asar \/\/ A. Navoiy ; o\u2019riruvchi Bahodir Qobul. \u2013 Toshkent : G. Gulom nomidagi nashriyot-matbaa ijodiy uyi, 2021. \u2013 280 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Har bir ishning amalga oshish o\u2019z vaqt-soati bo\u2019lishini, odam zoti qanchalik istasin-istamasin burulgan kunida yuzaga chiqishining necha martalab guvohi bo\u2019lganmiz. Hazrat Alisher Navoiyning qo\u2019lingizdagi ikki muhtasham asari \u2013 \u201cMahbub ul-qulub\u201d va \u201cMuhokamat ul-lug\u2019atayn\u201d tarjima qilinmadi, bir tildan boshqa tilga ag\u2019darilmadi. Tabdil ham qilinmadi, ya\u2019ni bir so\u2019z o\u2019rniga boshqa so\u2019z qo\u2019yib chiqilmadi. Asarlar bayoni ham emas. Bizdan uzoqlashganotamizga yuzimizni o\u2019girdik, begonalashgan tilimizga ko\u2019nglimizni o\u2019girdik.<\/p>\n\n\n\n<ul>\n<li>Navoiy, A. Orazin yopqach ko\u2018zumdin [Matn] : g\u2018azallar, qit\u2019alar, ruboiylar,tuyuqlar, fardlar \/ A. Navoiy. \u2013 Toshkent : Zabarjad Media, 2021. \u2013160b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher Navoiy mumtoz she\u2019riyatimizning deyarli barcha janrlarida barakali ijod qilgan. O\u2018z asarlarida umumbashariy g\u2018oyalarni \u2013 hayotning mazmuni, insonning taqdiri, pok axloq va samimiy muhabbat, chinakam do\u2018stlik, vatanparvarlik tuyg\u2018ularini go\u2018zal ifodalagan. Shu bois Navoiy asarlari har qanday davr uchun, har bir avlod uchun o\u2018z ahamiyatini yo\u2018qotmasdan keladi.<\/p>\n\n\n\n<ul>\n<li>Navoiy, Alisher. Hayrat ul-abror (nasriy bayoni) o\u2019zbek va arab tillarida [Matn] : doston \/\/ A. Navoiy. \u2013 Toshkent : \u201c Zilol buloq\u201d nashriyoti, 2023. \u2013 408 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ulug\u2019 shoir va mutaffakir Alisher Navoiyning \u201cHayrat ul-abror\u201d asari uning buyuk \u201cHamsa\u201dsi tarkibidagi ikkinchi dostonidir. Alisher Navoiy shaxsining diqqatga sazovor jihati shundaki, u ajoyib ilohiy qudratni hamisha chuqur his qilgan va uning manbasini bilganligi uchun Alloh taolaga hamd, shukur va sajdadan to\u2019xtamagan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Navoiy \u201cHayrat ul-abror\u201d asarining uchinchi munojotida shunday fikrni ta\u2019kidlaydi : yer osti boyliklari, Hazrat Alisher Navoiyning odob-axloq, odamlar o&#8217;rtasidagi munosabatlar, insonning jamiyatdagi o\u2019rni va boshqa mavzular haqidagi tushunchasiga keladigan bo\u2019lsak, Navoiy tushunchasi va qarashlaridagi bu ma\u2019nolarning barchasi asosan muqaddas Qur\u2019oni karim va Muhammad sallallohi alayhi va sallamning hadislari, umuman islom dini ta\u2019limotlariga borib taqaladi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mazkur asarning arabcha matni mumtoz o\u2019zbek adabiyotidan kamtorona tarjima bo\u2019lib, arab kutubxonasidagi katta bo\u2019shliqni bir qadar to\u2019ldiradi.<\/p>\n\n\n\n<ul>\n<li>Navoiy, Alisher. Xamsa : \u201cHayrat ul-abror\u201d, \u201cFarxod va Shirin\u201d[Matn] : doston \/\/ A. Navoiy. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2025. \u2013 816 b.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cO\u2019zbek adabiyoti xazinasidan\u201d deb nomlangan 200 jildlik kitoblar majmuasi O\u2019zbekiston Respublikasi Prezidentining tashabbusiga asosan yurtimizda ilk bor nashr etilmoqda. Mazkur loyiha asrlar davomida to\u2019plangan boy va bebaho adabiy merosimizni asrab-avaylash, uni xalqimiz, ayniqsa, yoshlar o\u2019rtasida keng ommalashtirish orqali ularning intellectual salohiyatini yanada oshirish, shuningdek, jamiyatda kitob mutolaasi va kitobxonlik madaniyatini yuksaltirishga xizmat qilishi shubhasiz. Ushbu nashr mamlakatimizdagi oily ta\u2019lim muassasalari, axborot-kutubxona markazlari umumta\u2019lim maktablariga taqdim qilinishi bilan e\u2019tiborga molikdir.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p class=\"has-text-align-center\">\u201c<strong>Buyuk shoir nazmining navosi<\/strong><strong>\u201d<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>(Alisher Navoiy <\/strong>(1441-1501) tavalludining 585 yilligiga bag\u00edshlangan)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"257\" height=\"304\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-9.png\" alt=\"\" class=\"wp-image-2647\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-9.png 257w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-9-254x300.png 254w\" sizes=\"(max-width: 257px) 100vw, 257px\" \/><\/figure><\/div>\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;E s l a t m a<\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent- 2026<\/p>\n\n\n\n<p><strong>&nbsp;01<\/strong><\/p>\n\n\n\n<p><strong>B<\/strong><strong>&#8212;<\/strong><strong>66<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201cBuyuk shoir nazmining navosi\u201d<\/strong> Alisher Navoiy (1441-1501)<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; tavalludining 585 yilligiga bag\u2019ishlanadi [Matn] : eslatma \/ Tuzuvchi M. &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kavlasheva ; Yashnobod tuman axborot-kutubxona markazi Axborot-<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bibliografiya xizmati. \u2013 Toshkent, 2026. \u2013 10 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu eslatma buyuk mutafakkir shoir Alisher Navoiy (1441-1501) tavalludining 585 yilligiga bag\u2019ishlab yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Alisher Navoiy shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada shoirning o\u2019zbek tilida nashr etilgan asarlari, shoir haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslari haqida bibliografik ma\u2019lumotlar keltirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"281\" height=\"179\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-8.png\" alt=\"\" class=\"wp-image-2646\"\/><\/figure><\/div>\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hayoti va ijodi<\/strong><strong><\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher Navoiy&nbsp;<em>1441-yil 9-fevralda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Amir_Temur\">Amir Temurning<\/a>&nbsp;o\u02bbgli&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shohruh&amp;action=edit&amp;redlink=1\">Shohruh<\/a>&nbsp;Mirzo shohligi davrida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirotda<\/a>&nbsp;tug\u02bbildi. Zamondoshlari uning haqida ko\u02bbpincha \u201eNizomiddin Mir Alisher\u201c deb yozadilar. Nizomiddin&#187; \u2014 din-diyonat nizomi degani bo\u02bblib, donishmand mansab egalariga beriladigan sifat, \u201emir\u201c amir demakdir. Uning otasi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBiyosiddin_Muhammad\">G\u02bbiyosiddin Muhammad<\/a>&nbsp;(uni G\u02bbiyosiddin Kichkina ham der edilar)<\/p>\n\n\n\n<p>&nbsp;temuriylar saroyining&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Amaldor&amp;action=edit&amp;redlink=1\">amaldorlaridan<\/a>, xonadonning ishonchli kishilaridan edi. Onasi amirzoda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Shayh_Abusaid_Chang&amp;action=edit&amp;redlink=1\">Shayh Abusaid Changning<\/a>&nbsp;qizi bo\u02bblgan, ismi ma\u02bclum emas. Alisherning bobosi Temurning o\u02bbg\u02bbli Umarshayx bilan emikdosh (ko\u02bbkaldosh) bo\u02bblgan ekan.<\/p>\n\n\n\n<p>Buyuk shoir o\u02bbz asarlarida bu qutlug\u02bb dargohga yaqinligidan iftixor etishini bayon qiladi. Shuningdek, uning tarjimai holiga oid ayrim lavhalar asarlarida uchraydi. Bu tabarruk zot to\u02bbg\u02bbrisidagi ba\u02bczi ma\u02bclumotlarni esa uning zamondoshlari o\u02bbz kitoblarida beradilar.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Saroy\">saroy<\/a>&nbsp;muhitida yashaganligi uchun alohida tarbiya va nazoratda o\u02bbsdi. Kichiklik chog\u02bbidan she\u02bcr va musiqaga ishqi tushdi. Olim-u fozillar davrasida bo\u02bbldi. Uch-to\u02bbrt yoshlarida davrining mashhur shoiri&nbsp;<em>Qosim Anvor<\/em>ning bir she\u02bcrini yod aytib, mehmonlarni hayratga soldi. Bir yildan so\u02bbng uni maktabga berdilar. U bo\u02bblajak sulton&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Husayn_Bayqaro&amp;action=edit&amp;redlink=1\">Husayn Bayqaro<\/a>&nbsp;bilan birga o\u02bbqidi. Uning zehni va iqtidori haqidagi gaplar esa el orasida tarqalib bordi. <em>1447-yilda<\/em>&nbsp;Shohruh Mirzo vafot etib, temuriy shahzodalar o\u02bbrtasida taxt uchun kurash boshlanadi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirot<\/a>&nbsp;notinch bo\u02bblib qoladi. Alisherlar oilasi Iroqqa yo\u02bbl oladi. Yo\u02bblda,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Taft&amp;action=edit&amp;redlink=1\">Taft<\/a>&nbsp;shahrida Alisher zamonasining mashhur tarixchisi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Zafarnoma%E2%80%9Cning&amp;action=edit&amp;redlink=1\">\u201eZafarnoma\u201cning<\/a>&nbsp;muallifi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sharafiddin_Ali_Yazdiy&amp;action=edit&amp;redlink=1\">Sharafiddin Ali Yazdiy<\/a>&nbsp;bilan uchrashdi.<\/p>\n\n\n\n<p>Alisher xonadoni&nbsp;<em>1451-yilda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hirot\">Hirotga<\/a>&nbsp;qaytadi. Tarixchi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xondamir\">Xondamir<\/a>&nbsp;bu bilan bog\u02bbliq shunday bir hikoyani keltiradi: Karvon Yazd cho\u02bbli bilan Hirotga borarkan, tungi yurishlardan birida ot-ulov ustida hammani uyqu bosadi. Alisher mingan ot, ittifoqo, yo\u02bbldan chiqib, bo\u02bblajak shoir egardan tushib qoladi, uyqu zo\u02bbrlik qilib, uyg\u02bbonmaydi. Horigan ot ham egasi yonidan ketmay, to\u02bbxtab qoladi.<\/p>\n\n\n\n<p>Alisher tong otib, quyosh qiziganda uyg\u02bbonadi. Qarasa, poyonsiz sahro, atrofida hech kim yo\u02bbq. Yolg\u02bbiz otigina yovshan ildizlarini chimtib turibdi. O\u02bbn yoshli bola o\u02bbzini<\/p>\n\n\n\n<p>qo\u02bblga oladi. Otini minib, zehn bilan yo\u02bblni topib ilgari yuradi. Kun qizib, chanqoqlik boshlanadi. Shu payt uzoqdan bir narsa qorayib ko\u02bbrinadi. U suv to\u02bbla mesh ekan, Ollohga shukronalar aytib, Alisher yo\u02bblini davom ettiradi. Uning ota-onasi manzilga yetgach, o\u02bbg\u02bbilllarining yo\u02bbqligini biladilar va mulozimni shoshilinch orqaga qaytaradilar. Mulozim ko\u02bbp yurmay, Alisherga duch keladi. Alisherni, go\u02bbyo u qayta tug\u02bbilganday, quvonch bilan kutib oladilar. <em>1452-yilda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abulqosim_Bobur\">Abulqosim Bobur<\/a>&nbsp;Mirzo&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xuroson\">Xuroson<\/a>&nbsp;taxtiga o\u02bbtiradi, notinchliklar bosiladi. G\u02bbiyosiddin Muhammad Sabzavorga hokim qilib tayinlanadi. Alisher esa o\u02bbqishini davom ettiradi. Maktab yosh Alisherni she\u02bcriyat, adabiyot olamiga olib kirdi. Bo\u02bblajak shoir&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sa%CA%BCdiy_Sheroziy\">Sa\u02bcdiy Sheroziyning<\/a>&nbsp;\u201eGuliston\u201c, \u201eBo\u02bbston\u201c, asarlarini,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Farididdin_Attor\">Farididdin Attorning<\/a>&nbsp;\u201eMantiq ut-tayr\u201c(\u201eQush mantig\u02bbi\u201c)ni so\u02bbngsiz ishtiyoq bilan o\u02bbqidi. Ayniqsa, qushlar tilidan keltirilgan hikoyatlar va ularning chuqur mazmuni Alisherning o\u02bby-xayolini tamom egallab oldi:<\/p>\n\n\n\n<p>Bir kuni qushlar jam bo\u02bblibdi. Har xil:&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=To%CA%BBti&amp;action=edit&amp;redlink=1\">to\u02bbti<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qumri\">qumri<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tovus\">tovus<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Bulbul\">bulbul<\/a>&nbsp;va hokazo. O\u02bbrtaga hudhud (<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Sassiqpopishak&amp;action=edit&amp;redlink=1\">sassiqpopishak<\/a>) chiqibdi. Boshidagi tojini selkillatib, o\u02bbzini ta\u02bcrifu tavsif etibdi. So\u02bbng u hammani olam podshosi Semurg\u02bbni izlashga undabdi. Qushlar uni surishtira boshlabdilar. \u201eZotini, sifatini, sifatini ayt, bizga nishon ber!\u201c&nbsp;\u2014 deyishibdi ular. Hudhud hikoya boshlabdi: Semurg\u02bb bir kecha dunyoni aylanib, uchib yurar edi. Nogoh yo\u02bbli Chin shahri ustidan tushdi. Bir silkingan edi, mamlakat nurga g\u02bbarq bo\u02bbldi. Patidan biri tushib qolgan ekan. Ogoh bo\u02bblganlar aqlu shuurini yo\u02bbqotdilar. Chin mulki esa hashamat(ulug\u02bbvorlikka) chulg\u02bbandi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"308\" height=\"183\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-6.png\" alt=\"\" class=\"wp-image-2644\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-6.png 308w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-6-300x178.png 300w\" sizes=\"(max-width: 308px) 100vw, 308px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-7.png\" alt=\"\" class=\"wp-image-2645\"\/><\/figure>\n\n\n\n<p>Qushlar zavq-u shavq bilan yo\u02bblga tushadilar. Biroq bu zavq-shavq uzoq davom etmaydi. Qushlar e\u02bctiroz bildirib, uzr aytib, o\u02bbzlarini chetga ola boshlaydi. Hudhud har biriga javob aytadi. Semurg\u02bbga yetishish baxti oldida bu dunyoning tashvishlari hechligini isbot etuvchi biror hikoya keltiradi. Hudhudning gaplari, hikoyalari qushlarga yangi bir kuch bag\u02bbishlaydi. Ular hudhudni boshliq qilib, yo\u02bblga tushadilar. Hudhud buy o\u02bblning ishq yo\u02bbli ekanligi, unga kirgan odam&nbsp;<em>Shayx San\u02bcon<\/em>&nbsp;singari o\u02bbzligidan kechishi lozimligini aytadi. Yana bir-biridan jozibali hikoyalar: Nihoyat, qushlar yetti vodiyni bosib o\u02bbtadilar va o\u02bbzlarining Semurg\u02bb ekanligini anglab yetadilar.<\/p>\n\n\n\n<h3>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Davlat va jamoat arbobi<\/h3>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher Navoiy <em>1469\u20131472-yillarda<\/em> muhrdor,&nbsp;<em>1472\u20131476-yillarda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Vazir\">vazir<\/a>&nbsp;bo\u02bblib ishlaydi.&nbsp;<em>1487\u20131488-yillarda<\/em>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Astrobod\">Astrobodga<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hokim\">hokimlik<\/a>&nbsp;qildi. Husayn Boyqaro uni o\u02bbziga g\u02bboyat yaqin tutar, har bir narsada u bilan maslahatlashar va buni nihoyatda qadrlar edi. To\u02bbg\u02bbri, Bayqaro va Navoiy o\u02bbrtasiga uchinchi kishi aralashgan, sovuqchilik tushgan paytlar ham bo\u02bbldi, lekin o\u02bbz davrining ikki atoqli arbobi hamkorligi juda ko\u02bbp sinovlardan muvaffaqiyat bilan o\u02bbtib, avlodlarga o\u02bbrnak bo\u02bbldi. Husayn Bayqaro saltanatining daslabki yillarida juda notinch kechdi. Xondamirning yozishicha, u taxtga chiqqan yilning o\u02bbzida Abusaid Mirzoning o\u02bbg\u02bbli&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yodgor_Muhammad\">Yodgor Muhammad<\/a>&nbsp;taxt da\u02bcvosi bilan qo\u02bbzg\u02bbaldi. Husayn Bayqaro unga qarshi qo\u02bbshin tortadi va g\u02bbalaba qozonadi.<\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1470-yilning bahorida<\/em>&nbsp;Yodgor Mirzo Astrobodda yana bosh ko\u02bbtaradi. Husayn Bayqaro Navoiyni yoniga olib, qo\u02bbshin bilan yana yo\u02bblga tushadi. Xuddi shu payt Hirotda qo\u02bbzg\u02bbolon bo\u02bblganligi xabari keladi. Husayn Bayqaro Navoiyni unga katta vakolatlar berib poytaxtga qaytaradi. Navoiy shaharda adolatni tiklab, xalqni tinchlantiradi. Shunday to\u02bbqnashuvlarning birida Yodgor Mirzoning qo\u02bbli baland kelib, poytaxdagi ayrim kishilar unga qo\u02bbshiladilar. Mojarolarni tinchlantirish maqsadida uylangani Abusaidning qizi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Robiya_Sultonbegim&amp;action=edit&amp;redlink=1\">Robiya Sultonbegim<\/a>&nbsp;eriga hiyonat qilib, u safariga ketganida poytaxtda inisi Yodgor Mirzo nomiga xutba o\u02bbqitadi. Yurt bir muddat Yodgor Mirzo qo\u02bbliga o\u02bbtadi. Bu hol Husayn Bayqaroga qattiq ta\u02bcsir etadi va u tushkunlikka tushadi. Navoiy shunday paytda uning yonida turadi, tassali beradi. O\u02bbsha 1470-yilning o\u02bbzida payt poylab, Navoiyning maslahati bilan Murg\u02bbob daryosi bo\u02bbylaridan juda qisqa muddatda Hirotga yetib keladi va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bog%CA%BBi_Zog%CA%BBon&amp;action=edit&amp;redlink=1\">Bog\u02bbi Zog\u02bbonda<\/a>&nbsp;maishatdan charchab uxlab yotgan Yodgor Mirzoni qo\u02bblga oladi. Shundan keyingina&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xuroson\">Xurosonda<\/a>&nbsp;ma\u02bclum muddat tinchlik, osoyishtalik qaror topadi. Alisher ijod kishisi edi. U tabiatan buyruqvozlikdan va hukmfarmonlikdan yiroq, tafakkur hamda taxayyulga moyil, g\u02bboyat nozikta\u02bcb bir kishi edi. Mansab-lavozimlar har qancha yuksak bo\u02bblmasin uning uchun zil-zambil yuk bo\u02bblib, Husayn Boyqaroga bo\u02bblgan ixlos va muhabbatigina uni iste\u02bcfo berishdan saqlab turar edi. Shunga qaramasdan, u sadoqat bilan xizmat qildi. Donishmadnligi, tadbirkorligi bilan ko\u02bbplab g\u02bbalayonu qon to\u02bbkishlarning oldini oldi, urushlarni yarashishga aylantirdi.<\/p>\n\n\n\n<p>Uning bu fazilati, ayniqsa,&nbsp;<em>1472\u20131476-yillardagi<\/em>&nbsp;vazirlik faoliyatida yaqqol namoyon bo\u02bbldi. Husayn Bayqaro hokimyat ishlarida Navoiyning aql va sadoqatiga tayanib ish ko\u02bbrdi. Uni, qarshiligiga qaramasdan, yuqori martabalarga tayinladi,&nbsp;<em>1472-yilda<\/em>&nbsp;esa \u201eamir\u201c(vazir)likka qo\u02bbydi. Buyuk shoir \u201eamiri kabir\u201c (ulug\u02bb amir), \u201eamirul muqarrab\u201c (podshoga eng yaqin amir) unvonlariga musharraf bo\u02bbldi. Uning vazirlik yillari Hirotda obodonlik avj olgan, madaniyat gullab, yashnagan davr bo\u02bbldi. Ulug\u02bb amir o\u02bbzi bosh bo\u02bblib, suvsiz yerlarga suv chiqardi, eski ariqlarni tozallatirdi, yangi kanallar qazdirdi. Eski binolarni ta\u02bcmir qildirib, yangilarini qurdirdi. Ko\u02bbplab madrasalar, xonahoqlar soldirdi.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"189\" height=\"267\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-4.png\" alt=\"\" class=\"wp-image-2642\"\/><\/figure>\n\n\n\n<h2>&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"289\" height=\"238\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-5.png\" alt=\"\" class=\"wp-image-2643\"\/><\/figure>\n\n\n\n<h2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<h2>&nbsp;\u201eXamsa\u201c<\/h2>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alisher Navoiy ijodining yuksak cho\u02bbqqisi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201c<\/a>&nbsp;asari (1483\u20131485)dir, shoir birinchilardan bo\u02bblib, turkiy tilda to\u02bbliq&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201c<\/a>&nbsp;yaratdi va turkiy tilda shunday ko\u02bblamdor asar yozish mumkinligini isbotlab berdi. Ushbu to\u02bbplamni&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Nizomiy_Ganjaviy\">Nizomiy Ganjaviyning<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Panj_Ganj&amp;action=edit&amp;redlink=1\">\u201ePanj Ganj\u201c<\/a>&nbsp;(\u201eBesh xazina\u201c) asariga havas sifatida yozilganligini o\u02bbquvchilarga anglatmoq maqsadida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201cning<\/a>&nbsp;kirish qismida:<\/p>\n\n\n\n<p><strong><em>\u201eEmas oson bu maydon ichra turmoq,<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong><em>Nizomiy panjasig\u02bba panja urmoq.\u201c<\/em><\/strong><strong>deya ta\u02bckid etadi.<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201c<\/a>&nbsp;tarkibiga&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hayrat_ul-abror\">\u201eHayratul-abror\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Farhod_va_Shirin\">\u201eFarhod va Shirin\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Layli_va_Majnun\">\u201eLayli va Majnun\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sab%CA%BCai_sayyor\">\u201eSab\u02bcai sayyor\u201c<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Saddi_Iskandariy\">\u201eSaddi Iskandariy\u201c<\/a>&nbsp;kabi dostonlar kiradi.<\/p>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Hayrat_ul-abror\">&#171;Hayratul-abror&#187;da<\/a>&nbsp;hamd, munojot, na\u02bct, hayrat boblaridan keyin shoirning Yaratganga, borliqqa, tabiatga, insonga bo\u02bblgan falsafiy, ijtimoiy-siyosiy, iqtisodiy, ilmiy, ma\u02bcrifiy, axloqiy va estetik munosabati aks ettirilgan. Podshoh bilan ulusning insonlik nuqtai nazaridan ayirmasiz, farqsizligini, podshohning hunar, axloq, adl, insof, mantiq, taqvo yo\u02bblida ulusdan o\u02bbta olmaganini anglatish bilan o\u02bbzining adolatli shoh haqidagi qarashlarini anglatadi.<\/p>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Farhod_va_Shirin\">\u201eFarhod va Shirin\u201cda<\/a>&nbsp;qahramonlar sevgi sarguzashtlari orqali insonning tarix va kelajak oldidagi vazifasini belgilaydi, insonlik faqat muhabbatda emas, balki o\u02bbsha sharafli nomning himoyasi orqali ekanini uqdiradi. Sharq tarixidagi Xusrav va Shirin voqeasini badiiy jihatdan qayta ishlab, Farhod orqali o\u02bbzining komil inson haqidagi qarashlarini ifoda qilgan. Navoiy dostoni orqali Firdavsiy, Nizomiy, Dehlaviy an\u02bcanalari yangilangan bo\u02bblsa, undan keyin bu syujet turk mumtoz adabiyotining o\u02bbzak muammolarini hal etishda asosiy o\u02bbrin tutdi va bu yo\u02bbnalishda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Ahmad_rizvon&amp;action=edit&amp;redlink=1\">Ahmad rizvon<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Jaliliy&amp;action=edit&amp;redlink=1\">Jaliliy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Harimiy&amp;action=edit&amp;redlink=1\">Harimiy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Bafqiy&amp;action=edit&amp;redlink=1\">Bafqiy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Urfi_Sheroziy&amp;action=edit&amp;redlink=1\">Urfi Sheroziy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Lamiiy&amp;action=edit&amp;redlink=1\">Lamiiy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Nizoriy&amp;action=edit&amp;redlink=1\">Nizoriy<\/a>&nbsp;va boshqa dostonlari yaratildi.<\/p>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Layli_va_Majnun\">\u201eLayli va Majnun\u201c<\/a>&nbsp;dostonida arab ertaklari orqali ma\u02bclum syujet o\u02bbzining tugal shaklini topdi, unda ishq falsafasi betakror uslubda ifoda qilindi. Keyinroq yaratilajak&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Fuzuliy\">Fuzuliy<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Andalib\">Andalib<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sayqaliy\">Sayqaliy<\/a>&nbsp;dostonlari uchun ma\u02bcnaviy zamin bo\u02bbldi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201c<\/a>&nbsp;tarkibidagi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sab%CA%BCai_sayyor\">\u201eSab\u02bcai sayyor\u201c<\/a>&nbsp;va&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Saddi_Iskandariy\">\u201eSaddi Iskandariy\u201cda<\/a>&nbsp;shohlik bilan bog\u02bbliq masalalarni birinchi o\u02bbringa olib chiqdi. Bu dostonlar xamsanavislik<\/p>\n\n\n\n<p>an\u02bcanasida o\u02bbzining ijtimoiy-siyosiy xarakteri va originalligi bilan ajralib turadi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xamsa\">\u201eXamsa\u201cga<\/a>&nbsp;ustoz Abdurahmon Jomiy (1414\u20131492) yuqori baho berdi.&nbsp; <em>1498-<\/em><em>yilda<\/em>&nbsp;Alisher Navoiy&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Majolis_un%E2%80%93nafois&amp;action=edit&amp;redlink=1\">\u201eMajolis un\u2013nafois\u201cni<\/a>&nbsp;qayta ko\u02bbzdan kechirib, to\u02bbldirdi. Shoirlar adadni 459 taga yetkazdi. Shu yili yoshligidan qalbida muhirlanib kelgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mantiq_ut%E2%80%93tayr&amp;action=edit&amp;redlink=1\">\u201eMantiq ut\u2013tayr\u201c<\/a>&nbsp;ga javob yozadi. \u201eLison ut-tayr\u201c Navoiy ijodini yakunlovchi asarlardan biridir. Buyuk shoir&nbsp;<em>1498\u20131499-<\/em><em>yillarda<\/em>&nbsp;xatlarini to\u02bbplab, \u201eMunshaot\u201c<\/p>\n\n\n\n<p>tuzdi. Unda 88 ta xat jamlangan bo\u02bblib, ularning aksariyati shoirning shoh va shahzodalarga yo\u02bbllangan. Shoirning&nbsp;<em>1500-yilning oxirlarida<\/em>&nbsp;yozi tugatgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Mahbub_ul%E2%80%93qulub&amp;action=edit&amp;redlink=1\">\u201eMahbub ul\u2013qulub\u201c<\/a>&nbsp;asari uning eng so\u02bbnggi asari bo\u02bblib qoldi. Navoiy&nbsp;<em>1501-yilning 3-<\/em><\/p>\n\n\n\n<p><em>yanvarida<\/em>&nbsp;vafot etadi. Butun xalq&nbsp;\u2014 shohda gadogacha, olimdan cho\u02bbpongacha, shoirdan dehqongacha ulug\u02bb farzandining o\u02bblimiga qayg\u02bbu va iztirob bilan motam tutadi. <a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=O%CA%BBzbekiston_Respublikasi_Fanlar_Akademiyasi_Sharqshunoslik_instituti&amp;action=edit&amp;redlink=1\">O\u02bbR FA ShI<\/a>&nbsp;qo\u02bblyozmalar fondida XV\u2013XX asrlarda ko\u02bbchirilgan&nbsp;<strong>166 <\/strong><strong>qo<\/strong><strong>\u02bb<\/strong><strong>lyozma<\/strong>&nbsp;saqlanadi. Ulardan 84 tasida beshlikning hamma dostonlari berilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Alisher Navoiyning o\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<p>1.\u042d\u043b \u0434\u0435\u0441\u0430 \u041d\u0430\u0432\u043e\u0438\u0439\u043d\u0438&#8230;[\u041c\u0430\u0442\u043d] : \u0440\u0438\u0432\u043e\u044f\u0442\u043b\u0430\u0440 \/ \u0442\u045e\u043f\u043b. \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u041c. \u0416\u045e\u0440\u0430\u0435\u0432 ; \u0440\u0430\u0441\u0441\u043e\u043c \u041b. \u0418\u0431\u0440\u0430\u0433\u0438\u043c\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0427\u045e\u043b\u043f\u043e\u043d\u201d, 1991. \u2013 160 \u0431.<\/p>\n\n\n\n<p>2. &nbsp;Alisher Navoiy. Vafo qilsang [Matn] : g\u2019azallar \/ A. Navoiy ; to\u2019plovchi va nashrga tayyorlovchi : Aziz Qayumov : mas\u2019ul muharrir : V. Raxmonov. \u2013 Toshkent : \u201cG\u2019. G\u2019ulom\u201d nomidagi&nbsp; nashriyot, 2004. \u2013 268 b.<\/p>\n\n\n\n<p>3.\u041d\u0430\u0432\u043e\u0438\u0439, \u0410\u043b\u0438\u0448\u0435\u0440. \u041d\u0430\u0437\u043c-\u0443\u043b-\u0436\u0430\u0432\u043e\u04b3\u0438\u0440 [\u041c\u0430\u0442\u043d] : \u04b3\u0438\u043a\u043c\u0430\u0442\u043b\u0430\u0440 \/ \u0410. \u041d\u0430\u0432\u043e\u0438\u0439. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410\u043a\u0430\u0434\u0435\u043c\u043d\u0430\u0448\u0440, 2019. \u2013 144 \u0431. \u2013 ISBN 978-9943-5650-5-0.<\/p>\n\n\n\n<p>4. Oyberk. Navoiy [Matn] : roman \/ \u201cAbadiy barhayot asarlar\u201d turkumi \/ Oybek ; nashrga tayyorlovchi : Matyakubov E. R.\u2013 Toshkent : \u201cNavro\u2019z\u201d nashriyoti, 2019. \u2013 480 b.<\/p>\n\n\n\n<p>5.\u041d\u0430\u0432\u043e\u0438\u0439, \u0410\u043b\u0438\u0448\u0435\u0440. \u041b\u0438\u0441\u043e\u043d \u0443\u0442-\u0442\u0430\u0439\u0440 [M\u0430\u0442\u043d] : \u0434\u043e\u0441\u0442\u043e\u043d \/ \u0410. \u041d\u0430\u0432\u043e\u0438\u0439. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u0492. &nbsp;&nbsp;\u0492\u0443\u043b\u043e\u043c \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0438\u0436\u043e\u0434\u0438\u0439 \u0443\u0439\u0438, 2019. \u2013 288 \u0431.<\/p>\n\n\n\n<p>6.Alisher Navoiy \u201cXamsa\u201d [Matn] : doston \/ Saddi Iskandariy.\u2013 Toshkent :<\/p>\n\n\n\n<p>&nbsp; \u201cTamaddum\u201d nashriyoti, 2021. \u2013 580 b.<\/p>\n\n\n\n<p>7. Alisher Navoiy \u201cXamsa\u201d [Matn] : doston \/ Saddi Iskandariy. \u2013 Toshkent :<\/p>\n\n\n\n<p>&nbsp; \u201cTamaddum\u201d nashriyoti, 2021. \u2013 580 b.<\/p>\n\n\n\n<p>8. Navoiy, Alisher. Mahbub ul-qulub. Muhokamat ul-lug\u2019atayn [Matn] : asar \/ o\u2019giruvchi Bahodir Qobul. \u2013 Toshkent : G\u2019afur G\u2019ulom nomidagi nashriyot-matbaa ijodiy uyi, 2021. \u2013 280 b.<\/p>\n\n\n\n<p>9. Navoiy, Alisher. Hayrat ul-abror&nbsp; (nasriy bayoni) o\u2019zbek va arab tillarida [Matn] : doston \/ A. Navoiy ; tarjimon Sh. Shohmusarov. \u2013 Toshkent : \u201cZilol buloq\u201d nashriyoti, 2023. \u2013 408 b.<\/p>\n\n\n\n<p>10. Navoiy, Alisher. Xamsa \/ \u201cLayli va Majnun\u201d, \u201cSab\u2019ayi Sayyor\u201d [Matn] : majmua. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2025. \u2013 704 b.<\/p>\n\n\n\n<p>11.Navoiy, Alisher. Xamsa \/ \u201cHayrat ul-abror\u201d, \u201cFarhod va Shirin\u201d [Matn] : doston. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2025. \u2013 816 b.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>Alisher Navoiyning rus tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438. \u041b\u0435\u0439\u043b\u0438 \u0438 \u041c\u0435\u0434\u0436\u043d\u0443\u043d [\u0422\u0435\u043a\u0441\u0442] : \u043f\u043e\u044d\u043c\u0430. \u0421\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f \u0432 \u0434\u0435\u0441\u044f\u0442\u0438<\/li>\n<\/ol>\n\n\n\n<p>\u0442\u043e\u043c\u0430\u0445. \u0422. V. \/ \u0410. \u041d\u0430\u0432\u043e\u0438 ;&nbsp; \u043f\u0435\u0440\u0435\u0432\u043e\u0434 \u0421\u0435\u043c\u0451\u043d\u0430 \u041b\u0438\u043f\u043a\u0438\u043d\u0430. \u2013 T\u0430\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1968. \u2013 203 \u0441.<\/p>\n\n\n\n<ul>\n<li>\u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438. \u0421\u043e\u043a\u0440\u043e\u0432\u0438\u0449\u043d\u0438\u0446\u0430 \u043c\u044b\u0441\u043b\u0435\u0439 [\u0422\u0435\u043a\u0441\u0442] : \u043f\u043e\u044d\u043c\u0430. \u0421\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f \u0432 \u0434\u0435\u0441\u044f\u0442\u0438 &nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>\u0442\u043e\u043c\u0430\u0445. \u0422. I. \/ \u0410. \u041d\u0430\u0432\u043e\u0438 ;&nbsp; \u043f\u0435\u0440\u0435\u0432\u043e\u0434 \u0421\u0435\u043c\u0451\u043d\u0430 \u041b\u0438\u043f\u043a\u0438\u043d\u0430. \u2013 T\u0430\u0448\u043a\u0435\u043d\u0442 : \u201c\u0424\u0430\u043d\u201d, 1968. \u2013 510 \u0441.<\/p>\n\n\n\n<ul>\n<li>\u0410\u0439\u0431\u0435\u043a. \u041d\u0430\u0432\u043e\u0438 [\u0422\u0435\u043a\u0441\u0442] : \u0440\u043e\u043c\u0430\u043d \/ \u0410\u0439\u0431\u0435\u043a ; \u043f\u0435\u0440. \u0441. \u0443\u0437\u0431. \/ \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a \u0414. \u0428\u0438\u043c\u0438\u043b\u0438\u0441. \u2013 \u041c\u043e\u0441\u043a\u0432\u0430 : \u201c\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u201d, 1989. \u2013 382 \u0441.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u0430\u044f \u043b\u0438\u0440\u0438\u043a\u0430 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0442\u0438\u0445\u0438 \/ \u0410. \u041d\u0430\u0432\u043e\u0438 ; \u043e\u0442\u0432. \u0440\u0435\u0434. \u0410. \u041a\u0430\u044e\u043c\u043e\u0432 ; \u0432\u0441\u0442\u0443\u043f.\u0441\u0442. \u0421.\u0425\u0430\u0441\u0430\u043d\u043e\u0432\u0430. \u2013 T\u0430\u0448\u043a\u0435\u043d\u0442 : \u201c\u0428\u0430\u0440\u049b\u201d, 2008. \u2013 176 \u0441.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 : \u0425\u0440\u0435\u0441\u0442\u043e\u043c\u0430\u0442\u0438\u044f \u043f\u043e \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435 \u0434\u043b\u044f \u0443\u0447\u0430\u0449\u0438\u0445\u0441\u044f \u0441\u0440. \u0438 \u0441\u0442. \u043a\u043b\u0430\u0441\u0441\u043e\u0432 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0431\u043e\u0440\u043d\u0438\u043a \/ \u0430\u0432\u0442.- \u0441\u043e\u0441\u0442. \u0424. \u041c. \u0425\u0430\u043c\u0440\u0430\u0435\u0432. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u201cO\u2019qituvchi\u201d, 2015. \u2013 400 \u0441.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u042e. \u042e. \u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 3 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0431\u043e\u0440\u043d\u0438\u043a \/ \u042e. \u042e. \u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u0427\u0443\u043b\u043f\u0430\u043d\u0430, 2018. \u2013 192 \u0441.<\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Alisher Navoiy haqidagi kitoblar<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>&nbsp;\u0418\u0441\u04b3\u043e\u049b\u043e\u0432, \u0401\u049b\u0443\u0431\u0436\u043e\u043d. \u041d\u0430\u049b\u0448\u0431\u0430\u043d\u0434\u0438\u044f \u0442\u0430\u044a\u043b\u0438\u043c\u043e\u0442\u0438 \u0432\u0430 \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u0440\u0438\u0441\u043e\u043b\u0430 \/ \u0401. \u0418\u0441\u04b3\u043e\u049b\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u0410. \u049a\u043e\u0434\u0438\u0440\u0438\u0439 \u043d\u043e\u043c\u0438\u0434\u0430\u0433\u0438 \u0445\u0430\u043b\u049b \u043c\u0435\u0440\u043e\u0441\u0438 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2002. \u2013 119 \u0431.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>\u04b2\u0430\u049b\u049b\u0443\u043b, \u0418. \u041c\u0435\u0440\u043e\u0441 \u0432\u0430 \u043c\u043e\u04b3\u0438\u044f\u0442 [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430 \/ \u0418. \u04b2\u0430\u049b\u049b\u0443\u043b ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0422. \u041c\u0438\u0440\u0437\u0430\u0435\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2008. \u2013 208 \u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3. \u041d\u0430\u0432\u043e\u0438\u0439\u043d\u0438\u043d\u0433 \u0438\u0436\u043e\u0434 \u043e\u043b\u0430\u043c\u0438 [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430\u043b\u0430\u0440 \u0442\u045e\u043f\u043b\u0430\u043c\u0438 \/ \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439-&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0451\u0440\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u041d. \u0420\u0430\u043c\u0430\u0437\u043e\u043d\u043e\u0432, \u042d. \u041e\u0447\u0438\u043b\u043e\u0432. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0441\u0438 \u0424\u0430\u043d\u043b\u0430\u0440 \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0441\u0438 \u201c\u0424\u0430\u043d\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2001. \u2013182 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; 4. \u0411\u0430\u0440\u043e\u0442 \u0411\u043e\u0439\u049b\u043e\u0431\u0438\u043b\u043e\u0432. \u041d\u0430\u0432\u043e\u0438\u0439 \u0412\u0430\u0442\u0430\u043d\u0438 [\u041c\u0430\u0442\u043d] : \u0418\u0441\u0442\u0438\u049b\u043b\u043e\u043b \u0431\u0430\u0434\u0438\u044a\u0430\u043b\u0430\u0440\u0438 \/ \u0442\u0443\u0437\u0443\u0432\u0447\u0438 : \u0414\u0430\u0432\u043b\u0430\u0442\u043c\u0443\u0440\u043e\u0434 \u0421\u0430\u044a\u0434\u0443\u043b\u043b\u0430\u0435\u0432 ; \u0422\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u0428\u0430\u0440\u043a\u201d \u043d\u0430\u0448\u0440\u0438\u0451\u0442-\u043c\u0430\u0442\u0431\u0430\u0430 \u0430\u043a\u0446\u0438\u044f\u0434\u043e\u0440\u043b\u0438\u043a \u043a\u043e\u043c\u043f\u0430\u043d\u0438\u044f\u0441\u0438 \u0411\u043e\u0448 \u0442\u0430\u04b3\u0440\u0438\u0440\u0438\u044f\u0442\u0438, 2003. \u2013 699 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u040e\u0437\u0431\u0435\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438&nbsp; [\u041c\u0430\u0442\u043d] : \u0442\u045e\u043f\u043b\u0430\u043c \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u0423. &nbsp;<\/li>\n<\/ul>\n\n\n\n<p>\u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2010. \u2013 240 \u0431.<\/p>\n\n\n\n<ul>\n<li>\u049a\u043e\u0441\u0438\u043c\u043e\u0432, \u0411.\u0423\u0439\u0493\u043e\u043d \u043c\u0438\u043b\u043b\u0430\u0442 \u043c\u0430\u044a\u0440\u0438\u0444\u0430\u0442\u0438 [\u041c\u0430\u0442\u043d] : \u043c\u0430\u049b\u043e\u043b\u0430 \/ \u0411. \u049a\u043e\u0441\u0438\u043c\u043e\u0432; \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u0421. \u0410\u04b3\u043c\u0435\u0434\u043e\u0432, \u0420. \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432 ; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0420. \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432. \u2013 T\u043e\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2011. \u2013 320 \u0431.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;                                           <strong>Vaqtli matbuot nashrlaridan olingan ma\u2019lumotlar<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>\u0418\u043b\u044c\u0438\u043d, \u041d. \u041e\u043b\u0430\u043c\u043d\u0438 \u043c\u0443\u043a\u0430\u043c\u043c\u0430\u043b \u043a\u045e\u0440\u043c\u043e\u049b \u0438\u0441\u0442\u0430\u0433\u0438 : [\u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438\u0439 \u0493\u0430\u0437\u0430\u043b\u043b\u0430\u0440\u0438\u043d\u0438\u043d\u0433 \u043c\u043e\u04b3\u0438\u044f\u0442\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430] \/ \u041d. \u0418\u043b\u044c\u0438\u043d \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2026 \u0439\u0438\u043b. \u2013 3 \u0444\u0435\u0432\u0440. \u2013 \u0411. 6.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>\u0492\u0430\u0444\u0444\u0430\u0440\u043e\u0432, \u041d. \u201c\u0418\u043b\u043c \u0431\u0438\u0440\u043b\u0430 \u0431\u045e\u043b\u043c\u0430\u0441\u0430 \u0430\u0434\u0430\u0431, \u0443\u043b \u0438\u043b\u043c \u0436\u0430\u04b3\u043e\u043b\u0430\u0442\u0434\u0438\u043d \u0451\u043c\u043e\u043d\u201d : [\u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438\u0439\u043d\u0438\u043d\u0433 \u0438\u043d\u0441\u043e\u043d \u0445\u0443\u043b\u049b\u0438\u043d\u0438 \u0442\u0430\u0440\u0431\u0438\u044f\u043d\u0438\u043d\u0433 \u045e\u0437\u0430\u0433\u0438 \u044d\u043a\u0430\u043d\u043b\u0438\u0433\u0438 \u0432\u0430 \u043f\u043e\u0439\u0434\u0435\u0432\u043e\u0440\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430] \/ \u041d. \u0492\u0430\u0444\u0444\u0430\u0440\u043e\u0432 \/\/ \u042f\u043d\u0433\u0438 \u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d. \u2013 2026 \u0439\u0438\u043b. \u2013 3 \u0444\u0435\u0432\u0440. \u2013 \u0411. 6.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u0421\u043b\u043e\u0436\u043d\u044b\u0439 \u043f\u0443\u0442\u044c \u0438\u0441\u043a\u0430\u043d\u0438\u0439 : [\u043e \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u0438 \u0425\u0430\u043c\u0438\u0434\u043e\u043c \u0421\u0443\u043b\u0435\u0439\u043c\u0430\u043d\u043e\u043c \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u043c\u0443\u0437\u0435\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438\u043c \u0410\u043b\u0438\u0448\u0435\u0440\u0430 \u041d\u0430\u0432\u043e\u0438] \/\/ \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e. \u2013 2026 . \u2013 3 \u0444\u0435\u0432\u0440. \u2013 \u0421. 4.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u041c\u0430\u043d\u0441\u0443\u0440\u043e\u0432\u0430, \u0413. \u00ab\u0414\u043e\u0440\u043e\u0436\u0435 \u0432\u0441\u0435\u0445 \u0431\u043e\u0433\u0430\u0442\u0441\u0442\u0432, \u0442\u0435\u0431\u0435 \u0434\u0430\u043d\u0430 \u0411\u0435\u0441\u0446\u0435\u043d\u043d\u0430\u044f \u0436\u0435\u043c\u0447\u0443\u0436\u0438\u043d\u0430 \u043e\u0434\u043d\u0430 : [\u043e \u0432\u0430\u0436\u043d\u043e\u043c \u0437\u043d\u0430\u0447\u0435\u043d\u0438\u0438 \u0431\u0435\u0441\u0446\u0435\u043d\u043d\u043e\u0433\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \u0410\u043b\u0438\u0448\u0435\u0440\u0430 \u041d\u0430\u0432\u043e\u0438] \/ \u0413. \u041c\u0430\u043d\u0441\u0443\u0440\u043e\u0432\u0430 \/\/ \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e. \u2013 2026 . \u2013 6 \u0444\u0435\u0432\u0440. \u2013 \u0421. 4.<\/li>\n<\/ul>\n\n\n\n<p>                                     <strong>Internet sahifalaridan olingan ma\u2019lumotlar<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>&nbsp;Alisher Navoiy [Elektron resurs] \/ Vikipediya, ochiq ensiklopediya: online. \/\/ wikipedia.org. \u2013 kirish tartibi: https:\/\/uz.wikipedia.org\/wiki\/Alisher_Navoiy\/,<\/li>\n<\/ol>\n\n\n\n<p>\u044d\u0440\u043a\u0438\u043d.<\/p>\n\n\n\n<ul>\n<li>Alisher Navoiy [Elektron resurs] \/\/ \u041a\u0438\u0440\u0438\u0448 \u0442\u0430\u0440\u0442\u0438\u0431\u0438 : <a href=\"https:\/\/tafakkur.net\/alisher-navoiy.haqida\">https:\/\/tafakkur.net\/alisher-navoiy.haqida<\/a>, \u044d\u0440\u043a\u0438\u043d<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Alisher Navoiy [Elektron resurs] \/\/ \u041a\u0438\u0440\u0438\u0448 \u0442\u0430\u0440\u0442\u0438\u0431\u0438 : <a href=\"https:\/\/oz.sputniknews.uz\/20190208\/alisher-navoiy-hayoti-va-ijod-yoli-22240204.html\">https:\/\/oz.sputniknews.uz\/20190208\/alisher-navoiy-hayoti-va-ijod-yoli-22240204.html<\/a>, \u044d\u0440\u043a\u0438\u043d<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Alisher Navoiy [Elektron resurs] \/\/ \u041a\u0438\u0440\u0438\u0448 \u0442\u0430\u0440\u0442\u0438\u0431\u0438 : <a href=\"https:\/\/ilmlar.uz\/alisher-navoiy-buyuk-ozbek-adibi-alisher-navoiy-haqida-insho\/\">https:\/\/ilmlar.uz\/alisher-navoiy-buyuk-ozbek-adibi-alisher-navoiy-haqida-insho\/<\/a>, \u044d\u0440\u043a\u0438\u043d<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Yashnobod tuman axborot-kutubxona markazi<\/p>\n\n\n\n<p class=\"has-text-align-center\">Axborot-bibliografiya xizmati<\/p>\n\n\n\n<p><strong>\u201cAbdulla Oripov \u2014 milliy ruh va yuksak ma\u2019naviyat kuychisi\u201d<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; (O\u2019zbekiston xalq shoiri va jamoat arbobi, O\u2019zbekiston qahramoni Abdulla Oripov<\/p>\n\n\n\n<p>\u00a0(23.03.1941\u00a0\u2014 05.11.2016)\u00a0tavalludining <strong>85 yilligiga<\/strong> bag\u2019ishlanadi).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"346\" height=\"301\" src=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-23.png\" alt=\"\" class=\"wp-image-2694\" srcset=\"https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-23.png 346w, https:\/\/yashnabodlibrary.uz\/wp-content\/uploads\/2026\/03\/image-23-300x261.png 300w\" sizes=\"(max-width: 346px) 100vw, 346px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><strong>Eslatma<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Toshkent&nbsp; 2026<\/p>\n\n\n\n<p><strong>001<\/strong><\/p>\n\n\n\n<p><strong>A<\/strong><strong> <\/strong><strong>13<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u201cAbdulla Oripov \u2014 milliy ruh va yuksak ma\u2019naviyat kuychisi\u201d <\/strong>&nbsp;(O\u2019zbekiston &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; xalq shoiri va jamoat arbobi, O\u2019zbekiston qahramoni Abdulla Oripov (23.03.1941&nbsp;&#8212;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 05.11.2016)&nbsp;tavalludining 85 yilligiga bag\u2019ishlanadi) : [Matn] : Eslatma \/\/ Tuzuvchi<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; : M.\u0422. Kavlasheva. \u2013 Toshkent,&nbsp;&nbsp; 2026. \u2013 8 b.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; <strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Ushbu eslatma<\/strong> O\u2019zbekiston xalq shoiri va jamoat arbobi, O\u2019zbekiston qahramoni &nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; Abdulla Oripov (23.03.1941\u20145.11.2016)&nbsp;tavalludining 85 yilligiga bag\u2019ishlab<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; <strong>yaratilgan bo\u2019lib, eslatmada shoirning hayoti va ijodi keng yoritilgan.<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Eslatma Abdulla Oripov shaxsiyati va ijodini yanada mukammalroq tushunishimizga katta yordam beradi. Eslatmada yozuvchining o\u2019zbek va rus tillarida nashr etilgan asarlari, yozuvchi haqida chop etilgan kitoblar, vaqtli matbuot nashrlaridan maqolalar, internet resurslaridan u haqida bibliografik ma\u2019lumotlar keltirilgan. Bibliografik tavsif alfavit, xronologik tartibida joylashtirilgan. Eslatma keng kitobxonlar ommasiga mo\u2019ljallangan.<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Oripov<\/strong>&nbsp;(1941-yil 21-mart&nbsp;\u2013 2016-yil 5-noyabr)&nbsp;\u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Respublikasi_xalq_shoiri\">O\u02bbzbekiston xalq shoiri<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Qahramoni\">\u201cO\u02bbzbekiston Qahramoni\u201d unvoni<\/a>&nbsp;sohibi,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbek\">o\u02bbzbek<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Shoir\">shoiri<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Tarjimon\">tarjimoni<\/a>&nbsp;va jamoat&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Arbob\">arbobi<\/a>, XX asr o\u02bbzbek adabiyoti va she\u02bcriyatining taniqli vakili hamda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Respublikasining_Davlat_madhiyasi\">O\u02bbzbekiston Respublikasining Davlat madhiyasi<\/a>&nbsp;matni&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Muallif\">muallifi<\/a>.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hayoti<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla Oripov 1941-yilning 21-martida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qashqadaryo_viloyati\">Qashqadaryo viloyati<\/a>,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Koson_tumani\">Koson tumanidagi<\/a>&nbsp;Neko\u02bbz qishlog\u02bbida tug\u02bbildi. Qishloq Qo\u02bbng\u02bbirtov etagida joylashgan. Otasi Orifboy Ubaydulla o\u02bbg\u02bbli jamoa xo\u02bbjaligi raisi bo\u02bblgan. Onasi Turdixol uy bekasi bo\u02bblgan. Oilada to\u02bbrt o\u02bbg\u02bbil, to\u02bbrt qiz bo\u02bblib,&nbsp;Abdulla&nbsp;o\u02bbg\u02bbillarning kenjasi edi. 1958-yilda o\u02bbrta maktabni oltin medal bilan tamomlagach, Toshkent Davlat universiteti o\u02bbzbek filologiyasi fakultetining jurnalistika yo\u02bbnalishiga o\u02bbqishga kirib, oliygohni ham 1963-yilda imtiyozli diplom bilan yakunladi. Universitetdan so\u02bbng 1963-1967-yillarda &#171;Yosh gvardiya&#187; nashriyotida muharrir, 1974-1976-yillarda \u201eSharq yulduzi\u201c jurnali bo\u02bblim mudiri; 1976-1982-yillarda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Yozuvchilar_uyushmasi\">O\u02bbzbekiston Yozuvchilar uyushmasi<\/a>&nbsp;adabiy maslahatchisi; 1982-1983-yillarda uyushmaning Toshkent viloyati bo\u02bblimi mas\u2019ul kotibi; 1983-1985-yillarda &#171;Gulxan&#187; jurnali bosh muharriri; 1985-1996-yillarda Yozuvchilar uyushmasi mas\u2019ul kotibi; 1996-2009-yillarda O\u02bbzbekiston Yozuvchilar uyushmasi raisi va bir vaqtning o\u02bbzida O\u02bbzbekiston Respublikasi Mualliflik huquqini himoya qilish davlat agentligi raisi lavozimlarida faoliyat yuritdi. 2009-yildan umrining oxirigacha O\u02bbzbekiston Yozuvchilar uyushmasi faxriy raisi lavozimini egallagan. Abdulla Oripov 1990-yilda O\u02bbzbekiston Oliy Kengashi, 1995-yilda O\u02bbzbekiston Oliy Majlisi deputatligiga saylandi. 2005-yilda Senat a\u02bczosi etib tayinlangan. Abdulla Oripov 2016-yilning 5-noyabrda uzoq vaqt davomidagi kasallikdan so\u02bbng, AQShning Texas shtatida vafot etdi. U Toshkent shahridagi Chig\u02bbatoy qabristoniga dafn etilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ijodi va faoliyati<\/strong><\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abdulla&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Talaba\">Oripov&nbsp;talaba<\/a>&nbsp;vaqtida&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Respublika\">respublika<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Matbuot\">matbuotida<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=%E2%80%9EQushcha%E2%80%9C&amp;action=edit&amp;redlink=1\">\u201eQushcha\u201c<\/a>&nbsp;deb atalgan ilk&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/She%CA%BCr\">she\u02bcri<\/a>&nbsp;chiqqan. Shundan keyin Abdulla Oripovning ketma-ket \u201eMunojotni tinglab\u201c, \u201eBirinchi muhabbatim\u201c, \u201eBahor\u201c, \u201eKuz\u201c, \u201eSaraton\u201c, \u201eO\u02bbzbekiston\u201c, \u201eOtello\u201c, \u201eSarob\u201c, \u201eDengizga\u201c, \u201eMalomat toshlari\u201c, \u201eOltin baliqcha\u201c, \u201eYuzma-yuz\u201c, \u201eGenetika\u201c kabi she\u02bcrlari o\u02bbsha davrda o\u02bbzbek adabiyotining yorqin namunalaridan biriga aylangan. 1965-yilda Oripovning \u201eMitti Yulduz\u201c nomli ilk she\u02bcriy to\u02bbplami o\u02bbquvchilar qo\u02bbliga yetib borgan. Bu Oripov ijodining boshlanishi edi. \u201eMitti yulduz\u201cdan so\u02bbng \u201eKo\u02bbzlarim yo\u02bblingda\u201c, \u201eOnajon\u201c, \u201eRuhim\u201c, \u201eO\u02bbzbekiston\u201c, \u201e<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qasida\">Qasida<\/a>\u201c, \u201eXotirot\u201c, \u201eYurtim shamoli\u201c, \u201eHayrat\u201c, \u201eNajot qal\u2019asi\u201c, \u201eYillar armoni\u201c, \u201eIshonch ko\u02bbprigi\u201c, \u201eMunojot\u201c, \u201eHaj daftari\u201c, \u201eSaylanma\u201c,&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ishonch_ko%CA%BBpriklari\">\u201eIshonch ko\u02bbpriklari<\/a>&nbsp;(1989)\u201c kabi bir qator she\u02bcriy to\u02bbplamlari bosmadan chiqa boshlagan. Abdulla Oripov juda sermahsul ijodkor bo\u02bblib dostonchilikda ham o\u02bbzini ko\u02bbrsatgan. Xususan uning: \u201eJannatga yo\u02bbl\u201c, \u201eTabib va o\u02bblim\u201c, \u201eRanjkom\u201c, \u201eSohibqiron\u201c kabi dostonlari o\u02bbzbek xalqi adabiyot muhlislariga juda manzur kelgan. Abdulla<\/p>\n\n\n\n<p>Oripovning O\u02bbzbekiston oldidagi xizmatlari cheksiz, u mustaqil&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%27zbekiston_Respublikasi_Davlat_madhiyasi\">O\u02bbzbekistonning madhiyasi<\/a>&nbsp;muallifi hisoblanadi.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Abdulla Oripov&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kaliforniya\">Kaliforniyada<\/a>&nbsp;joylashgan (<a href=\"https:\/\/uz.wikipedia.org\/wiki\/AQSh\">AQSh<\/a>)&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Kaliforniya_Fanlar_akademiyasi\">Fan, ta\u02bclim, sanoat va san\u02bcat xalqaro akademiyasining<\/a>&nbsp;chet ellik a\u02bczosi hisoblanadi.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yaponiya\">Yaponiyaning<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Soka_universiteti&amp;action=edit&amp;redlink=1\">Soka universiteti<\/a>&nbsp;professori.&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_milliy_ensiklopediyasi\">\u201eO\u02bbzbekiston milliy ensiklopediyasi\u201c<\/a>&nbsp;bosh tahrir hay\u2019ati a\u02bczosi, Hamza nomidagi hamda&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Alisher_Navoiy\">Alisher Navoiy<\/a>&nbsp;nomidagi&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Respublikasi\">O\u02bbzbekiston Respublikasi<\/a>&nbsp;Davlat mukofotlari laureati hisoblanadi<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Abdulla_Oripov#cite_note-4\"><\/a>.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Abdulla Oripov&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/G%CA%BBazal\">g\u02bbazal<\/a>&nbsp;janrida ham ijod qilgan. Jumladan, 2024-yil nashr &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; etilgan&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Buyuk_soddalik\">\u201eBuyuk soddalik\u201c<\/a>&nbsp;nomli to\u02bbplamida 34 ta g\u02bbazali nashr etilgan.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2015-yilda Oripov&nbsp;Italiya yulduzi&nbsp;ordeni bilan taqdirlangan. Ordenni<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Oripovga&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Italiya\">Italiya<\/a>&nbsp;prezidenti&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=Serj_Sotarellon&amp;action=edit&amp;redlink=1\">Serj Sotarelloning<\/a>&nbsp;maxsus taklifiga binoan topshirilgan.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><strong>Asarlari<\/strong><strong><\/strong><\/p>\n\n\n\n<ul>\n<li><em>&#171;Mitti yulduz&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1965\"><em>1965<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Ko\u02bbzlarim yo\u02bblingda&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1967\"><em>1967<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Onajon&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1969\"><em>1969<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Ruhim&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1971\"><em>1971<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;O\u02bbzbekiston&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1972\"><em>1972<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Xotirot&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1974\"><em>1974<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Yurtim shamoli&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1974\"><em>1974<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Jannatga_yo%CA%BBl\"><em>Jannatga yo\u02bbl<\/em><\/a><em>&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1978\"><em>1978<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Hayrat&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1979\"><em>1979<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Hakim va ajal&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1980\"><em>1980<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Najot qal\u02bcasi&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1981\"><em>1981<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Yillar_armoni\"><em>&#171;Yillar armoni&#187;<\/em><\/a><em>&nbsp;(1983)<\/em><\/li>\n\n\n\n<li><em>&#171;Ranjkom&#187;&nbsp;<\/em><a href=\"https:\/\/uz.wikipedia.org\/w\/index.php?title=(1988)&amp;action=edit&amp;redlink=1\"><em>(1988)<\/em><\/a><\/li>\n<\/ul>\n\n\n\n<ul>\n<li><em>Haj daftari&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1992\"><em>1992<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Saylanma&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1996\"><em>1996<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Sohibqiron_(she%CA%BCriy_drama)\"><em>Sohibqiron (she\u02bcriy drama)<\/em><\/a><em>&#187; (<\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/1996\"><em>1996<\/em><\/a><em>)<\/em><\/li>\n\n\n\n<li><em>&#171;Tanlangan asarlar I-IV&#187; (2000-2001)<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Ummon_bo%CA%BByidagi_o%CA%BBylar\">\u201eUmmon bo\u02bbyidagi o\u02bbylar\u201c<\/a>&nbsp;(2024)<\/li>\n<\/ul>\n\n\n\n<p><strong>Tarjimalari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Dante_Aligyeri\"><em>Dante<\/em><\/a><em>&nbsp;\u201eIlohiy komediya\u201c<\/em>, <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Aleksandr_Pushkin\"><em>Aleksandr Pushkin<\/em><\/a>, <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Lesya_Ukrainka\"><em>Lesya Ukrainka<\/em><\/a><em>, she\u02bcrlar<\/em>, <a href=\"https:\/\/uz.wikipedia.org\/wiki\/Taras_Shevchenko\"><em>Taras Shevchenko<\/em><\/a><em>, she\u02bcrlar, <\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Nikolay_Nekrasov\"><em>Nikolay Nekrasov<\/em><\/a><em>, she\u02bcrlar, <\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Qaysin_Quliyev\"><em>Qaysin Quliyev<\/em><\/a><em>, she\u02bcrlar, <\/em><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Rasul_Hamzatov\"><em>Rasul Hamzatov<\/em><\/a><em>, she\u02bcrlar, Mar Bayjiyev, she\u02bcrlar.<\/em><\/li>\n<\/ol>\n\n\n\n<p><strong>Mukofotlari<\/strong><\/p>\n\n\n\n<ul>\n<li>1983-yil&nbsp;\u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_xalq_shoiri\">\u201cO\u02bbzbekiston xalq shoiri\u201d<\/a><\/li>\n\n\n\n<li>1994-yil \u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Do%CA%BBstlik_ordeni\">\u201cDo\u02bbstlik\u201d ordeni<\/a>&nbsp;<\/li>\n\n\n\n<li><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Xalqlar_do%CA%BBstligi_ordeni\">\u201cXalqlar do\u02bbstligi\u201d ordeni<\/a><\/li>\n\n\n\n<li>1998-yil&nbsp;\u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/O%CA%BBzbekiston_Qahramoni\">\u201eO\u02bbzbekiston Qahramoni\u201c<\/a>&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Unvon\">unvoni<\/a><\/li>\n\n\n\n<li>2015-yil&nbsp;\u2013 Italiya yulduzi ordeni<\/li>\n\n\n\n<li>2015-yil&nbsp;\u2013 Xalqaro \u201eOltin yulduz\u201c ordeni<\/li>\n\n\n\n<li>1994-yilda&nbsp;\u2013&nbsp;<a href=\"https:\/\/uz.wikipedia.org\/wiki\/Alisher_Navoiy_nomidagi_Davlat_mukofoti\">Alisher Navoiy nomidagi Davlat mukofoti<\/a>&nbsp;<\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A. Oripovning o\u2019zbek tilidagi asarlari<\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Oripov, Abdulla. Sohibqiron [Matn] : she\u2019riy drama \/ A. Oripov. \u2013 Toshkent : Akademnashr, 2015. \u2013 136 b.<\/li>\n<\/ol>\n\n\n\n<ul>\n<li>Oripov, Abdulla. Umr manzillari [Matn] : she\u2019rlar, she\u2019riy traktat, g\u2019azallar \/ A. Oripov. \u2013 Toshkent : \u201cTafakkur qanoti\u201d, 2019. \u2013 116 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Oripov, A. Sohibqiron [Matn] : she\u2019riy drama &nbsp;\/A. Oripov. \u2013 Toshkent : \u201cPIR\u201d, 2022. \u2013 112 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Oripov, Abdulla [Matn] : nazm \/ to\u2019plovchi va nashrga tayyorlovchi Doniyor Begimqulov. \u2013 Toshkent : \u201cO\u2019zbekiston\u201d nashriyoti, 2022. \u2013 720 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Oripov, Abdulla. Jannatga yo\u2019l [Matn] : dramatik doston \/ A. Oripov ; nashrga tayyorlovchi : Ruxsora Oripova. \u2013 Toshkent : \u201cZUKKO KITOBXON\u201d, 2023. \u2013 224 b.<\/li>\n\n\n\n<li>Oripov, Abdulla. Ummon bo\u2019yidagi o\u2019ylar [Matn] : she\u2019rlar \/ A. Oripov ; to\u2019plovchi va nashrga tayyorlovchilar : Xanifa Mustafaeva va Mavluda Oripova. \u2013 Toshkent : \u201cINVEST BOOK\u201d, 2024. \u2013 157 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Oripov, A. O\u2019zbekiston vatanim manim [Matn] : she\u2019riy to\u2019plam \/ A. Oripov. \u2013 Toshkent : \u201cZiyo nashr\u201d nashriyoti, 2024. \u2013 128 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>\u041e\u0440\u0438\u043f\u043e\u0432, \u0410. \u042d\u0432\u0435\u0440\u0435\u0441\u0442 \u0432\u0430 \u0443\u043c\u043c\u043e\u043d [Ma\u0442\u043d] : \u0448\u0435\u044a\u0440\u043b\u0430\u0440 \/ A. O\u0440\u0438\u043f\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201cO\u2019zbekiston\u201d, 2015. \u2013 336 \u0431.<\/li>\n<\/ul>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><strong>A<\/strong><strong>. <\/strong><strong>Oripov<\/strong><strong> <\/strong><strong>haqidagi<\/strong><strong> <\/strong><strong>adabiyotlar<\/strong><strong><\/strong><\/p>\n\n\n\n<ol type=\"1\">\n<li>Karimov N. va boshqalar. XX asr o\u02bbzbek adabiyoti tarixi. \u2013 Toshkent&nbsp;&nbsp;&nbsp;<\/li>\n<\/ol>\n\n\n\n<p>:&nbsp;\u201eO\u02bbqituvchi\u201d, 1999.<\/p>\n\n\n\n<ul>\n<li>Ona tilim \u2013 mangu makonim [Matn]&nbsp;: she\u2019rlar \/ to\u2019plab nashrga tayyorlovchilar : M. Zohidova va boshq. Mas\u2019ul muharrirlar A. Said va boshq. \u2013 Toshkent : \u201cYangi asr avlodi\u201d nashriyoti, 2022 . \u2013 384 b.<\/li>\n<\/ul>\n\n\n\n<ul>\n<li>Qo\u02bbshjonov M., Suvon M.. Abdulla Oripov [Matn] : risola \/ M. Qo\u02bbshjonov. \u2013<\/li>\n<\/ul>\n\n\n\n<p><a href=\"https:\/\/uz.wikipedia.org\/wiki\/Toshkent\">Toshkent<\/a> :&nbsp;\u201eMa\u02bcnaviyat\u201d, 2000.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; 4.&nbsp; Sharafiddinov O. She\u02bcriyat&nbsp;\u2013 qalb yolqini [Matn]&nbsp;: risola \/ O. Sharafiddinov. \u2013&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; Toshkent :&nbsp; Adabiyot va san\u02bcat nashriyoti, 1984.<\/p>\n\n\n\n<p>5.\u0428\u0430\u0440\u0430\u0444\u0438\u0434\u0434\u0438\u043d\u043e\u0432, \u041e. \u041e\u043b\u0430\u043c\u043d\u0438\u043d\u0433 \u049b\u0430\u043b\u0431\u0438 \u0451\u0445\u0443\u0434 \u043a\u0438\u0442\u043e\u0431 \u043c\u0435\u043d\u0438\u043d\u0433 \u0442\u0430\u049b\u0434\u0438\u0440\u0438\u043c\u0434\u0430&nbsp; [M\u0430\u0442\u043d]&nbsp;: \u0442\u045e\u043f\u043b\u0430\u043c \/ \u041e. \u0428\u0430\u0440\u0430\u0444\u0438\u0434\u0434\u0438\u043d\u043e\u0432 ; \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438\u043b\u0430\u0440 : \u041c\u0443\u04b3\u0430\u0431\u0431\u0430\u0442 \u0428\u0430\u0440\u0430\u0444\u0443\u0442\u0434\u0438\u043d\u043e\u0432\u0430, \u0428\u0430\u04b3\u043d\u043e\u0437\u0430 \u0422\u045e\u0439\u0447\u0438\u0435\u0432\u0430; \u043c\u0430\u0441\u044a\u0443\u043b \u043c\u0443\u04b3\u0430\u0440\u0440\u0438\u0440 \u0420\u0430\u04b3\u043c\u043e\u043d \u049a\u045e\u0447\u049b\u043e\u0440. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2012 . \u2013 264 \u0431.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6. \u040e\u0437\u0431\u0435\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438 [M\u0430\u0442\u043d]&nbsp;: \u0442\u045e\u043f\u043b\u0430\u043c \/ \u0442\u045e\u043f\u043b\u043e\u0432\u0447\u0438 \u0432\u0430 \u043d\u0430\u0448\u0440\u0433\u0430 \u0442\u0430\u0439\u0451\u0440\u043b\u043e\u0432\u0447\u0438 \u0423.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u049a\u045e\u0447\u049b\u043e\u0440\u043e\u0432. \u2013 To\u0448\u043a\u0435\u043d\u0442 : \u201c\u041c\u0430\u044a\u043d\u0430\u0432\u0438\u044f\u0442\u201d, 2010 . \u2013 240 \u0431.<\/p>\n\n\n\n<ul>\n<li>&nbsp;\u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 : \u0425\u0440\u0435\u0441\u0442\u043e\u043c\u0430\u0442\u0438\u044f \u043f\u043e \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435 \u0434\u043b\u044f \u0443\u0447\u0430\u0449\u0438\u0445\u0441\u044f \u0441\u0440. \u0438 \u0441\u0442. \u043a\u043b\u0430\u0441\u0441\u043e\u0432 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0431\u043e\u0440\u043d\u0438\u043a \/ \u0430\u0432\u0442.- \u0441\u043e\u0441\u0442. \u0424. \u041c. \u0425\u0430\u043c\u0440\u0430\u0435\u0432. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u201cO\u2019qituvchi\u201d, 2015. \u2013 400 \u0441.<\/li>\n<\/ul>\n\n\n\n<p>&nbsp;&nbsp; 8. \u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u042e. \u042e. \u0412\u043d\u0435\u043a\u043b\u0430\u0441\u0441\u043d\u043e\u0435 \u0447\u0442\u0435\u043d\u0438\u0435 3 [\u0422\u0435\u043a\u0441\u0442] : \u0441\u0431\u043e\u0440\u043d\u0438\u043a \/ \u042e. \u042e.&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041c\u0443\u0441\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u041f\u0422\u0414 \u0438\u043c\u0435\u043d\u0438 \u0427\u0443\u043b\u043f\u0430\u043d\u0430, 2018. \u2013 192 \u0441.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp; 9. \u041c\u0430\u0441\u043b\u043e\u0432\u0430, \u0415. \u0412. \u0423\u0437\u0431\u0435\u043a\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 [\u0422\u0435\u043a\u0441\u0442] : \u0443\u0447\u0435\u0431\u043d\u0438\u043a-\u0445\u0440\u0435\u0441\u0442\u043e\u043c\u0430\u0442\u0438\u044f&nbsp;<\/p>\n\n\n\n<p>\u0434\u043b\u044f \u0443\u0447\u0430\u0449\u0438\u0445\u0441\u044f \u0433\u0440\u0443\u043f\u043f \u0441 \u0440\u0443\u0441\u0441\u043a\u0438\u043c \u044f\u0437\u044b\u043a\u043e\u043c \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u044f \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043b\u0438\u0446\u0435\u0435\u0432 \u0438 \u043a\u043e\u043b\u043b\u0435\u0434\u0436\u0435\u0439 \/ \u0421. \u042d. \u041a\u0430\u043c\u0438\u043b\u043e\u0432\u0430, \u041e. \u041d. \u0413\u0438\u0431\u0440\u0430\u043b\u0442\u0430\u0440\u0441\u043a\u0430\u044f, \u0415. \u0412. \u041c\u0430\u0441\u043b\u043e\u0432\u0430. \u2013 \u0422\u0430\u0448\u043a\u0435\u043d\u0442 : \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438 \u0423\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u0430\u043d\u0430 \u0438\u043c. \u0410\u043b\u0438\u0448\u0435\u0440\u0430 \u041d\u0430\u0432\u043e\u0438, 2014. \u2013 492 \u0441.<\/p>\n\n\n\n<p><strong>Vaqtli matbuot nashlaridan ma\u2019lumot<\/strong><\/p>\n\n\n\n<p>1.Alimardon, M. Abdulla Oripov ijodida vatan timsoli : [shoir ijodida Vatan chizgilari turfa xil ranglarga ega ekanligi haqida] \/ M. Alimardon \/\/ Ma\u2019rifat. \u2013 2023. \u2013 23 avg. \u2013 B. 8.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp; 2. Oripov, A. Ibtido: [she\u2019r] \/ A. Oripov \/\/ Xalq so\u2019zi. \u2013 2024. \u2013 21 mart. \u2013 B. 2.<\/p>\n\n\n\n<p>3.Umrzoqova, Gulsevar. Abdulla Oripov xotirasiga : [she\u2019r] \/ G. Umrzoqova \/\/ Gulxan. \u2013 2024. \u2013 5-son. \u2013 B. 17.<\/p>\n\n\n\n<p>4.\u041c\u0438\u0440\u043d\u0430\u044f, \u0418.&nbsp; \u0427\u0435\u043b\u043e\u0432\u0435\u043a \u044d\u043f\u043e\u0445\u0430: [o \u0436\u0438\u0437\u043d\u0438 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0410. \u0410\u0440\u0438\u043f\u043e\u0432\u0435] \/ \u0418. \u041c\u0438\u0440\u043d\u0430\u044f \/\/ \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e. \u2013 2024. \u2013 21 \u043c\u0430\u0440\u0442\u0430. \u2013 \u0421. 4.<\/p>\n\n\n\n<p>&nbsp;5.\u041c\u0438\u0440\u043d\u0430\u044f, \u0418. \u041f\u0440\u0435\u0434\u0430\u043d\u043d\u043e \u0441\u043b\u0443\u0436\u0438\u0442\u044c \u043d\u0430\u0440\u043e\u0434\u0443 \u0441\u043b\u043e\u0432\u043e\u043c : [o \u0436\u0438\u0437\u043d\u0438 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0410. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u0440\u0438\u043f\u043e\u0432\u0435] \/ \u0418. \u041c\u0438\u0440\u043d\u0430\u044f \/\/ \u041d\u0430\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e. \u2013 2025. \u2013 21 \u043c\u0430\u0440\u0442\u0430. \u2013 \u0421. 3.<\/p>\n\n\n\n<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/strong><strong>Havolalar<\/strong><strong><\/strong><\/p>\n\n\n\n<p>1.Abdulla Oripov [Elektron resurs] \/\/ https:\/\/bilimlar.uz. \u2013 online. \u2013 Kirish tartibi: <a href=\"https:\/\/bilimlar.uz\/abdulla-oripov-1941-2016\/,erkin\">https:\/\/bilimlar.uz\/abdulla-oripov-1941-2016\/,erkin<\/a><\/p>\n\n\n\n<p>2. Abdulla Oripov [Elektron resurs] \/\/ https:\/\/corp.uz \u2013 online. \u2013 Kirish tartibi: <a href=\"https:\/\/corp.uzairways.com\/uz\/abdulla-oripov-1941-2016,erkin\">https:\/\/corp.uzairways.com\/uz\/abdulla-oripov-1941-2016,erkin<\/a>.<\/p>\n\n\n\n<p>3.Abdulla Oripov [Elektron resurs] \/\/ https:\/\/ilmlar.uz. \u2013 online. \u2013 Kirish tartibi: <a href=\"https:\/\/ilmlar.uz\/abdulla-oripov-hayoti-va-ijodi-sherlari-asarlari\">https:\/\/ilmlar.uz\/abdulla-oripov-hayoti-va-ijodi-sherlari-asarlari<\/a> haqida\/, erkin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diqqat yangi adabiyotlar! Axborot byulleteni 28. Biologik fanlar. 28. A 98 7Ahmedov, N. Odam anatomiyasi [Matn] : Atlas \/ N. Ahmedov : [ Mas\u2019ul muharrir : T. Soatov]. J.II. \u2013 Toshkent :\u201cO\u2019zbekiston milliy ensiklopediyasi\u201d&nbsp; \u0414\u0430\u0432\u043b\u0430\u0442 \u0438\u043b\u043c\u0438\u0439 \u043d\u0430\u0448\u0440\u0438\u0451\u0442\u0438, 2018. \u2013 256 b.&nbsp;&nbsp;&nbsp; -ISBN 978-9943-07-642-6 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ushbu kitobda tomirlar sistemasi, qon tomirlar sistemasi, yurak haqida ma\u2019lumotlar berilgan. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25"}],"version-history":[{"count":42,"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":2695,"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=\/wp\/v2\/pages\/25\/revisions\/2695"}],"wp:attachment":[{"href":"https:\/\/yashnabodlibrary.uz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}